NYCC – Panel reviews
During the most crowded day of a comics convention (or even on the other days), it’s never a bad idea to take in some panels. The best conventions offer a wide variety of programs in comfortable and intimate settings that you just can’t duplicate at a booth or exhibition hall. They represent just about any interest and subculture related to comics and other "geek-centric" entertainment, and create a participatory and egalitarian feel among panelists and attendees.
This NYCC saw a diversity of topics to please everyone from moviegoers to Japanophiles to old-school aficionados to the creators of tomorrow. One of the best things about it was the implicit acknowledgement that about as many women as men were expected to take in the programming. At least four panels so far have dealt with women in comics (real women storytellers as opposed to fictional women characters), and yet other panels having nothing to do with that topic featured female panelists as a matter of routine. This is the very type of situation advocacy groups like Friends of Lulu hoped to work toward for so many years, and it’s a real privilege to see it come to fruition.

Here’s a photo from a Friday panel. Some thoughts on it and a couple other panels attended so far: (more…)

Mikhaela Reid is
At the first-ever panel for DC’s
Metronome is described as "a 64-page graphic novel by Véronique Tanaka: a ‘silent,’ erotically-charged visual poem, an experimental non-linear story using a palette of iconic
Hoping to capitalize on the latest superhero movies, we now present to you… Banana Rider!
In one of the smarter moves I’ve seen at this con, the people behind the AnimeNext convention have set aside a conference room at the Javitz center with shelves filled with manga that you can check out and read quietly in the room, in a nice quiet oasis from the hub-bub on the main floors. Absolutely brilliant, and the latest exhibit in why manga is kicking the tailfeathers of American comics.

