Horror Review: ‘Trackman’
Synopsis:
A perfect bank heist turns deadly when the robbers and their hostages flee to the abandoned underground subway station where they encounter the Trackman, a deformed madman that prowls the darkness. It becomes a fight for survival as the mysterious monster picks off the people, both good guys and bad, one by one.
Lowdown:
Remember the days when horror films didn’t need a twist ending? When Freddy Krueger never turned out to be Nancy’s father, or Michael Myers was never just a part Laurie’s subconscious? Those were the good old days, but since the genre has been changed by things like Saw or the trend of remaking Japanese horror, it’s almost like a rite of passage to have a “mind-altering” twist at the end of the film, and quite frankly, its getting old.
Trackman has some great slasher movie elements to it, buried deep inside of a poorly edited and badly shot film. Having that the film was made in Russia, I may not be up to speed on how things are shot and edited there, but I’m pretty sure taking a page from Zack Snyder’s book of “unnecessary slow motion” is universally unacceptable. At least when Snyder does it, it’ during a moment of deep(ish) drama to accentuate the moment, and not just establishing shots of dark hallways slowed down to fill time. The film weighs in at 80 minutes, but if you were to dump the slo-mo shots, we’re looking at more like an hour.
The beginning kicks off with a very “Inside Man” feeling, with two men going over the plan for a bank robbery. The robbery goes on, some unneeded blood was shed, and the robbers escape with a few hostages for good measure. Their plan, for some reason, involves roaming around an abandoned tunnel system where (here’s when things get fun) they come across the Trackman.
The origin of the “monster” is done through about two lines of dialogue and something about Chernobyl, but is vague and pretty borders on being convoluted. The great thing about the Trackman is that he had just about all of the elements that made Jason Voorhees so scary for decades: covered face, skulky, had the ability to appear and disappear when needed, wielded a pretty big weapon, and even had a memorable rattle (replacing the Ch-Ch-Ch-Ka-Ka-Ka with some pretty heavy footsteps). The twist in the end of the film, however, negates all of this as we learn that the monster may not be all that monstrous.
The gore is done on a pretty low budget for the film. The big shtick that the Trackman has is a makeshift eye-scooper that he uses to rip out the eyes of his victims and keep. The act of scooping is done all off camera with screams, and even the more gory slasher-type kills are done off camera. A bit of a rip off for the fans of the genre who remember the days of Jason hacking away pieces of campers.
While the film does have its flaws, it makes up for it by bottling what we all loved about the slasher films of the 80s. There are some great moments of suspense and horror, and there may even be room for a return of the Trackman, provided they can find another reason to go into an abandoned Russian mining tunnel.
Overall Rating: 6/10
Scare Factor: 4/5

Synopsis:
With a plot synopsis reading “an alien takes over a sixth grade class”, there aren’t many places you can go that won’t deliver as obtuse or puerile, but this film manages to go in the opposite direction and take the “confusing and pretentious” path. The end of the film consists of the substitute teacher taking the students on a field trip to her point of origin with plans on doing something malevolent. The first time they arrive, the children plan an escape and almost get away, if it wasn’t for time rewinding twelve hours and nobody remembering anything. They then go for “ending #2” and fight the alien. The rewind ending made no sense and left me trying to figure out what had happened, rather than watching the ending, which was subpar as well.
Though the movie takes itself about as serious as anything produced by Troma in the last 30 years, there is a bit of story inconsistency throughout the film. Strictly looking at this like a zombie movie, the fact that certain zombies are the infamously slow-moving Romero creatures, while others are literally jumping from the grave and chasing down teens is a bit hard to swallow. At least in Shaun, all zombies were lurching monsters, which they used to their advantage. Outside of this, the movie is loads of fun to enjoy.
Synopsis
The fact that the film takes itself serious while the primary antagonists are members of a metal band should show how campy the movie is overall. If you are in on the joke of this film, it can be pretty funny, like âHey look, the guitarist is chasing that lady down a hallway, he must be terrible!â. So beware: if you watch this film without that knowledge, you may fall into the trap of taking it too seriously.
It looks like those, like myself, in love with the children’s show Yo Gabba Gabba! will be enjoying your favorite monsters on the big screen. According to producer Charles Rivkin, there is currently a confirmed plan for a feature film. Seeing as how Pee Wee’s Playhouse can stem three films, there’s no reason why a bunch of monsters and a robot can’t.
In the coming days leading up to Halloween, we will be reviewing each film collected in Lionsgate’s Ghost House Underground Collection. In the set are eight films hand picked by "Horror Kings" Sam Raimi and Robert Tapert who have produced films such as The Grudge, Evil Dead, and 30 Days of Night.
I recently got a chance to sit down and chat with legendary producer Robert Tapert, who you know best as Sam Raimi’s better half working with him on things like Hercules, Xena, Evil Dead, and even producing some great horror films to hit theaters in the past few years such as The Grudge and 30 Days of Night. I talked to Rob about some of his newer projects, including The Ghost House Underground Collection, a collection of eght horror films hand picked by Tapert and Raimi, which we will be reviewing here in the coming weeks. We also chatted about his newest TV project, Legend of the Seeker, and even a possibility of an Evil Dead remake.
Those of you who are like me and impatient when it comes to the World of DVD’s knows what it’s like to buy each season of a TV show on DVD and then miss out on a glorious looking box set with better extras and a shinier box for your collection. Well, out next week is definitely one box set you won’t want to miss, as Warner Home Video is realasing

