Author: Tommy Hancock

THIS WEEK ON THE BOOK CAVE-DOC SAVAGE WITH A TWIST!

THIS WEEK ON THE BOOK CAVE, ALL PULP’S OFFICIAL PODCAST!!

http://www.thebookcave.libsyn.com/

The Book Cave Episode 118: Mark Eidemiller
Mark Eidemiller is this week’s guest, writer of a take on Doc Savage from a Christian perspective

GUEST REVIEW OF THE WEEK FROM ANDREW SALMON!

A PRECISION PIECE
A Review of William Preston’s “Clockworks”
by Andrew Salmon

Last year a new pulp voice burst on the scene from the most unlikely of sources: Asimov’s science-fiction magazine. The story was called “Helping Them Take The Old Man Down”, the author one William B Preston. Given the tale’s locale, it was no surprise that this modern pulp gem slipped past a lot of pulp fans’ radar.

Well, Preston has written a prequel to that first Old Man tale. It’s called “Clockworks” and resides in the current issue of Asimov’s on newsstands everywhere, the April/May 2011 issue to be precise. And it’s precision that best characterizes Preston’s second instalment of his Old Man saga.

“Clockworks” is a wonderfully detailed, rich literary work that is sure to please pulp fans of any age. The tale, set in the early 1960s, is told from the perspective of a super-criminal who is recovering from a brain operation performed by the Old Man in his Arctic retreat. Sound familiar? That’s the idea. Preston’s Old Man is really a thinly veiled Doc Savage under a new name and one of the pleasures of reading the tale is enjoying how the author makes no mistake as to who he’s writing about without mentioning any names.

The tale gives us a captivating insight into the mind of the criminal whose brain has been altered by the good doctor while touching on the moral implications of such operations. Fractured memories of an evil past and deep-rooted guilt over past crimes plague the reformed Dr. Blacklight as he struggles to find out who he is in the wake of the Old Man’s skilled work on parts of his brain. Watching Blacklight wrestle with his past deeds is a satisfying reading experience, but pulp is about action and Preston provides a wonderful race against time element to the tale. You see, Blacklight was in the process of setting up a terrible weapon when he was captured. The Old Man and his associates need him to reveal the weapon’s location before it goes off. Will Blacklight remember what his master plan was in time? Will the Old Man and crew get there before it’s too late?

Yup, this is pulp, friends. Only in the hands of a capable wordsmith like Preston, it has taken on a literary quality rarely seen in the genre. “Clockworks” is a beautifully written tale. The characters have dimension and depth. Even the Old Man, while remaining a fascinating enigma, reveals his thoughts and feeling obliquely. The Ham/Monk-like quarrelling between two of the Old Man’s team is spot on and pulp fans will find much here that is familiar. However, it’s the approach that is new and fresh and makes this tale a stand out. Look for it to receive considerable consideration at next year’s Pulp Ark Awards.

We’re in the midst of a pulp revolution unlike any fans have seen and the genre is growing by leaps and bounds. So many talented writers, artists, editors and publishers are boldly carrying pulp into the 21st Century. William Preston is one of the shining stars of this renaissance and his Old Man saga is destined to be a classic. Well, most of us missed The Shadow’s arrival on the scene, ditto for good Doctor Clark Savage, The Spider, Secret Agent X and the vast army of greats from yesteryear. But we are privileged to enjoy the Old Man tales fresh, as they appear on newsstands and bookstores. Preston has indicated that there are further adventures in the works and this reader can’t wait to see what’s in store for the Old Man.

I give “Clockworks” my highest recommendation. It’s a tale not to be missed. Bravo.

ALL PULP NEWSSTAND BULLDOG EDITION 3/15/11

FRANKENSTEIN LIVES AGAIN IN A BIG WAY!
From Bill Cunningham, Pulp 2.0 Press-
I just wanted to share (Okay, I wanted to blow my horn a little bit – sue me) some of the great reviews we’ve been getting for Pulp 2.0 Press’s digital edition of FRANKENSTEIN LIVES AGAIN! It’s clear (to me) that our target audience is responding to the work we’ve put into making THE NEW ADVENTURES OF FRANKENSTEIN novel series something special. We would appreciate your help in spreading the word to your networks of contacts if you think it will be of interest, as we are actively creating, developing and licensing a variety of ‘pulp media’ based on our properties.  
You will be hearing more and more about us in the coming months.

From Joshua Unruh at THE CONSORTIUM:


http://www.consortiumokc.com/writing/review-frankenstein-lives-again-novel/


“…I recommend this book as the sort of thrilling horror-adventure tale you want to knock out while laying in a hammock on a lazy Saturday afternoon.”


From Christopher Michael Bell in the UK:


http://awritingculdesac.wordpress.com/2011/03/09/review-frankenstein-lives-again-by-donald-f-glut/


“Where to begin properly? How about with gushing praise for what is a terrifically fun ride. Pulp is best when it is exploitative, rough, plot and action heavy. In this regard Donald Gluts work sings. This is no Gothic horror, it is fantasy adventure and I found myself reading the Kindle edition with increasing speed. The pace of the action builds and builds throughout the story. Great fun, and captures that pulp B movie feeling as well with regular cliff hangers at the end of chapters.”


and from TERROR OF FU MANCHU writer, William Patrick Maynard:


http://www.blackgate.com/2011/03/11/rediscovering-the-ubiquitous-donald-f-glut/


” The New Adventures of Frankenstein has been given a whole new lease on life from Pulp 2.0. Mark Maddox’s gorgeous cover artwork for the first book, Frankenstein Lives Again! recalls both the Universal Monster classics of the 1930s and 1940s and the Aurora model kits of the 1960s. Glut’s prose is fast-paced, thrill-a-minute fun as Dr. Burt Winslow unwisely revives the Monster. The original misunderstood misanthrope tangles with a psychic circus master and torch-bearing villagers in an update that owes as much to Stan Lee and Jack Kirby’s original 1960s run on The Incredible Hulk as it does to the Universal monster classics.”


FRANKENSTEIN LIVES AGAIN! will be on sale in the Kindle store at the end of the March for only $.99  Available soon after on other digital platforms and in collector’s print editions. 
FrankBookCoverMark_SMALL .jpg


Bill Cunningham
Pulp 2.0 Press
323.662.2508
2908 Allesandro St. Los Angeles, CA 90039
www.pulp2ohpress.com
Twitter: @madpulpbastard

A NEW WEEK, A NEW FLYING GLORY PAGE!
From Kevin Paul Shaw Broden-
FLYING GLORY AND THE HOUNDS OF GLORY

Almost ten years in the making… 
a major secret is at last revealed. 
 Catch the final page of Issue #13, 
“Looking for a Love Song,” 

PULP ARK ROOM DEADLINE NEARS! AND MORE GUEST TABLES!

Tommy Hancock, Coordinator for PULP ARK, the Pulp Writers Conference/Convention coming to Batesville, AR May 13-15 informed ALL PULP that due to the weekend of PULP ARK being a graduation weekend, the Comfort Suites of Batesville, PULP ARK’s official hotel, has set a limit for PULP ARK fans and guests and vendors to get the special rate.  If you are coming to PULP ARK, you must make your reservation by APRIL 15, 2011 in order to receive the special rate!  And it is a very special rate!  For a link to the hotel as well as any other information on PULP ARK go to http://pulpmachine.blogspot.com/p/pulp-ark.html or contact Hancock at proseproductions@earthlink.net
Hancock also announced that due to the response from people, both local and outside of Arkansas, about PULP ARK, especially interest shown in guests, more guest tables are available!  If you are a writer or artist and are interested in being a guest at Pulp Ark, contact Hancock and he will explain this process!

MOONSTONE MONDAY CLIFFHANGER FICTION-AN YET UNPUBLISHED PREVIEW!

MOONSTONE MONDAY-SPECIAL CLIFFHANGER FICTION!!!
Usually Moonstone Monday and ALL PULP give you previously published stories from MOONSTONE in CLIFFHANGER FICTION!  This week, though, we share with you a COMPLETE tale from the upcoming MOONSTONE anthology MORE TALES OF ZORRO!  This story, and the others featured in the collection, star that sword wielding masked hero of California and the Early West!  And remember, go to http://www.moonstonebooks.com/ when the book debuts in the next 2-4 weeks and order your copy as soon as its available!  And pick up the first MOONSTONE collection of Zorro tales while you wait!
Letter from Guadalajara
The Story of CapitánMonastario
by Keith R.A. DeCandido
Capitán Enriqué Sanchez Monastario loathed Spring.
One of the few things he liked about his assignment to this appalling
desert wasteland of Alta California was that, he imagined, he could escape his
twin weaknesses to damp and pollen. However, he did not reckon with the settlement’s
wealthier denizens (of which he was one, of course) having large
gardens filled with flowers both local and transplanted from the motherland.
And so for one week out of every year, generally around late March, the
flowers would bloom, the landscape would grow pretty, and Monastario was
not permitted to breathe.
The pounding in his head was only made worse by the arrival of his second,
Sergeant Garcia. “Er, Capitán?”
“What is it, Sergeant?”
“Er, well, you see, Capitán—the mail has arrived.”
Glancing out the window of his well-appointed office, Monastario saw
that the sun was at its zenith. “It is midday, Sergeant.”
“Yes, sir.”
“Correct me if I’m wrong, but the mail always arrives at midday on
Wednesday, yes?”
“Well, yes, sir, but—”
Monastario let out a long sigh that quickly modulated into a snarl.
“Sergeant, at present I feel as if my skull has been filled end to end with gunpowder,
waiting only a lit fuse that it might explode. The mere act of inhalation
causes me misery on a scale that would make a leper weep. You would
therefore be well to explain, and quickly, why you have gone to the effort of
carrying your corpulent form all the way to my office simply to inform me
that an event that happens at this time every week has, in fact, happened at this
time this week.”
Garcia shifted his great weight back and forth from one foot to the other,
an action that made the rotund officer look as if he’d teeter over at any minute.
“Ah, well, sir, you see, there are two letters here for you that I thought required
your immediate attention. One is from General de la Nueva in Santa
Barbara.”
Another verbal skewering of the sergeant died on Monastario’s lips. De
la Nueva was the one whose signature adorned the bottom of orders that sent
him to the Pueblo of Los Angeles almost a year ago—and was also the recipient
of the letter Monastario had sent to Santa Barbara a fortnight ago.
“And the other?” he asked, rubbing his temples in a failed attempt to get them
to stop throbbing.
“There is no name, but it comes from Guadalajara.”
Monastario’s hands dropped to his desk, and he looked up at Garcia.
“Guadalajara…” He shook his head, an action he immediately regretted, and
asked, “Sergeant, is the J in the city name adorned with an unusual flourish,
and is it dotted with an X?”
As Monastario watched, Garcia’s face took on several expressions at
once, no doubt borne of the confusion engendered both by the capitán’s asking
of the question, and of the fact that the answer was apparently “yes.”
“How did you know, Capitán?”
Returning to the rubbing of his temples, Monastario said, “Read me the
letter from the general.”
“Sir?”
“The request was clear, was it not, Sergeant?”
“Yes, sir, but—”
“You haven’t lost your facility for Spanish in the past minute, have you?”
“No, sir, but—”
“Then read the letter, if you please.”
“But, sir—I am not fit to see such documents!”
Monastario smiled bitterly. “Please, Sergeant, do not sell yourself short.
The list of things for which you are not fit is a lengthy one, and one I would
be happy to enumerate in detail were I in better health. In fact, I would grant
‘being a sergeant’ primacy on that list. Nonetheless, I am currently suffering
from pain in my head that would stop a bull in its tracks, and attempting to
decipher the general’s secretary’s hand will only exacerbate an already mis-
18
MORE TALES OF ZORRO
erable situation. I therefore, as your commanding officer, hereby give you
leave to read the general’s letter aloud to me.”
Garcia cleared his throat several times before finally saying, “Yes, sir, of
course, sir.” Fumbling with the envelope with his pudgy fingers—to the point
where Monastario was tempted to loan the sergeant his own dagger, and only
didn’t for fear of Garcia slicing open a vein and making a mess in his office—
Garcia eventually managed to tear it open and liberate the one-page item inside.
Unfolding the paper, he opened his mouth to speak, but Monastario, recalling
Garcia’s literal-minded tendencies, quickly said, “Skip to the important
part, please, Sergeant.”
Hesitating, Garcia said, “So you don’t wish me to inquire as to your
health?”
Monastario snorted, an action that felt as if it expanded his nose to the size
of Garcia. He spit some phlegm into the spittoon next to his desk, and then
said, “Correct.”
Again, Garcia cleared his throat. “‘Regarding your request for a transfer,
Capitán, I’m afraid that approving the request is, of course, out of the question,
and I am surprised that you would even have the effrontery to ask.’”
This time Garcia’s clearing of the throat had nothing to do with preparing to
speak. “Is the capitán sure that—”
“Go on,” Monastario said through clenched teeth.
“But, sir, I don’t think it’s right that I should see this—”
Slamming a fist on his wooden desk, Monastario bellowed, “Sergeant, the
only consideration I have ever given to what you think is to comment on the
extreme rarity of such an event. Go on.”
“Yes, sir. ‘You were told the conditions under which your term at your
current post would end. Those conditions have yet to be met. Until they are,
you shall remain assigned there. The subject is closed.’ Er, then he wishes
you well, signs it, and, ah, and whatnot.”
“I see.” Monastario leaned back in his chair.
Garcia stammered. “I’m, ah—I’m sorry sir.”
“Well, Sergeant, I must thank you—after all, my life is a quagmire of
misery, and my one hope has just been dashed. But that’s all right, because
Sergeant Demetrio López Garcia has pity for me! That makes everything better!”
19
LETTER FROM GUADALAJARA
“Sir—”
Cutting off yet another pathetic exhortation, the capitán said, “Set that, and
the other letter, on my desk.”
“Er, uh—yes, sir.”
As Garcia moved to do so, Monastario added, “Unless King Ferdinand
himself enters the compound, I am not to be disturbed for the rest of the day.”
“Yes, sir. Uh—what about Zorro?”
“What about Zorro?”
“What if he enters the compound? Should I disturb you, then?”
Giving Garcia as foul-tempered a look as he could manage—which was
quite considerable at present—Monastario said, “Not then, either. If Zorro
comes today, he can have me.”
After Garcia’s hasty departure, Monastario slowly rose to his feet. His
reaction to the flowers made him somewhat dizzy, so he had to steady his
stance for a moment before continuing to the ornate wooden cabinet.
Like virtually everything in this office, it was scarred with the triplesword-
slash pattern in the shape of a letter Z that the Fox tended to leave behind
before departing a room. There were so many of those scars among the
furnishings that Monastario barely noticed them anymore.
Fishing a key from his uniform pocket, he unlocked the small door on the
cabinet’s bottom left-most corner, swinging it open to reveal a cubbyhole that
could hold far more than its actual contents: a thick-bottomed clear bottle of
an equally clear liquid that sat alone in the center of the cubbyhole.
He had yet to crack open the Tequila since he brought it here from his last
post.
But he suspected he would need to imbibe some—if not all—of it before
he worked up the strength to actually read the second letter.
Monastario took a glass from the sideboard where he kept the drinks he
was willing to share with the superior officers, Dons, high-ranking priests,
and others of equal or greater station who visited his office and then poured
himself some of the Mexican liquor.
The memories prompted by the lovely, intense odor that emanated from
the bottle were almost palpable…
20
MORE TALES OF ZORRO
…you’re eight years old, riding with your older brothers Pablo and Juan, your
older sister María Esperanza, and Mother and Father to a dinner party. The
carriage passes a building that looks horribly damaged.
Ever inquisitive, you ask, “What happened to that building?”
Pablo looks down on you, as Pablo always does to everyone except for
Father. “It burned, stupid!”
Out of habit more than rebuke, Mother says, “Pablo, don’t speak to
Quiqué that way!”
Father adds, “That house belonged to the del Gados. Both the owner and
his two sons died in the fire, which is why it still stands empty a year later.”
“I don’t understand,” you say honestly.
“Of course you don’t,” Pablo says.
“Shut up, Pablo!” Juan says.
You shut up, Juancito!”
You ignore your brothers and look out the carriage window again. You see
children wearing too little clothing and covered in too much dirt. They seem
to be searching for something in the building. “Why are those children there?”
Father sighs. “Who knows why the peasants do as they do? Perhaps they
think they can find money there.”
“Peasants don’t have money?”
“No, stupid,” Pablo says, expectedly.
“God is very careful, Quiqué,” Father says before anyone can castigate
Pablo again. “He only gives money to those who are able to handle it. People
who are born poor are born such because God knows that money would
cause them evil.”
“I see,” you say, even though you really don’t…
…you sneak out to the building a week later. It’s easy: the house staff is too
busy trying to break up Pablo and Juan’s endless quarrelling, and to cater to
María Esperanza’s every whim, so no one ever pays attention to the littlest
one.
When you arrive, there are three young boys there again. You’re not sure
if they’re the same ones, but they look similar enough. They are wearing
21
LETTER FROM GUADALAJARA
clothes that are in just dreadful condition, their hair is a mess, they’re filthy,
some of them have no shoes, and they’re all so—so skinny. You’re appalled.
“Who are you?” one of them asks.
“My name is Enriqué. What’s yours?”
Another one cuts off the first one. “We’re not supposed to talk to you.”
This confuses you. “Why not?”
“You’re one of the upper classes. If we talk to you, we’ll get whipped.”
“That’s crazy!” you say, meaning it. “Why are you in this building? You
could get hurt!”
“If we’re lucky we’ll find some money—or something we can sell. If we
do, then we can eat today.”
You gulp in shock at that. Eat “today”? Your eight years has never contained
a day that didn’t have at least three meals. “All you need is money in
order to eat?”
“Yes,” the boy says slowly.
Reaching into your pocket, you pull out some coins. You’re not sure how
much—sums were never your strong suit—but it’s an amount you can spare
easily.
The boys’ eyes all go wide. You realize that they’ve never seen this much
money before. “Go ahead,” you say as they hesitate. “Take it. You need it
more than I do.”
Eventually, they grab hungrily at the coins…
…you make regular trips to the house after that. Each time you go, you bring
more coins. Each time you go, there are more boys. You can’t bring enough
coins for everyone.
They start to get angry.
One time, you go, and you’ve only been able to scrape together a small
pile of coins—but there are a dozen boys at the burned-out building, and one
of them is bigger than Father.
The big one says, “That’s all you got?”
“I—I’m sorry, I just—”
Turning to another boy, the big one says, “You said he had money.”
22
MORE TALES OF ZORRO
“He does. He’s probably holding out on us.”
“Filthy traitor, leading us on!”
“Yeah, just like all the other rich people—trying to make us look stupid!”
Before you know what’s happening, the boys are all yelling at you, and
the big one starts to hit you. In eight years of life, your only direct experience
with violence has been the occasional spanking as a baby—until now. The
boy hits you and there’s blood and the pain is just awful
…Father is yelling at you while the doctor treats your injuries. “What were
you thinking, Quiqué? Did I not tell you that God wishes the peasants to be
poor? If He wished otherwise, He would have made them be born of our
class.”
“I’m—I’m sorry, Father.”
“Your heart was in the right place, Quiqué, but you cannot simply give to
the poor. If you do, they will only ask for more until you have nothing—and
then they turn on you like the beasts they are.”
“It wasn’t all of them,” you insist. After all, the first three boys were nice.
“It was just the one!”
After the doctor is done, Father takes you into the city to find the boy in
question. It’s not as difficult as you think at first, since this boy is so much bigger
than the others, and he makes no effort to hide himself.
When the soldiers seize him at Father’s orders, the large boy does not
deny what he has done. “He provoked me!” the large boy insists. “I was just
defending myself!”
You watch the boy get whipped fifty times, see him break down into tears
by the tenth lash, and you enjoy watching him suffer as you did…
…you revel in the melodious laugh of Marisela de los Santos as you walk
through her family’s beautiful garden in Guadalajara. You’re even willing to
suffer the stuffing-up of your nose that results from being among the blooming
flowers, only so you can hear that laugh again.
23
LETTER FROM GUADALAJARA
“I must return to the house,” she says, clutching the parasol that shields
her porcelain features from the violence of the sun. “Thank you, Quiqué, for
the company.”
You kiss her white-gloved hand the way your tutors instructed you, and
then watch her navigate slowly through the garden back to the house, casting
several glances behind her.
“That’s a fine form you cut in that uniform, Quiqué,” comes a voice from
behind you.
You wince as you turn to face Pablo. At seventeen, only two people call
you “Quiqué.” From Marisela it’s an endearment; from Pablo, it’s an unsubtle
reminder of which of you is Father’s eldest, and therefore his heir.
As the third son, your only option is the military, where you are placed in
the officer corps immediately. Your training will begin soon, but you already
have been issued the uniform of a cadet.
The compliment on how you look in that uniform is a rare one from
Pablo, so you thank him. Of course, such an occasion often precedes a favor.
“I was wondering, Quiqué, what you think of Señorita de los Santos as a
wife?”
Your eyes go wide; your stomach starts to churn like mad. There is nothing,
nothing that would please you more than to make this angel yours.
But before you can reply, Pablo continues: “I can think of no one better
suited to be my bride, can you?”
And then you realize—this is why the Monastarios and the de los Santoses
have spent so much time together of late. The intention was to merge the
families’ fortunes through a union between Father’s oldest son and the de los
Santos’s only daughter.
Marisela will never be yours…
…Padre Esteban has been very generous in allowing you to see Marisela in
the days leading up to the wedding. It is difficult to arrange meetings—she is
awash in preparations for marriage to Pablo, and you are enmeshed in officer
training—but with the help of the priest, you are able to steal precious
time with your lady love.
READ THE REST IN MOONSTONE’S MORE TALES OF ZORRO!

MOONSTONE MONDAY BRINGS ALL PULP BACK WITH A BANG!

CELEBRATE SAVAGE BEAUTY AND JUNGLE GIRLS AT C2E2 PANEL!!
Moonstone Entertainment, Inc., Captain Action Enterprises, and Runemaster Studios, Inc. have swung into action and adventure with their hot new title, SAVAGE BEAUTY!  On the stands now, SAVAGE BEAUTY’s debut issue introduces two heroines who, using a Jungle legend as a symbol, set out to right the wrongs done on so many levels in countries such as Kenya, Uganda, and others!
To celebrate SAVAGE BEAUTY as well as to discuss the Jungle Girl genre in general, a panel is being held at The Chicago Comic & Entertainment Expo – also known as C2E2.  C2E2 brings attention to the hottest and newest items from  comics, movies, television, toys, anime, manga and video games.  And it is doing just that with the JUNGLE GIRL PANEL!
The Panel will be held on Sunday, March 20 from 2:30 pm – 3:30 in 475b  Panelists will include Ed Catto, Captain Action Enterprises and co-creator of SAVAGE BEAUTY, Paul Storrie, writer of Sheena, Lori Gentile Moonstone editor and retailer, and Kirsten Pagacz of Retro-a-Go-Go.  The Panel will take on all things jungle- From Pin-up Jungle Girls to the gritty Unknown Soldier – a look at Jungle Comics. This panel explores everything from Sheena, the first super heroine, to today’s newest entry, Savage Beauty!
This Panel has some awesome Jungle swag to give away as well!! This includes-
1. Two Copies of Jim Silke’s new Jungle Girls book from Fleske Publications
2. Autographed copies of Savage Beauty and Limited edition lithographs
3. Vintage Jungle Girl shirts, Key chains etc. supplied by Retro-A-Go-Go!

Catch a train, a plane, a bus, or the nearest elephant and be at the JUNGLE GIRL PANEL at C2E2 to catch more of SAVAGE BEAUTY!!!

_______________________________________________________________________________________________________________
 LADY ACTION AT MIDTOWN COMICS TO WELCOME IN SAVAGE BEAUTY AND CAPTAIN ACTION WINTER SPECIAL!

Moonstone Entertainment, Inc. Runemaster Studios, Inc., and Captain Action Enterprises pulled out all the stops on Wednesday, March 16th at New York City’s Midtown Comics on Times Square. 
Lady Action, ally to Captain Action and heroine in her own right put an appearance at this top of the line comic venue to welcome the debut of CAPTAIN ACTION WINTER SPECIAL, featuring a team up between the good Captain and the Green Hornet.  Lady Action was also on hand to celebrate the debut of a different type of heroine with SAVAGE BEAUTY #1 hitting the stands today!  Special thanks to Midtown Comics and to Lady Action for joining everyone at Moonstone in celebrating two of the best heroes today-CAPTAIN ACTION and SAVAGE BEAUTY!




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MOONSTONE FEATURES FEMALE CREATORS & HEROINES IN CHICKS IN CAPES



Moonstone Entertainment, Inc. is excited to announce that CHICKS IN CAPES will be available soon!  Chicks in Capes is a fun and provoking collection of ALL NEW prose short stories by a wide range of female authors: including NYT Bestselling authors Nancy Holder, Debbie Viguie, and Jennifer Fallon, along with comic book herstorian Trina Robbins, and a host of other popular fiction and comic book contributors.

All of the stories are about super heroines, many characters created exclusively for this collection, and featuring ALL NEW stories about established characters: Lady Action and Domino Lady. All contributors for the book are female, including the interior illustrator, the cover artists, and the editors!

What will you find within the pages of CHICKS IN CAPES? Action, Adventure, Drama, Romance, Science-fiction!

Strong female super-heroine characters from all walks of life are included in this stellar anthology: a parking valet, an archeologist, a bike messenger, a nurse, a holocaust survivor and many more.  Also new stories featuring Lady Action and Domino Lady are included in this fantastic collection!


CHICKS IN CAPES spotlights not only female characters by female creators, but it casts a new light on the concept of super heroes in general.  According to contributor Jennifer Fallon, “I think it’s a timely reminder that superheroes are not just for boys. They come in all shapes and sizes. We should judge our superheroes by their deeds, not their gender. Just like real people.”


CHICKS IN CAPES from Moonstone Entertainment, Inc.!  Coming Soon!
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MOONSTONE BRINGS MYSTERY, NOIR, AND COOL BACK
WITH ANGELTOWN COLLECTION!

Moonstone Entertainment, Inc., known for innovative books and comics starring classic as well as original characters, sets the standard once more for the Private Investigator story with its upcoming release of ANGELTOWN: THE NATE HOLLIS INVESTIGATIONS written by Gary Phillips, Interiors by Shawn Martinbrough, Cover by Michael Stribling.




Los Angeles is the birthplace of noir because the brighter the sunshine, the deeper the shadows and the more deadly the mischief that goes on in the dark.

Angeltown: The Nate Hollis Investigations is a hardcover from Moonstone reprinting the Vertigo mini series in glorious black and white — the original critically praised sequential mystery featuring the cool, tough private eye’s frenzied search in the shadows for a pro hoopster wanted for murder in “Baller.”

Anyone who has read his Monk series knows Gary Phillips can write great PI stories. Well as it turns out he is also quite adept at using the comics/ graphic novel medium as well. With Angel Town Phillips has introduced us to a new PI character, Nate Hollis, set in L.A. and ready to kick ass and take names. — Jon Jordan, Crimespree magazine

The brand of noir that encompasses private eye tales is all about style and gritty substance. Phillips tells a hard hitting story with rapid fire dialogue and staccato pacing. Martinbrough adds to the fist to the face this story gives the reader with both stark and subtle imagery. Between them, the original mini series set a new standard for PI Noir.


Slick as spit, big-shouldered Hollis walks the walk and talks the talk in the Angeltown comics, taking on a star-studded scandal that could rip the roof off post-Rodney King L.A.
Kevin Burton Smith, Mystery Scene

Exclusive to this hardcover, Gary Phillips (Operator 5), raises the bar once more with two original illustrated prose short stories; “Hollywood Killer,” wherein superhero pretenders prowling Hollywood Boulevard for tips are getting bumped off, art by Manoel Magalhães (Vincent Price Presents, Bluewater Comics) and “King Cow,” about cattle, low-riders and babes with Nazi tattoos, art by Alejandro Aragon (28 Days Later, Boom Studios).



Gritty.  Sordid.  Dark.  Hard boiled.  And all cast against the canvas of the Land of Broken Dreams.  Angeltown: The Nate Hollis Investigations is that and so much more and it’s all coming soon from Moonstone!



MOONSTONE RELEASES, JULY 2011


 BUCKAROO BANZAI #1
Story: Earl Mac Rauch/Paul D. Storrie
Art: David Daza
Colors: Patrick Williams
Covers: Paul Gulacy, Bill Wiist
32pgs, color, $3.99
Rated: PG-13

The man, the marvel, the human achievement, is back!
From the cult movie starring Peter Weller, John Lithgow, Ellen Barkin, and Jeff Goldblum!
The creators/film makers are telling NEW stories!
Your favorite neurosurgeon/rock star/adventurer returns, along with his Hong Kong Cavaliers, in: TEARS of a CLONE!…where a Death’s Head tank squad lurks in suburbia, talking bouncer-robots attack, expensive love wants to erupt, and Lectroids run with scissors, and then… shotguns! The world may never be the same.
(covers: Gulacy = 80%, Wiist = 20%)
**Retailer incentive: buy 4 or more copies and get one regular edition FREE!
***buy 8 or more and you can purchase one copy of the b/w virgin Gulacy cover for $3.99 retail.

——————————————————————————————




 
That Man FLINT #0
Story: Gary Phillips
Art: Kevin Jones
Cover: Mark Maddox
16pgs, color, $1.99
Join (Vertigo) writer Gary Phillip as super spy Derek Flint returns to spin the swinging sixties on its head!
The Cold War is hot and so are the gorgeous mini-skirted women with their
kung fu grip. Inventor, ballet instructor, dolphinologist and seeker of the
third eye, Flint also battles dastardly villains and sultry Russian
assassins. That Man Flint is retro revisionist fare capturing the fun and
excitement of halcyon espionage outings like The Man from U.N.C.L.E. and Steranko’s
Nick Fury for today’s audience.
**Retailer incentive: for every 4 copies purchased, get one FREE!!**

 

OMEGA PARADOX #0
 story: Ian Ng
Art: Mark Sparacio
Colors: Abe Melendez
A man who may hold the key to keeping the universe together hides behind a scholarly front. Five unlikely teammates seek him, but can they keep it together long enough to find him and who’s agenda do they follow?
Moonstone introduces a creator-owned effort from Mark (Heroes for Hire/ Jonah Hex)Sparacio and newcomer Ian Ng, ad-free in full color!
16pgs,FC, $1.99

**retailer incentive: if you purchase 4 or more copies, you will receive one FREE Mark Sparacio variant cover edition!**
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THE SPIDER #4
Story: Martin Powell, Gary Phillips
Art: Hannibal King, Jay Piscopo
Cover: Dan Brereton
32pgs, grayscale, $3.50

The Spider faces a monstrous flesh-eating evil that attacks invisibly from the
filthy shadows, leaving doomed New York City in a panic-stricken state of
hysteria and gruesome sudden death. None are immune to the plague of the
Creeping Hell, not even Nita Van Sloan, the Spider’s beloved.
PLUS: more Operator 5!
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ZOMBIES vs CHEERLEADERS TPB
(W) Steven L. Frank and the gang
(A) Various
(C) Bill Maus
144pgs, color, $16.95
ISBN:978-1936814-07-7

This volume collects the first five issues of the hilarity-packed and thrill-
inducing series, Zombies vs Cheerleaders, including every hot cover and a
brand new story exclusive to this trade!
Reprinting the first three issues
of ZvC, the Geektacular special with the 3 Geeks and the Flips Out story!
Check out what all the crazy fun is about!
144pgs, color, $16.95





 
WEREWOLVES of Idria GN
Story: John Chadwell
Art: Duncan Long
152pgs, b/w, 7” x 10”, $15.95
ISBN: 978-1-936814-03-9

Widevision graphic novel!
A new breed of werewolf!
Holy warriors, led by a 900-year-old knight who fought beside El Cid, now in a deadly struggle against a motorcycle gang headed by Satan’s ken, hell bent on revenge. The Aceves family is like no other. With patriarch, Roberto Aceves, forever a Spanish knight after being bitten by a werewolf, he and his clan have secretly fought man’s wars for 900 years. Today, near the abandoned mining town of New Idria, they must battle against a demon and his biker gang who want nothing more than to destroy the entire clan.






Moonstone Entertainment, Inc. publishes comics and illustrated fiction designed to “awaken your sense of adventure”, featuring classic and new heroes in thrilling tales of adventure, mystery, and horror. For more than a decade, Moonstone Entertainment, Inc. has created fine and distinct comic books, Graphic Novels and prose…books that are meant to be read.  Awaken your sense of adventure at http://www.moonstonebooks.com/

Captain Action Enterprises and Runemaster Studios, Inc. own  SAVAGE BEAUTY and any and all related Concepts

Captain Action Enterprises holds rights to CAPTAIN ACTION and any and all related Concepts

ALL PULP DOWN FOR MAINTENANCE

Due to several changes and additions going on as well as just general maintenance, ALL PULP will be inactive from this post until Monday, March 14th, 2011!   Catch up on your favorite ALL PULP stories until then and come back Monday to see what ALL PULP has in store!! but for now we are….

DOWN FOR MAINTENANCE
RETURNING ON
MONDAY, MARCH 14, 2011

HANCOCK TIPS HIS HAT TO THE SEA GHOST!!

TIPPIN’ HANCOCK’S HAT-Reviews of Things Pulp by Tommy Hancock
THE SEA GHOST #1 (ONE SHOT)
Written and Illustrated by Jay Piscopo
Nemo Publishing Group

This is my third review in as many days of a Jay Piscopo work.  The previous two reviews had words in them like ‘nostalgic’, ‘cutting edge’, ‘reminds me of Saturday morning cartoons’, etc.  They were both digest sized graphic type novels that read extremely easily and were filled with great, fun stuff.  The third item I’m reviewing from Jay is a straight up comic book spotlighting a character from Piscopo’s CAPT’N ELI universe and opened it expecting a totally different experience than reading the previous two works.

Thankfully for me, I was dead wrong. 

THE SEA GHOST is a human given great powers by an undersea race in an effort to save his life.   He fights during World War II as the Sea Raider, but after some tragedy, takes on the role of The Sea Ghost.  He is well established in this role, working with his children as a hero as this comic opens.

I could get fancy and say all sorts of cool things about how Jay achieved what he wanted to, according to his own piece in the book, about a great homage to characters, especially Space Ghost.  That feel is definitely here.   But I think I’ll simply say that this story is just plain FUN.   I opened it and swore I was looking at a Gold Key comic from when I was a kid.  And that is a COMPLIMENT!  I enjoyed the ‘independent’ comics even then because the styles were so different and experimental.  THE SEA GHOST harkens back to that as well as back to the great Silver Age books where literally anything could happen.  The Sea Ghost can investigate a strange ship and get sucked in and be on another planet and it works! (That happens, by the way).   The focus is definitely on the Ghost in this issue, but there are cool threads and supporting characters that pepper this thing like bullets from a Tommy gun.  I particularly want to see more of a trio of characters who show up toward the end!!

THE SEA GHOST is a rollicking tale that has a ton of stuff in it, but also stays very true to the ‘undersea’ nature of the character as well as evokes comic tales of times past, the ones that were full of wonder and excitement and just had the intention of telling one heckuva tale.

FIVE OUT OF FIVE TIPS OF THE HAT-This one hit with me on all cylinders.

MORE HAT TIPPIN’ FROM HANCOCK TO CAPT’N ELI!!

TIPPIN’ HANCOCK’S HAT-Reviews of Things Pulp by Tommy Hancock
THE UNDERSEA ADVENTURES OF CAPT’N ELI:VOLUME TWO
Created, Written, and Illustrated by Jay Piscopo
Cover by Joe Zierman
Nemo Publishing, 2008

The first issue/appearance/episode of anything is the best, right?  It’s a law, someone surely has said, that sequels and/or continuations cannot stand up to the first time whatever great awesome concept it is we’re encountering again made itself known.  It’s just not possible, right?

Well, maybe so…but that was all before Jay Piscopo released the second volume of THE UNDERSEA ADVENTURES OF CAPT’N ELI!

CAPT’N ELI is a story centered around a boy orphaned from one set of parents and found in the sea by a second set of parents and reared and raised with great values and a penchant for finding danger and adventure.  Along the way he picked up a dog he taught to tie knots, a parrot able to speak in complete sentences in around 70 languages, a mentor who was once a golden age hero turned villain, but is he?, a team of sea based researchers, some time travel, and an encounter with an undersea world made up of warring factions of seadwellers…oh…and dinosaurs….and robots, big and little, and…and…yeah, there’s lots more…

Just as in the previous volume, Jay Piscopo deftly captures a feel for old cartoons and comic books while at the same time crafting the images and the story in such a way that any modern reader would thoroughly enjoy the romp they were being taken on.    The art is fantastic and evocative of great Saturday morning adventures.  You can see the influence of Alex Toth especially throughout this volume, which continues THE MYSTERY OF THE SARGASSO SEA’ adventure started in the first volume.   I found myself seeing hints of all sorts of cartoon heroes I grew up with hidden..and sometimes not so hidden…in the faces of Eli and those around him.  

The pacing of this tale never lets up, but you don’t get lost in it.  The edutainment factor I found in the first volume is handled just as well in this story, teaching enough to move to the story along as buildings crumble and ships explode.  Something that is easier to say in a second volume than with a first can be said here as well.  The characters, good, bad, and otherwise, are likable and make the reader want to learn more about them, to see what happens to them.  And Jay gives hints and origins and background in a teasing sort of ‘here’s just enough for you to come back’ way, but it works…it makes the reader want to know more, yet still leaves the reader feeling like they know enough to like (or dislike) the character.

The only drawback to this volume may be that TOO much happens.  Pacing is excellent, but the inclusion of so many characters and events might boggle a reader not prepared for the sensory overload that this fantastically told tale is.

FIVE OUT FIVE TIPS OF THE HAT-No doubt.  This middle chapter of this great adventure had everything the first part had and more.   If this were a movie, I’d be in line for VOLUME THREE now.

ALL PULP INTERVIEWS BARRY REESE ON THE ROOK AT PRO SE!

1.  AP: Barry, thanks for taking time out of your day for a sitdown with ALL PULP.   Some very interesting news broke today that concerns you.  Do you mind recapping it for our readers?
BR: Well, for the next two years at least, The Rook has a new home: Pro Se Productions. The previous five volumes of the series will remain in print from Wild Cat Books but volumes six and up will appear under the Pro Se banner. There are lots of exciting plans in the works, including anthologies, spinoff projects, comic books and merchandising regarding The Rook and it will appear from Pro Se.

AP:  There’s an obvious question, so let’s just ask it.  Why the change? 

BR: Certainly no ill feelings are directed towards Wild Cat. Ron Hanna has long believed in me and in the property – without him agreeing to publish it in the first place, The Rook wouldn’t be as successful as it’s become. But I think the time was right for The Rook to move into other media and expand as a property. Over the next couple of years, I want to work hard on establishing The Rook as a pulp adventure brand.

AP: For those who might be unfamiliar with the property, can you tell us a bit about THE ROOK?

BR: The Rook is an adventurer whose career begins in the late 1920s and expands out into the Thirties, Forties and beyond.  His real name is Max Davies and he, along with a small cadre of assistants, fights the good fight in Atlanta, Georgia. The Rook series takes established pulp fiction stereotypes and both embraces and challenges them. It’s meant to appeal both to the fans of the classics and to those who prefer a little postmodernism with their pulp.

AP: Now, Max does not come alone.  You’ve created a pretty expansive universe.  Who else is making the leap to Pro Se with The Rook?

BR: Well, there are a number of characters who have debuted in The Rook series that are worth expanding upon: The Claws of the Rook are a strike force of heroes who sometimes assist The Rook; there’s Leonid Kaslov, known as The Russian Doc Savage to his fans; and Violet Cambridge, the star of The Damned Thing, to name just a few.

AP: The Rook has blazed some pretty amazing adventures in five volumes and various stories.   As his creator, what do you have in mind for the future of Max and Company story wise? Any hints or rumors?

BR: Well, The Rook Volume Six will pit our hero against Sun Koh, the German equivalent of Doc Savage. We’ll also see The Rook teaming up with Lazarus Gray, who is a character I’ve been writing for Pro Se already.

Beyond that, a major pulp author is signed on to do three Rook novels! This trilogy will take The Rook into some strange new directions that people will enjoy a lot. I’m excited about seeing this author’s take on the universe.
And there’s talk of an anthology that would allow many other writers to play in the universe.
AP: What sort of plans have been discussed about The Rook’s future product and placement wise?  More books, obviously, but what else is being bandied about? 
BR: Well, comic books are an obvious growth area but there are also plans for posters, t-shirts and all sorts of merchandising. We’re looking to expand The Rook into various forms of multimedia.
AP: You’ve teased a bit about someone else writing The Rook in future volumes and the Pro Se release today mentioned a possible non Reese written Rook anthology.  Is this something Pro Se as licensor is pushing or are you comfortable with others playing in the sandbox you’ve filled?
BR: I’m very comfortable with it – in fact, I think it’s an essential part of establishing it as a brand name. There’s only so many hours in the day and I’m busy with numerous other projects but I want The Rook to continue to flourish, both under my direct supervision and as written by others.
AP: We’ve talked about plans, now let’s look at potential.  Obviously being the Rook’s ‘father’, so to speak, you’re biased, but what potential do you think this concept as a whole has?  And do you feel like Pro Se has intentions to realize as much of that potential as possible?

BR: I think Pro Se recognizes the potential as I do and they’re ready to pursue it. I think The Rook has the potential to appeal to multiple audiences. I’d love to see Rook toys, cartoons, etc. And there are numerous characters within The Rook Universe who could be the focus of their own spinoff projects. The sky’s the limit.

AP: How about merchandise?  Are Rook salt and pepper shakers in the near future?  What are your thoughts on turning The Rook into toys, t-shirts, dinnerware, whatever may be the merchandise de jour?
BR: I’d love to see those things! And Underoos, of course.

AP: There’s definitely Rook in your future, both as writer and keeper of the concept.  But what else do you have brewing for pulp fans everywhere?

BR: I’m working on a Lazarus Gray novel right now and will be contributing to Moonstone’s Johnny Dollar anthology. I also have Avenger and Green Hornet stories on the way from Moonstone.  So, I’m certainly keeping busy!

AP: Thanks Barry and congratulations and best wishes on this new endeavor!

BR: Thank You!