Category: Columns

Mike Gold: Marvel Does The Right Thing – And More!

I cribbed the information contained herein from the piece written by our pal Rich Johnston over at his Bleeding Cool website which, for what it’s worth, I endorse for its honesty and professionalism. But instead of simply posting the link and letting it speak for itself, I shall wax poetic.

It’s easy to blame all sorts of bad, evil things on corporations and, damn, the Supreme Court recently made that a whole lot easier. But in the interest of fairness we should endeavor to embrace the whole enchilada.

No doubt you were one of the 160.1 million dollars worth of humans worldwide (and counting) who have seen the movie Guardians of the Galaxy. If you haven’t, there are no spoilers here: I thought it was great fun, as did the other minions of the Lower Connecticut Comics Mafia that occupied the theater last Thursday. The fact that we all seemed to be in agreement was, in and of itself, the highest praise I can heap upon any movie. But unless you don’t have a television set, a comic book habit, and/or friends, you are probably aware that the movie stars a small sentient rodent-like creature named Rocket Raccoon.

Rocket was created by Bill Mantlo and Keith Giffen. One of the true horrors of comics history is that in 1992 Bill was the victim of a hit-and-run driver while rollerblading, suffering irreparable brain damage and ending his career in both comics and in law as a public defender. After awakening from a coma, he has spent the ensuing 22 years in a health-care center.

When work on GOTG commenced, Marvel (part of Disney, which I might not refer to as “the evil empire” any longer) renegotiated Bill’s deal regarding Rocket Raccoon, providing some ongoing income to help offset his enormous ongoing medical expenses. This alone is, as we say on 47th Street, a mitsve. Last week, Marvel outdid themselves – big time.

As quoted by Rich, Bill’s brother Michael reported “Marvel hooked Bill up with a private viewing of Guardians of the Galaxy, and my wife Liz and my beloved cousin Jean assisted Bill throughout, enabling him to sit back, relax and relish in the awesomeness of what is going to be, in my humble opinion, Marvel’s greatest and most successful film ever! Bill thoroughly enjoyed it, giving it his highest compliment (the big “thumb’s up!”), and when the credits rolled, his face was locked into the hugest smile I have ever seen him wear (along with one or two tears of joy)! This was the greatest day of the last 22 years for me, our family, and most importantly, Bill Mantlo!” Marvel execs David Bogart and David Althoff arranged for the screening and joined Bill at the event.

Let me make one thing perfectly clear: Marvel did not have to do this. Their only obligation here was moral and, even then, arranging for all of this goes beyond even that high standard. I am impressed, and as a person who has toiled in the four-color fields for almost 40 years, I am proud of how Marvel’s consideration reflects on the creative industry we all enjoy.

As for Bill – who we miss, and whose work we miss – his legacy is now assured.

Emily S. Whitten’s Grand San Diego Adventure, part one

The San Diego Comic Con can be completely overwhelming. With panels, “experiences” (as they tend to call the activities set up outside of the Convention Center), pilot screenings, performances, and parties, it’s hard to know what to see first. And one of the craziest places to start is the floor of the Exhibit Hall. With wall-to-wall exclusives, freebies, announcements, signings, trailers, comics creators, scavenger hunts, merchandise, and maybe even a celebrity or two in disguise, it’s pretty much impossible to see everything, unless maybe that’s all you do for the entire con. And without fail, it’s also always a seething, writhing mass of other people who want to see or buy all of the same things you do.

I still love it, though. From accidentally walking through the same booth so many times you start to feel like it’s your second home until you realize you’ve actually never seen the part of it you’re standing in right now, to winding up in the completely wrong aisle from where you meant to be and discovering an awesome bit of merch, to running into a friend you totally never expected to see in the middle of the crowd, to seeing an amazingly clever cosplay, to taking silly pictures with booth displays (one of my favorite things to do), it’s just fun. And while I certainly didn’t see everything, here are some of the coolest things I experienced this year.

  • The trailer and announcement for the Disney Infinity Games Marvel Guardians of the Galaxy play set. I just happened to be wandering by the Marvel booth on preview night in time to catch this, and it really does look awesome. From the trailer, the one I’m most looking forward to playing is Groot, but Rocket Raccoon and the others look fun too. (You can watch the trailer here.)  I also was on the spot at the right moment to get a free Star-Lord design poster and Groot mask signed by artist Jon Diesta, which was pretty sweet (I guess I was the first person to ask him to sign the foam mask. We discovered it wasn’t easy). I’m glad I happened on that when I did, because every other time I walked by the Marvel booth over the weekend it was such a madhouse that I couldn’t even step into the booth area! Oh, except that I did see the most epic Marvel battle scene that has ever been, in toy format. Whoever set this up is clearly a well-versed Marvel nerd who thought of every detail, from Professor X’s chair hanging in the air to Deadpool just chillin’ while chaos ensued around him. I luff you, Marvel nerd. Also I want to play with this.
  • The Hasbro booth, including the My Little Pony: Friendship is Magic photo op, simply because I love taking silly pictures and this may be my favorite silly picture of the weekend. They had several scenes and speech bubbles to choose from, for maximum silliness. Well played, Hasbro. I also got a cute free MLP poster and coveted their Spider-Man toys. (That mask is cool.)
  • Sideshow Collectibles!! I barely even know where to start with this booth. Every single thing was awesome, from the Back to the Future set to the gigantic Doctor Doom that so needs to be the first thing to greet people  in my foyer if I ever have one, to the Captain America movie figures and the life-sized Han Solo in Carbonite that you could win. But the most important thing to me was the Deadpool (!!!!!). Because you guys, they are making a Sixth Scale Deadpool, and he looks amazing. :D :D :D :D :D (Seriously, I can’t express my level of joy at this without emoticons. I’m that speechlessly happy. Also I need this immediately. When does it come out??)
  • The excellent cosplays. There were many, many cool costumes on the floor. A few of my favorites were this cute classic Harley Quinn (with smiley purse!); this Skipper from Penguins of Madagascar (he actually looks like he could be an official one? I don’t know. Either way, nice!); this picture-perfect New 52 Wonder Woman (she looked adorable with the Tonner Doll Company Wonder Woman, and made the entire thing, from leather to metalwork!); this clever Hamburglar (Hee!); this pair of Jay Garrick Flashes; this Discworldian Moist von Lipwig (someone said, “Is that a Snitch?” but I recognized him immediately. Yay, Discworld fans!); and this cute Little Mermaid family (that Ursula is boss).
  • San Diego GirlsThe DC Comics booth, celebrating 75 years of Batman with neat displays and a variety of custom-designed cowls like this Harley Quinn one. They also had several of the DC Bombshells statuettes on display. Even though I totally recognize the cheesecake-y sexism of pin-up girls and part of me wants to be peeved about these, I can’t help but think they are a really well-done homage to a time gone by, and kind of adorable (and hey, compared to all of the blatant and tasteless attempts to sell comics through sex and female exploitation or dehumanization these days, these feel positively classy). They also had a great depressed Batman statue in the middle, àla the new Ben Affleck Batman, which allowed for some more statue pose picture silliness. You can’t keep me down, emo Batman!
  • The Darth Vader Hot Wheels car. Who thought of this? Who did?? You get a prize. Also? I want one. To drive. And I will park it right next to the life-sized Funko Pop! Rocket Raccoon I plan to install on my lawn.
  • This thing. No, I don’t know what it is or what it is from or why there is a little floating demon joystick-driving its brain. It is just adorable and creepy and I love it. It can hang out with my Rocket Raccoon. They can be life-sized lawn gnome best buddies, and maybe have cute but disturbing adventures at night when no one is looking.
  • Life-sized Star Wars Rebels! I like Hera. She looks sassy. Like she will pwn you and not put up with your nonsense. I hope this is the case. Also she is voiced by Vanessa Marshall. Sweet!
  • Con exclusive merch! Like this Deadpool Mr. Potato Head, this glow-in-the-dark White Lantern Flash, this Harley Quinn purse (with bells!), this Firefly Leaf on the Wind keychain/necklace, this too-adorable-for-words Catbug plush, this ghost Yoda bank, and this fiercely adorable Final Battle Toothless from How to Train Your Dragon 2.

Aaaaaand, that’s all, folks! Well, all of the stuff I can remember from the con floor. (Full photo set here) But I have plenty more to report on from SDCC, including fun panels, parties, and press interviews. So stay tuned for more, and until next time, Servo Lectio!

Part Two of Emily’s Grand Adventure will appear right here at ComicMix.com this Thursday!

Mindy Newell Discovers “Books”

Captain AmericaI discovered the All Souls trilogy by historian and fiction writer Deborah Harkness – I’m currently reading the final book, The Book Of Life (the first being A Discovery Of Witches and the second titled Shadow Of Night) and loving it, unable to stop, eager to discover how it all ends and yet not at all eager for it to end – quite by accident, which is usually the way I discover books.

I was browsing at Word, a terrific independent book store at 123 Newark Avenue in downtown Jersey City, New Jersey, and which deserves all the support in the world, as being an independent book store in these days of Amazon taking over the world is not only risky, but incredibly brave. BTW, I’ve never been in Word when it wasn’t crowded with bibliophiles. All of you, who love b-o-o-k-s know what I mean. There’s nothing like browsing in a bookstore, is there? Taking your time, picking up books, enjoying the heft and weight of them, feeling and enjoying the überzeist of shared love of the printed word that permeates the atmosphere.

According to the Encyclopedia Britannica website, “How soon after the invention of writing men began to make books is uncertain because the books themselves have not survived. The oldest surviving examples of writing are on clay or stone. The more fragile materials used for writing at various times have generally perished. The earliest known books are the clay tablets of Mesopotamia (that part of Asia fed by the Tigris and Euphrates rivers and their tributaries, and which we know today as Iraq, Kuwait, northeastern Syria, and part of southeastern Turkey and southwestern Iran) and the papyrus (a thin, paper-like material made from the papyrus plant, which still grows along the Nile delta) rolls of Egypt. There are examples of both dating from the early 3rd millennium B.C. The Chinese … were the third people to produce books on an extensive scale. Although few surviving examples antedate the Christian Era, literary and archaeological evidence indicates that the Chinese had writing and probably books at least as early as 1300 B.C. Those primitive books were made of wood or bamboo strips bound together with cords.”

The Greeks and Romans also used papyrus, binding them by using leaves at the type and bottom of the papyrus to form rolls (as seen in movies such as Gladiator and Ben-Hur). It was the Romans who expanded bibliography; they had a healthy book publishing trade which spread into Western Europe and Britain as the empire expanded. All straits of society during this period had access to these books, even the poor, while owning a private library was a mark of distinction among the upper classes.

During the early Christian era, the codex replaced the papyrus roll. By binding the papyrus leaves (the origin of our use of the word “leaf” when referring to book pages) this early book could be opened instantly to the exact text being searched for, eliminating the need to roll the papyrus until the text being searched for was found – not to mention having to reroll it. Also, both sides of the papyrus could be used.

By 2500 B.C. into the middle of the second century, vellum and leather, both made from calfskin, had replaced papyrus – the Dead Sea Scrolls, the first of which were discovered in 1946 in what is the West Bank of the disputed Palestinian territories, and which are the earliest known manuscripts of the Old Testament, along with other biblical era writings, are written on vellum and leather. Then, during the Dark Ages it was the monasteries that kept book writing alive. (A Canticle For Leibowitz, the 1961 Hugo Award winner for science fiction, by Walter M. Miller, Jr., tells the tale of Catholic monks in a post-apocalyptic United States as they strive to preserve the remnants of knowledge against the day that humanity rises from the nuclear ruins to rebuild civilization.)

The books of the 15th century resembled our modern book except that they were not yet printed, although paper, which had come to Europe and Britain from China through the middleman Arab trader, was rapidly replacing vellum and leather. Authors were writing in the language of their people, whose literacy was increasing, and the production and sale of books were boosts to Renaissance economies, which were increasingly reliant on the rise of the middle-class guilds.

And then came Johannes Guttenberg.

Guttenberg, who was originally a blacksmith and goldsmith before he became a printer and publisher, was born about 1398 and died in 1468. He was the first European to use movable type printing (invented in China around 1040 A.D.) and also created oil-based ink. Of course, as most of you know, he also invented the printing press. By figuring out how to combine these individual components into one practical system, Gutenberg enabled the mass production of printed books, which subsequently led to mass communication, a critical turning point in the rise of the civilization in which we live today.

Skip ahead 500 years to the birth of the comics industry in the mid-20th century, so beautifully captured by Michael Chabon’s brilliant and Pulitzer Prize-winning 2001 novel, The Amazing Adventures Of Kavalier And Clay – and anyone who claims to be a comics fan and has not read this book must have his or her Merry Marvel Marching Society membership immediately revoked. Think about what the comics industry, if it existed, would like – each story of Superman, Batman, Spider-Man, or the X-Men individually created, one of a kind, and probably locked up in the libraries of rich individuals and those of museums and universities dedicated to collecting rare art forms, to be taken out and displayed in occasional exhibitions.

The “man on the street” would perhaps, once in a while, buy a “black-market” version of Stan Lee and Jack Kirby’s Fantastic Four, smeared with mimeograph ink or supposedly “hand-copied” by some dubious “artist” who claimed to have seen the original. There would be no fandom to create the first comics convention in New York City in July, 1964 at a union meeting hall on 14th and Broadway, which was attended by 100 people, one case of soda, and George R.R. Martin (A Song Of Fire And Ice, i.e., Game Of Thrones) who was the first ticket purchaser. And there sure wouldn’t be a San Diego Comic-Con.

So the next time you browse Amazon or download a book on to your Kindle or iPad, or read a comic book on the web, stop and think about it. Think about the hundreds of centuries that it took to create that mass-produced copy of The Book Of Life or whatever novel you’re currently reading. Think about the thousands of years it took for you to hold that staple-bound, printing pressed copy Captain America #23 in your hands.

Think about it.

And don’t let real books, or real comics, become as dead as … Well, as dead as that first manor woman to “Fred Flintstone” a message into a tablet of clay.

 

John Ostrander: To Be A Hero

Doctor Who has aired a new trailer for the upcoming season that starts August 23rd*. You can <a href=”

it here. It’s our first real glimpse at the new Doctor played by Peter Capaldi and I think it all looks very promising. He’s very different from the past few Doctors. In some ways, he’s more reminiscent of the first one.

Something bugged me, tho. At the end of the trailer, he asks his companion, Clara, if he is a good man. She seems a bit flummoxed by this and answers, “I don’t know.”

My first reaction to the question was “I do. The Doctor is a good man. He’s a hero. He has saved the planet, the galaxy, all of reality about a bazillion times.”

Then I thought about it some more. Do you have to be a good man in order to be a hero? You don’t have to be a good person to be the protagonist; many good stories have been told using someone bad or even evil as the center of the story. Hero, on the other hand, is a different matter, isn’t it? A hero needs to have certain moral values – honor, nobility, courage, self-sacrifice and so on. They may have these qualities from the onset of the story or acquire them along the way. They can rise up as heroes as the story progresses or the qualities they already have can be tested.

The hero is something we might want to emulate. Superman in my youth was a big blue Boy Scout. Even Batman, for all the fact that he dresses more like a villain, was more of a hero in a traditional sense.

Then Marvel came along with its more complicated set of heroes. Spider-Man had a lot of hang-ups. At the same time, they were heroes because they rose to the challenges. They exhibited a certain honor, nobility, and so on.

The anti-hero seems more in tune with modern society. He or she is the protagonist of the story but not the moral center. Typically, they are in it for themselves and what they can gain or they are simply tossed around by life and not masters of their own fate. Kafka’s Joseph K in The Trial is an anti-hero because his choices simply do not matter. He is a victim and cannot change his own fate.

I tend to write more towards the anti-hero side of the scale. I like the moral complexity they present; it interests me as a writer. Even a good person will struggle to find the right thing to do in a given situation. J.K. Rowling in one of the Harry Potter books has her character Dumbledore say that the time is coming when people will have to choose between what is right and what is easy. There’s always a cost involved to do what is right.

Can you be a hero without also being a good man or woman, at least to some degree? I don’t think so. It may be difficult for the character to make the “right choice” but they need to have somewhere inside of them a degree of courage, empathy, honor and so on. George Bailey in It’s A Wonderful Life has to struggle with his frustration and sense of helplessness. He lashes out in anger towards the climax of the movie against people he loves. Yet even in his deepest despair, he will jump off a bridge to save what he thinks is a drowning man.

So, is the Doctor a good man? He certainly is a hero and, whatever his failings, he is a good man. The fact that he asks the question makes him a good man; a bad man wouldn’t care.

* Also coming to a handful of movie theaters, probably not near you. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Marc Alan Fishman: San Diego – How It Feels To Not Go

My name is Marc Alan Fishman. For eight years now, I have been an active comic book writer, artist, letterer, and publisher. For six years, my company Unshaven Comics has peddled our wares in the artist alleys at dozens of conventions. From the small, such as Kokomo, Indiana, and Orland Park, Illinois, to the large, like C2E2 in Chicago, and the New York Comic Con, we’ve put thousands of miles on our cars in an attempt to break-in to the industry we love nearly as much as our kin. But in all our travels, the furthest west we’ve sauntered was Minneapolis this past spring.

We’ve never been financially viable enough to venture to the Valhalla (or perhaps Ragnarok) of comic book conventions. The San Diego Comic Con is a nearly week-long mecca of geekery. For a small operation such as ours, it stands to dream that selling in the same fabled halls that stars and nerds alike flock to, could lead a sale of The Samurnauts to future fame and glory. Oh, how the mind races at the thought! But with each passing summer, those daydreams dissipate as the deluge of news coats my social media feeds. And here I sit, in the wake of yet another SDCC, ruminating on what it feels like to not be a part of the central hub from which our industry grows from. In short, it feels both amazing and frustrating.

It feels amazing because I’ve little doubt that amidst the choked-with-nerd floor-space there’s a frantic energy that isn’t conducive to how Unshaven Comics does business. We’ve parlayed busy cons, but I have a sneaking suspicion as fans fight for line position to see the Avengers assemble, or catch a sneak peak ten-second look at a movie not debuting for another calendar year there’s little desire to open one’s mind to a brand-new not-known comic, and even less among those few of the 130,000 attendees that are old school fans who are there (gasp!) for the actual comic books the show was originally built around. So I ask rhetorically: how easy is it to grab the attention of them when the entire show is one massive press-conference after another?

When every news outlet, blog spot, and nerd-based industry member is there first and foremost to get the scoop – and leak footage for click-baiting articles – on the stuff that gets them click-throughs, link-backs, and ad impressions… where does that leave artists in the alley? And when the alley itself is studded with industry veterans with well-known names and pedigrees… I say once more with bearded fervor: what chance do three Chicago kids with no known fans west of the Mississippi going to do to garner attention short of faking a medical emergency? Hmm, maybe that’d be a great hook. But I digress.

Simply put, it feels amazing to miss the SDCC because it means I can sit peacefully at home with the Unshaven till in tact. I can sift through all the news releases, teasers, and interviews at my leisure. I can do all of this and smell fresh as the morning dew. Those people in line waiting for a chance to get Chris Hemsworth to wink at them? Maybe not so much.

Which of course leads to why it’s so frustrating that I’m not there, nor have I ever been. The other side to the sword I wield cuts hardest when I realize I am only a spectator and not a shareholder. And to mock the size of the crowds is only to hide the desire to be in front of them. Even if the tides draw fans from the alley away to the exhibitors, there’s simply too many opportunities amidst the show-goers to not catch a few on our hook. And while the economics of it all likely falls no where near profitable when one considers the price of the table, transportation, shipping of merchandise, not to mention meals and other sundry expenditures… a sale to someone new is a sale to someone new. Unshaven Comics exists because of that conceit.

And while I’d lament that it’s not fair to pitch when you’re sitting next to a convention colossus like Katie Cook, much could be gained through smart networking and the camaraderie earned by being table neighbors. Simply by existing alongside those whose work we covet, creates a recognizability to those in power who work their way around the alley. Over the course of our businesses life, we’ve pushed issues on Dan DiDio, Ross Ritchie, and even Mike Gold. Of course, none of them said anything to us after purchasing the issue, but we figure it’s because they’re still in awe. In short: missing the con means missing the sale. And when that sale is the most likely to reach those within the industry we want to sell to? It’s a missed opportunity.

And what lamentation about San Diego would it be if I didn’t mention having to miss out on the Black Panel, and all of the sundry Michael Davis-related ventures. Having only known the Master of the Universe via e-mails and shared column space, I’m at a loss having never shaken his hand in person. And I say this not in jest. In every instance that I’ve been able to break bread with a fellow ComicMixer, it has been a memory saved for the archives. To miss out on San Diego, is to miss out on seeing people I’m honored to call friends.

And with that, so ends this little aside. Another year passes, and San Diego reverts to the whale’s vagina it’s known to be (don’t flame me, Ron Burgandy said it himself). Will Unshaven Comics ever make the journey out yonder to be amongst the gilded nerditry? As loyal Cubs fans utter, the motto remains:

There’s always next year.

 

Martha Thomases: Where’s My Batman?

Ever since I moved to New York in 1977, I wondered what it would be like if there was really a Batman.

Sure, Superman lived in a version of New York as well. So did the entire Marvel Universe. But Batman is the one who felt most like the way I lived, in my tenement apartment. Batman belonged in a city with fifth floor walk-ups.

I don’t mean that I looked up at rooftops for someone to fight crime. Even then, I didn’t normally feel physically threatened on the streets. And Batman was not going to stop the men who made disgusting comments to me as I went to work, did my chores, or met with friends. I might have been in my naïve 20s, but I knew that Batman wasn’t real.

My 20s were not only naïve, but pretentious. I hung out at CBGBs and The Mudd Club. I went to art openings at downtown galleries because I knew the artists. I stayed up all night and wore black, even though I had to be properly dressed at my very proper day-job at 8:30 AM. I knew the kinds of people who could help me stay up all night and get to work on time.

This was a different New York. There were local banks. There were local stores. There were local donut shops. Everything wasn’t part of a chain. Rents were, if not reasonable, at least affordable for someone working an entry-level job. There were bands forming and breaking up and reforming. There were alternative weekly newspapers, alternatives to the alternative weekly newspapers, poetry ‘zines and underground comix. There were community gardens and the beginning of the Green Markets.

In short, it was the kind of city where Batman would be noticed. Even the version of Batman that was then current, the urban legend thought to be a myth by most, known only to Commissioner Gordon and a few others.

I mean, this was a city where punk bands wrote songs about Bernhard Goetz and <a href=”

Gilmore. Certainly, rumors of a giant bat (or a man dressed like a giant bat) would capture the creative imagination. Patti Smith was writing songs about Rimbaud and Verlaine; of course she would have comments on what flew through the streets at night.

As would the <a href=”

Boys. I bet if I look closely, I can find myself in that video somewhere.

And then there is Bruce Wayne, reclusive billionaire. He’s like the opposite of Donald Trump. What would Spy Magazine have made of him? Would they send someone to dig into his affairs the way they did with Trump? Would he have a Spy nickname, like Trump did (“short-fingered vulgarian”)?

I like to imagine that New York-based fashion designers would include a lot more capes in their collections.

It’s more difficult to imagine Batman in present-day New York. While we have gang-related crime, it’s a much smaller part of our lawlessness than you’ll find in corporate boardrooms. The artists and musicians have been gentrified out of town by the international trust fund kids and their investment-minded parents. We have lots of problems, but they aren’t the kind can be fixed by someone bursting through a skylight.

We need a new kind of hero. Has anyone ever seen Elizabeth Warren and Batman in the same place?

 

The Tweeks do San Diego Comic-Con 2014! #SDCC

tweeks-300x168-1299906As the Tweeks recover from their whirlwind Comic Con 2014, here’s a recap of their adventures at the San Diego Convention Center.   There was a lot of fan girl apparel, comic books, and toys purchased, as well as many interviews conducted.  Keep a look out for more coverage on their hometown Con.

Mike Gold:  Electronic Comics – The Next Generation

ipad-comics-5275287The distribution system that provided us with books, magazines, newspapers and comics started falling apart some 60 years ago. The term “newsstand” is no more relevant today than the term “buggy whip,” newspapers are folding so fast it’s affecting fish sales, and magazines are mostly sold at the bookstore chains that are going out of business faster than a speeding bullet. So it’s no surprise that I think the tablet computer is the greatest thing to happen to the publishing industry since Guttenberg learned how to spell.

The problem with comic books is that, while they look better and read better on tablets, for the past 20 years or so we’ve repositioned comic books into collectibles, with a half-dozen collectible covers and multiple printings and all sorts of folderol. Do people buy comics for the stories any more?

Well, yes we do, but more and more in the form of trade paperbacks, omnibus editions, and electronic downloads. The average sale of a traditional 32-page pamphlet comic book, even those featuring most major characters, is embarrassing. Sales have been growing lately, but a publisher wouldn’t get out of bed in the morning if he or she had to justify all that expense and lousy cash flow strictly by pamphlet sales.

History has shown us comic book readers like to keep their comics around. I don’t know why; the idea that you’ll want to refer to them in the future is enticing but impractical. Nonetheless, we usually keep our comics around for a while.

This is why I think last week the comic book medium quietly entered a critical new phase. ComiXology, the leading distributor of electronic comics, has entered into agreements to allow you do keep your downloads on your computers and sundry storage media. You will no longer be dependent upon access to decent Wi-Fi to get the comics you paid for, you will no longer live in fear that the electronic distribution service might go out of business and obliviate your collection.

In other words, you get to keep your comics. You pay for it, you keep it.

Initially, only a handful of publishers are allowing ComiXology to sell their comics DRM-free. That’s “digital rights management,” for those of you who are merely semi-nerds. The initial participating publishers are Image Comics, Dynamite Entertainment, Zenoscope Entertainment, Thrillbent, Top Shelf and MonkeyBrain. These are not outfits that publish out of their garages.

All of these outfits already have dabbled in DRM-free distribution, but in their brief existence ComiXology has sold upwards of a quarter-billion digital comics. That’s one powerful distribution service. So big, in fact, that Amazon bought the company last April.

Will Marvel, DC, Dark Horse, IDW, Archie and the rest join in? I’m dubious about Marvel and DC because their parent companies, Disney and Warner Bros (and maybe soon Rupert Murdoch) react to bootlegging the way slugs react to salt. They conflate electronic distribution with bootlegging. Of course, iTunes and the rest sell a hell of a lot of DRM-free stuff and it’s actually easier to bootleg it for free than it is to enter all that information. But people pay for millions of digital downloads every day. Why should comics be any different?

Of course, that tablet will change just like every other electronic toy. Smartphones are getting bigger, “laptop” computers are getting lighter and thinner, and it won’t be long before there’s another game-changer device that will be better and cooler. I’m thinking direct chip implants to the brain. So the question is, even if comics sales thrive on tablets and computers, will they adapt to whatever’s next?

I sure hope so.

 

Box Office Democracy: “Lucy”

lucy-9122048The nicest thing I can think to say about Lucy is that it is exactly how I would have remade 2001: A Space Odyssey if I had done it when I was 16 years old.  I would have replaced the male astronaut with an attractive woman, kept the trippy end sequence and replaced the first two-thirds of the movie with a mediocre tribute to Hard Boiled.  I also probably would have struggled to fill 90 minutes and would have added some really strange filler to get it to a marginally respectful run time like 89 minutes.  Thankfully no one was willing to give me $65 million to make a movie when I was 16 (unfortunately no one will do it now) but we’re stuck with what Luc Besson made here.  I was stuck at least; you might still be able to save yourself. (more…)

Mindy Newell Goes On A Binge

television-set-7188990Binge-watching is defined by the Urban Dictionary website as a “marathon viewing of a TV show from its DVD box set.” Wikipedia adds that binge-watching has become an “observed cultural phenomena with the rise of online media services such as Netflix, Hulu, and Amazon Prime.”

A lot of cable networks have gotten in on the act. Cloo includes on its schedule “marathon” showings of House, CSI, Monk, and Law & Order: Criminal Intent; yesterday (Sunday, July 27th) the channel brought on Burn Notice. The original Law & Order runs on TNT, Sundance, and WE, although I can’t figure out what it’s “thematically” doing on WE, unless it’s because Chris Noth is hot and Jerry Orbach is just so damn watchable. And Law & Order: Special Victims Unit is on USA right now.

Verne Gay of Newsday (yes, the paper at which Ray Barone of Everbody Loves Raymond toils as a sports writer is an actual real-life Long Island institution) recently listed 57 shows that are worthy of your couchpotatoing the weekend away. It’s all a matter of the viewer’s opinion and genre bias, of course, but here are Gay’s (paraphrased) qualifications for shows that are “binge-worthy,” with my examples.*

  1. A story arc, i.e., a storyline that continues throughout the season, notwithstanding one or two stand-alone episodes that nonetheless always contain either at least once scene related to the season’s overview or is in some way related to the overarching theme of the season. Examples: Breaking Bad, Angel, Orange Is The New Black, Scandal, Friends, Mad Men, Battlestar Galactica, Buffy The Vampire Slayer (you didn’t think I wasn’t going to mention BTVS, did you?), Dallas (original and new), Game Of Thrones.
  2. Characters that the viewer is invested in, i.e., whether good or bad, hero or antihero, starring role or a member of the “Scooby Gang.” Examples: Don Draper, Kara “Starbuck” Thrace, Sookie Stackhouse, Willow Rosenberg, Olivia Carolyn Pope, Rachel Green and Ross Geller, Buffy Summers, Sarah Manning, Jesse Pinkman, Spike, Rose Tyler, Frank Underwood, Angel, Monica Geller and Chandler Bing, J.R. Ewing (Sr. and Jr.), Cordelia Chase, Amy Pond, Rory Williams, Wesley Wyndham-Pryce
  3. A definite ending; i.e., questions raised during the course of the show are answered, the hero/heroine completes his/her journey. This does not guarantee a “happy” ending. It also does not guarantee that the viewer will be satisfied. Examples: Breaking Bad, Friends, Dexter, Buffy The Vampire Slayer (which actually had two endings – Season 5, in which Buffy sacrifices herself to save her sister Dawn and the world, and Season 7, in which Buffy realizes that she can share her power. For the record, I prefer Season 5), Battlestar Galactica. Two shows that were suggested were Lost and Angel. However, I can’t recommend Lost, despite its many excellent moments, because too many questions were left unanswered, and although Angel rocked its five seasons, The WB’s (very stupid, im-no so-ho) decision to cancel the series rushed its ending so that it felt too ambiguous – except for Wesley’s death, which was the only part that felt real. And it remains to be seen how True Blood, Mad Men, The Walking Dead, and Game Of Thrones handle their endings.
  4. It’s entertaining. Or as Gay puts it, “fun.” I hope you don’t need an “i.e.,” but just in case you do – you’d better enjoy what you’re watching, or you’re just wasting time. Examples: Dallas (old and new), Doctor Who, Firefly, Star Trek: Deep Space Nine, Star Trek: Voyager, Buffy The Vampire Slayer, Angel, Scandal, House Of Cards, Dexter.
  5. Gaye calls this one “informative,” but I’ll put it more simply – you learn something. You get excited. Maybe about the universe, or maybe, vicariously, about yourself. You can learn to appreciate great writing, or great camera work, or great acting. You can learn that you don’t really want to get an MBA and work on Wall Street, even if it does mean you’ll be rolling in dough and driving a Porsche; you discover that you want to work in an industry that allows you to key into your inner child, whether it’s as an actor or a writer or a director, a special effects artist, or a stunt man/woman, even if it does mean that most of the time you’ll be earning money temping as a receptionist or slinging dishes in a restaurant and depending on tips to make the rent. Examples: Cosmos, Band Of Brothers, Firefly, War And Remembrance, Buffy The Vampire Slayer, Battlestar Galatica, The World Wars.
  6. There ain’t no commercials. And you don’t want to hit the “pause” button. Meaning you hold it in for between discs or between episodes. Examples: Your DVD Boxed Set, Netflix Streaming, And Amazon Prime. As for Hulu/Hulu Plus – points off for the ads.

I’d love to know your binge-worthy shows.

* Some are shows I have binge-watched; others are recommendations by friends and family.