Ghost Rider goes to court
Long-time comics writer Gary Friedrich has sued Marvel Comics, Sony Pictures and their Columbia TriStar Motion Picture Group, Relativity Media, Crystal Sky Pictures, Michael De Luca Productions, Hasbro Inc. and Take-Two Interactive for copyright infringement over his version of Ghost Rider.
Filed last week in Illinois, Friedrich claims 21 separate copyright and trademark violations based upon the “production and marketing” of the recent blockbuster motion picture. He claims the copyrights used by the defendants reverted from Marvel to him in 2001.
According to Reuters, Friedrich alleges copyright infringement and accuses Marvel of waste for failing “to properly utilize and capitalize” on his character. Marvel’s attempts to do so, Friedrich claims, have only damaged the value of his work by failing to properly promote and protect the characters and by accepting inadequate royalties from co-defendants. Friedrich also claims that toymaker Hasbro and videogame firm Take-Two have improperly created merchandise based on the characters.
Even though Marvel has published this version of Ghost Rider off-and-on since 1971, it’s predecessor company, Magazine Management, failed to register the work with the Copyright Office, according to Friedrich’s complaint. He states that, following federal law, he regained the copyrights to Ghost Rider in 2001.
As of this writing, neither Marvel nor Sony has responded to the suit. It is expected they will adopt the initial position that the complaint “bares no merit,” as if it did, the crack of the whip could severely undermine the profitability of both Marvel and DC Comics and their parent companies.

Grindhouse executive producer Harvey Weinstein has been on a spree explaining why the movie tanked last weekend. Without revealing the fact that the reviews and word-of-mouth generally noted people’s tastes running towards one of the two movies on the double bill and against the other – with little consensus on which is better – Weinstein said the three hour running time was a major deterrent to sales. Certainly, film exhibitors agree.
Felix, the world’s oldest cat, has reached into his bag of tricks to whip out a lawsuit.
Don Imus uttered a phrase that was heard around the world. Of course, his radio show is broadcast across the world on sundry radio and cable television stations, but you get the idea.
Johnny Hart, of B.C. and Wizard of Id fame, died Saturday while working at his storyboard in Endicott NY. He was 76. 
This September (the 26th, if you’ve got a "Week At A Glance"), our friends at Dark Horse will be releasing the difinitive story behind one of their leading franchises. Paul Sammon’s CONAN THE PHENOMENON promises to offer a complete look at the mostly naked barbarian, covering Robert E. Howard’s original stories, the subsequent prose authors, and all the comics incarnations – including those produced by such masters as Roy Thomas, Barry Smith, John Buscema, and Timothy Truman.
O.K. If this is a review, it’s of The Spider Chronicles, published by Moonstone Books, released this week, and written by all kinds of wonderful people including Steve Englehart, John Jakes, Ann Nocenti and Robert Weinberg – all under a nifty introduction by ComicMix columnist and gadfly-about-town Dennis O’Neil.
Late last year, Fantagraphics released the first in their series of books reprinting E.C. Segar’s work on Popeye, one of comics’ greatest creations. This summer, Warner Home Video will be releasing something of a companion volume: Popeye The Sailor 1933 – 1938, as produced by Max Fleischer under the direction of Dave Fleischer.
