DC Comics In Upheaval
In a statement released this morning on DC’s The Source Blog, DC Comics is continuing to clean house and as they put it… “Build a company for the future.” Let’s take a second to see where exactly the axe is falling, and what that future may look like.
The first major change Lee and DiDio mention is the increase of production over at MAD Magazine, which now publishes on a bimonthly schedule. In addition to the increase there, obviously they are branching the brand out with the aforementioned new cartoon show.
Past this bit of news though, it seems DC is ending an era or three within its offices and engaging in some heavy corporate streamlining.
First, everything non-comics will be making the move to the left
coast. The folks at ComicsBeat covered it well, but the basic gist is simple: many folks may be looking for new work come the new year as anything related to the development and production of feature films, television,
digital media, video games and consumer products (all of DC Direct, for example) as well as the
company’s administrative functions moves to a Warner Bros.-managed
property in Burbank, where they can consolidate all the overlap of those departments with WB Consumer Products and the like. It’s not clear yet whether this will include comics sales and marketing.
Next, Wildstorm is closing down and being absorbed into DC. As they said:
After taking the comics scene by storm nearly 20 years ago, the
WildStorm Universe titles will end this December. In this soft
marketplace, these characters need a break to regroup and redefine what
made them once unique and cutting edge. While these will be the final
issues published under the WildStorm imprint, it will not be the last we
will see of many of these heroes. We, along with Geoff Johns, have a
lot of exciting plans for these amazing characters, so stay tuned. Going
forward, WildStorm’s licensed titles and kids comics will now be
published under the DC banner.
Essentially this means that the Wildstorm Universe will simply be known as “Earth 238” or whatever number Grant Morrison assigns it. DC will allow time for readers to forget about Grifter, Maul, Spartan, Fairchild, and the other lost boys and girls in the Wildstorm Universe… and come back with a few Brand New Amazing Mini Series with hope that those feeling nostalgic for big biceps, bigger guns, and really big boobs will revive the now dying universe of characters.
Also, let’s not forget the other imprints of Wildstorm, including Homage Comics (Astro City), and the Alan Moore founded America’s Best Comics (Tom Strong, Promethea)… all of which is currently up in the air. Astro City creator Kurt Busiek was quoted as saying: “They haven’t said anything yet about creator-owned Wildstorm books.
Presumably they want to talk to us first. And right now, they’re busy
absorbing what this means for them. So I doubt I’ll know anything for a
day or two.”
Bleeding Cool has the best take I’ve seen on Wildstorm’s death of a thousand cancellations.
Note also that with this move, the editorial staff at Wildstorm will be undergoing a “restructuring” as well. It will be “folded into the overall DC Comics Digital team, based in Burbank…” While we don’t know specifically what restructuring will occur, obviously, it seems the team will shrink in its cross country move from Manhattan to L.A. Makes us wonder if DC was promised a shot at The Tonight Show as well.
Next to fall? To no one’s surprise, ZUDA. The webcomic imprint, which had its site shut down back in July, will cease to be after this week. As they said:
After this week, we will cease to publish new material under the ZUDA
banner. The material that was to have been published as part of ZUDA
this year will now be published under the DC banner. The official
closing of ZUDA ends one chapter of DC’s digital history, but we will
continue to find new ways to innovate with digital, incorporating much
of the experience and knowledge that ZUDA brought into DC.
ZUDA, which had very little going for it by way of mainstream popularity or attention, doesn’t come as a shock to anyone. With webcomic giants like Scott Kurtz and the boys at Penny Arcade doing just fine, the ZUDA project never really found its legs, past the success of one of it’s initial offerings, Bayou, by Jeremy Love.
The DCU Source Blog in question ends with a long blurb about the future of the company, and it’s increased focus on the “digital initiative”. They even go on to note their happiness at the success of their current digital offerings, which bring in “…anecdotal stories of lapsed readers returning to the art form and
of brick and mortar stores gaining new customers who sampled digital
comics.” We here at ComicMix would love to talk to some of those folks and hear said stories, because we’ve not been privy to any “I gave up paper comics with the Death of Superman, read Action Comics #701 on ComiXology, and rushed back to my local brick and mortar store that stayed in business during those 18 or so years, to start buying comics again!” stories.
As more turns up on this, we here at ComicMix will let you know. Stay tuned…

Since science has cured all disease, and we’re living in a world with jet packs and super-candy (which never causes tooth decay, don’cha know), a symposium was called to finally figure out why teenagers are so influenced by the art and media with which they surround themselves. Led by Maria Nikolajeva, the conference was held in England just a few weeks ago. Nikolajeva, a Cambridge University professor of literature, brought together “people from different disciplines to share what we know about this turbulent period we call adolescence.” Why, you ask? We’re guessing that Nikolajeva (we love typing that name) has a teenage daughter who recently started wearing black, talking back to her, and becoming infatuated with pale boys who drive their own ’96 Honda Accords. We’re just guessing, though.
Tip of hat to
Our dear friends at Marvel decided to share a little cryptic image… and you know how much we love cryptic images. So, let’s take a look at it, and see if we can guess what’s going on here.
Founded by Cap’n Slappy and Ol’ Chumbucket in 1996, International Talk Like A Pirate Day is celebrated today, the 19th of September here and abroad. The two mates began talking like buccaneers one day, and thanks to some promotion from Dave Barry, we can now all share in this truly amazing holiday.
In the continuing saga of comic book writers appearing anywhere they can, author Neil Gaiman has been animated as part of the PBS series Arthur. Gaiman, whose illustrious career includes the acclaimed Sandman series and Marvel’s 1602, as well as the Newbery Award-winning The Graveyard Book and a number of picture books, is lending his proto-goth façade to the popular kids’ show. His episode is set to debut on October 25. Gaiman isn’t the first comic creator to get himself animated into a popular cartoon, however. We here at ComicMix enjoyed the Simpsons episode where Alan Moore, Daniel Clowes, and Art Spiegelman do a signing at the new Springfield comic shop, Coolsville, and later fly away (literally) as the League of Independent Comic Creators. We wanted to embed that clip here so you could relive it, but sadly Hulu skipped seasons 11–19 in their listings.
Gentle reader, I know it’s been an eon and a half since last I told you to dust off that bookmark button. But to be honest, I’ve been buried in the same set of webcomics for a long time now, with nothing piquing my interest as such… until now. Found literally by happenstance, I bring to you today a webcomic that is not like any other I’ve brought to you thus far. I bring to you…
There are institutions in Chicago that make the city what it is. Deep-dish pizza loaded with premium toppings. A hot dog “dragged through the garden.” The Sears Tower (sorry, it’ll never be “Willis Tower” to anyone in the city). Da Bears. And Oprah. More than the robust food, gigantic buildings, or the amazing football team, Oprah’s seat in pop culture has been cemented in recent years as an unstoppable brand. Thanks to the big O, no less than than four talk shows litter the dial. And soon, an entire cable network will launch, thanks to the big O. In addition to the television shows, Oprah and her fifth-dimensionally named Harpo productions is responsible for magazines, telefilms, a radio station, and, we’re pretty sure, an eventual space station where housewives will be whisked away by private rocket to nibble on Southern comfort food and dish on their louse husbands, in between book-club meetings.
Actor Kevin McCarthy, made famous by his role of Dr. Miles Bennell in Invasion of the Body Snatchers, passed away this past Saturday in Cape Cod; he was 96 years old.
