The Tweeks review “Divergent”
They’ve been waiting for months, and now the twin geeks have finally seen Divergent. So what did they think?
They’ve been waiting for months, and now the twin geeks have finally seen Divergent. So what did they think?
It’s amazing how money changes things. Norm McDonald once did a bit about buying a friend a lottery ticket for a Christmas gift – “You don’t actually want it to win…”
Oculus Rift, the latest uber-cool project amongst video game mavens, just hit the jackpot, and a lot of people are annoyed about it. The VR-goggle system, designed primarily for videogame use, but bursting with potential other uses, got its initial funding via crowdfunding site Kickstarter, much to everyone’s joy. But this week, the company made news when it was sold for a staggering two billion dollars.
Sounds like good news, right? A rags to riches, Local Boy Makes Good story, yeah?
You can actually hear the Internet’s face fall. (more…)
This is the second part of a two-part look at the actor who has taken over the lead in Doctor Who. The first part discussed his work in Hotel!, In The Loop, and in the Oscar®-winning Franz Kafka’s It’s A Wonderful Life. This week, we focus on another upcoming performance.
There must be a law somewhere that mandates an adaptation of Alexandre Dumas’ The Three Musketeers every several years. Punch it up on IMDB and your computer will explode. Some of these movies and teevee series are quite good, others, well, suck… although I’m quite partial to the movie version that starred The Ritz Brothers. The latest version, The Musketeers, went up on the BBC earlier this year – it will be on BBC America in June – and it’s as rip-roaring as any. I’ve seen the first five, and I enjoyed them. Political and religious intrigue, swordfights, gunfights, fistfights, buxom femme fatales, handsome leading men… what’s there not to like?
Particularly when there’s a great villain in the mix. Only Ming the Merciless tops Dumas’ Cardinal Richelieu when it comes to great movie villains. And when it comes to great Cardinal Richelieus (Cardinals Richelieu?), Peter Capaldi is among the very best.
That’s saying a lot. Recently, Christoph Waltz played the part and Waltz could read off a bowl of Alpha-Bits and make it seem insidious. Other Richelieus include Stephen Rea, Ben Cross, Tim Curry, Charlton Heston, Vincent Price and, arguably, Michael Palin. That’s quite a club.
Capaldi’s performance is more nuanced than most. He can say more with a slight turn of his head than by eating the scenery, befitting a villain who’s in a British television series and committed to the long haul. Richelieu’s lurks over every scene, even in those episodes where he’s only around for perhaps five minutes. He is as smooth, as powerful, and as controlling as a true top-rank villain should be.
Coincidentally, The Musketeers was developed initially to fill the Doctor Who slot (in part) during the latter’s off-season. The Musketeers’ producers did not know Capaldi got the part as the Doctor until… well, until you did. Now they have to plan for a second season without Peter, and without Richelieu.
I find myself of two minds. The Musketeers is great fun and well-made, shot in the Czech Republic with an internationalish cast (mostly British, but many of the leads are from western Europe) and a costume budget that could feed a small nation. Capaldi is so good here that I’d be perplexed if I was the one who had to decide to leave the show for Doctor Who.
After going though all this material, I can understand why Steven Moffat and friends chose Capaldi for the part in Who. I believe he’s likely to bring back a bit of that crusty edge that most of the earlier Doctors possessed while interjecting his own unique quirkiness, just as the eleven – or is it twelve – performers who previously had the job.
Besides, the Millennials deserve a punk rocker Doctor.
Particularly one who will play the part with a genuine Scottish accent.
I don’t get it.
I just don’t get it.
Last week I wrote to both my audiences at ComicMix & Bleeding Cool that I’d answer any and all Milestone questions. (Well, that’s any and all questions except the ones I won’t answer.)
Over at Bleeding Cool I got a TON of questions. So many in fact I’m missing my weekly deadline so I can better organize my responses.
And what about ComicMix?
ONE guy supplied ALL the Milestone questions.
WTF?
Translation…WHAT THE FUCK?
I just erased a few hundred words of righteous WTF wisdom. Why? What’s the point? I’ll just answer Doctor R-Man questions and spend the rest of the week pouting.
Does DC have to pay Milestone any amount of money to either publish Milestone titles or have Milestone characters appear in their books? i.e. in teams or in guest appearances? Hence, no Icon in the Justice League or no Static in Teen Titans?
Sorry doctor-that’s a business question best left alone.
Going from the previous question, is the reason DC isn’t publishing Milestone titles or having Milestone characters make appearances in DC books because there’s not enough people purchasing them or enough demand to justify publishing them, as a result of those fees DC has to pay? Hence, little return on their investment?
Thinking about my favorite of the Doctor’s adventures, one that immediately comes to mind is his journey to Tudor England. Crossing paths with an aging Henry VIII on the verge of a final marriage, the Doctor stumbles on a Dalek plot to kill him while companion Brianna is killed by the King’s Guard. Resurrected by the Pope, Brianna saves the day by brokering peace between Henry and the Catholic church, and using her love for the Doctor to melt the Dalek in disguise. If you’re a fan of Doctor Who but don’t remember this episode, that’s probably because this adventure was presented for the first and only time in Los Angeles for a single night in September of 2013. Also, it technically wasn’t an episode of Doctor Who. It was an installment of Doctor Who Live!, an improvised version of Doctor Who that I perform in twice a month.
As a Whovian for several years and an improviser for even longer, I was really excited when I was invited to join a group that would allow me to bring together two of my favorite things. I thought doing a show that would let me transform the things I wish the Doctor would do from idle thoughts into reality (albeit reality limited to 45 minute non-canon installments) would be a blast. After all, every fan has opinions on how the object of their fandom could be improved or expanded upon, but how often does any fan get the chance to actually play out those opinions by dictating what their favorite fictional characters will see, say, or do? Almost never, at best. I was pumped. So, so pumped.
And then, the pressure hit me. Because the more I thought about how cool it was going to be to make up and play out an episode of Doctor Who, the more I realized how difficult that would really be. Walking on stage with nothing more than the TV show’s conventions as a bare foundation on which to build comedy with twelve other people means there’s as much of a chance for failure as there is for success. I’m strictly a 2005 and on fan, so there are decades worth of episodes that I know nothing about yet, our audience may expect to see references from. Thankfully, a lot of the cast knows classic Who, so I can count on them to catch me up quickly in the wings if the audience’s suggested title for our episode contains something I don’t know much about, like the Sea Devils (and man, does our audience love to bring up the Sea Devils).
But my worries about representing Doctor Who faithfully went beyond just nailing the right references. Knowing how strong my feelings about the TV show are, it seemed fair to me that our Doctor Who Live! audience could hold us to the same standard they have for the real thing. We promise an improvised episode of the TV show and the TV show is phenomenal, so we’ve set an incredibly high bar for ourselves and have to figure out how to clear it. Before my first performance with the group, I was a bundle of nerves thinking about falling short of that bar. I wanted the show to be perfect because I didn’t want to disappoint myself or the audience. And with all this worrying going on, I was overlooking a very crucial fact: in that theater, we’re all fans.
After all, while it takes an awful lot of fandom to put on an improvised episode of a TV show, it takes even more to watch an improvised episode of a TV show. And Doctor Who Live! isn’t just lucky enough that there are big enough fans of Doctor Who to make doing our own version of it viable, but luckier still to have fans of our own. We have wonderful audience members who come regularly, encourage our silliest bits, and even let us be part of their birthdays by celebrating at our show. If we didn’t all love Doctor Who, none of that would be possible. I have to admit that despite regularly performing in front of audiences in various forms of improv for the last five years, it always feels weird to me to be recognized for a show I’ve done since improv is, by nature, so fleeting. But I’m starting to enjoy getting recognized for Doctor Who Live!, because being remembered as part of that group is, by nature, being recognized as a fan of Doctor Who, and usually leads to conversations about the real show. Now what kind of Whovian would I be if I didn’t like that?
UPDATE 3/27: Round 3 is over– vote in the Sweet 16 now!
Congratulations to everyone who made it through Round 2, and we’ve raised another $50 for the Hero Initiative. But now it gets even tougher, as we’re down to only 32 webcomics… and this is after the tightest round in Mix March Madness history, with three contests decided by two votes or less, and our first ever tie that required a run-off election! So we now know that every vote counts, from you and all your friends, so make sure to share and tweet about it, because Round 3 of the Mix March Madness 2014 Webcomics Tournament starts now! Voting lasts until Midnight EDT on Wednesday, March 26! Here are the latest standings…
This November, prepare for every Spider-Man…ever! Marvel is proud to announce Spider-Verse, the biggest Spider-Man story of the year from New York Times Best-Selling Spider-Scribe Dan Slott and blockbuster artist Olivier Coipel!
Kicking off this November in Amazing Spider-Man #9 (with a special lead-in story on Free Comic Book Day), Slott and Coipel assemble an legion of Spider-Men from every corner of every universe. Peter Parker, Miguel O’Hara, Miles Morales and many, many more must unite to stop a seemingly insurmountable super-powered foe. Morlun, an incredibly powerful villain has returned with a singular and terrifying goal – exterminate every Spider-Man in every universe! It will take thousands of spider-powered heroes to battle back the greatest threat to this universe or any other!
“The scope of this event is so big, the word ‘epic’ just doesn’t do it justice,” says editor Nick Lowe. “The story is just huge and heartbreaking and has necessitated spreadsheets to organize all the Spider-Men. Luckily we have a writer who has proven time and time again he can thread impossible story-needles [Slott] and the most versatile character artist in the business [Coipel].”
Fans can see the first hints of this event in April’s Amazing Spider-Man #1 but will get their first real taste of Spider-Verse in Marvel’s Free Comic Book Day Guardians of the Galaxy issue this with a special 5-page lead-in story available for free at all participating comic shops on May 3rd. This fall, Spider-Verse unites every Spider-Man in history to drive back the forces of darkness. But will an army of Spiders be enough?
Don’t miss the blockbuster Spider-Man event that will have the Marvel Universe on the edge of its seat when Spider-Verse hits comic shops this November! Plus, don’t miss the start of the next big chapter in Spider-Man history in Amazing Spider-Man #1 on-sale this April!
This is a first– in all the years we’ve been running the Mix March Madness Webcomics Tournamant, this is the first time we’ve had a tie in a round!
So, while we wait for the final funds tally to come in from the Hero Initiative so we can determine the winners and who goes on to Round 3, we’re having a one day runoff between Paranatural and Everblue!
[socialpoll id=”2193322″]
Place your votes now! Voting ends in 18 hours, midnight Eastern time!
And yes, we’re still letting you support your favorite strips by paying for additional votes, with your money going to charity. Simply click on the Donate button below, and during checkout, click on “Which comic are you donating for?” and tell us. The price is 20¢ a vote, with a minimum of five votes purchased at a time, split any way you want. All proceeds from paid votes will go to the Hero Initiative, an organization that helps comic book creators in need. At the close of the round, we’ll add the paid votes to the totals and announce the winners who move on to the brackets. (Your donations to Hero Initiative are tax deductible.)
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Again, voting ends at midnight Eastern Time on Sunday night! Good luck to everyone!
Jerry Lewis is a legendary comedian and entertainer from his days working with Dean Martin as a hilarious comedy duo to his solo career as a filmmaker. He was also the star of a long-running comic from DC Comics that used brilliant work from Arnold Drake, Bob Oksner, and a newcomer named Neal Adams. One of Lewis’ later efforts, The King of Comedy, is finally coming to Blu-ray on March 25 and to celebrate, our friends at 20th Century Home Entertainment gave us a copy as a prize.
To enter, you need to name your favorite Jerry Lewis film and why. All entries must be submitted by 11:59 p.m., Tuesday, March 25. The contest is open only to readers in the United States and Canada. The judgment of ComicMix will be final.
The King of Comedy, The 30th Anniversary
Academy Award® Winner Robert De Niro*, Jerry Lewis and Sandra Bernhard give mesmerizing performances in this “chilling black comedy” (TV Guide’s Movie Guide) that explores the painfully high and often hilarious price of fame. Desperate to be a star, struggling stand-up comedian Rupert Pupkin (De Niro) enlists the aid of his fanatical friend Masha (Bernhard) to kidnap talk show host Jerry Langford (Lewis). The ransom? A guest spot for Pupkin. The results? Outrageous! The King of Comedy stands as Scorsese’s prophetic masterpiece which confronts a celebrity culture that “looks more disturbingly current with each passing year” (Lucia Bozzola, All Movie Guide).
*Actor, Raging Bull, 1980; Supporting Actor, The Godfather Part II, 1974.
Special Features
King of Comedy, The 30th Anniversary Blu-ray
Street Date: March 25, 2014
Prebook Date: February 26, 2013
Screen Format: Widescreen 1.85:1
Audio: English DTS-HD MA 1.0
Spanish Dolby Digital 1.0
French Dolby Digital 1.0
Subtitles: English SDH/Spanish
U.S. Rating PG
Total Run Time: 109 minutes
Closed Captioned: Yes