Author: Mike Gold

Is Apple Going To Own Marvel?

Far be it for me to report on Wall Street rumors… but I’m going to report on a Wall Street rumor. This one’s too good to pass up.

Apple, the people who make the computer I’m typing on right now, is the world’s second largest company when measured in market capitalization. They’ve got $51 billion in cash and investments, an amount that is somewhat in excess of comprehension. It is likely that the hot shit gizmo maker will use some of this money to buy something cool – they do that all the time.

Leading the pack of rumor dogs is Sony, which owns Columbia Pictures. That’s not a great fit – Sony is heavily invested in retro technology and, besides, international hostile takeovers rarely succeed in Japan. They also developed Blu-Ray, which Apple hates. Barron’s, the Rupert Murdoch owned business weekly, noted several potential takeover targets: the aforementioned Sony, the software manufacturer Adobe (which is in a blood feud with Apple right now), Facebook… and Disney.

Apple honcho Steve Jobs is Disney’s largest stockholder. He’s on Disney’s board. He used to own Pixar, before he sold it to Disney.

Disney owns Marvel.

Last week, Jobs stated Apple will use that $51 billion for “big moves.” Acquiring Disney takes enormous ego, and if there’s anything Apple has in excess of cash reserves, it’s ego.

We note that when Apple launched its revolutionary iPad (which, by the way, I regard as a wonderful comic book reader), Marvel’s comic book app was one of their very top “sellers.” That’s in quotes because the app is free, although most of the comic books are not and Apple gets 30% of the “cover price.” So Marvel received great exposure in the Apple App Store. Remember, Marvel is owned by Disney and Jobs is the biggest mouse on their lot.

Disney’s ABC-TV has a bunch of Marvel properties in development
and Marvel has promoting Disney’s new Tron movie as though it starred Iron Man.

There’s a lot of reasons why this could happen. There are a lot of reasons why it wouldn’t: quite frankly, there are better investments than Disney. But still, it’s a real nice fit.

I can hardly wait for the inevitable Disneyland Justin Long “I’m A Mac” thrill ride.

Iron Man 3 Cometh!

So, what are you planning on doing May 3, 2013? On or about that day, unless I’ve gone to a preview, I’ll probably be seeing Iron Man 3.

If that seems like a long time, it’s only a year (almost to the day) after Iron Man and Tony Stark appear in The Avengers movie.

Amusingly, Disney will be distributing both movies. Whereas they own Marvel, the distribution rights on these projects is still in Paramount’s hands so, according to Box Office Mojo, Disney is coughing up at least $115 million to assume the privilege. It wasn’t too long ago that you could buy all of Marvel for that kind of money. Paramount maintains distribution rights to this year’s Thor and Captain America: The First Avenger.

No word about cast and villains, although Robert Downey Jr. is contractually expected to repeat in the lead.

Marvel Television Surrounds ABC-TV!

When Disney bought Marvel, the movie rights to the majority of their big-name properties were tied up. They still are. But now that writer Jeph Loeb is head
of Marvel television, he’s been pitching a bunch of properties to ABC-TV, which, of course, is owned by Disney. You might have heard that The Incredible Hulk is in development – which is not the same as being green-lighted. That’s kind of remarkable as Mark Ruffalo, movie’s third Bruce Banner, has been signed to do three Avengers movies as well several Hulks.

But that doesn’t mean they can’t do television at the same time. I think Ed Norton’s chance at going green again is only slightly better than Bill Bixby’s, but Ed’s extremely talented and, hell, I don’t have to work with him.

There’s two more Marvel properties on the short list: Cloak and Dagger, which is presently sans comic book, and The Punisher, who is three movies shy of being a star. Maybe the small screen is a warmer environment.

But that’s just the tip of the iceberg. Heroes for Hire is being kicked around;
this show would focus on Luke Cage; I don’t know if Iron Fist would be in it.
But “Heroes” IS plural. His comic book wife, Jessica Jones, is on the list with
her own show. It can’t be called Alias, so they’ve titled it Alter-Ego. This should not be confused with Roy Thomas’s character of the same name, nor his monthly fanzine of the same name.

Jack Kirby’s The Eternals is being considered. Even with CGI I don’t see this being as strong in live action as it would be in traditional animation, but I doubt ABC has the guts to do that. Stepping out of the pages of Marvel’s recent mega-crossover, The Hood is on the list. I guess ABC needs a nice family-oriented show starring a ruthless villain. Everybody’s favorite private eyes, Colleen Wing and Misty Knight, are on the list under the title Daughters of the Dragon. If they can cast the right sexy babes, this one is a shoo-in. Not so much the other two on the list.

ABC is looking at Ka-Zar. I don’t know if the teevee world is ready for the return of Tarzan, but my guess is that if it is, it would be looking for a show called “Tarzan.” Finally, there’s Agents of Atlas. Marvel just cancelled this title, which pisses me off because I love it. Is the world ready for a talking gorilla, a guy from Uranus, and a female Sub-Mariner? Well, this is an election year.

Mind you, even though ABC and Marvel are both owned by Disney, the network is not obligated to pick up any of these shows and most certainly will not pick them all up. But it would be kind of fun if they picked up a couple so they can do Marvel-style crossovers.

DC Drops Page Count, Prices

DC Comics announced today that they will be cutting almost 10% of their editorial content from their ongoing books while at the same time standardizing the cover price at $2.99.

Their innovative 40 page format, where the reader received a second feature in addition to the lead, is being abandoned.

This is your classic “good news / bad news” situation. DC decided $3.99 was too expensive for a pamphlet containing 22 pages of story. Seeing as how their line had been split between $2.99 titles and $3.99, they’re moving to $2.99 across the board but, in the process, dropping two pages of story. This might come as a relief to artists who have a difficult time producing 22 pages each month and it certainly will be a boon to readers and retailers – with one dramatic exception.

For quite a while, comic book stories were 20 pages. They simply weren’t as interesting as the 22, 24 and 27/28 pagers that followed. Since comic book stories are far less dense today then they were back then, even less will be going on in each individual issue. Historians will note that the 20 page story was only a stopping point on the way down to 17 page stories.

Writers are particularly screwed. Plotting a 20 page story takes just as much time and energy as plotting a 22 pager, and writing two fewer pages of dialog saves every little time indeed. Since they can’t sell two page stories, their monthly income will go down noticeably.

In a press release, co-publisher Dan DiDeo said “We needed a progressive pricing strategy that supports our existing business model and, more importantly, allows this creative industry to thrive for years to come. With the exceptions of oversized comic books, like annuals and specials, we are committed to a $2.99 price point.”

About that “allows this creative industry to thrive for years to come” part? We sure hope he’s right about that, and sincerely wish DC the best with this new strategy.

As long as the page count doesn’t become the proverbial slippery slope.

Drive Your Very Own Batmobile!

bat1024x768-8449669Do you know what $150,000 can get you? It can get you your very own Batmobile. One you can actually drive.

No kidding. DC Entertainment has licensed a company to produce functioning life-sized Batmobiles. And not just any Batmobile, but the really cool one: the one from the 1966 teevee series. They build them from a 1970s Lincoln Town Car.

The name of the company is Fiberglass Freaks, and they claim both the interior and the exterior will identical to the original, right down to the now-iconic rocket exhaust flamethrower.

I’ve never been very much of a wheel nut, but if I could afford a real Batmobile, one that will allow me to fry all of the tailgating idiots on the road, then I’m gonna start saving my spare change.

I wonder if that damn lizard will insure it. I also wonder if it comes as a hybrid. You gotta be concerned about the environment, you know.

Review: The Simon and Kirby Superheroes

simon12-6730466Pound for pound, you’re unlikely to find a better
superhero collection than Titan Books’ The Simon and Kirby Superheroes
. It weighs in at 4.2 pounds and, at
Amazon.com’s $32.97, that means you are paying fifty cents an ounce for the
stuff that made Joe Simon and Jack Kirby legends.

You might not have heard of some of these characters –
Stuntman, Fighting American, Vagabond Prince, Captain 3-D (in 2-D, but now in
color),[[[Private Strong]]] (the Shield #2), and [[[The Fly]]]. Over the decades many have
been reprinted; this book also includes a number of stories that had never been
published. All are gems. Every one of them. All 480 pages of them.

Of course, Simon and Kirby are better known for their
Marvel and DC creations: [[[Boy Commandos]]], [[[The Guardian]]] and [[[the Newsboy Legion]]],and – most prominently – [[[Captain America]]]. All of these stories have been collected in hardcover in recent years, along with their work on DC’s Sandman
series. OK, for the nit-pickers in the audience, the Boy Commandos volume ships from DC at the end of November.

As fond as I am of these creations – and Captain America
is as iconic a costumed hero as they come – I have always been more
enthusiastic about the characters represented in this mammoth tome. The action leaps off the page, the stories
border on the outrageous and the concepts are pure unbridled fun. Their own
company published some, others were published by Archie Comics or Harvey
Comics. I gather their editors simply gave them more latitude; certainly, the
corporate structures were obviously more willing to bend to Simon and Kirby’s
strengths than the uptights at Marvel (Timely) and DC.

In other words, when it comes to Simon and Kirby
superheroes, this is the real stuff.

Kudos to editor Steve Saffel, who has spent at least four
years working on this series of books along with Joe Simon (age 97) and his son
Jim. It’s the second volume of the Simon and Kirby Library, but this book is
wisely unnumbered. It started with The Best of Simon and Kirby
, an overview that included reprints of DC and
Marvel stories; it will continue with separate volumes devoted, respectively,
to their crime, horror and romance comics. For the uninformed, Simon and Kirby invented the romance comics genre.

Neil Gaiman contributed the introductory essay, and it
comes off as a labor of love. I can relate to that. Joe Simon and Jack Kirby
gave the American comic book genre its heart and its soul. They brought emotion
and energy to the four-color page, and [[[ The
Simon and Kirby Superheroes]]]
is an educational experience illuminating the
power of the comic book story in its most formative days.

If you’re reading this review, you should be reading The Simon
and Kirby Superheroes.
You need to.

Photo
IDs: top – Simon, Kirby; bottom – Saffel, Book

The Great Comics Flood of 2010

kulls1-1544345It has been reported that for the first time in 15 months no single comic book gathered more than
100,000 copies in orders in the direct sales market. Make that 93,459, to put a
point on it.

Conventional wisdom has it that sales have dropped because the average cover price has gone up, and who am I to question conventional wisdom? But there’s another reason. A big one.

Historically, whenever one of the major publishers (which means Marvel and DC; I’m talking superhero comics here) felt they were being challenged by one or more upstart publishers, that company would flood the market with crap, usually reprints or revivals of frequently cancelled titles. The other publisher would rapidly follow. Before the direct sales tail started wagging the dog, it was believed there was only so much space in the newsstands
and DC and Marvel could crowd the others out. That, of course, was nonsense: if the newsstands cared about comic books (how much profit is there in a 40 cent item?) nobody would have to crowd anybody out.

This philosophy extended to the direct sales market. When companies such as First, Eclipse and Malibu were making waves and racking up competitive sales, DC and Marvel started dumping product into the pipeline. How many times could you revive Kull The Conqueror? But retailers had to order at least a few copies because it was a Marvel Comic, and cumulatively all that sucked a lot of bucks out of retailers’ tills. Remember, they buy this stuff non-returnable.

But now comic book stores have dwindled down to a precious few and the big bookstore chains such as Barnes and Noble and Borders are coughing up blood, sales truly suck.

Which makes it real curious to see that Marvel is once again flooding the comics rack. Having finally lost the Kull license, the House of Idea has gone the Oreo Cookies route: they’re jerking their “going to the movies” properties as though they were crack fiends at a milk farm.

For example: the September Marvel Previews (books on sale November) lists no less than six Iron Man titles, eight Thor titles, and 13 Avengers books. There’s also two event series: Shadowland, which winds up with a mere four titles, and Chaos War, which boasts five.

I didn’t even mention the massive – and expanding – X-Men group. That’s old news.

27 issues featuring Thor, Iron Man, and/or The Avengers.
Boy, you’d think there was a Thor movie coming out that, oh I don’t know, tied in to the Iron Man movies, to be followed by the big The Avengers
movie.

So, why the flood? Is Marvel worried about competition from Boom, Dynamite, and IDW? I don’t think so. They started producing material
for this latest dump just about the time the Disney takeover was ratified. They are trying to impress the Mouse.

Disney doesn’t care about their comic book profits, and nor does Warner Bros. Marvel and DC, respectively, are there as R&D, fodder for movies, television and animation – and their concomitant merchandising revenues. All Marvel and DC have to do on the publishing front is show a decent
return on investment and their new masters will be content.

It’s hard for me to think of a way Marvel could better promote comic book bootlegging.

Trashing Jerry Lewis

Is there a single person on the planet who could actually make me feel sorry for that walking train-wreck, Lindsay Lohan? Well, as it turns out, there is!

Just before his 60th Muscular Dystrophy Telethon this weekend, 84 year-old Jerry Lewis discussed Lindsay Lohan specifically and some of his fellow craftspeople generically on the syndicated teevee gossipfest Inside Edition. “I think they need a fucking spanking and a reprimand,” Jerry Lewis said.

Wow, Jerry. 
So you want to spank a 24 year-old woman, huh? Well, I understand a lot of old geezers feel that way.
Okay, so you’ve got a father complex. But exactly what sort of father do you want to be? One who beats his kids?

Zeroing in on Lohan, Jerry Lewis went on to rant “I’d smack her in the mouth if I saw her. I’d smack her in the mouth and be arrested for abusing a woman.” Gee, Jerry, ya think? By the way, you’d also go down for assault and battery. And probably hate crime. “I would say ‘you deserve this and nothing else.’ Whack! And then if she’s not satisfied, I’d put her over my knee and spank her.”

If she’s not satisfied?
Is that how you satisfy women, you sad pathetic has been?

Hokey smokes, Jerry! And to think Mel Gibson got his badass self in trouble while you get to go on teevee and act condescendingly toward your children.

Lohan’s got enough of her own problems, and Jerry, so do you.
 

Luthor Returns To Smallville

The wait is over! Now we know – Luthor will be returning to Smallville this November (schedule willing) for at least two episodes in its tenth and final season.had

Ummm… To be fair, that’s Lionel Luthor. We haven’t heard about his depilated-pated kid Lex yet, who might be surprised to learn that neither of them are still dead. When last seen, Lex pushed his daddy out a window to his death.

According to Entertainment Weekly (owned by Time Warner, which owns Warner Bros, which owns DC Comics and produces Smallville), Lionel, played by John Glover, will be joining a slew of Smallville ex-expatriates, including Laura Vandervoort as Supergirl, James Marsters as Brainiac, and
Michael Shanks as Hawkman. And he won’t be the only returning dead daddy, either: Pa Kent himself will be back, again, still in the capable hands of John Schneider.

Some of Smallville‘s finest moments were between Glover and Michael Rosenbaum, who played his upwardly-mobile son Lex. There’s no word on Lex’s return to the series; my guess is that we will see him back for at least the final two episodes – the latter of which concluding with Clark Kent putting on his cape and big red S and flying off into the sunset.

Ray Bradbury, We Hardly Know Thee

It’s very disconcerting when one of your heroes gets old and cranky and weird. Sadly, this happened to me last week, with respect to one
of America’s greatest living authors,Ray Bradbury.

We knew something was up with the author of such important and even vital classics as Fahrenheit 451, The Martian Chronicles, and Dandelion Wine back when he called President Clinton a shithead… but, hey, Clinton was President and calling the President a shithead is a great, time-honored tradition. He subsequently wasn’t happy about Michael Moore’s movie Fahrenheit 9/11, thinking
Moore was somehow piggybacking upon the fame of his stunning novel by conflating the imagery of his story of a repressed future with repression of the then-present.

However, oddly, this past week Ray attacked President Obama for his comments about freedom of religion.

No, Bradbury didn’t say that Obama should be anti-Muslim, or, conversely, that Obama should have specifically backed building the Islamic cultural center at the site for a long-abandoned Burlington Coat Factory. Ray said “He (Obama) should be announcing that we should go back to the moon. We
should never have left there. We should go to the moon and prepare a base to fire a rocket off to Mars and then go to Mars and colonize Mars. Then when we do that, we will live forever.”

I’m still trying to find his segue. I don’t get the connection between the two. Should all future houses of worship be built in space? I don’t know, although maybe NASA should consider the concept as a future source of funding.

Attacking Ray is not going to make me any friends, particularly on the occasion of his 90th birthday. I am proud to have known him. I shared a table with Ray for an hour at the San Diego Comic Con a while ago, I was with him at the debut of his play Wonderful Ice Cream Suit, and we both indulged in a friendship with the late great Julius Schwartz. I wouldn’t trade a moment of those experiences, nor would I abandon the soul-filling wonderment I received from his writing. I will admit to being more experienced than Bradbury when it comes to being cranky and weird.

Bradbury also said we have too many cell phones and too many Internets (sic), and we have to get rid of them. He’s also opposed to electronic books. Sorry, Ray. It’s the 21st Century. Back after World War II there were a whole lot of authors who stigmatized the “cheap” paperback novels that were starting to proliferate. You know, the ones that brought science fiction
writers to a mass audience. You know, writers like Ray Bradbury.

He might not like the term science fiction – I don’t either – but Ray Bradbury was a damned important visionary. Turning your back on the future is one thing, but turning your back on the present is just sad.