Author: Martha Thomases

Reasons To Be Cheerful, by Martha Thomases

It’s Thanksgiving week. Impossible to get anyone on the phone. News stories about crowded, delayed and cranky airports. Christmas music reaches overload levels.

Let’s talk about giving thanks, and what inspires it. Here are some of the things for which I’m grateful this year:

  • It’s a great time to be a comics reader. Even during the birth of the direct market when there were all kinds of cool independents, I don’t think we had the variety we have now. A lot of this is due to the Interwebs, the series of tubes that provides a low cost of entry for new readers and creators. A lot of this is due to the success of graphic novels in bookstores, which opens the medium to new readers who might want more than superheroes (obviously, what they want is manga). There’s comics for kids, comics for historians, comics for soap opera fans – really, the list goes on and on. Dirk Deppey, at ¡Journalista!, separates “literary” and “pop” comics, a dichotomy with which I disagree, but not in a hostile way, more of a “let’s have a few drinks and argue all night at the bar” kind of way.

Norman Mailer, Neil Gaiman Fanboy

1101730716_400-8720063Norman Mailer died this morning, age 84, at Mt. Sinai Hospital in Manhattan. You can scour the news to read about his importance to literature in the Twentieth Century, from his ground-breaking novels to founding the Village Voice. But did you know he also helped change comics?

One night, we had a dinner party for the express purpose of introducing Mailer to Neil Gaiman. Neil, as was his habit, was so charming that Norman wanted to read Sandman. He liked the series enough to provide a cover blurb for the next trade paperback collection. Neil later reported that bookstore buyers told him that the Mailer quote persuaded them to stock graphic novels. And the rest, as they say, is history. Ancient Evenings is an awesome book. Start there.

TV Eye by Martha Thomases

A few thoughts on the Writers Guild of America strike, and what it means for comics – and you!

• If the history of comics has shown us anything, it’s the fact that the more satisfied the creative talent is with their deal, the better our choices in entertainment. The rise in independent comics that started with the undergrounds in the 1960s forced innovation on what had been a stodgy industry, not only in terms of subject matter but also in terms of revenue sharing and creator-owned properties.

• Television and movies are much more collaborative efforts than comics, so sharing copyrights and trademarks can be much more complicated. That’s why, in those media, the accepted standard payments are residuals and royalties. Even though the comics industry has been paying royalties for over a decade, I have not seen it make any difference in the bottom line at Warner Bros. or Marvel. When profits are shared, everyone profits. (Aside: Yes, I know studio accountants can magically make profits disappear. That’s a separate rant.)

• It’s kind of hilarious that people expect a flood of Hollywood talent to descend on comics during the strike. For one thing, most of the major publishers book up their talent on regular books for at least six months to a year. For another, the major publishers offer deals that are much worse than what the studios are offering. DC or Marvel may consider original graphic novels, but they’ll want to retain ownership, just as they do with all their other properties. (more…)

Women of Color in Comics and Manga

Looks like Valerie D’Orazio is starting her new term as President of Friends of Lulu with a bang. Along with the Ormes Society (and the equally wonderful Cheryl Lynn Eaton), the group is sponsorting a panel, "Women of Color in Comics and Manga." On the panel: Alitha Martinez (Iron Man, Thor, Yume and Ever), Jenny Gonzalez (Too Negative), and Rashinda Lewis (Sand Storm), with Moderator Cheryl. It all starts at 7 PM on Monday, November 12, at the Museum of Comic and Cartoon Art (MoCCA) (594 Broadway, Suite 401, SoHo, baby!).

Take a Good Look at My Good Looks, by Martha Thomases

It’s not a secret that I worship Kyle Baker. Perhaps his wife, Liz, is a bigger fan, but that’s debatable. So it’s no surprise that I looked forward to his new series from Image, Special Forces. It’s even less of a surprise that I like it so much.

The surprise is the subject matter — the war in Iraq. We’re nearly five years into this war, and there have been very other few comics about it (notably Rick Veitch’s Army @ Love). I can’t think of another war in the modern media age that hasn’t inspired comics. Wars have been the springboards for some of my favorites in our medium, including Harvey Kurtzman’s Two-Fisted Tales and George Pratt’s Enemy Ace.

Special Forces is hilarious and terrifying. In the tradition of war comics (and movies), it follows a troop of lovable misfits. These are modern misfits, however. Using actual news stories as springboards, Baker casts his unit with the type of people being recruited for this war: felons, the mentally ill, the physically unfit. That’s what makes these forces “special.” And the most special is Zone.

Zone is autistic. He doesn’t look people in the eye. He doesn’t talk. He carries a small plastic toy soldier with him at all times. And he’s a perfect soldier: he follows orders precisely. Nothing stops him from doing what he’s been told to do, not teasing, not pain, not enemy fire.

Zone briefly went to high school with Felon, our narrator. Felon is a beautiful woman with anger issues. She enlisted in the army to avoid a prison term. Felon and Zone are the only two characters to survive the first issue. (more…)

Free Mike Grell Forever

Starting Friday, November 2, ComicMix is proud to present, online and for free, Mike Grell’s newest graphic novel, Jon Sable Freelance: Ashes of Eden.

Jon Sable is many things: freelance bounty hunter, bodyguard, mercenary… even a children’s book author. It’s true. Under the pen name of "B. B. Flemm," Sable is the author of a popular series of children’s stories about a troop of leprechauns living in Central Park. How did he get to this point in his bizarre life? Ivory poachers slaughtered his family when Sable was a professional hunter in Africa. Deported back to the States, he drank himself to the bottom. With the help of his mentor, Sonny Pratt, and his literary agent, Eden Kendall, he struggled to put his life back together.

In Ashes of Eden, his newest adventure, Sable is hired by the head of an African diamond cartel to transport a magnificent raw diamond to an exhibit in New York. But his task is complicated by having to play escort, bodyguard and babysitter to the cartel’s corporate spokesperson, Bashira, a temperamental model with a history of drug problems. While Sable struggles to keep her under control and out of tabloid headlines he finds himself the center of a deadly hunt and a plot that reaches beyond the world of glamour and into the world of terror. But when diamonds are on hand, who would you expect to find behind the scenes, lying in wait?

Jon Sable: Ashes of Eden also marks the long-awaited reappearance of another classic Mike Grell, Maggie The Cat. The Jon Sable series was the best-selling title published by First Comics, one of the most important independent publishers at the birth of the direct market. Created (and owned) by Mike Grell, the character of Jon Sable is so popular that he was the inspiration for the ABC network series, Sable, in 1987. Rene Russo was a regular cast member, and guest stars included Lara Flynn Boyle and Del Close.

To celebrate, ComicMix is launching the first internet publication of two major works by Mike Grell, Shaman’s Tears and Bar Sinister. Shaman’s Tears was published by Image Comics in the 1990s, featured Grell’s Joshua Brand and guest-starred Jon Sable. Bar Sinister, with art by Rick Hoberg, contained a super-hero team introduced in Shaman’s Tears, was published by Valiant soon after. These will be full, 22-page issues, free and in color, online and for free at ComicMix.

Here’s the schedule: Shaman’s Tears Issues 0-4 runs 11/1 Shaman’s Tears Issues 5-8 runs 11/8 Shaman’s Tears Issues 9-12 runs 11/15 Bar Sinister runs 11/22 — Thanksgiving.

Devil’s Arcade, by Martha Thomases

In honor of Halloween, here are some things that have scared me during my lifetime.

  • Dell Comics. When I was ten years old, my friend Kenny Raffle had a big pile of comics he let me read. In the stack was a Dell horror comic about a giant hand that would come out from under the street through manhole covers, grab people, and devour them through holes in its palm. It was stupid but terrifying. Several years later we had squirrels in the walls of our house, and when they ran around in the middle of the night, it sounded like fingernails on the wall. I’ve since learned that Dell didn’t submit their material to the Comics Code, arguing they were inherently wholesome. I mention this not to defend the Code, but to demonstrate that what seems wholesome to one person can terrify another. Stephen King was afraid of the “twi-night double-header.”

  • High School. I know now that it’s almost impossible to be an interesting adult if you had a good time in high school, but it still haunts me. I dream about finding myself still there, despite my insistence that I’m an adult, I graduated college, and I can’t live in an all-girls dorm anymore. Also, I can no longer fit in my uniforms.

  (more…)

Mothership Connection, by Martha Thomases

There’s been a lot of conversation lately in the girls’ section of the comics blogosphere about the way women’s lives are depicted in superhero comics. Even so-called strong, independent female characters are little more than an excuse to show tits’n’ass. Some site evidence that female characters are used as plot points, citing the “women in refrigerators” syndrome. More recently, discussions have centered on the premise that married characters are boring.

A lot of this is a reflection of the larger pop culture, which is at least as male-dominated as comics. The people who can greenlight movies, or put a television show on a network, are most likely Penile-Americans. Book publishing tends to be more diverse because there are more women in positions of authority, and (this is related) book publishing tends to pay less than other mass media.

Most of it, however, is lazy pandering to the perceived target audience. It’s assumed that boys find the single life more glamorous and more exciting than marriage. Up to a point, I agree. The thrill of the chase is, well, a thrill. That said, even the new gets old after a while. Dashiell Hammett used Nick and Nora Charles to show that marriage can be sexy and fun. Why can’t comics? (more…)

All Ages Night

All Ages Night is a new film about the cool kids who reject the Britneys and Timberlakes for the classic joys of Patti Smith and the Ramones. Written by former Marvel editor (and Wolverine / GI Joe scribe) Larry Hama and his writing partner, Gabrielle Kelly, it’s the story of a London punk who comes to Los Angeles and meets kindred spirits. You can find out more at the film’s MySpace page or by checking out this story in the Los Angeles Times.

(We Could Be) Heroes: Top Ten Rock Songs About Superman, by Martha Thomases

What does one hum on the way to the comic book store? If you’re a person of a certain age, with a certain history with certain illegal substances, you probably have a few songs about the original super-hero stuck in the part of your brain that should be storing French vocabulary words.

Even if you aren’t old, you probably listen to a few songs about super-heroes. The Marvel superhero movies have had fantastic soundtracks, even if most of the songs weren’t written specifically for the movies. The Prince Batman soundtrack is a winner (Vicki Vale!), and the Ramones did a fabulous cover of the cartoon Spider-Man theme.

And yet, the Man of Tomorrow is still the foremost inspiration for popular songs. From the alt-folkie to Eminem, there are Superman songs. Alas, some of the more hard-core take a rather literal approach to the term, “super-man” and imagine all kinds of sexual possibilities that seem to have nothing to do with Truth, Justice and the American Way (nor Kryptonian physiology, nor anything human – entertaining, though).

Here is my choice for the Top Ten songs about Superman: (more…)