Category: News

More retro films, sequels on the way

get-smart-large-4792001Yeah okay, y’all are still talking about Barbarella, aren’t you?  Sorry, the original had some cute ideas but gah, was it sexist!  Talk to me when she’s properly dressed and Simon LeBon’s cast as Duran Duran.

Now here’s what I’m craving — a bit of the ol’ Get Smart.  USA today has a blurb about the in-production movie (set to open in late June) based on the old TV show created by Mel Brooks and Buck Henry.  Andy Dick is nowhere in sight, thank goodness, but I love the casting they do mention — Steve Carell should make an ideal Maxwell Smart, Anne Hathaway has the potential to succeed Barbara Feldon as a smart and funny Agent 99, and Alan Arkin as The Chief is just too perfect.  Some of the other cast members sound like they’d fit right in as well.  I know I’m pretty psyched for Masi Oka’s big-screen debut!  (Did you know Steve Ditko drew Dell’s Get Smart comic book?)  Let’s hope the indicated trouble in paradise is just a rumor.

Meanwhile, all is not well with the casting of Mummy 3 — The Inevitable, as our esteemed Mike Gold refers to it.  Seems Brandon Fraser is in, but Rachel Weisz is out, leading to speculation that she’s definitely doing Sin City 2 — This Time It’s Even More Personal (my subtitle).  I haven’t seen the Mummy flicks in awhile, but how integral was Weisz’s character in them?  I seem to recall as she was pretty much "love interest/accessory" rather than, you know, an Agent 99 type.

And Harry Knowles is swearing up and down that Shia LeBeouf has been cast in the fourth Indiana Jones movie as Indy’s son, which only interests me insofar as he has one of the more fun names to say and type.  And elsewhere on Ain’t It Cool News, Quint reports that Christina Ricci has been cast as Trixie in the upcoming Speed Racer movie. With John Goodman and Susan Sarandon all set to play Speed’s parents, which amazingly means that Speed’s mom is bound to get actual screen time.

DIY LSH

Colleen Doran draws our attention to One Shot Hero, which we think is pretty cute:

Okay, the mouth movements make it look like everyone’s chewing gum, and you can’t hear Phantom Girl’s voice, and there’s that problematic Nazi-type salute which was supposed to be someone using powers, but aside from that I find it charming anyway, especially the Superfriends takeoff at the beginning.

Wonder-ing no more

wonderwoman4ws-2825807Following up on the speculation we mentioned last Saturday, Newsarama is reporting that it’s official: DC’s Bob Wayne confirmed at the Comics Pro Membership Meeting in Las Vegas yesterday that fan favorite Gail Simone will be taking over the writing chores on Wonder Woman starting with issue #13.

Naturally, Matt Brady (who has been over this story like white on rice) gets a hold of Gail for a follow-up interview, wherein she teases, "Finally, about the art team. I can’t say who it is yet. But if the readers all made a list of who the best possible Wonder Woman art team would be, I bet this would be the number one choice. It’s that good."

If readers actually made such a list, we suspect it would contain as many different names as there were readers.  My choice, for instance, is at right…

MICHAEL DAVIS: Art School Confidential

michael-davis100-2929148The one thing you can count on in the comics business is people want to get in. By this I mean there are a zillion people who want to make comics their lifework. To some “comic books’ is a silly way to make a buck. Well forget them. Tell them to have a ham sandwich and shut up. I’m talking to all the young creators who want to make this their careers. I know a bit about this and if you allow me I would like to share some of what I know with you.

The first step on the road to comic immortality is education. I want to talk to the young artists out there. I will let my good friend Mike Baron in a guest column talk about becoming a comic book writer (Mike, please write a guest column for me!).

There are a lot of young artists who think it’s smart to simply copy Image Comics from the nineties and that will give them the art background they need. It won’t. By the way, Image does great books and Jim Valentino has a fantastic nose for good content. I’m sure that Jim would agree that the books Image is doing today are vastly different from the ones they were doing when they revolutionized the comics industry in the nineties. There are a great many young artists who think that copying Todd McFarlane or Rob Lefield will give them the tools they need to be the next Todd McFarlane or Rob Lefield – again, it won’t.

There are no sure fire ways to break into the comic industry as an artist. The industry is filled with self-taught artists-some of these self taught creators are superstars. However, most people can’t simply draw themselves into the field. For the majority of you I think a good art school is a great first step, the first step you will need to establish your own way in a very competitive comics business. How do you choose a good art school?

Very carefully.

An art school should not just teach you art, it should equip you to navigate the business. You want a school that will deal with you as an aspiring professional and not just an artist. A lot of schools don’t do that. Some of the best schools have working professionals teaching there. You would think that will be a great place to go right?

NOT necessarily.

Some instructors will share with you every single thing they know. Some won’t. Why won’t they? Because you will be their competition in a very short time. Because they will someday fear you.

Oh. Nobody told you that?

Look, the professional art school is a business. Before I go on let me be clear: I’m not talking about teachers in fine art curricula. Those teachers teach students who want to make art for art’s sake. Those students want to bring their vision to people for no other reason than to make their personal statements. I’m talking about teachers of Illustration, Cartooning, Animation, Graphic Design or any commercial art course. Chances are if your teachers are working professionals they will not share with you all their contacts or their knowledge. Or to put it another way, if you were an rookie on The New York Mets and your position was center field, do you really think the veteran who held that position would tell you all he knew? (more…)

Catching up with the Big Two

Per my column yesterday, you know I’m not going to parrot press releases from Marvel and DC, but that doesn’t mean I can’t cull actual news from them where I discern it exists:

Marvel’s gearing up for their World War Hulk event, and as I’m married to someone who inked the Hulk for over two years I had to ask my Marvel press contact if he had any word on who’s slated to ink all the books.  So here’s your complete list of “top 2-3” creative teams (writer, penciller/inker or writer & artist) for all upcoming World War Hulk tie-ins:

WORLD WAR HULK PROLOGUE: WORLD BREAKER

Writer: Peter David

Artists: Al Rio/Scott Hanna, Lee Weeks (p/i), Sean Phillips/Tom Palmer

INCREDIBLE HULK #106

Writer: Greg Pak

Artists: Gary Frank/Jonathan Sibal

HULK: PLANET HULK HC

Writer: Greg Pak

Artists: Carlo Pagulayan/Jeffrey Huet; Aaron Lopresti/Danny Miki and Sandu Florea; Juan Santacruz/Faul Fernantz Fonts; Gary Frank/Jonathan Sibal; Takeshi Miyazawa (p/i)

That’s right, I’m all about loving the inkers!

Marvel’s also got another Spotlight book in stores on May 23, this one focusing on the Fantastic Four and Silver Surfer; perfect timing considering the movie coming out in mid-June.  John Rhett Thomas supplies the original written content with pre-existing images from the FF’s 40+ year history.  Hope that means some royalty checks for lots of terrific artists!

And Matt Fraction (check out his sweet reminiscence of Vonnegut) is writing a special 48-page Sensational Spider-Man Annual tying in with its “Back in Black” storyline.  Sal Larocca’s on pencilling chores, including “Romita-esque flashback sequences” — good luck with that, Sal!

Meanwhile, DC’s sent out its latest Direct Channel newsletter, which discusses sales incentives for retailers on the second Minx title Clubbing (writer Andi Watson has a nice write-up), brags about mainstream press for the debut Minx title The Plain Janes in PW and Variety, and lists books going back to press, returnable and resolicited books, release dates and so forth.  An invaluable resource for retailers, as always.

Barbarella taken under James Bond’s wing

forestb1-4414391The classic French science-fiction comic book character Barbarella will make her return to the big screen, according to Variety. Casino Royale writers Neal Purvis and Robert Wade have signed on to write the feature. Occassional comic book writer Jean-Marc Lofficier (Teen Titans) brokered the deal.

The creation of Jean-Claude Forest, Barbarella turned heads in this country by being one of the first “legitimately” published comics to feature nudity and sexual themes. It was serialized in the United States in the avant-garde magazine Evergreen and collected in both hard cover and trade paperback graphic novels back in the 1960s.

In 1968, Barbarella was made into a movie directed by Roger Vadim and starring his wife, Jane Fonda. She was surrounded by a stellar cast, including John Phillip Law, Anita Pallenberg, David Hemmings, and Milo O’Shea as the original Duran Duran.

JOHN OSTRANDER: Hurling stones

ostrander100-9025781I had a couple of other topics I was going to work on but then I read Mike Gold’s column this week and decided I had enough to say to on it and the subject of his column that I might as well do it in my own. Thanks, Mike, for supplying my column this week!

The question at hand was Don Imus’ racist remarks on his show, categorizing Rutgers University’s women’s basketball team (the majority of whom are black) as “nappy headed hos.” (For short, and because I don’t want to perpetuate the comment by repeating it endlessly, we’ll just reduce it to   “nhh”.)

Imus has since apologized at length, doing the mea culpa circuit that prominent white men do when they get caught putting their feet in their mouths. There have been the chorus of calls for Imus’ resignation or firing and Imus has said he was just trying to be funny and he’s really a nice guy and so on. As I write this, Imus has been suspended by CBS radio for two weeks and MSNBC has dropped the television show. After a ritual flogging on the Rev. Al Sharpton’s radio show, Imus is now scheduled to meet with the women he actually insulted and their families. Nice to know we’re all keeping our priorities straight.

Caveat: I don’t listen to Imus. If I’m listening to radio in the morning it’s generally NPR and I don’t do that very often. So I’m getting a lot of this second hand or worse. I’ve never been into the whole “shock jock” thing so you can take what I have to say with that grain of salt. Also, I’ve had my own brush with hoof in mouth disease in a script where I referred to Asian people as Orientals. As has been driven home to me, Orientals are rugs; people are Asian. So I am not within sin. I’m throwing rocks anyway.

Let’s talk about Imus first. My first reaction on hearing all this was, “What an incredibly stupid thing to say.” Imus has been in the game long enough and he knows the field. He has no internal censor that suggested to him for a half second that referring to African-American women as “nhh” just might get him into trouble? Frankly, I always had the impression that Imus was sharper than that.

And then the cynical Chicagoan side of me kicked in. Maybe Imus’ attitude at the time was “Well, remarks like this sure gets people talking about ya, doesn’t it? Good, bad – does it matter so long as they don’t forget you?” Now people might listen in to hear how contrite you are, or if you’ll do it again, or because they think you should do it again. What’s a shock jock without a controversy? Or maybe he didn’t expect people to get upset – stuff like this has been his stock in trade, right? Isn’t it why people listen? Imus says what a lot of people think – isn’t that the justification? The current brouhaha is just a matter of degree.

I wonder – what would the reaction have been if it was the Rutgers men’s basketball team that lost in the Finals (they didn’t even get that far) and Imus had called them “nh (fill in the blank).” Actually, I’m betting nothing would have happened because Imus would have realized, before he said it, that it was going too far. But these are just female jocks. Who really cares, eh? Let’s call them whores because they lost a freaking basketball game. Maybe if Imus had just stuck with being misogynistic instead of racist, he would have been okay. (more…)

Flash Gordon Conquers the Universe (Again)

fg2-8270183The Sci-Fi Channel is going dipping into the golden age of comic strips and resurrecting Alex Raymond’s Flash Gordon for a new television series.

Eric Johnson has been named as the latest actor to portray Flash in this radical reimagining of the series.  Johnson is best known to ComicMix fans as Smallville’s Whitney Fordman, quarterback and love interest for Lana Lang.

Dale Arden, Hans Zarkov and Ming the Merciless have yet to be cast with production of the 22 episodes set to begin in, where else, Vancouver on May 1.

The series will debut on the channel in August, date and time to be announced.  Rick Rosenthal, who worked with Johnson on Smallville, and has also handled Sci Fi’s The Dresden Files, will direct the first two episodes.  While the original strip featured the story of the planet Mongo threatening Earth and Flash journeying into space to save his planet, the television series will dramatically alter the premise.  Mongo will now be another dimension with Flash giving up his original polo in favor of other pursuits and being located in the pacific northwest.

The last time a live action Flash was on the small screen was in 1954 in an eight episode series starring Steve Holland, who later provided the visual look for James Bama’s Doc Savage paintings.

Flash Gordon has been previously portrayed by Larry “Buster” Crabbe in the three Universal movie serials from the 1930s and later, by Sam J. Jones, in the tongue-in-cheek Dino DeLaurentiss travesty from 1980.

Stocking up on comics

Via Lisa at Sequentially Speaking comes an article in American.com about the sure bet of investing in comics and other collectibles.  Naturally, Kevin Hassett points the exceptions to the rule in order to prove his thesis, which helps nobody.  The operative word here is "rare," people.

Plus, he supplements his databy looking things up in the Price Guide, which we all know deals more in theoretical than actual value, the latter being arbitrariily determined from day to day by whatever each buyer and seller actually feels like paying for and selling a book. 

This knowledge would seem to make the answer to Hassells question, "Why don’t sophisticated money managers and operating companies invest in comic books?" fairly obvious.

(more…)