Category: News

It’s Rex Morgan vs Doonesbury in Virginia

The world has come to this: The Hampton Roads, Virginia Virginian-Pilot is in the mood to drop some comic strips; Mutts is already on probation. Now they’re asking their readers to choose between Rex Morgan MD and Doonesbury.

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I’ll run that by you again: kill one – Rex Morgan MD, by Woody Wilson and Graham Nolan, or Doonesbury, by Garry Trudeau. Vote now.

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O.K. Now I can understand choosing between any number of mindless talking animal strips (note how I just exempted Mutts). Or any of those mindless "my wife’s a bitch" strips. Or any of those strips that think running a golf gag four times a week is the height of humor. But if you don’t think Rex Morgan MD and Doonesbury is apples and oranges, then I’m not letting you anywhere near my cherry orchard.

Rex Morgan MD copyright 2007 King Features Syndicate. Inc. All Rights Reserved. Doonesbury copyright 2007 G.B. Trudeau. All RIghts Reserved.

 

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Second Life much like the first

bigswitchsmall-8084350Found by our Spin Queen, and because conspicuous consumers just don’t have enough guilt.:

Author Nicholas Carr (that’s his new book at right) knows a bit about evolving technology.  So he decided to answer the question about whether the massively popular mutliplayer game Second Life was ecologically sustainable by doing the math and presenting his theoretical analysis.

And what he found was, "your average Second Life avatar consumes about as much electricity as your average Brazilian. Which means, in turn, that avatars aren’t quite as intangible as they seem. They don’t have bodies, but they do leave footprints."  One of Carr’s commenters adds his findings about how this in turn affects CO2 emissions.

I’d suggest just reading a book instead, but of course that all starts with killing trees…

Heroes – right or wrong?

The middle of the week finds The Big ComicMix Broadcast smack in the middle of TV Trauma -– which shows are going and what is coming in the summer and fall? Plus a truly rare variant comic, a new Jungle Girl debuts and MTV gets into comics. We lay out our theory on the Heroes finale, and show you best example we can find of the power of pop culture!

And if you Press The Button, LOST will finally start making sense!

JOHN OSTRANDER: Boomshine Zen

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I prefer not to tell my editors – including ComicMix’s own Mike Gold – how I spend my workday. They’re generally happier thinking my nose is always to the grindstone but, as the ever delightful Elayne Riggs has pointed out in her column this week, you can’t be writing 24/7 and that, sometimes, playing a video game helps clear and even focus the mind.

My Mary recently turned me on to a web-based game called Boomshine and I play it usually once a day. It’s a simple game: on the screen bounce a number of colored dots, like the ball in the old Pong game. They randomly float around, bounce off the borders, come back. There are twelve levels in the game and the number of dots bouncing around vary from five in the first level to sixty in the last one.

At each level, you can click only once and this creates an explosion – a boom, a circle of light. Boomshine. Any dot hitting that circle also becomes a circle of light and so on, often in a chain reaction fashion. You have a goal pre-set for you at each level of how many dots you must change, from one at level one to fifty-five at level twelve, before you can go on to the next level or complete the game. The goal is the minimum amount of dots that must change; you actually want as many changed as you can get to increase your final score. Your final score determines where – and if – you place on the list of daily/weekly/monthly high scores.

Music accompanies all this. There’s a vaguely New Age piano playing under the game or you can click the speaker icon at the start of the game and a single random piano note plays every time a dot changes, which is what I prefer.

The motion and speed of the colored dots are random and the “explosions” where they change to circles of light appear to affect this. It’s not really predictable and, outside of when and where you place your initial explosion, you have no control on what happens next. It just happens.

Like life.

I’ve found myself doing a form of meditation while playing Boomshine. I don’t do well with meditations that ask me to sit quietly and let my mind go blank and just open myself to the Universe. My mind has to be tricked. It has to think I’m doing something. There’s a whole series of meditations that are like that; I know them as “moving meditations.” My church has a labyrinth pattern where you walk a pattern in to the center and then out; the repetitive act of walking as I follow the pattern frees my mind. Same thing happens when I follow my walk around the block – at some point, my monkey brain shuts off and allows other thoughts to come. I’ve sorted out plots this way sometimes. Almost any repetitive act will do that.

As I’ve played Boomshine recently, some observations – perhaps insights – occurred to me.

You can try to plan when and where is the best spot to make the first “boom,” but the little dots don’t always do what you expect them to do. They slow down; the boom seems to send them away; they skirt the edge of the circle of light without actually touching it, without transforming, and escape. Control is an illusion. That thought touched another in my mind and – boom – another little explosion. That’s Iraq. Those who brought us into the situation thought they had it under control; they had a clear vision of how things were going to be. They still think they can make it what they will. However, there are all kinds of random elements at work and there is no control over those elements. (more…)

Frank Miller’s Will Eisner’s The Spirit picked up

eisner_card-5379167Our good friends at Variety (the outfit that also brings us the New York Comic Con) tell us North American and British distribution rights Frank Miller’s film version of Will Eisner’s The Spirit, produced by Batfilm’s Michael Uslan, has been picked by Lionsgate, distributor of Marvel’s many D2DVD titles.

Frank has written the script and will be directing the movie as soon as he and Robert Rodriguez wrap up Sin City 2.

Wow. Sounds kinda incestuous, doesn’t it?

The producers are out in Cannes with Frank’s script selling international rights, even as you read these words.

Artwork for the Comic Book Legal Defense Fund copyright Will Eisner. All Rights Reserved. Hat tip: Lisa Sullivan.

Ellison and Groth to mediate?

grothheadshot-4510265harlan-ellison-6233080Back on April 1st, we ran a little piece entitled "Ellison, Groth sign historic peace accord". Because of the date, many readers thought we were engaging in an April Fool’s joke and making the whole thing up.

Now columnist Rich Johnston reports: "I understand that both Fantagraphics and Harlan Ellison were asked if they would participate in mediation over their current legal confrontation and that both have, at this time, gladly agreed. This will occur on May 29th at the Federal District Court Of Appeals in California. It will be attended by Ellison, Groth and their respective legal representatives. Given the good will from both sides regarding this approach, maybe we could indeed see peace in our time."

Don’t worry. We only use our predictive powers for good. We tried using our powers to find out the ending of Lost, but there the future is truly unwritten, as are the scripts.

ELAYNE RIGGS: Living in the moment

elayne200-5741978John Lennon once observed, “Life is what happens to you while you’re busy making other plans.” And another John, ComicMix‘s own Mr. Ostrander, recently wrote here about a lesson learned (he calls it a “strange gift”) in the wake of his wife’s death:

“One of the gifts I got was a deeper understanding of now. That’s what we have — now… now… now. This second. This second. This second. Now. We should never assume we get the next second. Kim realized, at the end, that she hadn’t done all the writing she wanted to do. That she could have done. She found ‘reasons’ but, at the end, none of them were more than excuses. Regret is what you have when you waste the now… Do you have something you want to write? Do it now. Is there something you want to do? Get started now. Is there someone you love? Love them now. It’s what we have; the next second is not promised to anyone.”

It’s not right, it’s not fair, but sometimes grief has a way of clarifying ideas you’ve heard before so that you understand them in a new way. And “now” is one of them. I completely “get” this concept in the wake of my father’s death, in a way I didn’t even see it after my best friend Leah passed away. There’s no going back at this point. Leah and I were close for over a decade, but I’d known Dad my entire life. He was one of the two pillars on whom my existence rested for close to 50 years. And now that pillar is gone, and I feel like I’m going to be off-balance and teetering for the rest of my life.

The illusion that, if things got really hard, I could always regress to a time and place where I felt completely safe and protected, where I didn’t have to be a grown-up, is forever shattered. I’ve never been blessed with children, so I can’t even relive my childhood through the eyes of the next generation. I have to be the grown-up all the time now, caught between that which is no longer and that which will never be, while unforgiving time still insists on creeping along in only one direction. My world is nothing but “now”s. (more…)

Dune redubbed, 2001 sped-up

Courtesy of the folks at Sequential Pictures, this re-imagining of Dune is just so very wrong.

I’m the only one who actually liked the original Dune flick, aren’t I? sigh  Also, via Fanboy.com, it’s 2001: A Space Odyssey in 5 Seconds:

That length seems about right to me…

DENNIS O’NEIL: The kryptonite reality

Once again, life has imitated comics. Maybe comics should sue.

This latest instance was reported in the New York Times a couple of weeks ago and has to do with kryptonite, the stuff from Superman’s planet or origin which can lay the Man of Steel low, or even all the way down. As far as I know, kryptonite was introduced in the early 40s by the writers of the Superman radio show. Since I was only a year or two or three old at the time, I’ll forgive them for not getting in touch with me and telling me why, exactly, they introduced it. But a guess might be: to facilitate conflict, which is widely considered to be a necessary ingredient in drama, and especially melodrama.

These guys – I assume they were guys – and their comic book counterparts were facing a fairly unique problem: how to get their hero in trouble and thus create conflict/drama, and do it not only once, but several times each month, or even more often.

Oh, sure, there had been superhuman characters in world literature and myth before Jerry Siegel and Joe Shuster, but they were in self-contained stories, and not many of those, and the problem was pretty limited. But with Superman… well, here was a fellow who was faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound – and that was when he was in his infancy. (For the record: Superman is only a year older than me. That is, he appeared only about a year before I did, though I gestated for the customary nine months and Supes took a leisurely four years to progress from the imaginations of Joe and Jerry to the public prints. He was a slow developer, but once he got started…) And he literally become more powerful with every passing year. And he had to have a lot of adventures.

So, okay, how do you get this guy in trouble, often, and thus create suspense and interest? The question has been answered in many ways, many times over the years. Kryptonite was one of the earliest of these answers. According to the mythos, it is a fragment of – I guess mineral – from Krypton, where Supes was born. Something in the gestalt of our planet makes kryptonite dangerous to natives of Krypton. (All of which you almost certainly know, but we do try to be thorough here.)

We thought it was fictional. Some of us, of the professional writing ilk, further thought that it was neither more nor less than an answer to a plot problem and at least one of that ilk thought it was overused and temporarily retired it. But now, a Chris Stanley, of London’s Museum of Natural History, analyzed a substance some of his colleagues discovered and, according to the Times, “found that the new mineral’s chemistry matched the description of kryptonite’s composition in last year’s film Superman Returns.”

It is not known whether or not anyone collapsed near the stuff.

At this point, you can either shrug and get on with your life, or pause, and engage in some pretty wild speculation about the nature of reality.

Be warned: We probably aren’t finished with this topic.

RECOMMENDED READING: The God Delusion, by Richard Dawkins.

Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Dennis O’Neil is an award-winning editor and writer of comic books like