Category: News

Mindy Newell: Making A List…

mary-poppins-in-the-clouds-6303902I have a list of movies that is as malleable as a rubber band. Okay, certain movies, such as The Bridge on the River Kwai or The Searchers or The Best Years of Our Lives are always on that list, but their positions- 1, 2, 3, and so on- tumble around in my mind like clothes in a dryer. Other movies appear and disappear like the crew of the Enterprise on the transporter pad.

Gone With the Wind, for instance. This is a movie that hops on and off my list all the time. On the list because of the incredible “brought to full life” performances and spectacle, and off the list because, as a devotee of Margaret Mitchell’s Pulitzer-winning novel, in which all the characters are given full, rich personalities, I can’t stand the way Scarlett is portrayed in the second half of the movie; this is a product of Victor Fleming’s direction, who was brought in after George Cukor, the original director, was fired less than three weeks into filming, and of Fleming’s rewrite of the script so that Rhett Butler became a more sympathetic character and Scarlett O’Hara much less so.

There are two explanations for Cukor’s firing. The first is that that Clark Gable— who supposedly wasn’t enthusiastic about playing Rhett Butler, and only agreed to do it after producer David Selznick agreed to help Gable obtain a divorce so that Gable could marry Carole Lombard — was not happy with the choice of Cukor as director.  Cukor was known as a “woman’s director,” and Gable was worried that Cukor’s attention to Vivien Leigh and Olivia de Havilland as Scarlett and Melanie would overshadow any direction that Cukor gave Gable in playing Rhett. The second, and probably true, reason is that Cukor knew that Gable had worked as a gigolo in the gay Hollywood scene before breaking out into stardom, and that this, understandably, made Gable very uncomfortable working with him. So the actor threatened to walk off the set unless Cukor was replaced. But just as Cukor as known as a “women’s director,” Fleming was known as a “man’s director;” he gave very little advice and just shot the movie, wanting no dilly-dallying or investigation into a character’s motivations and he was not in the least respectful of either Vivien Leigh or Olivia de Havilland and their talents- oh, and by the way, for you GWTW fans, Leigh and de Havilland continued to secretly meet with Cukor at his home when off the set to investigate their characters’ motivations and how to play them.

Gone With the Wind was on Turner Classic Movies a couple of weeks back, and of course I watched it.  And it’s on my list again.  It also made me pick the book and start reading it again.

And then there is The Sound of Music. The movie is based on the true story of the Von Trapp Family, escaped from the 1938 political annexation, or Anschluss, of Austria into the Third Reich. Directed by Robert Wise (who directed Star Trek: The Motion Picture), the movie stars Julie Andrews as Maria and Christopher Plummer as Captain Von Trapp. It was filmed on location in Austria, including Salzburg and the Nonnburg Convent, where the real Maria was a postulant. The music, of course, is unforgettable and iconic- in fact, midnight sing-alongs of The Sound of Music, a la The Rocky Horror Picture Show have become quite the thing- but more than that, and it’s something that makes the movie more than just a beautiful travelogue of the Austrian Alps, it’s the Nazi threat and the looming-on-the-horizon beginning of World War II that underscores what could have been just a “sappy” love story.

By the way, Carrie Underwood got a lot of grief from critics and non-critics, i.e. “pundits” on the Web, last week for her performance in NBC’s live broadcast. Okay, she was a little stiff and a bit ingenuous, but that lady can sing. There were also complaints that the teleplay “messed with the script,” moving songs around, leaving out the gazebo, and not having Captain Von Trapp engaged to “the Baroness.” Which annoyed the hell out of me, because the teleplay was based on the original Broadway show which starred Mary Martin as Maria and Theodore Bikel as Captain Von Trapp and ran for 1,443 performances, from 1959 to 1963.  Which means that it was the movie that played with the original script. Jesus, people, know your musical theatre history before you complain!

Anyway, it’s not a movie that appears on my list, but when I do watch it, I am enchanted and captivated, delighted, thrilled, and yes, just a bit weepy at the ending as the Von Trapps “climb every mountain” and “ford every stream” to escape the Germans’ every-tightening noose into Switzerland.

And then there’s Mary Poppins.

I remember going with my family to see it. I also remember my father not being entirely willing, but doing it because, well, that’s what fathers do. And I also remember my father really enjoying himself. Starring Julie Andrews (hmm, is there a theme here?) as the magical, mystical nanny and Dick Van Dyke as her friend Bert, the one-man band player, chalk painting drawer, chimney sweep Cockney, and deliverer of wisdom to sacked-from-the-bank Edwardian fathers, the film is based on English writer P. L. Travers’s series of books. Believe it or not, I never read the books, and I didn’t know what to expect on this family outing, except that I had a girlhood crush on Dick Van Dyke (or Rob Petrie) and my mom told me he was in the movie, so I was looking forward to it.

We all came out of the theatre singing “Supercalifragilisticexpialidocious” and it became a badge of honor at school and at sleepaway camp that year to be able to spell it backwards (s-u-o-i-c-o-d-i-l-a-i-p-x-e-c-i-t-s-i-l-i-g-a-r-f-i-l-a-c-r-e-r-p-u-S and if you think I can do that without looking at the word while typing it out you’re giving me a lot of credit!)

And I still find myself singing “A Spoonful of Sugar” while cleaning the house and “Let’s Go Fly a Kite” when seeing kids play with them in the park and singing “Feed the Birds” when I see pictures of St. Paul’s in London. And after watching previews of Saving Mr. Banks  (which I’m definitely going to see) I downloaded the score to my playlist on iTunes.

That puts Mary Poppins on my list of top movies…

For a while at least.

Next week: …AND CHECKING IT TWICE.  My favorite Christmastime movies.

 

TUESDAY MORNING: Jen Krueger

TUESDAY AFTERNOON: Michael Davis

John Ostrander: Five Things You Need To Get Your Reader’s Attention

flash-163-1623119The toughest part of the story, inevitably, is the beginning. How do you get the narrative ball rolling? How do you get somebody’s attention so that they want, maybe need, to hear what happens next?

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Weekend Window Closing Wrap-Up: December 14, 2012

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Closing windows on our desktops so you can you open them on yours. Here we go…

 

Anything else? Consider this an open thread.

 

Interstellar teaser trailer released

Christopher Nolan’s eagerly anticipated Interstellar released its teaser trailer this morning. The movie is 11 months away so this realyl doesn’t give much away but we do know that it is about a team of astronauts travelling through a wormhole. The film began as a script by his frequent collaborator, brother Jonathan Nolan, but Christopher had his own ideas and the 2007 script became enmeshed with his own take on the story. The movie stars familiar performers from his previous works including Anne Hathaway and Michael Caine but it also stars Matthew McConaughey, Jessica Chastain, Bill Irwin, Matt Damon, Topher Grace, and Ellen Burstyn.

There’s not much new here, but as teasers go, it certainly has our attention.

Saturday Morning Cartoons: Watch Pinky And The Brain’s Pulp Fiction

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Rob Paulsen (Pinky) and Maurice LaMarche (The Brain) take on the Pulp Fiction hitmen Jules and Vincent as host Cole Stratton looks on at “An Afternoon with Pinky and The Brain.”

Recorded live at the 12th Annual SF Sketchfest, the San Francisco Comedy Festival on January 27, 2013 at the Eureka Theatre.

Visit Maurice LaMarche at his official Facebook page: https://www.facebook.com/pages/Mauric…

Visit Rob Paulsen at his official website: http://www.robpaulsenlive.com

Visit SF Sketchfest: www.sfsketchfest.com

Artwork by Sam Carter http://samcarterart.com/

Alan Spencer’s Bullet in the Face gets Collected by Shout!

bullet-in-the-face-4945840Get ready to journey into the intriguing, neo-noir universe of Brüteville, a dystopian city where high-octane thrills, gangster mayhem, and a generous dose of subversive, satirical bent collide!  On January 21, 2014, Shout! Factory will unleash the outrageous action-comedy cult hit BULLET IN THE FACE: THE COMPLETE SERIES on DVD.  Creator and executive producer Alan Spencer (Sledge Hammer!) developed the series with producers and executive producers Jesse Prupas and Evi Regev of Muse Entertainment and Just For Laughs Television. All-star cast includes Max Williams (Night of the Living Dead) as Gunter Vogler, Neil Napier (Riddick) as Lieutenant Karl Hagerman, Jessica Steen (NCIS) as Commissioner Eva Braden, and Kate Kelton (Haven) as Martine Mahler, alongside special guest stars Eddie Izzard (Valkyrie, Ocean’s Thirteen) and Eric Roberts (The Dark Knight, The Expendables) as notorious crime lords. Featuring special audio commentary by Alan Spencer, BULLET IN THE FACE: THE COMPLETE SERIES DVD is priced to own at $19.97 SRP.

 

Fun and Mayhem in Brüteville!

Violent criminal Gunter Vogler (Max E. Williams) is a sociopath. He hates everyone and everything. When a bloody jewelry store robbery goes awry and he is shot by his accomplice and girlfriend, Martine (Kate Kelton), he eventually wakes up in a hospital having received a face transplant. Gunter now has the face of a police officer he had killed earlier and as payback, the police tell him he now has to work for them and fight crime. 

With old friends becoming his new foes and enemies turning into allies, Gunter suffers an identity crisis that has him seeking revenge against the entire human race. Law enforcement thought that with Gunter in their ranks, they were fighting fire with fire, but instead, Gunter is scorching the Earth. He is a one-man wrecking crew, a raging inferno carrying a police badge. He’s also a man on a mission to reunite with the woman he loves, Martine, who gave him the ultimate parting shot…a “Bullet in the Face.”

Co-starring Eddie Izzard as Tannhäuser, an agoraphobic criminal with a flair for the dramatic, and Eric Roberts as Racken, an old school, mob boss with a complete disregard for human life, BULLET IN THE FACE is a gruesome satire much darker then creator Alan Spencer’s previous series Sledge Hammer!.

Anamorphic Widescreen (1.78:1)/2013/Color/135 mins.

Take a Look at Saving Mr. Banks

Walt Disney, the studio not the epoymous founder or Tom Hanks, has released several featurettes spotlighting Saving Mr. Banks, which opens today.

Genre:                   Drama
Rating:                  PG-13
Release Date:     December 13, 2013, limited; December 20, 2013, wide
Running Time:   120 min

Cast:                      Emma Thompson, Tom Hanks, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Annie Rose Buckley, Ruth Wilson, B.J. Novak, Rachel Griffiths, Kathy Baker and Colin Farrell

Director:             John Lee Hancock
Producers:         Alison Owen, Ian Collie, Philip Steuer
Executive Producers:  Paul Trijbits, Christine Langan, Andrew Mason, Troy Lum
Written by:                       Kelly Marcel and Sue Smith

Two-time Academy Award®–winner Emma Thompson and fellow double Oscar®-winner Tom Hanks topline Disney’s Saving Mr. Banks, inspired by the extraordinary, untold backstory of how Disney’s classic “Mary Poppins” made it to the screen.

When Walt Disney’s daughters begged him to make a movie of their favorite book, P.L. Travers’ Mary Poppins, he made them a promise—one that he didn’t realize would take 20 years to keep. In his quest to obtain the rights, Walt comes up against a curmudgeonly, uncompromising writer who has absolutely no intention of letting her beloved magical nanny get mauled by the Hollywood machine. But, as the books stop selling and money grows short, Travers reluctantly agrees to go to Los Angeles to hear Disney’s plans for the adaptation.

For those two short weeks in 1961, Walt Disney pulls out all the stops. Armed with imaginative storyboards and chirpy songs from the talented Sherman brothers, Walt launches an all-out onslaught on P.L. Travers, but the prickly author doesn’t budge. He soon begins to watch helplessly as Travers becomes increasingly immovable and the rights begin to move further away from his grasp.

It is only when he reaches into his own childhood that Walt discovers the truth about the ghosts that haunt her, and together they set Mary Poppins free to ultimately make one of the most endearing films in cinematic history.

Inspired by true events, Saving Mr. Banks is the extraordinary, untold story of how Disney’s classic Mary Poppins made it to the screen—and the testy relationship that the legendary Walt Disney had with author P.L. Travers that almost derailed it.

Notes:

  • Saving Mr. Banks is the first feature-length, theatrical drama to depict the iconic entrepreneur Walt Disney.
  • Richard and Robert Sherman’s original score and song (“Chim Chim Cher-ee”) would go on to win Oscars® at the 1965 ceremonies.
  • Mary Poppins won five awards of its 13 Academy Award® nominations: Best Actress (Julie Andrews), Best Effects, Best Film Editing, Original Score and Original Song. Among the nominations were Best Picture and Best Adapted Screenplay.
  • P.L. Travers’ father was a banker and is the basis for the Mary Poppins story’s patriarch, Mr. Banks—the character in the book whom the famous fictional nanny comes to aid.

 

Win a Copy of Marvel’s Iron Man & Hulk: Heroes United

imh-box-art-e1386610729109-2262369In case you missed it, Marvel’s Iron Man & Hulk: Heroes United was released last week and we’ve got one giveaway package of the Blu-ray Combo Pack along with an exclusive Iron Man MiniMate courtesy of our friends at Shout! Factory.

In order to win, tell us who would win a fight — Iron Man or the Hulk — and why. Your entries have to be received by 11:59 p.m., Saturday, December 14. Open only to readers in the United States and Canada. The judgment of ComicMix‘s judges will be final.

Synopsis:                         

Marvel makes history again with one of the greatest Heroic team ups in the universe. Hulk’s brute strength and Tony Stark’s high-tech intellect come together to create a powerful duo necessary to face off against one of the most dangerous enemies.

When “Zzzax,” a seemingly invincible, energy devouring monster threatens to destroy the planet, these two Avengers are mankind’s only hope. Alone, neither can defeat the awesome power of Zzzax. As a team, they just might have a chance – if they can find a way to work together without smashing heads before time runs out!

Packed with explosive action, loaded with bonus features and presented in groundbreaking Marvel CG Animation, Iron Man & Hulk: Heroes United is a must-own movie event that will blow you away!

iron-man-minimate-info-e1386610777776-4481651Voice Cast:                       Adrian Pasdar (TV’s Heroes, Marvel’s Ultimate Spider-Man) and Fred Tatasciore (TV’s Marvel’s Hulk and the Agents of S.M.A.S.H., Marvel’s Ultimate Spider-Man)

Supervising Creative

Director:                           Eric Radomski (TV’s Marvel’s Ultimate Spider-Man, Batman: The Animated Series)

Supervising Director:      Leo Riley (TV’s Mad, The Rickey Gervais Show)

Writer:                              Henry Gilroy (TV’s Animatrix, Batman: The Animated Series, Batman Beyond) and Brandon Auman (TV’s Iron Man: Armored Adventures, The Avengers: Earth’s Mightiest Heroes)

Executive Producers:       Alan Fine (Marvel’s The Avengers, Thor, Iron Man 2), Dan Buckley (TV’s Marvel’s Ultimate Spider-Man, Marvel’s Avengers Assemble, Marvel’s Hulk and the Agents of S.M.A.S.H.) Joe Quesada (TV’s Marvel’s Avengers Assemble, Marvel’s Ultimate Spider-Man) and Jeph Loeb (TV’s Marvel’s Agents of S.H.I.E.L.D.)

Bonus Features:              

Marvel “Inter-missions”

Marvel puts a humorous twist on their old-school original animated series. What better way to take a break from fighting villains than hitting pause and enjoying a little comedy with Marvel Mash-Ups.

Marvel Team-Up with Ryan Penagos and Joe Q.

Super Heroes are larger than life on their own. But when they join forces with another, they become a force to be reckoned with.  Marvel’s Chief Creative Officer, Joe Quesada, joins Ryan Penagos (Agent M) in an intimate and lively one-on-one conversation about these Marvel Team-Ups.

Rating:                              PG
Feature Run Time:           72 minutes
Aspect Ratio:                    1.78:1
Audio:                               Dolby Digital Surround Sound: English 5.1 – Spanish 5.1 – French 5.1
Languages:                       English, Spanish, French
Subtitles:                          English: ESL, English: SDH, Spanish, French