Author: Mike Gold

Ghost Rider goes to court

marvel-spotlight-05-6300116Long-time comics writer Gary Friedrich has sued Marvel Comics, Sony Pictures and their Columbia TriStar Motion Picture Group, Relativity Media, Crystal Sky Pictures, Michael De Luca Productions, Hasbro Inc. and Take-Two Interactive for copyright infringement over his version of Ghost Rider.

Filed last week in Illinois, Friedrich claims 21 separate copyright and trademark violations based upon the “production and marketing” of the recent blockbuster motion picture. He claims the copyrights used by the defendants reverted from Marvel to him in 2001.

According to Reuters, Friedrich alleges copyright infringement and accuses Marvel of waste for failing “to properly utilize and capitalize” on his character. Marvel’s attempts to do so, Friedrich claims, have only damaged the value of his work by failing to properly promote and protect the characters and by accepting inadequate royalties from co-defendants. Friedrich also claims that toymaker Hasbro and videogame firm Take-Two have improperly created merchandise based on the characters.

Even though Marvel has published this version of Ghost Rider off-and-on since 1971, it’s predecessor company, Magazine Management, failed to register the work with the Copyright Office, according to Friedrich’s complaint.  He states that, following federal law, he regained the copyrights to Ghost Rider in 2001.

As of this writing, neither Marvel nor Sony has responded to the suit. It is expected they will adopt the initial position that the complaint “bares no merit,” as if it did, the crack of the whip could severely undermine the profitability of both Marvel and DC Comics and their parent companies.

Grindhouse to amoeba?

10m-3779307Grindhouse executive producer Harvey Weinstein has been on a spree explaining why the movie  tanked last weekend. Without revealing the fact that the reviews and word-of-mouth generally noted people’s tastes running towards one of the two movies on the double bill and against the other – with little consensus on which is better – Weinstein said the three hour running time was a major deterrent to sales. Certainly, film exhibitors agree.

So he’s floating a trial balloon. He’s "thinking" about rereleasing Grindhouse as two individual movies: Robert Rodriquez’s  Planet Terror and Quentin Tarantino’s Death Proof. That should do wonders for this weekend’s box office.

But here’s Weinstein’s dirty little secret: when they made Planet Terror and Death Proof, extra footage was shot. Yeah, that’s always the case. But in the case of these two movies, a lot of extra footage was shot. Enough to add at least 20 minutes to each movie. The plan, of course, was to release "extended versions" on DVD and to seperate the movies for some overseas audiences. Now, it looks like these extra 40 minutes (give or take) is becoming Plan B.

Thus making Grindhouse ironically the longest trailer ever released.

You can listen to Matt Raub’s review on today’s ComicMix Podcast (below) or do a search for his ComicMix print review, which we ran last week.

Felix sues clock

4219_4_4-7935215asm_clock-9705372Felix, the world’s oldest cat, has reached into his bag of tricks to whip out a lawsuit.

The Otto Messmer creation who first appeared in Pat Sullivan cartoons dating as far back as 1912’s Felix Saves The Day has taken offense at the popular Kit-Kat Klock. The clock dates back to the 1930s; it’s taken Felix a bit of time to file the papers. Next time, he should pull an opposable thumb out of his bag of tricks. However, it should be noted that the Kit-Kat Klock had been marketed in the past as the "Felix Clock."

Felix has been a perennial in comic books as well as on television and in both silent movies and talkies. Kit-Kat Klocks are no relation to the popular candy bar, whose manufacturers may be waiting on deck for their turn at bat.

Zippy on Jay Kennedy

Well, here’s something you don’t see everyday.

As our Elayne Riggs noted last March 16th (check it out on our search engine), King Features Syndicate Comics Editor Jay Kennedy died at the age of 50. Tributes were offered by cartoonists all over the world, but perhaps the most unusual and one of the most heartfelt appeared in today;s  strip, by Bill Griffith:

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It’s a little word-heavy, even for Zippy, so you might want to check out a larger version at the Seattle Post-Intelligencer‘s website, seattlepi.nwsource.com/fun/zippy.asp

 

MIKE GOLD: Casting the first stone

mikegold100-6141805Don Imus uttered a phrase that was heard around the world. Of course, his radio show is broadcast across the world on sundry radio and cable television stations, but you get the idea.

Last Wednesday Mr. Imus referred to the Rutgers’ women’s basketball team as “nappy headed hos.” Sadly, he wasn’t referring to the late Dan Blocker. On Friday Imus apologized for his remarks in no uncertain terms, and his host company CBS said they’d put his show on a tighter leash.

Now, I’m a First Amendment absolutelist, and there’s not “but” at the end of that sentence. If Winston cigarettes wants to resume sponsoring The Flintstones and the broadcasting outlets want to advertise it, that’s fine by me. It’s free speech, and it always applies to all sides of any debate.

That doesn’t mean that people shouldn’t react to it. If you don’t like Imus for any reason whatsoever, you don’t have to listen to the show. I don’t because after 40 years it’s grown self-righteous and lame – in my opinion. But that’s my right. You don’t have to sponsor it, you don’t have to broadcast it on your affiliated station.

But let’s remember one thing. Everybody says stupid things from time to time. Anybody who has ever been married knows this. Rev. Al Sharpton, who has called for Imus’s termination, should know this – particularly after the Tawana Brawley situation, which Sharpton properly explained away by saying “because I believed her.” He should grant Imus the same license. He made a stupid mistake.

Predictably, everybody you’d guess is calling for Imus’s well-endowed scalp. He committed the sin of unthinking political incorrectness, and he did so in as little as three words. It’s not as if he’s got an entire career making such offensive statements, like, say, Bill Donohue or Louis Farrakhan or any number of other people I could mention.

A couple years ago, Farrakhan renounced his extreme statements and we were expected to take that at face value, and I did. Should we not grant Imus the same opportunity? Last week, in response to his skewering on the current episode of South Park, Donohue admitted he comes on “a bit strong” and he said he laughed his ass off at the teevee show. Should we not grant Imus the same understanding?

Back in the day, my radio show on (then) WEAW-FM in Chicago was followed by a half hour from the syndicated Reverend Carl MacIntyre, a man so far to the right he actually “exposed” both the FBI and the Boy Scouts of America as Communist plots. One of his listeners tuned in early and heard me playing the Grateful Dead’s version of “Turn On Your Lovelight” and got all offended, saying I was promoting prostitution. Like Sharpton, she filed a complaint with the FCC. Being more liberal times (it was during the Nixon Administration) the FCC overseer ruled in my favor – but only after the radio station spent more in legal fees than they did on my show.

Imus was stupid. Don’t listen if you don’t want to, but let everybody else make up their own minds.

Cartoonist Johnny Hart Dies

wizardofid-5395417Johnny Hart, of B.C. and Wizard of Id fame, died Saturday while working at his storyboard in Endicott NY. He was 76. 

B.C. appears in more than 1,300 newspapers worldwide – quite an achievement in these days of newspaper mergers and disappearing strips.

No stranger to controversy, some of Hart’s cartoons had hard Christian themes. A Sunday page published on Easter, 2001 was deemed by many Jews to be quite offensive – a menorah transformed into a cross, accompanied by Jesus Christ’s dying words. According to the Associated Press, critics said it implied that Christianity supersedes Judaism. Similar themes have appeared in the strip since, leading to a number of cancellations.

Nonetheless, both B.C. and Wizard of Id (produced by Hart and Brant Parker) will be remembered as two of the funniest and most clever newspaper comic strips launched since World War II.

Ironically, he quotes Jesus in today’s Easter strip (reprinted below) saying "Assuredly I say to you today you will be with me in Paradise." Here’s hoping for you, Johnny.

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Conan The Historian

conanthephenomenon-1125099This September (the 26th, if you’ve got a "Week At A Glance"), our friends at Dark Horse will be releasing the difinitive story behind one of their leading franchises. Paul Sammon’s CONAN THE PHENOMENON promises to offer a complete look at the mostly naked barbarian, covering Robert E. Howard’s original stories, the subsequent prose authors, and all the comics incarnations – including those produced by such masters as Roy Thomas, Barry Smith, John Buscema, and Timothy Truman.

The Schwartzenegger movies will not be ignored. At least, not by Sammon or, for that matter, by the voters of California.

One cannot produce such a tome without offering tons of illustrations, and this book promises to be up to the task. Of course, it will sport a Frank Frazetta cover (above). The introduction is being provided by Elric’s daddy, the eternal champion himself, Michael Moorcock.

Master of pulp fiction? It’s The Spider, man!

headone-9091782O.K. If this is a review, it’s of The Spider Chronicles, published by Moonstone Books, released this week, and written by all kinds of wonderful people including Steve Englehart, John Jakes, Ann Nocenti and Robert Weinberg – all under a nifty introduction by ComicMix columnist and gadfly-about-town Dennis O’Neil.

Having a full-time job right here at ComicMix, I’ve only had time to read half the stories thus far, but all were worthy of the task: translating into short story form the most bizarre and over-the-top hero of all time, period.

The concept can be barely contained in the novelette-length stories of the 1930s. In case you’re not familiar, let me ramble off some of my favorite story titles: King of the Red Killers. Slaves of the Murder Syndicate. The City That Dared Not Eat. Machine Guns Over The White House. Hell’s Sales Manager (I think I had that job once.) And my all-time favorite, The Mayor of Hell.

How can you beat titles like that? Only with execution that make those titles seem lame.

There’s usually one madman who pretty much looks like Charles Lane. We may or may not know who he is at the outset, but within several chapters he’s managed to paralyze the city (usually New York or Washington or both), if not indeed the whole quadrant of the nation, if not indeed the entire nation itself. By chapter six, the death count is enough to fill Yankee Stadium to the brim.

Only three people stand in the madman’s way: Nita Van Sloan, a woman as tough and clever as they come; Ran Singh, loyal, faithful assistant to The Spider and an ace at cutlery; and finally, wealthy playboy Richard Wentworth who likes to play the violin, not take advantage of the adoring Nita, and dress up in a variety of disguises – most notably in the monstrous visage of The Spider.

Wentworth’s the one who does the heavy lifting. He doesn’t mind killing each and every person he and he alone deems worthy of killing.

If you could hook your hybrid into a Spider story, the energy would drive you coast-to-coast and back again. Imagine the Kree / Skrull War with all the Kree and all the Skrulls on one side, three people on the other side, and all the battles taking place in an area no bigger than your bedroom. 

There have been any number of Spider reprint projects going on, most notably the double-story ventures similar to Anthony Tolin’s Shadow and Doc Savage reprints (see Dennis O’Neil’s column here at ComicMix this week) as published by Girasol Collectibles (www.girasolcollectables.com/). They’re worth checking out.

But our friends at Moonstone have boldly ventured where no one’s gone for quite a while by commissioning these short stories by such famous authors. Given their length they might be sedate by “Grant Stockbridge” standards (the pseudonym under which all but the first novels were written). Pick up The Spider Chronicles. It’s the heroic ideal taken to its most bizarre limit.

Depp’s daddy Disney disaster?

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As you may have heard, earlier this week rock legend Keith Richards acknowledged snorting the ashen remains of his father. Within 24 hours, his publicist issued a retraction. April Fools, she said, a few days late.

O.K. Fine. I believed the former, I don’t want to believe the latter, but what the hell it wasn’t my dad.

But it was said by Johnny Depp’s dad – as in, "Keith Richards plays Johnny Depp’s father in Pirates of the Caribbean At World’s End."

There’s a wonderful opportunity for an exciting new ending here. Otherwise, Disney’s spin-meisters are going to have quite a tangled web to weave.

Pirates of the Caribbean At World’s End opens May 25th.

Classic comic, classic cartoon

7805237-6828587Late last year, Fantagraphics released the first in their series of books reprinting E.C. Segar’s work on Popeye, one of comics’ greatest creations. This summer, Warner Home Video will be releasing something of a companion volume: Popeye The Sailor 1933 – 1938, as produced by Max Fleischer under the direction of Dave Fleischer.

It took three classic creators and one classic creation to birth a true American icon.

The Warners box set is expected to contain all 60 Fleischer cartoons produced during this period in their original and uncut form, starting with Betty Boop Meets Popeye The Sailor, our hero’s cinematic debut. The set will also include extras and documentaries, including histories of both Popeye and of the Fleischer Studios.

Because the cartoons will be unedited from their original form, the box set is likely to carry a "This Compilation is Intended for the Adult Collector and May Not Be Suitable for Children" disclaimer, according to tvshowsondvd.com/ Popeye 1933 – 1938 will retail at $65 and is expected to be out on July 31.