Author: Tommy Hancock

WHAT TIME IS IT? GREMLIN TIME!

  • Uncategorized
  • August 4, 2011
KBOO community radio out of Portland, Oregon is a pulp-lover’s dream, with their GREMLIN TIME radio show. Host Matthew Clark lines up a number of pulp-tastic post-mortem perambulations through the exciting worlds of authors such as Arthur Conan Doyle, Robert E. Howard and Rafael Sabatini! Featuring radio productions of stories such as “Pigeons From Hell” and “The Man With The Twisted Lip”, “It” and many more, for free to download or listen to online at http://kboo.fm/GremlinTime!

NEW REVIEW COLUMN AT ALL PULP- PULP CLASSIC!

  • News
  • August 4, 2011

PULP CLASSIC- Reviews by Joshua Pantalleresco
TARZAN OF THE APES by Edgar Rice Burroughs

Ask me to pick my all time Edgar Rice Burroughs creation, and I think most people would say John Carter.  To me, however, Tarzan was Burroughs at his most refined.  There is a level of sophistication in Tarzan that is unsurpassed with any other of Burroughs’ characters.  In fact, I’ll go so far to say that Tarzan of The Apes is probably Edgar Rice Burroughs’ most complex book in terms of character development, as the Tarzan that starts the novel is not the Tarzan that finishes it.  Part origin, part coming of age and part adventure,  I’m amazed with just how layered Tarzan really was, and it makes me realize just why this character is still so popular to this day.

Tarzan of the Apes begins with his parents arriving in to the harsh unforgiving jungle.  Alice and Clayton battle the jungle valiantly, yet ultimately succumb to the harsh terrain, leaving baby Tarzan alone in the jungle, where he is eventually adopted by apes.  The first half of the book is about Tarzan growing up in this environment.  This stuff is among my favorite writing of Burroughs period.  From covering the harsh realities of the jungle, to Tarzan discovering how to use tools, Burroughs does a great job separating Tarzan from a conventional savage and was able to show that Tarzan had a lot of cunning, reason and a little bit of a sense of humor.

One of my favorite scenes is Tarzan discovering his parent’s house and discovering the books in the library.   The fact that he spends his time learning how to read astounded me when I first read it as a kid and still astounds me now.  The thing I tend to hate with Tarzan in most of the television shows is that they make him out to be an above average ape man and nothing more.  I can’t think of anything cooler than the fact that he used a children’s book to teach himself how to read in English.  That’s an incredible feat and I’ve always thought that always having him be the simple ape man he is in most movies and television shows takes away a real important aspect of his character – his desire to become more than he is.

tarzanapes-6184294This facet of him is presented best when Jane enters the story.  He sees her and feels an instant attraction.  He starts communicating with her with the English he learns through letters.  He is sprung into action when one of his local enemies captures Jane, which leads to Tarzan rescuing her.  When he attempts to woo her with a very simplistic approach and is rebuked, he takes the first steps into becoming the gentleman English lord he is descended from.  When she leaves, Tarzan seeks her out, learning more how to communicate, act like a man, and all the while making some acute observations about the ways of men he doesn’t approve of.

In the end, he saves Jane from a marriage that would have made her miserable, yet doesn’t walk away with the girl.  All in all, it left me wanting more, just like it did when I first picked up the book years ago.   Tarzan is everything you want in a great story.  Despite the savage setting, there is something we can all relate to in Tarzan in this first book.  It’s one of my favorites.  I can’t recommend it enough.  It’s a solid five out of five stars.

GUEST REVIEW-DAMBALLA MAKES HISTORY AGAIN!

  • News
  • August 4, 2011
Charles Saunders Makes History—Again!

A review of Damballa, by Charles Saunders.

Guest reviewer Joe Bonadonna
air-37-4757295Charles Saunders created Imaro, the first black sword and sorcery hero, over 30 years ago. He made history with that one, folks. Now, with his new novel, Damballa, Saunders has once again made history—giving us the first black crime-fighting superhero in pulp fiction. But this novel is a lot more than an action-adventure story. This one is set in the world of boxing, in 1938 Harlem. It’s film noir and hard-boiled detective, with a wonderful cast of characters. Filled with Nazis, gangsters and jazz, cultural insight, plenty of atmosphere, and a serious subtext dealing with bigotry and racism, this action-packed novel climaxes in one blistering boxing match, and an ending that is both justice served, as well as emotionally satisfying. Saunders knows how to write, how to tell a story and fill it with twists and surprises, and he is an authority on boxing. I highly recommend this novel to anyone who likes a great story with characters who live and breathe. You won’t be disappointed. I guarantee it.

—Joe Bonadonna, author of Mad Shadows: The Weird Tales of Dorgo the Dowser

DARK HORSE ANNOUNCES SEQUENTIAL PULP IMPRINT!

  • News
  • August 3, 2011

Sequential Pulp Comics Launch in September

           
pulp-5839984Sequential Pulp Comics, a highly anticipated new graphic-novel line distributed by Dark Horse, will launch in September!
This new line will bring to life works of classic literature, 1950s paperbacks, and other stories. The series comes out of the gates with Victor Hugo’s classic literary work The Hunchback of Notre Dame, a forty-four-page graphic novella that marks Tim Conrad’s first new work in twenty years!
“Michael and I share a love for great stories, no matter where they come from. I grew up with these great works of science fiction, adventure, the supernatural, and crime noir,” said Dark Horse president Mike Richardson. “I can’t wait to see how Michael and his talented teams of artists and writers will breathe new life into them in this exciting new series of graphic novels.”
“We intend to simplify matters by foregoing single-issue comics, at least at first, and going straight to the graphic novel. In doing this we reach all markets including digital at the same time, and I believe the modern comics audience is hungry for complete stories,” said Sequential Pulp president Michael Hudson. “Our goal is to tell great stories and accentuate them with excellent art.” He concluded by saying, “Mike Richardson is a personal mentor and his vision has been one of greatness for Dark Horse for twenty-five years. I like surrounding myself with successful people, and with his help I know this can be a success.”
With titles scheduled into 2013, this new line is sure to please modern comics fans, as well as others who remember these classic works of fiction. Other upcoming titles include Dick Briefer and Mary Shelley’s The Monster of Frankenstein, Harry Whittington’s noir masterpiece A Night for Screaming, and many others.

Fortier takes on CONAN THE BARBARIAN and Survives!!!

  • News
  • August 3, 2011
ALL PULP REVIEWS-Book Reviews by Ron Fortier

CONAN THE BARBARIAN

By Michael Stackpole

Berkeley Boulevard

Movie Tie-In

292 pages

It appears you just can’t keep a good barbarian down.  Conan the Barbarian is a hero and well known iconic figure in American fantasy. He was created by writer Robert E.Howard in 1932 via a series of fantasy stories sold to Weird Tales Magazine.  Howard was born and raised in Texas and spent most of his life in the town of Cross Plains.  As a boy he dreamed of becoming a writer of adventure fiction but was not successful until the age of twenty-three.

Howard’s Conan is a character whose literary imprint has been compared to such fiction greats as Tarzan, Count Dracula, Sherlock Holmes and James Bond.  With Conan, Howard created the genre known as sword and sorcery, inspiring a legion of imitators and giving him an influence in the fantasy field rivaled only by J.R.R. Tolkein.  On the eve of publishing his first novel, he committed suicide at the age of thirty. That he remains a highly read author, with his best works continuously reprinted speaks volumes for his place in the ranks of American masters.

As for Conan, he has appeared in hundreds of licensed paperbacks, Marvel comics, films, television programs, video games, roleplaying games, and even a board game.  In 1982 he came to big screen portrayed by bodybuilding champion turned actor, Arnold Schwarzenegger who recreated the role in the sequel several years later.  Producer John Milius had planned a trilogy, but the proposed third film, Conan the Conqueror was never produced.  Now, almost three decades later, the famous Cimmerian warrior from the mythological Hyborian age once again comes to the silver screen in a brand new production from Millenium Films, Lionsgate, and Paradox Entertainment.  And to promote what they hope will be a huge summer blockbuster, their marketing department commissioned a novelization of the screenplay by Thomas Dean Donnelly, Joshua Oppenheimer and Sean Hood.  The writer given the job was Michael Stackpole.

Many book lovers detest such novelizations believing them to be mere carbon copy retellings form the screenplays with nothing new to offer readers who plan on seeing the movie. In many cases, that is exactly all they get. On the other hand, when such a task is given to a true fan of the material, then what results is something much deeper and more complete than the screen treatment.  Stackpole is a gifted professional who clearly knows Conan and his original exploits as chronicled by Howard.  He not only tells the story laid out by the screenplay, but at the same time enriches it scene upon scene with authentic references to the Conan canon which totally elevates the narrative beyond being a mere reflection of the movie.

Born on a battlefield, young Conan grows up amongst the mountain people of Cimmeria and is taught to be a warrior from the day he can hold and wield a sword.  But as he matures, his father relates how his unique birth is regarded by seers as a powerful portent of the fate that awaits Conan. Not only will he be a great fighter amongst his people, but there are signs that he will one day be known throughout the civilized nations as mighty hero of unrivaled strength and daring.

As always, we have to assume that there will be people picking up this book who have absolutely no idea of who Conan is or Robert E.Howard, but have seen the trailers for the movie and are curious about it. For them, this is as good an introduction to Conan as any other that has come along in the past thirty years.  The book is fun and does its job well; it makes you want to go see the film.  So please, save me the aisle seat.

PRO SE PRESS RETURNS TO MAGAZINES WITH PRO SE PRESENTS#1!

  • News
  • August 2, 2011

Breaking into the New Pulp field a year ago, Pro Se Productions. initially a two man small press publisher, first made its mark with a line of New Pulp magazines.   Due to various reasons, Pro Se made the decision in March, 2011 to end its three magazines and to focus exclusively on books and anthologies/collections.  Even though that choice has been significantly positive for Pro Se, New Pulp fans have asked almost since the day the last issue was published when the next Pro Se magazine would hit the streets.  Tommy Hancock, partner and Editor in Chief at Pro Se, revealed that that day would be extremely soon.

“Yes, we’ve listened,” Hancock stated, “We’ve had requests and questions about our magazines almost literally since we decided to go a different direction.  People want to see their favorite characters continue, to read writers that they love do new sorts of things, and to hold that monthly issue to see what’s coming next from Pro Se.  Well, they’re going to get that, slightly different than we’ve done it in the past, but Pro Se is definitely back in the monthly magazine business.”

Outlining the new magazine line, now pared down to a single title, Hancock said, “Although we love the three titles we had before, it’s just more efficient for us at this point to have a single title.   PRO SE PRESENTS will be our single title, but our editorial staff will still follow the old three title model.  Lee Houston Jr. will edit stories that fall into the ‘Fantasy and Fear’ line while Frank Schildiner acts as editor on stories fitting the ‘Masked Gun Mystery’ label and Nancy Hansen rides lead as editor on “Peculiar Adventures’ type tales.  Barry Reese will continue his fine work as Submissions Editor.  Each magazine, when possible, will highlight a story of each type.  There will also be issues that focus specifically on one of the three divisions.”

“Another change is the format.   Our magazines will be fewer pages, around 70-80 monthly, and will be a smaller digest size.   This has to do with the price point as well as ease of reading and visual attractiveness.  PRO SE PRESENTS will be $6.00 for print issues.  E-issues will also be available at $1.99 each.   This change makes it possible for Pro Se to return to publishing magazines and will give readers a three-four story one-two punch of New Pulp action, adventure, and horror every single month.”

PRO SE PRESENTS #1 features three stories in its debut issue.  Sean Taylor presents a tale of the line between inspiration and horror in ‘Art Imitates Death.’  Don Thomas pens a tale of heroic fantasy with ‘Andar and the Farmer.’  And Ken Janssen’s Sherringford Bell returns to investigate ‘The Scandal of the Bohemian.”  Peter Cooper and Sean E. Ali provide art for this debut issue, Ali also responsible for design and format.

Coming in August, PRO SE PRESENTS #1 from Pro Se Press.   Pulp Magazines.  Monthly.  Just the way it should be.

HANCOCK TIPS HIS HAT TO ‘THE WAY THEY WERE’!!

  • News
  • July 31, 2011
TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock



(I would like to extend a personal apology to Jeff Deischer, author of the book reviewed below.  I intended to have this review posted last week, but due to issues far beyond my control, I could not.  Doesn’t mean it’s right to break a promise, My sincerest apologies, Jeff.)

THE WAY THEY WERE: The Histories of Some of Adventure Fiction’s Most Famous Heroes and Villains

By Jeff Deischer


Published 2011 by Westerntainment





thewaytheywere-6430513One of the many fantastic things about literature in general and about Pulp specifically is the richness and variety woven into the novels, stories, and tales that make up the genre.   Not only are heroes good and larger than life and villains evil and over the top, but there is a depth to these characters and the events creators thrust them into, a depth that over years has been explored in a myriad of ways. 


One of the most fun of these, in my opinion, is the work of creators and scholars to not only establish timelines for these fictitious creations and their marvelous escapades.   Although many people might find actual history boring, there’s something inventive and exciting about taking a literary character and matching their exploits to a particular year or event, tying our fantasy into our reality.  And an even cooler step beyond that is finding connections between one character and others, connections that given the right phrasing and tweaking become familial or uncover possible links that could lead to here to yet untold adventures.   Several works of this type have been written in the last several decades, including chronologies, timelines, or just full on stories bringing characters you’d never imagine being drawn together into the same realm.


Jeff Deischer, author THE WAY THEY WERE, is one of those writers and creators who not only imagines the possibilities, but sets out to establish them, not simply by telling tales, but by providing thought provoking articles and essays.  Drawing first from his own interest as a fan and reader, Deischer adds in research and analysis as he takes on several questions that have plagued Pulp fans for years and, in other articles, he poses brand new theories and brings characters to mind that at least I as a reader hadn’t given much thought to in a while.


Deischer tackles well-traveled ground by covering points various and sundry about Doc Savage and The Avenger.  He also takes on famous characters from horror literature, tying Dracula and Frankenstein and the Phantom of the Opera to timeframes and situations.  Surprises lurk within these pages as well, including a multi article study of the works of Jules Verne and a most excellent essay about the use of Antarctica and Mars in early Pulp fiction.   Regardless of it being James Bond or Gullivar of Mars, Deischer brings new life to old characters, breathing into them questions and theories that show a different light on them.   One of Deischer’s strongest points is his willingness to present ideas that run totally the opposite of established concepts and then go on to back them up.   Add to that a writing skill that is both engaging and entertaining, THE WAY THEY WERE reads as much like a multi chapter pulp tale as it does a collection of essays.


FOUR OUT OF FIVE TIPS OF HANCOCK’S HAT-Insight and detail add to the education into these fantastic characters that THE WAY THEY WERE provides.

PULPFEST-MUNSEY WINNER, NEW PULP, AND MORE!

  • News
  • July 31, 2011
pulpfest-6203744

Pulpfest 2011 has been another rousing success according to reports from many creators attending.  The winner of the 2011 Munsey has also been announced.  Congratulations to Anthony Tollin of Sanctum Books, the man responsible for reprints of THE SHADOW, THE AVENGER, and THE WHISPERER being available to fans today.  For full Pulpfest coverage on the Munsey this year, go to

http://www.pulpfest.com/2011/07/31/munsey-goes-to/

And for a bit more on the floor coverage from the viewpoint of one of the leading creators of New Pulp, Artist Rob Davis, Partner and Co-Publisher of Airship 27 Productions stated-

“Hey, to all our pals who aren’t in Columbus, Ohio for PulpFest. We are having a blast selling books and greeting people who come by the table. We had our best Friday ever sales-wise and Saturday was a very good day as well. Some old pals and new dropped by the table. I’d try to list them all, but I’m sure I’ll miss someone– Ron’s much better at remembering who he chatted with than I am. I’d venture to guess that this show is pulling bigger attendance than Windy City (no mean feat!) and sales are brisk for the dealers. Ron and I attended the “What is SteamPunk” panel Saturday night and couldn’t find seats! “

And from Win Scott Eckert-
I’m at the airport now, ready to head home. What a great show!

Friday night, although it was late, folks hung in there for FarmerCon’s Philip Jose Farmer/Wold Newton panel/presentation. Technology willing, we’ll have some video up on YouTube soon.

Ron did a fantastic job moderating the New Pulp panel on Saturday (thanks Ron!), and Duane, Bill, Greg, Wayne, and Art added a lot of insights to the writing process and why we love writing pulp, which the audience seemed to appreciate. My New Fictioneering reading was nerve-wracking, but fun.

The rest of the programming was great, with several presentations on the Shadow for the 80th anniversary, a presentation on steampunk, and on legendary pulp writer C.L. Moore.

The dealer room was excellent, and Meteor House did quite well with THE WORLDS OF PHILIP JOSE FARMER, volumes 1 & 2.

Although I made the list of final nominees for the Munsey Award, I knew I had no chance against the other great nominees, and the award went to a very deserving Anthony Tollin for his work on The Shadow, Doc Savage, Whisperer, and Avenger reprints. Anthony joined us for dinner a couple nights and regaled us with many stories. :-)

I brought a bunch of back stock of my various books, and they went like hotcakes. The PulpFest attendees were very gracious and extremely interested and supportive. I’ll definitely be back.
CONGRATULATIONS TO ANTHONY TOLLIN AND TO ALL THE VENDORS AND CREATORS FINDING SUCCESS AT PULPFEST 2011!  AND A TIP OF THE ALL PULP HAT TO THE ORGANIZERS OF THIS SEMINAL FANTASTIC PULP EVENT!

LOOK INTO WHITE EYES THIS WEEK WITH DOC SAVAGE AND RADIO ARCHIVES!

  • News
  • July 29, 2011

newsletterheader60-9938906
July 29, 2011

It’s the Radio Archives Newsletter!
* New Doc Savage Audiobook: “White Eyes”
* New in Pulp Fiction: The Spider Volume 20, Doc Savage Volume 49, and The Shadow Volume 51
* New in Digital Downloads
* Deal of the Day
* The Critics Love “Python Isle”
* New in Classic Radio: Claudia, Volume 5
New Doc Savage Audiobook: “White Eyes”
The place: New York City. During the depths of the Great Depression, in the shadow of streamlined skyscrapers, reporters scramble for clues about an insidious wave of bizarre deaths – everyday citizens struck dead, the eyes in their lifeless bodies turned a sightless and ghastly white. The Blind Death has the teeming city paralyzed with fear; in desperation, civic leaders turn to the one man who can discover who or what is behind this gruesome series of murders: Doc Savage, the Man of Bronze.

From his offices high above the city, Doc and his band of trusted colleagues soon uncover a terrifying scheme to gather together all of the city’s criminal elements as a single and seemingly undefeatable force. Their intent: to seize the wealth of the Man of Bronze and destroy him once and for all!

“White Eyes”, the second in a new line of audiobook adventures from RadioArchives.com, is an epic tale of crime from the pen of Will Murray, heir apparent to Lester Dent, creator of Doc Savage. Featuring dramatic narration by Richard Epcar, “White Eyes” is a roller coaster ride of action and excitement that will leave you on the edge of your seat. Produced and directed by Roger Rittner, who joined with Will Murray to bring you both “The Adventures of Doc Savage” radio series and the thrilling audiobook “Python Isle”, “White Eyes” brings you ten hours of engrossing entertainment. Now available as both a ten audio compact disc collection priced at Just $31.98 and a ten hour digital download priced at Just $21.98, this new release from RadioArchives.com also features evocative cover art by Joe DeVito and two fascinating and exclusive audio interviews with the author.

Join the Man of Bronze for a suspenseful tale of action and adventure in “White Eyes”, the new Doc Savage audiobook now available from RadioArchives.com!

New in Pulp Fiction: The Spider Volume 20, Doc Savage Volume 49 and The Shadow Volume 51sp20-250-4865556If you’re a fan of pulp fiction, you know that, in the 1930s and 1940s, there were three heroes who dominated the newsstands of America: the mysterious enemy of the underworld known as The Shadow, the tall and muscular Doc Savage, and a troubled and vengeful vigilante known as The Spider. Here at RadioArchives.com, we’re delighted to carry a full line of double novel reprints featuring all three of these iconic supermen – including three new books that have just been released:

sh51-250-2379536“The Spider Volume 20” features two thrill-packed adventures written by Norvell Page and Wayne Rogers under the pseudonym of Grant Stockbridge. First, in “The Devil’s Candlesticks”, a mystic murder spell falls over Manhattan, transforming America’s moneyed aristocracy into ruthless fiends and criminals. Only The Spider can battle a horror league that has turned America’s most wealthy citizens into lawless butchers! Then, in “Revolt of the Underworld”, America’s most ruthless criminals declare war on the Spider. Organized by the Fox, this tireless and devious band have succeeded in framing Richard Wentworth for the apparent murder of his fiancé Nita Van Sloan. Can the Spider successfully clear his name while also searching for the whereabouts of his beloved fiancée?

Then, in “Doc Savage Volume 49”, you’ll thrill as the Man of Bronze and his daredevil cousin Patricia Savage battle deadly menaces in two classic pulp novels by Lester Dent, writing as Kenneth Robeson: “The Terror in the Navy” and “Waves of Death”.

Finally, in “The Shadow Volume 51”, the Knight of Darkness battles strange supercrime in two thrillers by Walter Gibson: “The Living Joss” and “Judge Lawless”.

These beautifully formatted issues, priced at Just $14.95 each, feature classic cover art, interior illustrations, full-length stories reformatted for relaxed reading, and many special features to add to your enjoyment. Radio Archives carries the latest issues of these exciting publications, plus all of the back issues as well, ensuring you hours of edge-of-your-seat entertainment. Be sure to stop by RadioArchives.com and pick up your copies of these new releases right away!
New in Digital Downloads
ra050-200-3204047For years, entertainment on the go meant a transistor radio or a portable 8-track or cassette player. But nowadays, thanks to the new digital technologies, you can travel the world and take a world of entertainment with you to enjoy along the way!

ra198-200-2718113Whether you enjoy your entertainment on your laptop, your cell phone, or one of the many small portable devices now available, when you’re on the go, be sure to take the great sounding radio shows and audiobooks from Radio Archives right along with you. All of our digital downloads offer the same impressive audio fidelity as our compact disc collections and are available to you around the world around the clock at RadioArchives.com. And, best of all, with digital downloads, you’ll pay no postage or delivery charges!

This week, we’re excited to feature our new line of audiobooks for digital download – including the Doc Savage adventures “Python Isle” and “White Eyes”. “The Adventures of Doc Savage” radio series is downloadable, too, as well as radio classics like the long-lost daytime serial “Claudia”, the mystery whodunits of “Philo Vance”, the bizarre tales of “The Unexpected”, and the hilarious misadventures of “Fibber McGee and Molly”. Whether you’re a fan of drama, westerns, comedy, detectives, or musical variety, you’ll find it on the Digital Downloads page at RadioArchives.com. Place your order, download your shows and, within minutes, you’ll be enjoying some delightful audio entertainment.

Digital downloads from Radio Archive give you the best of everything: great shows, great selection, great sound quality, and all at great prices, too! Stop by RadioArchives.com today and see what’s waiting for you!Deal of the DayLooking for a great deal in entertainment? Then you can’t go wrong with the Deal of the Day, a new feature now available at RadioArchives.com!

When you visit our home page, look for the bright yellow Deal of the Day tag on the top right hand side. Click on it and you’ll see today’s special deal. Sometimes a pulp reprint, other times a book, a DVD, or a compact disc collection, these limited time bargains are available at a fraction of their regular price – and there’s no minimum purchase required! Whether you want just that day’s special deal or whether you add it to the rest of your order with RadioArchives.com, the price you see is the price you’ll pay – and that price will reflect a discount of 10, 20, or even 50 percent off the retail price!

But remember: the Deal of the Day may change at any time! If you like what you see, order it right away; wait and it may be gone!

Visit RadioArchives.com often and check out the Deal of the Day. It’s a great way to stretch your budget, add to your personal library, and enjoy some timeless entertainment!
The Critics Love “Python Isle”For well over a decade, Radio Archives has maintained only the highest standards of quality, making our reputation by offering the very best audio fidelity, packaging, and customer service. So, when we decided to begin producing our own line of audiobooks, we wanted to make sure that they were the very best you could get anywhere at any price – and, thanks to the impressive talents of producer/director Roger Rittner and the skills of our world-class narrator Michael McConnohie, “Python Isle” had not only met but exceeded our standards and expectations.

But don’t take our word for it! Here are some reviews that have recently appeared:

In “Mass Movement Magazine”, Tim Cundle writes:
“It’s an incredible tale of an ancient tribe of Solomon, a queen and a sorcerer locked in political struggle, pirates, New York gangsters, undiscovered islands, lost explorers, hijacked zeppelins and much, much, much more. Michael McConnohie’s narration is nothing short of breath taking, capturing Dent and Murray’s frantic pacing perfectly whilst bringing each and every character to glorious life. ‘Python Isle’ is an astonishing accomplishment that I can’t recommend highly enough. Brilliant. Just…Brilliant.”

In “Comics Bulletin”, Penny Kenny writes:
“The skillful use of language and vocabulary is one of the delights of the story, and narrator Michael McConnohie’s smooth, rich voice is more than up to the task of bringing it to life for the listener. Without overdoing it, McConnohie brings out the humor in lines that could easily be glided over, and he creates tension simply by the way he reads a passage. I don’t think I’ll ever be able to read a Doc Savage book again without hearing McConnohie’s interpretation in my head. If you’re looking for a fun action-adventure story, or if you want to try some of the original pulp fiction, you need to give the ‘Python Isle’ audiobook a try.”

“Python Isle”, written by Will Murray and directed and produced by Roger Rittner, is available as an eight audio compact disc collection priced at Just $25.98 and as an eight hour digital download priced at just $17.98. Join the thousands of excited listeners who are now thrilling to the audio exploits of the Man of Bronze. Visit RadioArchives.com and order your copy of “Python Isle” and our latest audiobook “White Eyes” right away !
New in Classic Radio: Claudia, Volume 5ra215-200-9566907If you were a stay-at-home housewife in the 1930s and 1940s, you were most likely a fan of the soap operas. Ever-present on radio, and later on television, these daytime dramas of romance, heartbreak, mother love, sacrifice, and somewhat overdramatized family life became a staple in the lives of millions of avid listeners – many of whom planned their daytime chores around the five-times-a-week adventures of “Our Gal Sunday”, “Ma Perkins”, “Stella Dallas”, and the other dramas that dominated the airwaves between 10 AM and 5 PM.

But, in 1947, a new soap opera debuted that was far more quiet and gentle and down-to-earth than its strife-ridden neighbors on the radio dial. “Claudia”, based on the best-selling novel and play by author Rose Franken, told the tale of Claudia and David Naughton, two newlyweds just beginning their married life. Young, enthusiastic, and very much in love, they weren’t suffering from any of the crises or tragedies that were the common plot points of most daytime dramas. Instead, they were two people simply facing the many challenges of marriage and learning to live together as husband and wife. Thanks to insightful scripting, as well as charming performances by Kathryn Bard and Paul Crabtree in the leading roles, “Claudia” remains one of the unsung classics of radio’s golden age – as well as one of the most entertaining soap operas ever aired.

In “Claudia, Volume 5”, you’ll enjoy 24 more consecutive broadcasts that were first heard in April and May of 1948. Priced at Just $17.98 for the six audio CD set and Just $11.98 for the six hour digital download, this charming series is one you’ll want to share at home with your family – or keep it in the car and play one episode a day as you drive to or from work. Either way, we know you’ll be delighted by the endearing adventures of “Claudia”, now available from RadioArchives.com !

radioannouncer-9578474Listen to this Newsletter!

Sit back, relax, and enjoy this newsletter as an Audio Podcast! Click anywhere in the colorful banner at the top and you’ll automatically hear the Radio Archives Newsletter, enhanced with narration, music, and clips from our latest collections! This audio version of our regular newsletter is a pleasant and convenient way to hear all about our latest products, as well as the newest pulp fiction reprints, special offers, and much, much more!

NEW PULP ORGANIZES, EXPANDS AND TAKES OFF RUNNING!

  • News
  • July 29, 2011

Readers of ALL PULP saw it announced here first.  An initiative to bring creators and publishers of what many consider the modern version of Pulp fiction together under one banner, a branding plan that would make Pulp publishers and creators easily identifiable, regardless if it was a Western pulp tale or a sci fi pulp opus, something that would link these various modern Pulpsters together.  A way to advertise, to unite, to push what Pulp is today without concerns of competition, sales, and who writes what for who.  A true recognition of ‘If it helps one of us, it can help all of us.’ that was first expressed in a statement on ALL PULP and not only gained quick support, but led to a brand that is now sported on books from various publishers, including Moonstone, Airship 27, Pro Se Press, Pulpwork Press, and others.  A brand and an idea that has grown quickly into a Movement.

New Pulp.

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In an effort to capitalize on the support and involvement New Pulp has garnished since the man who initiated the organization of the Movement, Tommy Hancock, announced it, Hancock announces today a next step in the evolution of New Pulp.  While in many ways nothing will change, in other areas, improvements are being made and plans moving forward to insure that the New Pulp Movement isn’t just something among like minded fans, but a major part of literature and social consciousness.

“New Pulp is still New Pulp,” Hancock states, “just as it was outlined in my original statement and just as its sort of organically developed since then.   It’s that development, that growth, that has sort of spurred the next step.  We could let New Pulp basically remain this open source thing that just anybody can pick up and use as a brand on their products and have a ‘New Pulp’ project here and there and most likely it would limp along forever and be okay that way.  But that’s not what this whole thing was about, jsut sort of doing it halfway.  It’s about getting recognition for creators and publishers of modern Pulp.  It’s about increasing awareness, readership, and involvement in New Pulp, so creators can get their stories told, publishers and producers can get their product sold, and society as a whole can experience some of the best durned literature for the masses anyone could read.

“What’s going to be happening as far as the Movement is concerned is some extra hands have been brought on and given formal positions within New Pulp to help facilitate more exposure, more material, more chances for New Pulp and all of us involved to get noticed, and more ways to make any creator’s or publisher’s association with New Pulp a positive and successful experience.  One thing New Pulp is committing to is that New Pulp will attend all three major Pulp Cons next year-Pulp Ark (The only official New Pulp Convention’Conference), Windy City, and Pulpfest.  Also, since people pretty much have already been asking me before they can use the New Pulp logo, that’s a practice we’re going to formalize for a couple of reasons.  One, so we can keep up with everybody who is involved in New Pulp and two, so we can at least have a say in quality control and make sure that the New Pulp logo is being applied appropriately.  It’s still free and being a part of the whole New Pulp Movement still doesn’t require you to take on extra work (unless you want to help out) or to sign your first born away.   This is just part of the evolution.”

Provided below is the roster of Staff of the New Pulp Movement.  Hancock points out that, “This list is incomplete, although that’s only by one or two spots.  And there can be more of almost everything on here as well, so if you want to help out, we can put you somewhere.  But remember, even when we start selling merchandise or producing books or whatever, that money doesn’t go into anyone’s pockets.  It goes back into New Pulp or to a charity New Pulp has partnered with.”

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NEW PULP STAFF-
Tommy Hancock-Coordinator
Megan Smith-Coordinator’s Assistant
Sean Ali-Design/Advertising
Barry Reese-Online Promotions
Joshua Reynolds-Recruitment
Derrick Ferguson-Recruitment
Andrew Salmon-Merchandising
Mike Bullock-Editor in Chief, www.newpulpfiction.com
Columns Editor – Hank Brown
Columnists –
Michael May “Pulptacular”
Jim Garrison “Pulp Magnet”
Sean Ellis – Title to be determined
Reviewers –
Andrew Salmon

The New Pulp Movement also has a Staff of Advisors, a board of three that will provide advice and insight to Hancock as needed and provide a vital support in that fashion.   Two of the three positions have been selected and accepted.

NEW PULP BOARD OF ADVISORS
Ron Fortier
Wayne Reinagel

“New Pulp is about the creators and publishers that make it up,” Hancock states.  “We’re just trying to make it something they benefit from and are glad they are a part of.”

Anyone interested in helping out with New Pulp or using the New Pulp logo can email Hancock at proseproductions@earthlink.net

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