Category: News

The Point Radio: Daddy’s Home – Alan Thicke Back On TV

He’s the iconic TV Dad of the eighties – Alan Thicke is back with a new series that is part reality, part sitcom. Alan previews UNUSUALLY THICKE (which runs Wednesday on the TV Guide Network), plus Olympic Gold Winner (and DANCING WITH THE STARS Champ), Apolo Anton Ono talks to us about tough times in the ballroom and hosting MINUTE TO WIN IT for GSN.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Martha Thomases: Criticizing Criticism

thomases-art-140418-1839661This isn’t what I wanted to write about. I would much prefer to tell you about some hidden gem in the world of comics. Instead, once again, we’re going to slog through the mud.

A while ago, a writer, Janelle Asselin, wrote a critique of a Teen Titans cover for Comic Book Resources. The cover is an incoherent piece of art, and she described her problems with it. Her comments included art criticism (mostly centering on the lack of anatomical reality of the depiction of Wonder Girl, a teenager), sociopolitical criticism and observations on marketing. She suggested that sexualizing characters who are supposed to be minors was more than a little bit creepy. She pointed out is that Teen Titans is a book that has a great deal of potential to reach outside of the typical comics market because it was a popular cartoon series, one with a lot of female fans, and, from a marketing perspective, there was a lot of money to be made by doing a comic that might draw in some of that audience.

So, of course, all hell broke loose.

I didn’t read all 40 windows of comments. Life is too short. After I read a few screens, I got the drift. For one thing, many people don’t understand the difference between marketing and editorial. More to the point, guys don’t like it when you notice they’re being creepy. Especially when they’ve been bragging about the creepiness up until this point.

Example? Here’s a comment from someone code-named Rakzo: “It seems like we can’t enjoy sexy superheroes anymore.” Did you see what he did there? He said that because Asselin criticized the (unnatural and/or surgically enhanced) depiction of a teenage girl, somehow this became an authoritarian edict that was actively prohibiting him from doing something.

Now, there are a lot of things that people do sexually that aren’t my thing. If they announce this in a public forum, I will, if asked, admit to the occasional icks. Obviously, this varies with the fetish. Shoes? Not my thing, but have fun. Scat? Not my thing, please don’t tell me about it and clean up after yourself. Your list may be different from mine. That’s what makes being humans interesting.

Being sexually aroused by under-age girls? Please stop talking before I wonder if you’re a registered sex offender.

A few other commentators called Ravko on this, and replied, “Maybe, but that’s not my point, it seems like the comic community has become a place where being a prude is considered ‘cool’.” Because there is no one more oppressed than the poor pedophile.

While this was happening on CBR, there was a parallel nightmare on Twitter. In her Tumblr. Asselin describes how she was ridiculed and hassled. Her professionalism was called into question. So was her safety. She not only was dismissed as a “disgruntled former employee,” but she was also threatened with rape.

Yeah, that’s right. The proper response, when someone has a different opinion about a work of comic book cover art is to threaten that person with physical violence.

My pal Heidi MacDonald wrote a wonderful piece on her blog, in which she wonders why more men don’t speak out against this kind of hate speech. She’s not asking for censorship, just peer pressure. When a man demeans a woman in our profession simply because she is a woman, other men should call him out. That’s not radical. That’s good manners.

On a related note, I’m going to Awesome Con this weekend, an event I’ve never attended before. (Stop by and say hello!) In keeping with my obsession, I’ve noted that, of the 52 guests announced in the comics and literary field, only eight are women. This is a better percentage than lots of other shows, but still woefully non-representative of the number of women actually working in our industry.

And when I went to see what kind of programming they had, including the number of panels that included women as experts, I was struck by this one: “Part Time Writer, Full Time World. The panelists are all women (Lindsay Smith, Jean Marie Ward, and Janine K. Spendlove). The subject: “How do you balance a full time job, parenting, writing, and perish the thought actually having some hobbies or perhaps even a social life? Everyone handles it differently; come to find out tips and advice as to how.”

Gee, I wonder why there are no men on that panel. Obviously, they’ve got the full-time job/parenting/writing/hobby balance worked out. It would be really swell if they’d enlighten us ignorant women about how they do it.

Mike Gold: Of Mice and Cheese

gold-art-140416-1893392Like most businesses, we here at ComicMix have regular senior staff meetings. By “regular” I mean “every week or two” and not “structured.” Last week while we were working on our convention schedule (Glenn to WonderCon, Adriane, Martha, Emily, Evelyn and me at Washington’s Awesome Con, me at C2E2, etc. etc. and endlessly etc.), I wondered out loud “when does the so-called convention season actually begin?”

Adriane voiced Emerald City, in Seattle. Everybody concurred. Well, everybody but me. I suggested “New Year’s Day.”

OK. I’ll admit it. When it comes to comics conventions that have little to do with comics, I’m a bit burnt out. My first big show was Phil Seuling’s hallowed 1969 program in New York, I helped organize the Chicago Comicon and helped run it for its first ten years, and I represented First Comics, DC Comics, arrogantMGMS and ComicMix at approximately one billion shows. It’s possible that Martha’s actually done more of them. So when I parse out my time and energy, I prefer to be at comic conventions that actually have something to do with… you know… comic books. Go figure.

My favorite shows are MoCCA in New York, the Baltimore Comic Con in (you guessed it) Baltimore, and Heroes in North Carolina. These shows are nearly 100% focused on comics. There are others, to be sure, and Emily’s been telling us Awesome Con is, ummm, awesome. I’ll probably know first-hand in a couple days.

My least favorite shows are the big clusterfucks that have little or virtually nothing to do with comic books. At the top of this list, most certainly, is the San Diego Comic-Con. Often, I feel those folks who are interested in comics just get in the way of the autograph buyers and media gawkers. I have no idea how the show continues to justify its tax-exempt status: it’s been years since they’ve bothered with their well-advertised mission statement. And now that the nearby hotels and restaurants caught on to the show, San Diego is a very expensive way to spend the better part of a week.

The people at Reed Pop (New York Comic-Con and C2E2 in Chicago) might have been somewhat interested in the comic book medium when they started out, but now they’re jut a gaggle of San Diego wannabes. I get that: Reed is a business and the best way to make big money at a comic book convention is to load it up with media has-beens and almost-wases and treat the fans and comics dealers like afterthoughts at best. I live in New York and I’m from Chicago and I have a lot of work to do at both shows. But there’s this “diminishing rewards” thing going on, and I no longer attend either show on Sundays. Next week’s C2E2 is up against the Windy City Pulp and Paper Convention, and for those of us who are fans of old paper – including comic books – this is a far more entertaining affair. I’ve done a lot of business there as well, and I have a lot of friends that go there and not to C2E2. That’s where I’ll be a week from Sunday.

I will have been to about a dozen shows this calendar year, so forgive me if I act like my sphincter muscle seems like it’s set to 1000 pounds per inch. I’m a fan of many media, but first and foremost I’m a comics fan. I prefer comic book shows to autograph shows, and I prefer not wasting three hours standing in line to get into a desired panel.

I’m looking forward to Washington’s Awesome Con  this weekend, and ComicMix will be set up and in force. Drop by and say hello. Feel free to tell me I’m full of it and/or that you haven’t been to the San Diego Comicon but you’re dying to do so.

I know how you feel. I used to feel that way, myself.

The Winner(s) of the 2014 Mix March Madness Webcomics Tournament Are…

…first and foremost, the Hero Initiative. Thanks to you, the Hero Initiative has raised over $700 to help comic creators in need. Thank you to everyone who contributed.

Second, all the participants in the tournament. We were getting widespread reports of traffic spikes at many sites, and we saw thousands of clicks away from our sites to various webcomics. We hope that you have discovered a few new strips that you enjoy and can follow.

Third, what do you think of our Ryan Seacrest impersonation? We spent a lot of time looking at him to see how we could stretch out the time before we announce the winner.

But we can delay no longer!

(more…)

2014 Scribe Award Nominees Named

SCRIBEv3medWINNER2The International Association of Media Tie-In Writers (www.iamtw.org) is pleased to announce the nominees for the 2014 Scribe Awards, recognizing excellence in the field of media tie-in writing: books based on movies, TV shows and games. The winners will be announced and awards presented in July at a ceremony and panel discussion at the San Diego Comic-Con.

Best Adaptation (Novelization)
[[[Man of Steel]]] by Greg Cox
[[[Pacific Rim]]] by Alex Irvine
[[[47 Ronin]]] by Joan D. Vinge

Best General Novel (Original)
[[[Murder She Wrote: Close-Up on Murder]]] by Donald Bain
[[[The Executioner: Sleeping Dragons]]] by Michael A. Black
[[[Mr. Monk Helps Himself]]] by Hy Conrad
[[[Leverage: The Bestseller Job]]] by Greg Cox
[[[Leverage: The Zoo Job]]] by Keith R. A. DeCandido

Best Speculative Novel (Original)
[[[Fringe: The Zodiac Paradox]]] by Christa Faust
[[[Supernatural: Fresh Meat]]] by Alice Henderson
[[[Star Wars: Kenobi]]] by John Jackson Miller
[[[Supernatural: The Roads Not Taken]]] by Tim Waggoner
[[[Star Trek: From History’s Shadow]]] by Dayton Ward

Best Short Story
“The Dark Hollows of Memory” (Warhammer 40,000) by David Annandale
“Locks and Keys” (Shadowrun) by Jennifer Brozek
“So Long, Chief” (Mike Hammer) by Max Allan Collins and Mickey Spillane
“Savior” (After Earth) by Michael Jan Friedman
“Redemption” (After Earth) by Robert Greenberger
“Mirror Image” (Star Trek) by Christine M. Thompson

Best Young Adult
[[[Kevin]]] by Paul Kupperberg
[[[Cloudy With a Chance of Meatballs 2]]] by Stacia Deutsch
[[[The Croods]]] by Tracey West

Best Audio Book
[[[Dark Shadows: The Phantom Bride]]] by Mark Thomas Passmore
[[[Dark Shadows: The Flip Side]]] by Cody Quijano-Schell
[[[Blake’s 7: The Armageddon Storm]]] by Cavan Scott and Mark Wright

The IAMTW was created seven years ago by Max Allan Collins and Lee Goldberg and has over 200 members, all professional, published authors who write books based on movies, TV shows, and games. To find out more about the Scribe Awards, and lists of previous winners & nominees, visit

http://iamtw.org/the-scribe-awards/previous-scribe-award-winners/

Mix March Madness 2014 Championship: Paranatural vs. Grrl Power!

You’ve followed the contest for a month, and now… the grand finale!

Into the Final Mix March Madness 2014 Webcomics Tournament Thunderdome… it’s Paranatural vs. Grrl Power!

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(To see the previous brackets, go back to Round 4.)

[socialpoll id=”2196107″]

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As usual, we’re letting you support your favorite strips by paying for additional votes, with your money going to charity. Simply click on the Donate button below, and during checkout, click on “Which comic are you donating for?” and tell us who you’re voting for. For the final round, we’re raising the price a bit to 50¢ a vote, with a minimum of two votes purchased at a time. All proceeds from paid votes will go to the Hero Initiative, an organization that helps comic book creators in need. At the close of the round, we’ll add the paid votes to the totals and announce the winners who move on to the brackets. (And yes, your donations to Hero are tax deductible.)

So far, we’ve raised over $538 for creators in need, let’s see how far we can go!




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Voting ends at midnight Eastern Time on Friday night! Good luck to everyone!

Mike Gold: Hipsters, Inkwell Divers, and Misfits at MoCCA!

Last weekend I was with my fellow ComicMixers Glenn Hauman, Adriane Nash and Martha Thomases at the annual MoCCA independent comics convention. And by “independent,” I mean web comics, self-published comics, small press comics, and what Ms. Nash refers to as “I’d rather be hand-stapled” comics. It’s one of my favorite shows for one simple reason: the enthusiasm in the room is tremendous.

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I’d say that the average age of the creators who weren’t paying for one of the few corporate booths (Fantagraphics, Yoe Books, Abrams, etc.) was about 25 years old. Which means there was a lot of dyed hair and hipster hats in Manhattan’s Beaux-Arts 69th Regiment Armory. These are folks who, by and large, couldn’t care less about capes and masks and thought Captain America: The Winter Soldier was a fun movie but not necessarily a justification for one’s choice of vocation. They probably aren’t making a living off of their comics work, and they might very well be losing money. They are in the medium for the love of the medium, and they are taking the medium down roads undreamt by the folks at Disney and Time Warner.

The Armory was built in 1904 and is a grand place. It was built to house and train the 69th Regiment, which traces its roots back to America’s Civil War. I’m sure the idea of filling the space with many thousand young inkwell divers underneath a gigantic helium-filled Charlie Brown balloon eluded architect Richard Howland Hunt (1862 – 1931). Then again, Hunt probably couldn’t conceive his masterwork would also house the first Roller Derby television broadcasts or the Victoria’s Secret Fashion Show.

I truly love the contradiction.

The prestigious Society of Illustrators acquired MoCCA several years ago, and we-all were worried they’d try to make it all frou-frou. And maybe they did try to appeal to their artsy-fartsy crowd a bit. Nope. No way that was going to work. These kids have their own artsy-fartsy crowd, thank you, and they’re very, very comfortable doing the types of stories they want to tell, in the manner they want to tell them.

To my ancient and besotted brain, this is wonderful. It was wonderful back when it started, attracting the likes of then-newbies such as Jessica Abel, Alison Bechdel and Dean Haspiel. These days, Jessica, Alison and Dean are getting comparatively ancient, but they remain lot less ancienter than I am. I’m sure their work inspired many of the young folks at this weekend’s show. Being a mentor is fun, but becoming an icon can be painful.

MoCCA got its start in 2002 and I attended the second show at the urging of Ms. Thomases. That enthusiasm I talked about was there back in 2003, and it revitalized my desire to work in the medium once again. One quick walk through the room and it was clear to me that the American comics medium had a future, one that was far beyond the traditional publishers, the traditional comics shops, and the traditional ways of thinking.

I am glad to say this enthusiasm has grown in the ensuing 12 years. When the Society of Illustrators picked up the show, I was afraid it was going to go on the legit.

Silly, silly me. Comics will never be truly legitimate. There are way too many gifted weirdoes slaving away at their drawing boards and kitchen tables. Some might be trustafarians, some might be downright freaks, and some might not be able to communicate in any other manner. More power to them.

As long as the comics art medium has a large pool of industrious misfits, we will have a wonderful future.

Death With Archie? Archie Andrews Dies In July

Archie Comics announced the unthinkable today: Legendary comic book character Archie Andrews will die to conclude the hit LIFE WITH ARCHIE comic series.

The iconic comic book character, beloved by millions around the globe for over 70 years, will sacrifice himself heroically while saving the life of a friend in the pages of July’s LIFE WITH ARCHIE #36, the final issue in the flash-forward series, which spotlights Archie’s adventures after high school and college.

“We’ve been building up to this moment since we launched LIFE WITH ARCHIE five years ago, and knew that any book that was telling the story of Archie’s life as an adult had to also show his final moment,” said Archie Comics Publisher/Co-CEO Jon Goldwater. “Archie has and always will represent the best in all of us—he’s a hero, good-hearted, humble and inherently honorable. This story is going to inspire a wide range of reactions because we all feel so close to Archie. Fans will laugh, cry, jump off the edge of their seats and hopefully understand why this comic will go down as one of the most important moments in Archie’s entire history. It’s the biggest story we’ve ever done, and we’re supremely proud of it.”

The story will be available in multiple formats, including an extra-large magazine-size LIFE WITH ARCHIE #36, two comic-sized issues—LIFE WITH ARCHIE #36 and #37—and a trade paperback collecting the entire story, written by regular LIFE WITH ARCHIE writer Paul Kupperberg, with art by Pat & Tim Kennedy and Fernando Ruiz.

While LIFE WITH ARCHIE #36 shows readers Archie’s final moments, #37 leaps a year into the future, showcasing how the remaining members of the Riverdale gang—including Jughead, Betty & Veronica and Reggie—have honored the legacy of their dear friend. Both stories will be collected in the double-sized LIFE WITH ARCHIE #36 magazine and upcoming trade paperback.

In addition to the acclaimed regular LIFE WITH ARCHIE creative team, the two comic book issues—sold exclusively at comic shops in July—will feature a pantheon of artistic luminaries contributing covers to the historic issue, including Francesco Francavilla, Fiona Staples, Ramon Perez, Walt Simonson, Jill Thompson, Mike Allred, Cliff Chiang, Adam Hughes, Tommy Lee Edwards and Alex Ross.

No word yet as to whether Archie will be coming back in six months as a cyborg, an alien, a black man in a suit of armor, or a teenag– never mind.