Author: Mike Gold

Dynamite and Buck Rogers in the 21st Century

n19285-3398230First, the news:

Dynamite Entertainment honcho Nicky Barrucci announced today that a series based on the classic space hero Buck Rogers will be joining The Lone Ranger, Red Sonja, Zorro and Battlestar Galactica in his project lineup, with participation of Alex Ross and John Cassaday, who will be doing character designs and covers. As of this typing, no regular story and art team has been announced.

Next, the history:

Publicly credited to John Flint Dille, Anthony “Buck” Rogers was the work of science fiction author Phillip Francis Nowlan. The first novel, Armageddon 2419, was anthologized in Amazing Stories Magazine cover-dated August 1928. It was successful and sequels were commissioned; the book came to the attention of wire service and newspaper syndicate owner Dille who hired Nowlan to create a newspaper comic strip version of his novel, teaming him up with artist Dick Calkins and renaming the character Buck.

It was awesomely successful, spinning off onto all the genres available in its time and the phrase “Buck Rogers” became a colloquialism for futuristic invention. It lasted until the mid-’60s and was revived a couple of times with varying degrees of success.

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Review: Jughead’s Double Digest #138

So there I was, at Midtown Comics, one of New York City’s better-racked shops, trying to find something my wife was looking for. That’s the only way you could get me into a comics shop on a Tuesday, the day before the new stuff is put on the shelves. Since I was there, I looked at everything else as well… and came across [[[Jughead’s Double Digest #138]]], a beneath-the-radar book that some will find of note.

This is the issue before the beginning of their latest “new-look” story, this time drawn by my pals Joe Staton and Al Milgrom, so I gave it a second glance. Above the logo, in type too small to be visible in the reproduction I cribbed from Archie’s website, is the phrase “Collectors (sic) Issue Featuring Jughead #1, 1949.” The cover art promised a story where the 2008 Jughead meets up with his 1949 counterpart. The one who only owned one shirt.

Unless you’ve been scouring the ComicMix comments sections lately, it is possible you are unaware that the Archie line is one of the best-selling newsstand comics ventures of our time. In fact, since their digests are available at most supermarket checkouts, they provide an unparalleled portal into the world of comics. Because their content appeals to readers of all sexes and age groups, they appeal to a group Marvel and DC barely acknowledge: the younger reader.

I should point out that Archie is also the last of the publishing houses still controlled by the family of its original owners. That comes across quite clearly in their editorial content, which is quite respectful of its roots.

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DC Colorist Jerry Serpe, R.I.P.

One of DC Comics’ preeminent colorists, Jerry Serpe, passed away Monday. A colorist and color separator since the end of World War II, Jerry had primary responsibility for overseeing the interior color for DC’s entire line during the 1950s and 1960s. He later went freelance, continuing to color virtually every character and every feature DC published for more than 30 years.  

During my first tenure at DC in the mid-to-late ’70s, Jerry was a fixture in DC’s production department, a room of astonishing talent: Anthony Tollin, John Workman, Steve Mitchell, Todd Klein, Bill Morse, Jack Adler, Bob LeRose, Carl Gafford, and others. I wrote and designed most of the house ads during that period and a lot of the promotional material, and Jerry almost always provided the color. His work was flawless; his demeanor was impeccable. That’s saying a lot, as the deadline pressure in the production department was – and will always be – massive.
 
Tony Isabella informs us Jerry’s daughter Donna his funeral will be in Florida tomorrow (Thursday); anyone is welcome to attend. Respects can be sent to:
 
Baldauff Funeral Home
1233 Saxon Blvd.
Orange City, FL 32763
386-775-2101
 
Thanks, as always, to Tony Isabella and to Mark Evanier.
 

Hope versus Fear, by Mike Gold

 
You don’t have to have read superhero comics for any great length of time before you get the message: perseverance plus righteousness will defeat the enemy every time. Despite the “maturation” of commercial comic books, this essential message remains at the core of the superhero concept.
 
Turn on your television set and listen to our government’s message. If you disagree with their policies, you don’t understand the fact that there are monsters trying to get us. If we don’t torture anybody we like, we will have another 9-11. If we don’t wiretap anybody we like, we will have another 9-11. If we don’t give AT&T and Verizon a pass on their illegal activities, we will have another 9-11. If we speak out against the Iraq War, we don’t support our troops and therefore we will have another 9-11.
 
To justify this, they point to incidents that are massively exaggerated or outright lies. That gas attack on the New York subway system? It was bullshit. The attempt to blow up Fort Dix? That was, quite literally, a pissed off pizza delivery guy and a couple of his friends from the Mack Sennett lot. In Florida, the government busted seven childish wannabees for conspiring with “Al Qaeda” (actually, with undercover agents) in an attempt to blow up Sears Tower in Chicago – it seems that one of the seven was briefly employed there. Our evidence that they were master terrorists? They had been bopping around in public wearing homemade military uniforms and turbans, and they asked an undercover agent for boots (they supplied shoe sizes), machine guns and $50,000 in cash. Even idiots can pose a threat, but busting these clowns doesn’t justify waterboarding or preemptive military strikes.
 
Yes, we have real enemies out there and we need to deal with them in an effective manner. I’m not to trivializing it in the least by saying the threat requires police actions: detective work, and fairly routine detective work at that. The type the FBI has found fairly effective these past many decades. Abandoning everything that makes America America is not effective; it is surrender.
 

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Son Of Filling The Big Shoes, by Mike Gold

Remember my column last week ? I’m sure you committed every hallowed word to memory. Well, this is a sequel. Fittingly, it’s about Hollywood.

I’m staring at this massive schedule of movies of interest to your average ComicMixer that are due to be released in the next 12 months or so: Iron Man 1, Indiana Jones 4, Incredible Hulk 2-but-1, Get Smart 1, Hellboy 2, The Dark Knight 6-but-2, X-Files 2, The Mummy 3, James Bond 22, Harry Potter 6, The Day The Earth Stood Still 1-but-2, Star Trek 74, Will Eisner’s The Spirit 1, and Green Hornet 1 (serials don’t count). I’m looking forward to about half of them, which is a pretty good average for me. But there’s one that I’m looking to with trepidation.

No, it’s not The Day The Earth Stood Still, the original of which is the Citizen Kane of science-fiction movies. Let them take a shot; I wish ‘em luck. Nor is it Star Trek 74: The Reboot-To-The-Rear. I’d scoff at this attempt but, frankly, after the majority of Trek movies what the hell, maybe it’ll work. It did for James Bond in Casino Royale 3. Nope, I’m trepidatious about Will Eisner’s The Spirit. Make that Frank Miller’s Will Eisner’s The Spirit.

There’s absolutely no slight here against Frank. Of all the folks in comics, he has been one of the most publicly and most aggressively pro-creator rights activists around. His passionate arguments about the Comics Code and about the way Marvel treated Jack Kirby still ring loudly in my inner-ear. In fact, I’m glad to see The Spirit in the hands of a person who knows how to make comics work yet also has a solid background in movies. 

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Review: Manga Sutra Volume One – Flirtation

 
It used to be, if you wanted to reach for the comic art form for your sex education you had to send a couple bucks to those want ads in the back of the cheesy magazines for “Comics – the Kind Men Like!” That stuff was a bit distorted; well, in the case of the ones that featured [[[Popeye]]], I’d have to say they were quite a bit distorted.
 
Trust the Japanese to get real. After all, they’ve been using the comic art form to foster all kinds of truly educational venues: business, economics, history, language, and so on. You’d figure sex ed would be a no-brainer. 
 
Be that as it may, doing sex ed comics in the form of a genuine story with a plot and character development is uniquely Manga. And TokyoPop brought the first volume of this series, Katsu Aki’s (Futari H) [[[Manga Sutra]]], to American shores. 
 
Manga Sutra is a sweet and sensitive series that focuses on the psychological aspects of sex as much as – actually, more than – the mechanics. The story is about a young couple, Makoto and Yura, who met through an arranged “marriage meeting.” This is sort of a counseled dating service, but one where the ultimate intent of marriage is upfront. The two 25 year olds dated, liked each other, got married, and only then discovered they were both virgins with a lot of understandable insecurities and a lack of any clue.

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Filling The Big Shoes, by Mike Gold

 

After much discussion with friends and the unwashed and bewildered, today I have decided to weigh in (again) on one of the many ongoing and irresolvable debates that have haunted the hallowed halls of comics academia since time immemorial. The question: when the instigator of a series retires from his or her creation, should the series be retired as well?
 
It seems a lot of creators and many fans think it should. To this, I say “ka-ka.”
 
I understand that a creator’s vision is important, and I strongly feel that creator should have the word on continuing the feature. For many creators, such choice was denied to them when they signed their publishing contracts. That was exploitative. Today, well, creators should know better. And many do: there are financial advantages to allowing a continuation of the feature, and there’s the idea that, to quote John Ostrander from the Stuart Gordon play Bloody Bess, “My words… my words shall live forever.” It should be the creator’s call, and there’s nothing wrong with deciding either way. Of course, after you drop dead your estate will likely overrule you, but that’s a matter between the dead you and your living family.
 
Aesthetically… well, that’s another matter. Bitch and moan all you want, but the replacements generally work out pretty well. 
 
If DC retired Batman when Bob Kane left the character 40 years ago, we never would have had the masterworks of Dennis O’Neil, Steve Englehart, Neal Adams, Marshall Rogers, Frank Miller and a legion of other superlative storytellers. Carl Burgos and Bill Everett were not involved in the Marvel Age resurrections of their Human Torch and Sub-Mariner (respectively), but all those Lee and Kirby stories sure were swell. Spider-Man didn’t truly take off until after Steve Ditko left; John Romita, Gil Kane and many others took Peter Parker to heights previously unimagined by the publisher.
 

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Government Recalls Spider-Man Cups

The U.S. Consumer Product Safety Commission has issued a recall of 6,600 Spider-Man water bottles sold exclusively at Sears last summer. These bottles carry a sufficient risk of choking, as the screws under the lid can come loose and fall into the cup.

Even though these items haven’t been sold for some time, the news is significant as many were purchased by and for fans old and young. Quite frankly, they look sort of cool. So if you’ve got ’em, you might want to take them out of service and put them on a shelf beyond the reach of small children who are not endowed with the powers and proportionate strength of a spider.

More info here.

Conan on Conan Action on TV!

Jim Lauderdale and The Dream Players were on Conan O’Brien’s show last night, promoting and playing from their new CD, Honey Songs, which hits the stores today. The jacket art was drawn by GrimJack artist Timothy Truman; Timothy also writes Conan for Dark Horse. He’s also been known to draw everybody’s favorite barbarian from time to time as well.

Yep. That means that Conan was holding up Conan’s art, but not Conan art. Nor GrimJack art, sadly, but we were thrilled to see Tim’s stuff on network teevee! Nice goin’, bro!

 

 

 

Rock and Roll and Comic Books and Our Future, by Mike Gold

 

There’s a website called Electronista that blames the precipitous drop in music sales on iTunes and the iPod, quoting NBC News’ Peter Alexander as saying “with 120 million iPods sold since 2001, digital downloads of individual songs are through the roof, soaring 500% in the last three years. In that same period, CD’s sales of declined dramatically, as listeners prefer hits over to entire albums.”
 
This type of sloppy reporting would have gotten me thrown out of Journalism school. I’m sure his numbers are right, but mp3s and mp3 players existed well before the iPod, and iTunes is not a bootlegging service: you pay for your music. Presumably, if the record companies aren’t ripping off the artists (which, ahem, has been known to happen), the artists are getting their fair share of the pie.
 
I know I’m going to get a ton of e-mails from Suits trying to redefine the argument in terms of bootlegging and that’s what is bringing music to its doom. To which I quote Sherman Potter: Horse hockey.
 
People always bootlegged music, ever since the inexpensive cassette recorder debuted in the late 1960s. You’d buy a record, you’d knock off a copy for your friends. People shared more in those days. This practice is so prevalent that some countries charge a bootlegging tax on blank media, the revenue from which going to a common fund for creators. It was no big deal then, and it’s no big deal today.

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