Author: Mike Gold

Diamond Distributing Promotes IDW

Diamond Comic Distributors just promoted our friends at IDW to “Premier” status. Essentially, that means IDW’s titles – which include the ComicMix line as well as Transformers, Doctor Who, Angel, Star Trek and a great many others – will now appear in the highly valued front portion of the monthly Diamond catalog. This is a much desired position, and marks the first time a publisher has joined this elite group (Marvel, Dark Horse, Image, and DC) since the whole Premier thing started almost 15 years ago. There are various programs that make it more convenient for retailers to order IDW’s books that will be implemented later in the year.

Diamond has been IDW’s exclusive distributor to both the comic book stores and “traditional” book stores suck as Barnes and Noble. This relationship, of course, will not change.

“We are very pleased to have completed this groundbreaking agreement with Diamond,” said Ted Adams, CEO of IDW Publishing. “By combining Diamond’s leadership in distribution with IDW’s ten-plus years in developing, creating and marketing comic books and graphic novels, we have created an ideal relationship for each of our companies. The comic book medium is trending upward in all parts of consumer awareness and we are proud to be a partner with Diamond for the future.”

Our congratulations to our friends at both companies.

Tom Baker Returns Again!

Well, you just can’t keep a good Doctor down.

76 year-old Tom Baker, the longest-running Doctor to date, will once again return to the role of the fourth Doctor in original adventures – this time for Big Finish’s full-cast audio productions. This follows this year’s Baker’s successful six-hour full-cast audio, Hornets’ Nest, for the BBC.

All Baker requested was total control to create his own stories; Big Finish, having worked with Doctors five, six, seven and eight along, agreed. They’re no fools. Thus far Big Finish has produced several hundred hours of original full-cast adventures featuring the Doctor(s) and one or more of his companions, including spin-off adventures featuring Sarah Jane Smith, the Daleks, UNIT and others.

Rumors continue to persist about Baker someday returning to the hit television show, although if you pay attention to the noise it seems he’s more interested in playing a villain than in appearing as the fourth Doctor in a crossover, although charity events might create that opportunity. Until then, we can listen to his new work and let our imagination do the heavy lifting.

All of this is according to Baker’s website, The folks at Big Finish have yet to confirm or deny.

DC Hauls Out Its Big (Legal) Gun Over Superman

In the never-ending battle with the Jerry Siegel estate over the rights and ownership of Superman, DC has fired its old law firm and replaced him with a big, scary guy.

Well, Warner Bros. did the hiring. DC no longer has any distance from their parent company and therefore no longer steers the ship.

The new guy is Daniel Petrocelli. With respect to the current Superman situation, this is the guy who hammered the estate of literary
agent
Stephen Slesinger on behalf of the Disney empire. Slesinger was the man who initially propelled Winnie the Pooh into the hearts and souls of Americans. Petrocelli got the suit tossed not on its merits but because the Slesingers’ lawyers illegally obtained documents by
trespassing on Disney property. Hey, a win’s a win.

Petrocelli is defending Jeffrey Skilling, the Enron CEO who was convicted of the massive swindle that cost so many Americans their life savings, their jobs, and/or their retirement. And by “convicted,” I mean the case is presently before the Supreme Court in an attempt to free the convict instead of letting him roast in a well-deserved living hell. But that’s just my opinion, and I like the guy’s brother.

This is not to say the Siegel estate doesn’t have its own heavy-hitter. Marc Toberoff, who already won some major innings in this particular dispute, is well-known in media circles and is also representing the Jack Kirby estate in a similar action against Marvel and their parent company, Marvel Comics. Toberoff’s involvement mitigates against the philosophy that Petrocelli was hired simply to intimidate the Siegel estate.

The people out of a job are the firm of Weissmann Wolff Bergman, who successfully defended DC Comics and our pals Timothy Truman and Joe R. Lansdale when the faded rock stars Johnny Winter and Edgar Winter gracelessly sued the bunch over a tribute in a Jonah Hex miniseries.

Who Watches The X-Men?

On the right, the well-known Watchmen icon. Trademarked and in use since 1986.

On the left, Marvel Comics’ ad for their new X-Men summer event, “We Are The X-Men.”

Coincidence? Really?

Worse still, if there are any walruses in the storyline, Marvel could have Yoko Ono up their ass.

Sidney the Great Meets Iron Mike

About seven minutes after Canada beat the United States for the Winter Olympics gold medal, I got a call from ComicMix‘s own utility infielder, Glenn Hauman.

“So are you going to write it up?” Glenn asks.

“Write WHAT up?” Mike responds.

“The Grell thing, Glenn responds.

“Damn. WHAT did Mike do NOW,” Mike queries, oblivious to the obvious while deep in the throws of mourning the
American’s having to settle for a mere silver medal.

“You know, that hockey thing.” Like most Americans, Glenn’s not much of a hockey fan. He didn’t even know that his local team, the New Jersey Devils, was beating the poo out of nearly every other NHL team this year except for my Chicago Blackhawks.

“WHAT hockey… oh, I get it.” The cold light of reality started seeping into my blackened brainpan; the first sign of recovery for a hockey fan. Or maybe it’s the first sign of soberness; I wouldn’t know.

It turns out a couple years ago I assisted Iron Mike in a special licensing project for the NHL turning a bunch of rookies and newbies into super-heroes. It was a lot of fun for me, but mostly because this time Mike was the one playing point with the licensee and I was simply “advising,” which is a euphemism for “consulting,” which is another word for “money for nothing and your chicks for free.” Mike did some great work on this series, and among the players so empowered was an astonishingly young phenom called Sidney Crosby.

Sidney, of course, went on to become one of the hottest players in the NHL and captain of the Pittsburgh Penguins. He also received the ultimate honor: I wear a Penguins t-shirt with his name and number on the back.

Sidney Crosby also scored the sudden death overtime goal last night that gave his homeland another gold medal for hockey. Quite aside from my genuinely patriotic fervor in my support of Team USA, it was an amazing goal and a well-earned victory.

And it teaches a lesson. See what happens when Mike Grell turns you into a super-hero?

Superman Model Thrown From Horse

Commercial artist Frank Kasy was thrown by a 1,200 pound horse and was taken to a Chicago hospital. “It’s a miracle he’s still alive,” his friend Jim Wisniewski told ComicMix today.

Outside of ad agencies, Kasy is perhaps best known as Alex Ross’s model for Superman in his sundry DC Comics paintings and stories. As of presstime, he’s holding his own, watching Jack Webb videos. Jim told Frank “They rolled you in here, but thanks to your Kryptonian blood, you will walk out soon”

Actually, we expect Frank to fly out of the hospital. Get well soon, Frank.

The Future of Media… Again

 

apple-itablet1-2454626After years of rumors, I finally understood what the playing field was going to look like when ComicBookLover released their viewer
for the iPhone yesterday. I knew that Apple’s new iPad would run on the iPhone OS, that it would be high-resolution enough to read comic books on a 10” screen. I knew it was going to become the cool platform of choice for newspapers and magazines and books that need color and graphics support.

All stuff that had been generally predicted, along with a lot of other stuff. But what I didn’t know was the price. And I don’t know if people are even interested in reading newspapers any longer, although Apple chief Steve Jobs doesn’t know that either.

If the iPad price was too high, a whole lotta people in the media racket would be out of jobs. Magazines and newspapers, and to a slightly lesser extent book publishers, cannot survive with the present distribution models. Textbook publishers would be marginally more secure. So if
I heard a figure with five nines in it, I knew there’s be quite a number of
people on Sixth Avenue selling their pencils.

Apple always prices their products high under the belief
that a BMW is worth more than a Toyota. But this time they took a turn. Pricing between $500 and $830 – the difference is in 3G connectivity and the amount of memory you get – even the high-end model is reasonably priced. AT&T’s service is low-priced; $15 a month for 250 MB of service, and only $30 for unlimited service. This includes full access to AT&T’s Wi-Fi hotspots, providing even faster service than 3G. And the iPad promises 10 hours of video use on a single charge.

Oh, and it weighs 1.5 pounds. Check out Marc Fishman’s excellent piece with all the details here.

It’s got a large on-screen keyboard and it can use Apple’s Bluetooth keyboard. You can get Apple’s word processing, spreadsheet and
presentation software – fully comparable with Microsoft Office – for $10 a
module. Doubtlessly, Microsoft will offer their far more expensive versions of the same stuff before too long.

Lots of publishers have already signed up: Penguin, Harper-Collins, Hachette, Simon & Schuster, Gameloft, Electronic Arts, the New York Times, and Major League Baseball. And the iPad will run most all iPhone and iPod apps as well.

So. Will the media thrive? Maybe. Is this a lifeline?
Absolutely. Will it be the cool thing to own? Probably. Will it save the comic book format? It will if I have anything to say about it. Will the streets of
midtown Manhattan be splattered with mediaworkers’ blood?

No more than usual.

Marvel Comics Sues Jack Kirby!

Yeah, I know. Jack’s long-gone. That doesn’t mean he can’t be sued – or, at least, his estate. To be fair, Jack started it.

A whole bunch of copyrights expire between 2014 and 2019,
and Kirby’s estate sent notices saying those copyrights will revert to from the House That Jack Built to Jack’s actual house.

These copyrights pretty much include everything Jack ever
touched at Marvel: Amazing Adventures, Amazing Fantasy, Amazing Spider-Man, Avengers, Fantastic Four, The Incredible
Hulk, Journey into Mystery, Rawhide Kid, Sgt. Fury and His Howling Commandos,
Strange Tales, Tales to Astonish, Tales of Suspense
and The X-Men.

This action follows similar claims made by Jerry Siegel
(Superman), Marty Nodell (Green Lantern) and Joe Simon (Captain America). All have met with some degree of success for the litigants.

Marvel, of course, claims all this stuff was created as work-for-hire and therefore belongs to Marvel. Or, actually, now, Disney. “It is a standard claim predictably made by comic book companies to deprive artists, writers, and other talent of all rights in their work,” according to Kirby’s attorney Marc Toberoff. “The Kirby children intend to vigorously defend against Marvel’s claims in the hope of finally vindicating their father’s work… Sadly, Jack died without proper compensation, credit or recognition for his lasting creative contributions.”

In the world of litigation, Newtonian physics reigns supreme. Marvel lawyer John Turitzin said in a statement that the heirs were
trying “to rewrite the history of Kirby’s relationship with Marvel,” adding “Everything about Kirby’s relationship with Marvel shows that his contributions were works made for hire and that all the copyright interests in them belong to Marvel.” He then sought a court ruling that the Kirby notices have no effect.

Marvel is now owned by Disney, and Disney’s got more
hard-ass lawyers than Harvard graduated in 200 years. If the Kirby estate were to win, the $4,000,000,000.00 Disney just spent for Marvel goes up in smoke. Expect a big bloody fight – or an amusing settlement.

Quotes
courtesy of the Associated Press.

Tribute To A Master

When you think of the classic Marvel artists, you think of masters of the medium such as Jack Kirby, Steve Ditko, John Romita Sr, John Buscema, and Gene Colan. No wonder Marvel left all other American comics publishers in the dust.

This coming February, Marvel Entertainment will honor one of those gentlemen by releasing The Invincible Gene Colan, a visual tribute and biography of one of the most brilliant and influential comic artists in the genre’s history – and one of the nicest guys on the block. Edited by our pal Clifford Meth, the book includes observations from Stan Lee, Roy Thomas, Neil Gaiman, Walter Simonson, Marv Wolfman, Tom Palmer, John Romita Sr., and Tom Spurgeon, as well as tons of Gene’s beautiful art.

Aardwolf Publishing will have the exclusive signed-numbered copies as well as the extremely limited double-lettered remarqued, book-plated edition (each containing a unique sketch from the hand of Gene Colan).

Here’s the details:
• Signed/numbered: $60 plus $5 shipping
• Double-lettered remarqued edition (contains Colan sketch; only 52 will be created): $140 plus $5 shipping
• Special offer: With any order, add another $15 and receive The Uncanny Dave Cockrum hardcover numbered edition ($40 retail value).

Only 1,000 Comic Books?

1,000 Comic Books You Must Read

By Tony Isabella
Krause Publications, 272 pages. $29.99 retail.

I want to publicly thank Tony Isabella for taking on a task that is as courageous as it is, well, thankless. It’s hard to imagine a more difficult and a more controversial chore than recommending only 1000 comic
books you must read.

This shows you how clever Tony is. First of all, he recruited over 130 people to make suggestions, including me as well as a good chunk of the state of Ohio – past and present (Harlan Ellison and Maggie Thompson are and will always be honorary Ohioans). Second, instead of arranging them numerically, an act that would guarantee his assassination at the 2010 Mid-Ohio Con (although this would make for a good panel), he arranged everything by decade. Brilliant.

This book is, above and beyond everything else, great fun.
There are hundreds of books you’d expect, and even more that you might not. Of those, the ones you’ve read will make you go “oh, sure, of course.” Those you haven’t read – probably the awesome Jingle Jangle Comics, or Dick Briefer’s Frankenstein – you should. Don’t worry: the way stuff’s being reprinted, it’s just a matter of time.

Each choice is covered by the appropriate publishing and talent credits as well as a nice clean reproduction of the cover, along with Tony’s accompanying paragraph explaining what and why. To his overwhelming credit, Tony does not emphasize superheroes and heroic fantasy – Archie, Harvey, and Charlton get their due, and the various genres such as humor, children’s, and romance are well-covered.

The tome is well-designed and not the least bit pompous.
When Tony told me he had taking on this project, he headed me off by saying he was, obviously, crazy. Well, having poured over 1,000 Comic Books You Must Read, I’ve got to say “not so much, Tony. Maybe just a little bit.”

You’ll love it. It’ll make an excellent holiday present.
For any holiday. Go buy it.