Category: News

What’s Mike Baron doing?

Nexus, Badger and Punisher writer Mike Baron has organized The Fort Collins (Colorado) Comics Collective with writers Pete Brandvold and artists Nick Runge, Gabe Eltaeb, and Kevin Caron — plus Scott Bieser, who lives in nearby Cheyenne and doesn’t know he’s a member.

"Nick Runge had two paintings of undersea creatures in a downtown gallery," Mike Baron noted. "They popped. The color, the line reminded me of Frazetta. I sought Nick out. He was working in the kitchen of an institutional facility washing dishes. He’d never thought about drawing comics. He went home from our initial meeting and threw together a comic page based on The Last Samurai.

"Nick and I are about to dive into Black Ice, a heroic fantasy I created with Nick in mind. The publisher will be announcing its release shortly," Baron stated.

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Mighty manga mania!

VIZ and Del Ray Manga are both pulling out all the stops for next weekend’s New York Comic Con.  Del Ray (Booths 458-459) will have numerous author autographing sessions, giveaways and special guests, who will also participate in panels such as Breaking into SF/Fantasy Publishing (Friday at 7), Future Shocks (Saturday at 11), Star Wars: Beyond 30 (Saturday at 4) and of course The Making of a Del Rey Manga (Sunday at noon). 

VIZ, which is joining Del Rey and others in the Manga: What’s Hot panel during Friday’s trade-only hours, will be making available cell phone downloads of  promotional trailers for their popular Death Note anime series on a one-time-only basis for cell phone downloads exclusively during the show at their booth (619).   The first trailer will be available Saturday and the second on Sunday. This marks the first time this well-known Japanese anime property is being made legally available to U.S. audiences for download. 

And of course the first annual American Anime Awards will be held at the con on Saturday night.  Hope there’s cosplay involved!

John M. Ford Memorial Auction tonight in Boston

180px-johnmford_2001_ddb-7444471As part of Boskone 44 this weekend, The New England Science Fiction Association is holding the Mike Ford Memorial Auction & Extravaganza at 8 PM tonight. All proceeds of the auction will be donated to the John M. Ford Memorial Book Endowment, a special fund of the Friends of the Minneapolis Public Library.

According to Linda K. Merritt of the Friends of the Minneapolis Public Library, "For every $500 dollars deposited in the endowment funds, the Friends purchase a book for the library system annually with the interest earned on the endowment. This really is the gift that keeps on giving. You can specify what genre or library location/branch the books are intended for. Some people just specify ‘where most needed.’ We prepare bookplates and have them inserted in each book before they are shelved. Patrons will see Mike’s name each time the book is opened! I think it is important for people to know that these funds are ‘permanently restricted’ to the annual purchase of books. The money will never be diverted to other use."

Although his only comics credit was for Captain Confederacy, John M. Ford was the man Neil Gaiman credited as "the best writer he knew" at his eulogy.

UPDATE 12:36 AM: Due to the large number of items received, there will be a silent auction for the remainder of donated items this weekend throughout the convention.

Astronaut farmers go to Salvador

Boom! Studios has announced that the writer/director/producer team behind the Warner Brothers film The Astronaut Farmer, set to open on February 23 will be following up by launching a project called Salvador "in the world of comic books."  The teaser gave no further information, but they could be talking about this offering found on the Forbidden Planet international site, and an interview with artist Sebastian Jones seems to confirm it.

If it’s not broke, break it!

The fifth installment of Tristan Newcomb’s video series In-Box of a Studio Executive finds said exec pondering how to improve upon classic Charles M. Schulz Peanuts strips.  It’s funny because it’s sadly, sadly true.

Michael Davis: I’m not that guy

michael-davis200-2365727I’m a pretty simple guy. I see clear distinctions between right and wrong, good and evil, love and hate and Republican and Democrat. In this age of political correctness and doing the right thing I don’t make decisions because they’re popular. I make decisions because I think something is right.

Remember the days when someone punched you in the face and you could punch him  (or her) right back without having much to worry about — well, besides getting your ass kicked. After the fight (or, in my case, ass whipping) you and the other party would decide to be friends or continue to hate each other. Either way you knew where you stood with that person. NOW if someone punches you in the face — YOU may get sued — and worst, with the current state of our world you don’t know where you stand. I don’t know about you but I would like to know where I stand after I’m punched in the face.

I grew up in the projects in New York City during the days when a threat sounded like this: "I’m going to kick your ass, Davis." Back then my response was "You will have to find me first, lady." Now I simply call my lawyers.

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Bone go Pogo!

Fantagraphics has announced it will be relaunching a Complete Pogo series with cartoonist (and Walt Kelly admirer) Jeff Smith as series and book-by-book designer. Tom Spurgeon reports the series "will be released on a roughly annual basis" with the first volume appearing this coming October.

Miller’s movie opens to accolades

IESB reports that the movie adaptation of Frank Miller’s graphic novel 300 received a standing ovation at its world premiere last night at the Berlin Film Festival.  "The screening was interrupted again and again by spontaneous applause and cheers from the 1700 strong audience," adds the movie site.  This would seem to jibe with earlier mostly positive reviews by folks who have seen sneak previews, including Len Wein and Marv Wolfman, and fly in the face of the chorus of boos reported at the earlier press screening.

Elayne Riggs: Beyond Fifteen Minutes

elayne200-4801695At my age (insert obligatory "hey you kids, get out of my store!, what do you think this is, a reading room?" here) the blasts from the past seem to blow with ever increasing frequency and velocity. I’m used to various elements of my past circling back on me, as my forays into pop culture hobbies always seem to result in intersecting circles of friends and acquaintances. A number of the same people who used to write for a zine I self-published twenty years ago probably (like me) have their own weblogs now, in an era where self-expression means you no longer have to spend a single cent to get your writing out to potentially millions of readers every day.

And yet, the more things around us seem to update and lurch into fast-forward, the more familiar they seem to me. No substantial difference, really, between passing around handwritten story pages to classmates or cranking out apazines or posting on message boards or blogging. It’s all one-to-many conversation, it’s all storytelling and essay-writing, it just comes down to a matter of scale and audience. The big difference is that nowadays, thanks to online archives and search engines, our stories are no longer so easily lost.

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John Ostrander: Why do I do this?

johnostrander200-4165262Back in a previous life I was a very struggling actor in Chicago. One summer I was working with a small troupe that, among other things, did children’s plays outdoors and in various venues. This particular show we were doing was called Wiley and the Hairy Man, based upon a children’s book. I played the Hairy Man – a swamp-man/boogeyman  – and, while I kept getting chased offstage by the Wiley in the title, my character kept sneaking back in. It was not a part of particular subtlety but it did require some finesse. I was the monster in a children’s play which meant I couldn’t be too scary; just enough to produce the tinglies and a lot of laughs.

To be honest, I loved the role. In every venue, after Wiley would chase me away I would look for different places to come back at the required time through the audience. Even my fellow cast members were never quite sure where I would be coming from which kept it fresh for all of us. Sometimes I would pick up a child from where they were sitting in one part of the audience and deposit them somewhere else in the audience. My make-up was absurd, my costume had tatty fur glued on a work shirt, and it was a "Brian Blessed" roaring over the top performance – all in all, it may have been my finest role.

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