Author: Mike Gold

Torchwood Season 3 – Longer and Shorter

Well, I guess all the upheavals at the end of the second season of Torchwood sure made fans curious about what’s going to happen next season. The fact is, to steal an award-winning word from the next executive producer of daddy-series Doctor Who, if you blink, you might miss it.

Season three, scheduled to air around January of next year, will consist of one long, continuous story written, at least in part, by creator/producer Russell T. Davies. That’s the good news.

The bad news is, this story will only run five episodes. Given the unpredictability of BBC-TV runtimes, that means as far as 2009 is concerned we’re probably only going to get about four and one-half hours of Torchwood

Captain Jack, however, will be playing a prominent role in the last several parts of this season’s Doctor Who, as will Torchwood’s U.N.I.T.-affiliated Doctor Jones. As for the Captain’s appearances in the series of Who specials set for 2009… dare I say it… time will tell.

Talkin’ Annie Warbucks / Pete Seeger Blues, by Mike Gold

Well, that headline ought to cause some Google searcher meltdown. But the fact is, right wing poster child Little Orphan Annie has a lot in common with mega-leftie songleader Pete Seeger.

This dawned on me because of the confluence of recent events. IDW released the first volume of The Complete Little Orphan Annie last week. American Masters ran its documentary about Pete earlier this month and, yes, it’s PBS so it’ll be rerun forever. Which is fine; both are absolutely first rate. Both are American legends.

Little Orphan Annie was created by Harold Gray, a man who fit in nicely with his boss, the contemptible isolationist Col. Robert McCormack, a man so far to the right when he disagreed with the politics coming out of Rhode Island he removed their star from the American flag that was raised right above his office atop Chicago’s Tribune Tower. Until he was told he could go to jail for desecrating the flag, McCormack and his employees – including Gray – worked right under America’s only 47 star flag. Both Gray and McCormick loathed Franklin Delano Roosevelt to the point of histrionics. Gray’s comic strip fully represented those values; Annie’s Daddy Warbucks even did a little jig on FDR’s grave. (more…)

Who’s A Hooker


Warning: Spoiler Alert!

Actress Billie Piper does not appear naked in Secret Diary of a Call Girl. Well, a bit here and there, actually. Oh, and if you’re a Doctor Who fan, he’s not in this series.

You may have noticed Showtime is debuting a series tomorrow called Secret Diary of a Call Girl. However, it’s possible that you’ve been staring at the promos so closely, you might have missed the forest for the trees, so to speak. Yes, that is Doctor Who companion Rose Tyler as the author of said secret diary. But now she calls herself Belle. Somewhere else in the time/space continuum, she remains British pop singer-turned-actress Billie Piper.

Due to the kindness of not-so-strangers, I have seen the first seven episodes of this program as originally aired in England. For one thing, Showtime is selling it with lots of shots of Piper shopping. If you think this show is another Sex And The City, you’re wrong. It’ll appeal to straight men. But the fashions are nice.

The show will arouse most guys’ prurient interest. I was going to say “because there’s nudity and sex garments and stuff,” but SATC had that, too. All I can say is, the show will arouse most guys’ prurient interest.

I’ll bet you I just increased Showtime’s ratings.

If, like many of us here at ComicMix, you’re a Doctor Who fan you might find the sexual content of this show disconcerting. If so, please, by all means, get a life. One that actually involves another person. (more…)

Would You Believe… Ditko?

Let’s see. Captain Atom. The Amazing Spider-Man. Doctor Strange. Mr. A. The Question. The Creeper. Maxwell Smart. Yup. That’s right. The one aspect all these great characters had in common was artist and demure legend Steve Ditko.

To be fair, virtually every comics artist of the 1950s and 60s did their share of teevee adaptations, but the Spider-Man co-creator was almost an exception. I might be missing a couple, but Steve drew a handful of Get Smart stories published in issues #2 and #3 (Dell, 1966), a total of 66 pages inked by Sal Trapani, according to Ditko biographer Blake Bell. His only other teevee adaptation work on record is an issue of Hogan’s Heroes, for the same publisher. 

I’ll let that sink in for a minute. Steve Ditko drew Get Smart and Hogan’s Heroes. Talk about casting against type.

Given his political work (The Avenging World, Mr. A) and the tone of much of his post-Creeper stuff, one might not readily associate humor with the famed artist. Yet these stories show quite a flair for the material while still being Ditkoesque. And I know from personal experience that Steve has quite a profound sense of humor; further, back in his Charlton days he actually had a reputation for being a practical joker.

Blake Bell’s biography of the reclusive artist, Strange and Stranger: The World of Steve Ditko, will be released next month. See the movie, read the book!

Warren Ellis Now A Hollywood Red

20998_4_003-4146914Our step-brothers over at Cinematical report Warren Ellis’ Red has been optioned by Summit Entertainment. It will be written, or at least first-drafted, by Whiteout‘s Erich and John Hoeber.

It seems DC Comics owner Warner Bros. (well, DC is a division of Warner Bros, which is a division of Time Warner, which ate the cow that ate the dog that ate the cat) has permitted Ellis to join Max Allan Collins’ Road To Perdition (you know; the one with Tom Hanks and Paul Newman) as a DC Comics-published movie handled by another outfit. They seem to focus on capes.

Reports about the faithfulness of the adaptation differ; we’ll see when the movie is cast, re-written, filmed and edited. But every non-cape comics adaptation is a victory, ergo kudos to Ellis.

 

Archer, Armstrong & Shooter

One of my favorite superhero buddy teams is coming back — well, sort of. The recently resurrected Valiant Entertainment  has been busy publishing hardcover collected editions of their Shooter-era original titles (in other words, not the Gold Key licensed stuff like Doctor Solar and Turok), each with an original story.

Third up is Archer and Armstrong, created by Jim Shooter and Don Perlin with input from Valiant stalwarts such as Bob Layton and Barry Windsor-Smith. The first volume reprints issues #0 through #6 and includes an original origin story by Jim and artists Sal Velluto and Bob Almond – all under a new cover by Michael Golden.

Archer and Armstrong Volume One is expected to ship September 24, 2008.

Not Necessarily The News, by Mike Gold

I have previously opined my regrets that America’s most reliable newspaper – some might say only reliable newspaper – the Weekly World News, bit the dust. It was a hoot.

Because the New York Post cloaks itself in the shroud of legitimacy, it may very well be America’s most unreliable newspaper. It is the hairy wart on Rupert Murdoch’s considerable media ass, which is saying something. The Post is completely bereft of credibility.

But they’ve got a sense of humor about it, and I’ve got to give them credit. Rupert’s book publishing division Harper Collins came out with a volume reprinting many of the, ahhh, more interesting front pages published in the Post since he bought the staid, boring tabloid and converted it into a daily joke. But at least it’s a good joke.

Entitled Headless Body In Topless Bar, the book was named after what may very well be the most memorable front page headline since Variety’s “Wall Street Lays An Egg.” That one set the standard for both the rag and for journalism itself: rarely has an entire story been reduced to five words. They did that back in 1983 and haven’t beaten it yet.

They reprint over 150 front pages in black and white (most were published in black and white, but the paper went to color several years ago) – from “Crowe Flies” (Russell; get it?) to “Good Noose” (about Saddam’s sentencing), from “Bowling For Palestine” (Arafat’s theft of pro-Palestinian funds) to my second-favorite: “V-D Day!” The sub-head, which does nothing to illuminate the story, is “Paris liberated, bimbos rejoice.” You couldn’t mix that many messages in a blender. (more…)

John Ostrander’s ‘Bloody Bess’ Retakes The Stage

bloody20bess20website20art-2634988Way back in the dark ages, Stuart Gordon directed a play for his Organic Theater written by ComicMix’s own John Ostrander and our pal William J. Norris called Bloody Bess. It starred Dennis Franz, Joe Mantegna and Meshach Taylor along with writer Norris – writer Ostrander was pressed into service once when he wasn’t performing at the Goodman Theater with Del Close. The play was about this lady pirate’s revenge on her kidnappers and had lots of swashbuckling and mystery and terror. I saw it only about nine times.

It toured all over the world, but eventually, like all stage plays, it faded. And like all good stage plays, Bloody Bess is making its triumphant return.

Between June 13 and July 20, Chicago’s BackStage Theater Company will be presenting Bloody Bess at The Storefront Theatre Gallery 37, 66 East Randolph Street, downtown near Lake Mighigan. It stars Eva Swan, Ron Kuzava and Scott Graham. They work on Thursdays, Fridays and Saturdays at 7:30 pm and on Sundays at 3 pm.

Hmmm… This will be going on during Wizard World Chicago. If you’re around, check it out. 

Dunkin’ Nonsense, by Mike Gold

Sorry. I won’t even try to tie this week’s column into comics. Or into Rachael Ray, for that matter. It’s about fear and bigotry and other concepts that have been washing over America repeatedly these last few years.

There was a guy who worked at the Mobil station about a half-mile down the road from me. His name was Muhammad. It said so on his nametag. On 9-12-01, he looked like the most scared man I ever met. By the next time I was at the gas station, his nametag had undergone a rewrite. He was now “Michael.” At least in public.

I know a couple kids with an Egyptian last name. Prior to 9-11-01, they were quite little. After 9-11-01, they grew up pretty fast. That’s what happens when your schoolmates hold you and your Egyptian last name responsible for the deaths of some 3,000 people (we like to say “3,000 Americans, but that’s not the truth). Kids can be vicious, but they’ve got to learn that type of bigotry somewhere.

Last week, for example, kids could learn how to be fear-mongers and bigots from our friends at your friendly neighborhood Dunkin’ Donuts. In case you haven’t been near the media, or in case you’ve been totally fixated on Hillary Clinton’s attempt to ape George W. Bush’s 2000 election theft, here’s the story.

Professional celebrity Rachael Ray did an ad for Dunkin’ Donuts. In this ad, she wore a scarf. This scarf sorta, kinda looked like a keffiyeh. That’s a rather traditional clothing item worn by Arabian men – Rachel Ray is not an Arabian man – of all political persuasions. Pro-America, anti-America, and anything else that might matter to the Lunatic Right and one of their prime screamers, columnist / broadcaster Michelle Malkin. If the name rings a bell and you’re up on asinine outrage, Ms. Malkin is an American of Asian descent who wrote the book In Defense of Internment: The Case for ‘Racial Profiling’ in World War II and the War on Terror. Now don’t get upset; it’s okay, she can say that because she’s Asian. Well, she’s Philadelphia-American, but of Asian descent. So if you think she’s being politically incorrect, you’re wrong. She’s farting in the swimming pool, but she’s not politically incorrect. (more…)

The Ghost of Wertham, by Mike Gold

As comics fans, we should always be on the frontlines of the war to protect freedom of expression.

After all, it was our medium that was forced into a severe case of arrested development for a decade. Beginning in late 1940s and led by mascot psychiatrist Fredric Wertham, the Saturday Evening Post and the Readers Digest, comic book creators became seen as nothing less than child molesters and the medium was pressured into “Comics Code Authority” censorship and became trapped in its “childish claptrap” image for a generation. Hundreds of cartoonists, publishers, editors, and engravers lost their jobs; those that were among the fortunate few who remained gainfully employed told their neighbors they were “commercial artists” or some such lest they be chased out of suburbia by an angry mob.

For the past 20 years we’ve had a dangerous clown in the Senate who, when he’s not trying to get our armed forces to blast every Moslem in the middle east into smithereens (yep; it’s Memorial Day, so let’s honor our brave men and women by bringing them home from Iraq) is busy trying to raise our nation’s children on behalf of their evidently incompetent parents. Sadly, I’m talking about one of my own senators,

“independent” Joseph Lieberman of Connecticut, a man no more independent than Karl Rove or Dick Cheney.

Senator Joe has actually threatened artistic creators with government censorship if they do not bow to his whims. Yeah, I know, I already compared him to Rove and Cheney so telling you he wipes his ass with the Bill of Rights is kind of redundant. Joe’s spent the past two decades – and our tax money – intimidating the forces that produce video games, movies and music he doesn’t appreciate, all the time hiding under the Great Flag of Cowards, the one that reads “save the children!” Now, he’s turned his attention to YouTube. (more…)