Author: Mike Gold

My Friend, Rick Obadiah

rick-obadiah-150x150-9427053My friend and the man who co-founded First Comics with me 34 years ago, Rick Obadiah, died Sunday night. He was at the gym, and when he got off the treadmill he had a massive heart attack and was dead before he hit the floor.

Sorry for the abruptness. That’s how I’m feeling right now. I’m not going to write this as a traditional obit. I’m really sick of doing that, Rick was too good a friend and, besides, I’m alone in a Holiday Inn in Richfield Ohio right now.

I will tell you that, in addition to being First’s founding publisher, Rick had been an advertising executive and was the former producer for Stuart Gordon’s Organic Theater Company, having worked on such plays as Warp and Bleacher Bums as well as the television and movie adaptations of the latter.

Most recently, he was the president of Star Legacy Funeral Services company – the folks who, among other things, compress their clients into artificial diamonds or shoot their ashes into space. All that was actually pretty cool.

Rick had a fantastic sense of humor and would have appreciated the irony in his dying at the gym. Of course, he also would have pointed out that he would have preferred not to be dead. And Rick would have been shocked to see the incredible amount of responses on my Facebook page his passing received in such short period of time. People remember First Comics – the real First Comics.

Last year, Rick reread a lot of the old First titles and was pleased to see how well they held up. He took a lot of pride in that, for which I am very grateful.

Rick’s funeral will be on Friday August 21, 11:00, at the Derrick Funeral Home 800 Park Drive in Lake Geneva WI.

This Sunday, August 23, we will be doing a special tribute to Rick at our Chicago Comics History panel at Wizard World Chicago, at 12:30.

 

Mike Gold: Pissing Off My Inner 11 Year-Old

The Thing

The newest Fantastic Four movie disaster answers one question, but raises at least one other.

From the menorah conveniently planted in a background shot, we learn that Ben Grimm was indeed Jewish. But from all of the later scenes featuring The Thing, we find ourselves asking the question “Was Ben Grimm’s mohel a raving lunatic with gardening shears?”

This is because The Thing is naked throughout the movie. He didn’t even call Fin Fang Foom to borrow some undies. He should have. Then he would have had an excuse to walk out on this remarkably tedious motion picture. In this movie, The Thing has no, ahh, man-thing.

That wasn’t the worst part and, to be fair, it wasn’t the best part either. It was just as boring as the rest of this movie. There were worse elements. A story with so many holes you’d think you were driving down Manhattan’s FDR Highway. A lead cast that would have been better deployed in an adaptation of Power Pack. A Doctor Doom so poorly designed you’ll believe Galactus looked better in Rise of the Silver Surfer, the previous Fantastic Four film fiasco.

Worse still, and, actually the worst thing to happen in a superhero movie in over ten years…

Jack Kirby’s name was nowhere to be found!

Stan Lee was noted as an executive producer. This was a contractual honorific, so as far as I’m concerned neither Stan nor Jack were mentioned. They certainly were not credited with creating even the characters.

I have a special connection to the property. Fantastic Four #1 was the first Marvel comic I ever bought. Yes, that’s the first Fantastic Four #1. Didn’t you read last week’s column? Anyway, I had just turned 11 and I had never, ever read a comic book that was half as… fantastic. It strip-mined my sense of wonder. I reread it immediately. And then, I read it again.

O.K. So I’m a fanboy. They didn’t make this current Fantastic 4 movie (that’s how it’s spelled in the credits) for geriatric fanboys. They made this movie for people who have been shooting cocaine for a week and need something to put themselves to sleep. The best part of this movie was the popcorn and, like the movie, it was overpriced.

Here’s the plot: a bunch of kids invent a machine that causes the audience to immediately zone out. The end.

Have I ever seen a less humorous movie? Yes; that would be Triumph of the Will. Is it better than the previous first Fantastic Four movie? No. Is it better than the first first Fantastic Four movie?

That Roger Corman-produced movie from a quarter century ago was Citizen Kane compared to this new waste of CGI. The Corman film is vastly superior in this release in at least one respect.

They never released that first, first Fantastic Four movie.

 (Thanks to my pal Danny Fingeroth for letting me test some of this out on him.)

 

 

Mike Gold: Crawling Out Of The Primordial Slime

superman-old-8356370

Superman was studying for his Bar Mitzvah on the day I was born.

I’ll save you the math. Superman was “born” in 1938. Both of his parents were Jewish. It is safe to assume that by the time a Jewish boy is 12 he’s probably studying for his Bar Mitzvah.

That means that your erstwhile writer and man-about-town is now a senior citizen. Actually, that happened yesterday, as you read these words. I’m posting this on August 3rd, so even if I get hit by a truck the day before Medicare you still get to read me whining and moaning and bitching about my antiquity.

It’s a shame that comic books have become respectable. Quite frankly, I’d make that argument even if I were only half my age, and that would still be twice the age I act. Because there has been damn little “respectable” about the first 65 years of my life, I plan on leaving through that same door.

I want to hear some even older drug store geezer walk over to his comic book rack scream “Hey! You! Geriatric twit! This ain’t no library!”

Come to think of it, I’ll settle for finding a drug store with a comic book rack.

Unlike every major and about a billion minor mainstream superheroes, I doubt any of us will get rebooted. As you regulars know, I’m not crazy about reboots. If they have to happen at all, they should only happen to people who are held together by staples.

On the other hand, I am held together by a team of people as patient with me as they are critical to me. First and foremost, by daughter Adriane Nash, who transformed my life entirely and massively for the better. All of my brothers and sisters here at ComicMix; it’s amazing what we’ve all went through this past decade. Even amazinger, we made it through the muck. My friends, which include my professional collaborators, which means I am goddamned motherfucking lucky.

To take a step back, what holds me together is the love, support, ego, and craft of the entire comics community. Talent, bureaucrats (yep; I’m one of them), fans, bloggers, store owners, store workers, technicians, movie makers, television show makers, cosplayers, and creative malcontents and misfits: That’s our comics community, and I’m proud and grateful to have been part of that all these ridiculous years.

This pocket dimension of ours is so cool even people who loathe each other do so on a first-name basis. That’s really cool. I mean, when was the last time you heard somebody scream “You degenerate piece of shit! I damn you and all your children born and unborn for the next seven generations…” followed by that person’s first name. There’s a strong possibility that this phrase was uttered after two friends disagreed as to which Jack Kirby creation was better: the Silver Surfer, or Thor.

(Thor. Hate me if you must.)

You gotta love it. My deepest thanks to each and every one of you.

Let’s see how much longer I can milk this puppy.

Thanks and a tip of my hat to Denny O’Neil and John Ostrander, who got there first and showed me the way.

 

Mike Gold: James T. Kirk Is A What? And Ted Cruz Is A… What?

james-t-kirk-republican-300x226-4309858

This is one of the many reasons I find politics to be a spectacular spectator sport – even when that nutcase Donald Trump isn’t sucking up all the ether in the bottle.

According to an interview published in that Communist rag The New York Times, USS Enterprise Captain James T. Kirk is a Republican, while USS Enterprise Captain Jean-Luc Picard is a Democrat. This is according to Republican Ted Cruz, who is one of the many, many, many, many people running for president.

Ted Cruz named his company Cruz Enterprises after Stark Enterprises, according to the interview. This must reaffirm my fellow ComicMix columnist Martha Thomases’s belief that Tony Stark is a Republican, an opinion I share despite Tony’s sense of humor. This was made clear in the Civil War storyline.

Therefore, one might assume Captain America is a Democrat. Perhaps, but I think he might be an all-out radical. After all, left-wing activist Abbie Hoffman wore an American flag shirt on The Dick Cavett Show. The shirt was Chroma-keyed out, which proves ABC/Capital Cities was run by a bunch of imbeciles… as opposed to ABC/Disney, which is run by a bunch of imbeciles. But I digress.

Ted told the Times “Let me do a little psychoanalysis. If you look at Star Trek: The Next Generation, it basically split James T. Kirk into two people. Picard was Kirk’s rational side, and William Riker was his passionate side. I prefer a complete captain. To be effective, you need both heart and mind.

“Kirk is working class; Picard is an aristocrat. Kirk is a passionate fighter for justice; Picard is a cerebral philosopher. The original Star Trek pressed for racial equality, which was one of its best characteristics, but it did so without sermonizing… I think it is quite likely that Kirk is a Republican and Picard is a Democrat.”

Perhaps Ted is unaware that Picard is French and, as such, is not eligible to vote in American elections. However, this gross mistake is understandable as Ted Cruz was born in Calgary, Alberta. In case you skipped geography class the way Senator Cruz obviously skipped civics class, Calgary is part of the great nation of Canada. This hasn’t stopped him from running for president, although it is possible that a constitutional challenge might. Otherwise, we would be tipping our hat to President Schwarzenegger right now.

Ted might have been born in Canada, but he is of Cuban descent. This explains why he took pains to point out that he “can affirmatively say that I have made out with far fewer space aliens,” emphasis mine.

He did not clarify which of the many Spider-people he supports. The fact that Ted has strong Hispanic roots does not necessarily mean he’s a fan of the Miles Morales version, who is half-black, half-Hispanic.

Which puts Miles one-up on Barack Obama… who is also a Spider-Man fan. Like most presidents since the Great Depression, Obama has appeared in quite a few comic books, including Amazing Spider-Man. He’s been known to conspire with Amanda Waller, a person who, I strongly suspect, would not tolerate a man such as Ted Cruz.

 

Mike Gold: Gun, Respect, Courage

gun

We get a lot of review copies here – by mail, email, and in-person at conventions. That’s a nice thing, and it’s quite possibly the reason why my daughter went into the comics business. But since we can’t review a fraction of what we get over the transom (although we did just add Philip Sandifer to our review crew; hi, Philip!) I often feel a bit sad that the creator/publisher/talent went to the bother and the expense.

But every once in a while something will catch my eye and if the planets are properly aligned and I remembered to sacrifice the proper animal to the proper authority, I’ll give it a read. If I like it, I might even give it a plug, for what that’s worth. There’s too many good projects out there that don’t get enough exposure, so I rarely spend my time blithering about what is, in my never-humble opinion, not worth it.

The more inspired and better-healed comic book shops racked the first issue of Gun today, created, written, drawn and hand-painted by Jack Foster. Nice package, great paper, a quick flip-through did not scream “well-healed wannabe” and – most impressive – his name wasn’t even on the cover. What the hell; it wasn’t going to be a selling point so he smartly used the space to attract the readers’ attention.

But what impressed me most of all was the cover letter, which consisted of four brief paragraphs that covered all the bases one should cover… including the mission statement. Jack’s working outside of Diamond Distribution, to quote said letter, and he’s got an interesting blog to prove it.

I have no problem with Diamond, outside of the fact that they’re a monopoly. I’m still a bit in awe, after all these years, of the way Diamond put that monopoly together. But going out there on your own despite the many failures of organizations much larger than Foster’s “Reckless Eyeballs Press” – that really captures the true independent spirit and, damn, this planet needs as much of that as it can get.

So, good for Jack and his cohorts. I sat down to read Gun #1 with a positive, hopeful attitude, and I was not disappointed. It’s a comics noir story about a super-villain and his super-villain friends and how they work together, how their society operates, how they bond and the limits of those bonds. Yes, this is ground well-trod. Big deal. The whole superhero thing has been well-trod for over half a century, and that hasn’t stopped people from coming up with great stories. The art is decent but the storytelling is quite good, and Foster delivers some extremely clever dialog. His hand-painted color is also quite good, although in a couple places it prints a bit dark. Gun could probably use a slightly stronger touch from the editor, but I play a professional editor on teevee so of course I’d feel that way.

The book costs $4.99 over the counter at those inspired comics shops that can afford to take the risk on an unknown. It’s also available online in both hardcopy and digital; the latter goes for $2.99.

If I didn’t enjoy Gun #1, I’d be writing about something more worthy – like my cats, which is always a Net-pleaser. I think you should check it out; even if you hate it, at least you’ll know why and you’ll have given some support to all those garage writers and artists who, as it so happens, hold the future of the comics medium in their hands.

Looking forward to the next issue, Jack. And thanks for sending it to us.

 

 

Mike Gold: Bloom County? Thank You, Donald Trump!

Bloom County 2015

Count your blessings.

Inside every dark cloud there’s a silver lining.

I’m happy as a clam.

I may be jumping the gun here, but take a look at the artwork above. If you haven’t heard, or read (and, personally, I’d rather be read than dead), Berke Breathed is once again coming out of retirement – or, more to the point, his classic surreal comic strip Bloom County seems to be coming back to life. This is according to his Facebook page, which was a little unclear if he was actually returning to Bloom County on a regular basis or just for another brief run through the campaign season.

Let’s hope for the best and while hoping, let’s look at Breathed’s motivation. Again, according to his Facebook page he’s returning to the fold because of one man – America’s asshole-in-chief, the sweetheart of the Mexican rodeo, the mouse underneath the rat, ladies and gentlemen I give you… Donald Trump!

The Donald brings the best out in political satirists. This past weekend while the Cool Kids were hobnobbing at the annual San Diego clusterfuck, David Letterman came out of retirement to crash Steve Martin and Martin Short’s gig in San Antonio Texas to deliver a truly funny Top 10 list: the <a href=”

10 interesting facts about Donald Trump. We’ll see how long it takes Jon Stewart to stay off of the Trump beat after he leaves The Daily Show at the end of this month.

As his “sample” strip indicates, Breathed certainly won’t limit his repertoire to the Donald, even though the bastard is the gift that keeps on giving – you know, much like herpes. His characters are too well developed, as original as, say, the folks in Walt Kelly’s Okefenokee Swamp and Al Capp’s Dogpatch.

Today newspaper strips thrive not in newspapers (they all have pretty much the same line-up) but on the Internet, on such services as Go Comics and Comics Kingdom. Indeed, Go Comics has had Bloom County among its classic strips content since its inception. In an act of possibly not-coincidence, Go Comics has just about finished reprinting the entire run. Let’s hear it for fortuitous timing!

As I said, Breathed was a bit vague as to when, how and even if Bloom County will truly be returning. Doing seven strips a week is tough, and he’s gone back to that well a few times. But keep your shirt on.

You just can’t keep a good man down.

On the other hand, don’t count your chickens before they hatch.

O.K. Mike has left the building.

 

Mike Gold: Buying Comic Books

pittsburgh-newsstand-5500677

For most of those of you who are lucky enough to have grown up near a comic book store, you may be unfamiliar with those hallowed days when we had to go to our local drug store, candy shop), grocery store, and/or newsstand to get our four-color fix.

Right there among the legitimate journals, next to the “men’s sweat” magazines that cover-featured well-dressed Gestapo agents torturing hapless well-endowed American women who somehow got caught up in the war effort, beside the farm magazines and the science monthlies and the news weeklies, awaited our favorite comic book characters ripe for the plucking. We didn’t have fanzines, let alone the Internet, to tell us what was coming out each week. New titles and new characters simply appeared at one or another outlet – no one place had them all – and that element of surprise was vital to our bouillabaisse of comic book entertainment.

Each Saturday my friends and I would hike down Devon Avenue from Kedzie to Western Avenue on Chicago’s north side, stopping at seven or eight different stores that met our needs. Mind you, some of us – most certainly yours truly – had already gone to as many as three different drug stores located nearer to our school. Oh, sure, we did lots of other things kids did back then, like lag baseball cards and scarf down Vienna hot dogs and mock the adult passersby and wise off to the police who seemed to hate us kids (I wonder why?). But that part of our itinerary varied from week to week. The constant was gawking at all those comic book racks.

Afterward we would go to one of our sundry abodes to read our stash, often sharing purchases with one another. Then we would discuss what we read. I remember when my best friend declared he did not think my favorite artist, Joe Kubert, actually knew how to draw. Another in our group declared he was uninterested in the embryonic Marvel Comics line because they were all written by the same guy. “If Stan Lee got hit by a truck,” my pal surmised, “they’d be up shit’s creek.”

Well, I certainly would have been. Fantastic Four #1 came out right when I turned 11 and I was just beginning to tire, just a little bit, of DC’s domination of the superhero genre. Marvel’s continuous growth stoked my interest in the medium.

As Flo and Eddie informed us, before too long those sing-along days were lost to us forever. Contrary to the popular belief of the time, it wasn’t television that really killed comic book sales. It was the slow death of all those mom’n’pop stores as families bought cars, moved out to the suburbs, and shopped in malls and chain stores where the profit margin on a ten or twelve-cent comic book was way too thin to justify retail floor space. Comic books that had been selling a half million or more copies drifted downward to maybe 100,000, and then even lower. Sell-through percentages spiraled down from 70% or more to 40% or less.

Cast-off from the growingly elitist science-fiction fandom, comics fans got organized. Comic book stores started popping up and the wondrous Phil Seuling cut deals with the publishers to get their wares directly into those comics shops. Phil saved our beloved medium’s ass.

The sad by-product of this was if you didn’t live near one of those comics shops, you were out of luck. The average age of the average reader went up as you pretty much had to have access to a car to get to a direct sales store… assuming there actually was one within driving distance. For most… no soap.

It was a deal with the devil but the comic book remains alive in America. Unfortunately, those kids today who live within walking distance of that one-mile stretch of Devon Avenue have exactly zero places to buy comic books and those other three drug stores are all out of business.

Life changes for better and for worse. But it was really fun to be surrounded by all those newsstands.

 

Mike Gold: The Shoe’s On The Other Foot

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My long-time friend and colleague Martha Thomases does not like wearing high heels. This, of course, is her right. I have been sympathetic to her position, even to the point of referring to it as a contemporary form of traditional Chinese foot-binding.

gay-pride-2015-19-6714749That was until this past Sunday. Now, meh, not so much.

I’ve been to many a Gay Pride rally, including – yep, I’m bragging – the very first in New York. I’ve been to such rallies in several different cities; I’ve been to them after terrible tragedies such as the Stonewall Inn riots and, less than ten years later, the discovery and growth of HIV. Yet each and every march and rally has been fantastic fun, each one a deeply meaningful, fun-filled and life-affirming event. I have always walked away from the rallies and parades feeling much better about my fellow humans – even in my most cynical times that account for some six decades of my life.

More to the point, I always had a great time. Always.

So this year’s Gay Pride march and rally in New York City, coincidently held two days after the Supreme Court finally made marriage equality the law of the land, was something I wouldn’t miss even if I had lost my arms and legs and had to be carried in a basket. Thankfully, I was fully able to walk.

If Elon Musk had been there, he would have figured out a way to capture the energy of the event and use it to fuel a battery that would run every car in America for a year.

There’s no question the gay culture that has always affected our mainstream culture no matter how closeted it had been in the past. Several of our ComicMix columnists have commented on this point and several more may yet: right now, it is the perfect topic for a pop culture site such as this one.

The New York City parade, which attracted more than two million onlookers and, it seemed, about as many participants, was fraught with politicians and corporate sponsors. No, Mike Huckabee didn’t march, nor did any of his fellow Republican presidential candidates. That wasn’t a surprise and, besides, the parade route always was crowded. Delta Airlines, NBC/Universal, Master Card, and Coca-Cola were among the many who entered elaborate floats. So did a great many religious organizations – but certainly not all. Parents brought their children, both as onlookers and as participants.

This year’s parade marshals were two British peers: Sir Ian McKellan, also known as Magneto, Sherlock Holmes, Gandalf and others; Sir Derek Jacoby, a.k.a. Emperor Claudius and both Doctor Who’s arch-enemy The Master as well as The Doctor himself; and Ugandan LGBT activist Kasha Jacqueline Nabagesera. All around, a class-act. It was sort of like the St. Patrick’s Day parade, but without the – what’s it called again? Oh, yeah. Blatant bigotry.

The parade ran in a light rain from 36th Street and Fifth Avenue to the Stonewall Inn, a distance of nearly two miles. From my vantage points I couldn’t conduct a scientific study, but I believe there were more adults wearing high heels than not. Of course, I’m also counting the dozens (at least) of paraders wearing stilts.

Seeing all those folks marching in their fine footwear, I think I’ve got to backtrack on that foot binding thing. I figure, it must be worth it.

gay-pride-2015-51-9257269Now… you say you don’t like gay marriage? You’re opposed to it? Somehow, it lessens the value of your marriage? Well, congratulations. You’re in luck. There is no more “gay marriage.”

Now… there is only “marriage.”

(Photo notes: At top – PBS’s rolling billboard for Vicious, starring McKellan and Jacoby. Up there on the right – part of the massive Delta Airlines presence, including a flight attendant with an astonishing hat size. Down here on the left – your humble columnist, posing with the newly transgendered crimefighter, The Shadow.)

 

Mike Gold: A Simple Twist Of Fate

Doctor Fate 1

For the past several weeks my friend and comrade Paul Levitz has taken to the so-called social media to promote his brand-new comic book, Doctor Fate.

Of course, this is his right and more power to him. But I don’t recall Paul doing so much promotion for his work during a writing career that goes back to when he was a small child. Now that he’s well into being a small adult, I’m taking this effort as a sign of his pride and enthusiasm for his latest project. I would have read this book anyway as the lead character has long been a favorite, but I really wanted to see why he’s so enthusiastic this time around and so the book took the top position on my week’s reading pile.

Doctor Fate 2Doctor Fate #1 is capped by an interesting and unusual mosaic-pattern cover, drawn by interior artist Sonny Liew in DC’s newer, looser style. If the idea of the cover being drawn by the interior artist confuses you, there’s a variant cover available if you can wrestle it from your retailer. I stared at it for a while, found the hidden bunny rabbit head, and moved inside.

The story is a continuation from the Sneak Peak giveaway made available last month, although if you haven’t read that and you’re not interested in reading it on DC’s website, that’s cool. The story makes perfect sense without it. It is properly apocalyptic, with Anubis, the jackal-headed Egyptian Lord of Dead with the Greek name, preparing his own personal sequel to the big wet Noah Event. Only one young Brooklynite of Egyptian heritage can save the day – or so we presume; it’s a continued story and not a mini-series – and he wants no part of it. He’s about to start pre-med classes and he’s got a girl friend or something. But… dare I say it… Fate has other plans.

I’ll admit I was disappointed that they fussed with the traditional Doctor Fate costume. This did not come as a surprise as I actually pay some attention to the New New Fifty-Two as I eagerly await the inevitable Newer Still New New Fifty-Two reboot. But, who knows, maybe I’ll get lucky and we’ll see some sort of return of what I find to be one of the most interesting and distinctive superhero costumes of the past 75 years. Right now, we get the helmet – to be sure – and the amulet, which seems to have been stolen straight out of Tony Stark’s chest. Not to worry; Tony’s got plenty more.

Paul is one of those writers who carefully plots out the inter-relationship of each story element. This is what made him a superlative Legion of Super-Heroes scribe, a trait he shared with his predecessor, Jim Shooter. It’s clear that he put a lot of effort into this story: damn near every I is dotted, every T is crossed, and the tale is properly nuanced – not an easy trick in a story that, otherwise, could suffer from originitis. To me, it seems Paul is playing to the strengths of his collaborator, the aforementioned Sonny Liew.

Liew has a fluidity of style that makes the story move at a brisk pace. A veteran of Vertigo and Marvel and sundry indy projects, I am told the two met at a toy fair in Singapore. Sonny went to school there. He also went to school in Cambridge, England and Providence, Rhode Island. He’s quite the bon vivant. He’s also one of the best storytellers I’ve seen in a decade.

Doctor Fate #1 places the oft-revived hero on the top shelf of current mainstream superhero comics, right where, my inner fanboy screams, he belongs. I hope DC waits a long, long while before the next reboot.

 

Mike Gold: The Kids Are Alright

Hey Kids Comics

There was a time, not all that long ago, when kids were not welcome in a great many comic book stores. You might find this anti-intuitive, but the philosophy was fostered by some comics distributors and welcomed by most comics publishers.

 (Aside for those of you who came in late: back in the olden days when comics were escaping from the primordial goo, we had a half-dozen or more companies distributing comics to the direct sales shops. How this devolved into a monopoly might be the subject of a future column, particularly if I’m looking for something amusing to write for my final column.)

There were many arguments these folks used to implore their retailers not to serve the younger crowd. The foremost was “these kids don’t spend enough money to make it worthwhile.” That’s true – if those kids were coming in on their own. The fact is, comics fandom had aged to the point where readers mated, sometimes with other comics readers, and the issue from those encounters brought fourth kids who would be schlepped to the comics shop as their parents sought out their weekly fix. I have never met a kid who wasn’t curious about those brightly colored bits of paper, or a parent who, if they had a couple extra bucks, wouldn’t buy their kids a comic book or two.

A few of us voiced contrary opinions. The foremost was “ten years from now, where are your new customers going to come from?” If the average age of your customer base increases year after year, store owners are going to get hinky about their mortgages.

Which is pretty much what happened. Back in the early/mid-1990s when the King Kongs of collectability fell off the skyscraper, they took a lot of comics shops down with them… and a few publishers as well. There was no real fount of new customers to replace any part of that revenue stream. And the distributor who had been leading the anti-kid chant went ka-blooie.

Rule of thumb: anybody who says or even thinks “hey, this is going to last forever” will be visited by the Great God Hubris, and it will not be pretty.

For the better part of the past 20 years we’ve seen new publishers and reenergized (read: surviving) companies abandon this ridiculous philosophy. Today, virtually all of the larger publishers such as Boom! and IDW have solid lines of comics oriented towards children. I’m not talking about junior versions of “adult” superhero comics – there’s a reason why that’s an oxymoron. I’m not even talking about licensed properties based upon teevee shows that were around when today’s adult comics readers were kids, although there are plenty of those around.

I’m talking about comics based upon kid’s shows that didn’t even exist at the time of the Great Market Correction of the mid-90s. The Regular Show. Angry Birds. Bravest Warriors. Bee and Puppycat. To name but a few.

The more inspired comics shops – those that have the room – have kid-acceptable sections in their stores and hold in-store visits from cartoonists who will entertain the youngest crowd with sketches and even chalk-talks.

Ten years from now, those seven-year old readers will be seventeen years old. Once again, the comic art medium has a future.