Category: News

All Pulp Interviews Bad Tiger #3-D. C. Golightly!

  • News
  • July 23, 2013

For the third interview in the BAD TIGER series, ALL PULP corners Writer/Creator/Marketing Director D. C. Golightly!

ALL PULP: Tell us about yourself, your personal background, and how you got into writing/art/etc.

 DCG: I reside in Pittsburgh, Pennsylvania with my wife and kids. I love comics, cookies, and characters. Follow my freelance rumblings at http://dave-golightly.blogspot.com/. I’ve always been a huge comic fan, and growing up I really got into more adventure pulps as my comic collection grew. Since I wanted to weave a wonderful world myself, I started scribbling little stories. I’ve been lucky enough that some people are willing to pay for those stories. I always wanted to be an artist, but I lack talent. Therefor the pen is the only version of the brush that I can manipulate as a creator.

AP: What is your role at Bad Tiger?

DCG: I write The Skull, a bi-monthly strip, as well as the prose for The Black Kingdom. I’ve recently agreed to take on the role of Minister of Propaganda…or Marketing Director…or whatever you want to call the guy that advertises our junk.

AP:  In our modern society, some would say that there’s nothing new or original anymore. What makes Bad Tiger stand out?

 DCG: It’s a group of like-minded people that have a single goal: create awesome stories. We’re not doing this to get paid; we’re doing this because we love these characters and this genre. There’s a lot of work being put into this venture, and a lot of talent to recognize. This group is populated by people that are not only good enough to make it in the industry, but to an extent already are. We choose to take the time to build this initiative because we believe in it and want to get our stories told.

AP: What are your inspirations, influences for the work you do?

DCG: Jim Butcher is always on his game, and I would buy lunch for Mark Waid any day of the week. Jeffery Deaver can write a character out of any corner.

AP: What do you think appeals to the public about heroic/genre fiction and/or comic strips? Why will people come to Bad Tiger?

DCG: Bad Tiger Studios will quickly become a place fans recognize as a platform for creative talent, free of charge. We’ll toss incredible projects to the wall, see what sticks, and then turn them around for readers. The quality of the material is out of this world and the people interested in this genre will undoubtedly return after they get a sample of what we have to offer. These are the kinds of stories that people want to see, and we’re more than happy to offer them.

AP:  Free response! Say whatever you’d like to about Bad Tiger, yourself, or the experience!

DCG: I’m flattered to be associated with such uniquely creative people. These people are putting in many long hours of work just to provide entertainment, and all they are asking for is a shot to be viewed.

BAD TIGER STUDIO- www.badtigerstudio.com

 

WORNOM’S ‘THE ENIGMA CLUB’ FEATURED IN THIS MONTHS FANTASY AND SCIENCE FICTION!

  • News
  • July 22, 2013
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Author Rus Wornom is featured in the July/August issue of FANTASY AND SCIENCE FICTION MAGAZINE with a story that harkens back to Pulp Adventures of the 1920s and 30s.

‘IN THE MOUNTAINS OF FROZEN FIRE’ features the mysterious adventurers of THE ENIGMA CLUB!  The mysterious M4, master of espionage and disguise, travels to the frozen wastes of Ghutranh and encounters a diabolical trap set for him by his arch-nemesis, the nefarious Cobra!  Trapped in an unearthly landscape of icy death, M4–Enigma Club founding member Commander Denis Cushing–discovers a terrifying secret, and must do battle with a team of assassins . . . and an unspeakable threat that has survived in the Arctic snows for millennia.  There he comes face to face with a terror from beyond the seas of eternity . . . “In the Mountains of Frozen Fire!”

THE ENIGMA CLUB is a contemporary pulp adventure novel, currently being marketed by Wornom’s agent, Andrew Zack of The Zack Company.  It’s the story of how the discovery of an obscure pulp magazine sends the novel’s hero in search of the Enigma Club, supposedly located on a forgotten island in the Gulf of Mexico.

What he discovers is a land forsaken by time–Cayo Arcana, an island forgotten by the world for more than sixty years–where the pulps are still alive.  The Enigma Club is a haven for adventurers, explorers, heroes, starlets, scientists (mad and otherwise), warriors and spies, all members of a classic gentlemen’s club created by and for all the pulp archetypes from the Golden Age of Adventure.

THE ENIGMA CLUB recreates the pulp era of the ’20s and ’30s, and also makes an impossible tale and the impossible locale very real and almost interactive, integrating artifacts–photos, sidebars, excerpts from fictional books and pulps, telegrams, and even vintage postcards–to create a world that the reader feels could possibly exist.

Wornom’s original intent with THE ENIGMA CLUB was to include a sample pulp story for each of the Club’s charter members, as published between 1911 and 1953 in the Club’s pulp, The Enigma Club All-Adventure Magazine.  However, the novel became too long, so he included only one story, “Sky-Gods of Ixtamal,” to represent the themes inherent with the pulp era: adventure, wonder, lost races, fantastic technologies, and everyday characters who embody the heroic ideal.

Two other stories were already finished, and the first of these, “In the Mountains of Frozen Fire,” is a tale of Commander Denis Cushing, Agent M4, whom he created as a cross between James Bond, Artemus Gordon and G-8.  His inspiration for the story was a painting by Frank Frazetta, The Frost Giants, with a little Lovecraft and a lot of Robert E. Howard thrown in.  Wornom’s goal was to tell a period story, using the tropes of Howard, Lovecraft and traditional spy fiction, while also serving up a dose of 21st Century humor–along the lines of Indiana Jones meets SNL.

“In the Mountains of Frozen Fire” will be published in the July/August 2013 issue of The Magazine of Fantasy and Science Fiction.

You can order copies here: http://www.sfsite.com/fsf/current.htm

The second completed story is “Hot Time at Bad Penny’s,” a tale of founding member Bucky Sniggles-Wooten—charmer, adventurer, and accomplished cad.  It’s a saucy story of deadly gangsters, speakeasies, and super-science run amok.   Wornom’s goal with this was to show today’s readers what the pulps’ saucy or spicy stories were all about, while also playing with some of the tropes of big city pulp stories (with a tip of the hat to ERB, Amazing Stories, and the classic Fleischer Superman cartoons).  It is currently being considered for publication at F&SF.


ABOUT THE WRITER IN HIS OWN WORDS:

ERB and A Princess of Mars were my primary influences when I decided to become a writer.

Burroughs showed me that a writer is born in his heart, and that even a pencil sharpener salesman could tell stories of extraordinary people in extraordinary circumstances that could enthrall generations of readers.  Once I read A Princess of Mars, I knew that I wanted to tell stories that could make people believe in worlds undreamed of. 

Rusty is what my friends call me, but Harlan Ellison once yelled at me in a workshop, “Nobody’ll read anything by a guy named Rusty!   It’s a kid’s name!”   So Rus was born, even though my given name, Howard, was used when my novella, “Puppy Love Land,” was published in the April, 1996 Magazine of Fantasy and Science Fiction.   The story was later nominated as Best Novella on the Preliminary Ballot for the Horror Writers of America awards.   I was also the pseudonymous author of Spelljammer: The Ultimate Helm, Dungeon of Fear, and Castle of the Undead, all published by TSR Books way back in the dim, dark ‘90s.   Spelljammer made the Waldenbooks bestseller list . . . for a month.   Since 1983, I’ve been published in such magazines as Omni, Premiere, Gauntlet, and Storyboard, and in newspapers and regional magazines, and contributed to The Stephen King Companion.   I’ve participated in writing workshops with Ellison, Brian Aldiss, Gene Wolfe, and Kate Wilhelm.   A spec teleplay got me in the door at Star Trek: The Next Generation, where I pitched story ideas four times.   I’ve also acted on the Discovery Channel in The New Detectives, although I was never credited.   (Somehow, though, Buddy the Beagle got a credit.)   I live in Virginia with my wife and a large, furry family.

TO CONTACT ME:

MY AGENT:
Andrew Zack
The Zack Company

ALL PULP INTERVIEWS BAD TIGER #2- JUSTIN DITZLER!

  • News
  • July 22, 2013
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ALL PULP continues its series of interviews with BAD TIGER STUDIO! This time, we have co-founder Justin Ditzler in the hot seat!

ALL PULP:  Tell us about yourself, your personal background, and how you got into writing/art/etc.:

JD: I live in Central Pa with my wife and we are expecting our first child in December. I have always been an artist, for as long as I can remember. My family still has drawings of mine from before I can even remember. I’ve always enjoyed working in pencil, black and whites, and inks. When I was in school, all of my best grades came from art class. I entered a few school based competitions over the years and usually place high if not on top. My home town is also the location of the county fair where the school would enter my work and I had quite a nice collection of blue ribbons as a kid. As I grew older, life kept pushing me further and further away from the artwork that I loved so I was forced to find other outlets for my creativity. Through this I discovered I could use a computer to create, so I took to some digital coloring for my drawings and scraps. Over the last decade or so, I’ve been learning about digital art and web design in my free time and squeezing in some drawing where I can. In the past I have created album art and logos for the various musical projects and the occasional tattoo design.
 I am new to the world of comics and pulp, but I’m really liking what I have seen thus far.

AP: What is your role at Bad Tiger?

JD: I am the Co-Founder of Bad Tiger Studio, along with C. William Russette. Also, I am the web-designer/webmaster at www.badtigerstudio.com, the Co-Creator of Operator Zero and the colorist/letterer of Operator Zero. Furthermore, I have designed all of the logos for Bad Tiger Studio and Operator Zero and I am one of the Administrators of the Bad Tiger Studio Facebook Page.

AP: In our modern society, some would say that there’s nothing new or original anymore.  What makes Bad Tiger stand out?

JD: In most cases, I would agree. Originality is something that seems to be very hard to come by these days. To me this is not a surprise. With the invention of the internet and social media it’s becoming harder and harder to come up with a truly original idea. Also, we have to consider the amount of characters and stories that are out there today. Our Genre is not a new one and there are so many Archetypes out there that influences and similarities are very hard to escape.

I think originality is found within the stories of the characters we create. As creators we spend amazing amounts of time figuring out the backgrounds and the stories of our characters. When we write our stories we need to know how our characters will react to the situations and why and what made them react in such a way. So we spend countless hours creating worlds, families, friends, foes and histories just so we can convey the best story and best character to our readers.

At Bad Tiger Studio, our characters and our stories make us stand out. From our writing to our character design and development, to our artwork and finished products, I think we have some great things to offer.

AP:  What are your inspirations, influences for the work you do?

Considering I am quite new to the world of comics and pulp, I think my inspirations and influences are everywhere. I’ll spend hours in the local book store browsing the comics section, picking up book after book just to see the differences in style and technique. Sometimes I learn things and sometimes I get lost in the story.

JD: What do you think appeals to the public about heroic/genre fiction and/or comic strips?  Why will people come to Bad Tiger?

I think hero fiction appeals to everyone’s inner hero. I think that all people have some sort of drive or urge to do the right things on one level or another. The hero fiction genre allows us to indulge our inner hero with the ability to put ourselves in the hero’s shoes, or cape in some cases. These small escapes give us the opportunity to imagine ourselves standing up for what is right and just. Thankfully for us, the creators, once a person is hooked on this feeling and finds our characters relatable, they keep coming back for more. I think as our stories unfold at Bad Tiger Studio, our audience will see just how intricate our stories are and they will keep coming back to find out where the story is headed next.

AP:  Any last words?

JD: Thus far Bad Tiger Studio has been a great experience for me. I work with very talented people and we all seem to share a common interest. We all want to get our characters out there into the hands of the readers and we all want to tell our stories.


Bad Tiger Studio- www.badtigerstudio.com 


Eisner Awards Presented at Comic Con

  • News
  • July 21, 2013
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All Pulp congratulates the winners of the 2013 EISNER Awards.

PRESS RELEASE:

The winners of the 2013 Will Eisner Comic Industry Awards were announced at a gala ceremony held during Comic-Con International: San Diego, at the Hilton San Diego Bayfront, on Friday, July 19.

Best Short Story: “Moon 1969: The True Story of the 1969 Moon Launch,” by Michael Kupperman, in Tales Designed to Thrizzle #8 (Fantagraphics)

Best Single Issue (or One-Shot): The Mire, by Becky Cloonan (self-published)

Best Continuing Series: Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best New Series: Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best Publication for Early Readers (up to age 7): Babymouse for President, by Jennifer L. Holm and Matthew Holm (Random House)

Best Publication for Kids (ages 8–12): Adventure Time, by Ryan North, Shelli Paroline, and Braden Lamb (kaboom!)

Best Publication for Teens (ages 13–17): A Wrinkle in Time, by Madeleine L’Engle, adapted by Hope Larson (FSG)

Best Humor Publication: Darth Vader and Son, by Jeffrey Brown (Chronicle)

Best Digital Comic: Bandette, by Paul Tobin and Colleen Coover (Monkeybrain)

Best Anthology: Dark Horse Presents, edited by Mike Richardson (Dark Horse)

Best Reality-Based Work (tie): Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert (Center for Cartoon Studies/Disney Hyperion); The Carter Family: Don’t Forget This Song, by Frank M. Young and David Lasky (Abrams ComicArts)

Best Graphic Album—New: Building Stories, by Chris Ware (Pantheon)

Best Adaptation from Another Medium: Richard Stark’s Parker: The Score, adapted by Darwyn Cooke (IDW)

Best Graphic Album—Reprint: King City, by Brandon Graham (TokyoPop/Image)

Best Archival Collection/Project—Strips: Pogo, vol. 2: Bona Fide Balderdash, by Walt Kelly, edited by Carolyn Kelly and Kim Thompson (Fantagraphics)

Best Archival Collection/Project—Comic Books: David Mazzucchelli’s Daredevil Born Again: Artist’s Edition, edited by Scott Dunbier (IDW

Best U.S. Edition of International Material: Blacksad: Silent Hell, by Juan Diaz Canales and Juanjo Guarnido (Dark Horse)

Best U.S. Edition of International Material—Asia: Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)

Best Writer: Brian K. Vaughan, Saga (Image)

Best Writer/Artist: Chris Ware, Building Stories (Pantheon)

Best Penciler/Inker (tie): David Aja, Hawkeye (Marvel), Chris Samnee, Daredevil (Marvel); Rocketeer: Cargo of Doom (IDW)

Best Painter/Multimedia Artist (interior art): Juanjo Guarnido, Blacksad (Dark Horse)

Best Cover Artist: David Aja, Hawkeye (Marvel)

Best Coloring: Dave Stewart, Batwoman (DC); Fatale (Image); BPRD, Conan the Barbarian, Hellboy in Hell, Lobster Johnson, The Massive (Dark Horse)

Best Lettering: Chris Ware, Building Stories (Pantheon)

Best Comics-Related Periodical/Journalism: The Comics Reporter, edited by Tom Spurgeon, www.comicsreporter.com

Best Comics-Related Book: Marvel Comics: The Untold Story, by Sean Howe (HarperCollins)

Best Educational/Academic Work: Lynda Barry: Girlhood Through the Looking Glass, by Susan E. Kirtley (University Press of Mississippi)

Best Publication Design: Building Stories, designed by Chris Ware (Pantheon)

Hall of Fame: Lee Falk, Al Jaffee, Mort Meskin, Trina Robbins, Spain Rodriguez, Joe Sinnott

Russ Manning Promising Newcomer Award: Russel Roehling

Bob Clampett Humanitarian Award: Chris Sparks and Team Cul deSac

Bill Finger Excellence in Comic Book Writing Award: Steve Gerber, Don Rosa

Will Eisner Spirit of Comics Retailer Award: Challengers Comics + Conversation, Chicago, IL

See more at http://www.comic-con.org/awards/eisners-current-info#sthash.7hRCavEx.dpuf

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Like to Get Pulpiness for Free? Check Out the Pro Se Productions Website!

  • News
  • July 19, 2013
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Now Available at the Pro Se Productions Website- FREE CONTENT!  If you’re interested in extras from our books, behind the scenes peeks at what might have been from writers’ drafts, work-in-progress art, and more, then you’ll want to bookmark http://prose-press.com/pro-se-extras-free/!  Available there now- An Adventure from between the chapters of BLOOD OF THE CENTIPEDE by Chuck Miller!  Yours to Read for Free!

JACK ARMSTRONG LIVES AGAIN! AND PULP REIGNS SUPREME AT RADIO ARCHIVES!

  • News
  • July 19, 2013

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July 19, 2013
 
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It’s the 80th Anniversary of Jack Armstrong
Jack Armstrong, the All-American Boy was a radio adventure series which was very popular from 1933 to 1951. The program originated at WBBM in Chicago on July 31, 1933, and was later carried on CBS, then NBC and finally ABC. One reason for its longevity is its wonderful script writers including Talbot Mundy, author of the classic novel, King of the Khyber Rifles.

 
Radio Archives has some great Jack Armstrong products for you this year. You can order the first one, Jack Armstrong and the Secret of U-77 today!
 
by Jeff Deischer
Read by Nick Santa Maria
 
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Created by Robert Hardy Andrews, Jack Armstrong, the All-American Boy was one of the first and most memorable of the adventure radio serials. Running from 1933 to 1951, it featured the resourceful high school student on a dizzying collection of adventures that spanned the globe. He often accompanied Colonel Jim Fairfield, an aviation industrialist, and Fairfield’s brave niece and nephew Betty and Billy on their travels. Backing them up was two-fisted Vic Hardy, a brilliant scientist and sleuth.
 
Now, for the first time, one of the Jack Armstrong serials has been novelized and is now available from Radio Archives as a 12 hour audiobook. Noted author Jeff Deischer adapts Jack Armstrong and the Secret of U-77 from the 1946 James Jewell production — a serial for which none of the original recordings exist. Jeff is known for his strong narrative, which gives this story an authentic flavor.
 
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In the post-war world, danger is not always so easy to see. But Jack Armstrong identifies it in the form of Dr. Romago, a unscrupulous scientist who abandoned his native United States before the war. After being mysteriously missing for several years, Romago has returned — and he is after the secret of U-77.
 
What is U-77, and why does Dr. Romago seek it? Jack can only guess. But he does know that if Romago wants it, he can’t be permitted to have it. Accompanied by his loyal friends, Uncle Jim, Betty and Billy Fairfield, Jack and Vic Hardy head down to the Sea Islands off the Southern Atlantic coast, where Romago has been driving away the local fishermen through his underling, Pachino the Eel, a gangster who has crossed paths with scientist Vic Hardy before.
 
Aboard his schooner, The Gray Ghost, Romago squats, a fat spider pulling on the strands of his web like the strings of a puppet, manipulating the fishermen of Thunderbolt, Georgia, his own henchmen — and even Jack Armstrong!
 
Jack Armstrong and the Secret of U-77 takes Jack and his friends from New York City to the coast of Georgia down to the bottom of the ocean in this exciting 12 hour long saga.
 
Douglas Klauba has painted a gorgeous wraparound cover for this special audiobook. Nick Santa Maria took a break from being the Spider to do the voice acting for Jack Armstrong and the Secret of U-77. Get your copy today! 12 hours $47.98 Audio CDs / $23.99 Download.
 
 
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RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
 
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
 
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
 
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
 
Happy listening,
Will Murray
 
 
 
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The Jack Carson Show was a radio situation comedy that ran from 1943 until 1947, with popular Hollywood character actor Jack Carson playing a fictionalized version of himself as a none-too-bright movie star. Every week, he dealt with strange friends, neighbors and relatives in his hectic life in Hollywood. Dave Willock, Carson’s old vaudeville partner, played Jack’s nephew who often took his uncle down a peg or two, while comedian Eddie Marr played Jack’s press agent and Arthur Treacher played Jack’s butler, a part he was well-accustomed to playing. Irene Ryan, best known for her role as “Granny” on The Beverly Hillbillies, was also a cast member. Sponsored by Campbell’s Soup, the show was a big budget production and was given a prime time slot.
 
Jack Carson was best known and most remembered as a character actor who played supporting roles for comic relief, often wisecracking know-it-alls who were undone by their own overconfidence. He played this type of role in movies such as Bringing Up Baby (1938), Mr. & Mrs. Smith (1941) and Arsenic and Old Lace (1944). Occasionally, he was able to show his dramatic skills, in films such as Mildred Pierce (1945) – a performance critics generally agree was his best – Cat On a Hot Tin Roof (1962) and the James Mason-Judy Garland version of A Star Is Born (1954).
 
An appearance on Kraft Music Hall in 1938 led to a lucrative film career for Jack, beginning with a standout role in Enemy Agent (1940). These parts eventually led to his own radio program, which Jack created with his former vaudeville partner, Dave Willock. Dave and Jack had been college friends, and when Jack inadvertently destroyed the set in a stage play to big laughs, Dave recruited him for a vaudeville act, which set the tone for characters that Jack would later play in films. When vaudeville began to wane, Jack relocated to Hollywood to find his fortune in film.
 
This hilarious collection contains twenty half hour shows, primarily from 1947, the final season of the program and features a rare 1954 audition show. This overlooked gem is a comedy show that you are sure to enjoy. 10 hours $29.98 Audio CDs / $14.99 Download.
 
Special 50% discount Offer
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“Crime does not pay…”
Those four simple words sum up the basic philosophy behind “Calling All Cars”, a popular crime drama heard over CBS Pacific Network stations from November 29, 1933 to September 8, 1939. In these dramatizations, the point was driven home time and time again that a life of a crime was a life wasted — and anyone venturing off the straight-and-narrow was fated to meet a sad and sorry end.
 
Radio, played a part in stemming the tide against crime – and never more so than in “Calling All Cars”, one of the earliest and most durable police procedural shows. Dramatizing true crime exploits, and introduced by real-life law enforcement officials, “Calling All Cars” offered listeners the gritty details of criminal activities in true “ripped from the headlines” style. Led by writer/director William N. Robson – later to become the well-respected director of such series as “Big Town”, “The Man Behind the Gun”, and “Escape” – “Cars” offered listeners the audio equivalent of a Warner Brothers crime drama, complete with driving musical themes, car chases, low-life gunsels, high-crime bosses, gum-chewing molls, frightened victims, and criminal cases that often hit close to home, particularly if you lived in Los Angeles where the series was produced. Kidnappings, petty thefts, prison breaks, bunco schemes…all were raw materials for the creators of each show and details of all these crimes and more were used as the basis for the realistic dramas being presented.
 
The program’s long-time sponsor was the Rio Grande Oil Company and, in fact, the show itself ran only in those areas where their patented brand of “cracked” gasoline and “Pennsylvania” lube was sold. To promote the series, in the mid-1930s, Rio Grande service stations offered a much-in-demand free premium: a monthly periodical entitled “Calling All Cars News,” which spotlighted stories that would soon be aired on the program. But because the program was also sent via transcription to Southwestern markets served by Rio Grande but beyond the reach of CBS’ West Coast stations, a whopping 299 of the 302 programs that were originally broadcast have more or less survived the ravages of time and are extant today – including the twenty half-hour episodes in this collection, newly restored and remastered from the original transcription recordings by Radio Archives. 10 hours. Regular Price $29.98 – Specially priced until August 1 for $14.99 Audio CDs / $7.49 Download.
 
 
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New Will Murray’s Pulp Classics eBooks
 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
One minute the police had been valiantly charging the looters… the next, they were stumbling backward, groping wildly in complete blindness! That was the coming of the Eyeless Terror to New York! For a monster ruled the quaking city, building a fortune out of people deliberately blinded! Can the Spider, shackled and blinded, himself, free a city gone mad with darkness? Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
 

Rasp-rasp-rasp! It was a queer sound, ghostly, hearing it in the open country after midnight. Chills gripped King as he set out to investigate, but he forgot about them when he found — a man buried alive! And when he heard the man’s strange story, he knew that the Secret Six was going to tackle its most exciting and dangerous case, gambling for fabulous stakes in a game of golden death. Criminals quaked at the name The Secret Six. And for four glorious issues, this team of six crimefighters took on some of the weirdest and most fantastic antagonists that ever reared their heads in the pulp magazines. It was where weird menace met six normal men with no strange gadgets or outlandish skills. The utterly amazing stories were written by Robert J. Hogan, better known for writing the G-8 and his Battle Aces stories. But after four issues, the over-the-top action came to an end and Popular Publications pulled the plug on the series. These vintage pulp tales are now reissued for today’s readers in electronic format. $2.99.

 
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by James A Goldthwaite, reissued for today’s readers in electronic format. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Arthur J Burks and Nat Schachner, reissued for today’s readers in electronic format. $2.99.

 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 

In that dank tomb Forsythe found living beauty — and the ugly, gibbering spawn of Hell! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.

 
Not Alan Bruce, alone, but also the girl he really loved, were to pay in anguish and terror for his unholy union with hell’s mistress! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
 
 
Bloody footsteps led Mark Conrad on to undreamed horrors. In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 
Entrancing Rubie tried all her lovable tricks to hold ranchman Guy spellbound — but all she did was smother his ardor. She had her hombre cut out of the herd — till Guy stampeded. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 
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Search for RadioArchives.com in iTunes.
 
 
 
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Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 
See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 
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Pulp fiction’s Master of Men returns in two classic stories from one of the pulp era’s best selling magazines. In the first story — could it be? Is The Spider dead? So it would seem, which forces Richard Wentworth to adopt the guise of Corporal Death in his battle with “The Mayor of Hell” (1936). Then, in “Fangs of the Dragon” (1942), The Spider visits the town of Bethbury, where the bite of flying dragons drives the populace to insanity and murder! This instant collectible contains two exciting pulp adventures that have been beautifully reformatted for easy reading and features both of the original full color covers as well as interior illustrations that accompany each story. On sale for $12.95, save $2.00

 

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The Knight of Darkness proves that crime does not pay in two pulp classics by Walter B. Gibson writing as “Maxwell Grant.” First, The Shadow follows a trail of murder to retrieve the priceless rubies known as “The Seven Drops of Blood.” Then, to prove the innocence of a man accused of an impossible crime, the Dark Avenger must uncover the strange secret behind “Death from Nowhere.” BONUS: The Whisperer brings true sight to “The Eye of Zion” in a thriller by Alan Hathway writing as “Clifford Goodrich.” This instant collector’s item features the classic color pulp covers by Graves Gladney and George Rozen, the original interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular culture historian Will Murray. $14.95.

 

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The pulps’ original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, smuggled “Pictures of Death” are only the sinister prelude to deadly sabotage and mass destruction. Then, Justice Inc. hunts for the antidote to a deadly malady that transforms men into apelike monstrosities in “The Green Killer.” Will the cure bring death to The Avenger? PLUS “Calling Justice Inc.,” a bonus Avenger thriller by Spider-scribe Emile Tepperman! This classic pulp reprint showcases the classic color pulp covers by Lenosci and William Timmons, Paul Orban’s interior illustrations and commentary by pulp historian Will Murray. $14.95.

The Man of Bronze and his daredevil cousin Pat Savage return in two classic pulp novels by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, Doc Savage is accused of serial murders and jailed. Can Pat and Doc’s aides help unearth the strange secret of “The Invisible-Box Murders” and prove the Man of Bronze’s innocence? Then, Doc journeys to Honolulu after a strange letter makes Pat’s friend, Sally Trent, a “Target for Death.” BONUS: “The Hang String,” a rare 1933 tale by Lester Dent from the back pages of The Shadow Magazine. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00.
 
 
 
 
 
 
 
Continuing to Celebrate the 80th Anniversary of Doc Savage and King Kong
 
Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
 

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Review of The Mayor of Hell from The Spider, Volume 15
By Andrew Salmon
 
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How often has it been said of a story that is ‘starts with a bang?’ Well, Spider novels are just one, prolonged bang! Fans wouldn’t want it any other way. If you look up the word ‘intensity’ in the dictionary you’ll see the sigil of the Spider.
The Mayor of Hell is no exception. Heck, the novel personifies everything one can expect from a Spider adventure. Richard Wentworth (alias the Spider) begins the tale doing his best Sherlock Holmes imitation of fiddling away a peaceful evening – until gunmen start blasting at him from every angle! Glass shatters, plaster cracks, blood spills and chaos reigns – yes, it’s another great Spider novel.
Forced to fake his own death, separated from his associates and the woman he loves, the Spider ventures into Operator #5 territory in this tale of a political coup giving rise to a police state. Taking on the guise of the Corporal of Death, Wentworth has to fight the oppression from within while every hand is turned against him.
Sure, it would be easy for me to say that The Mayor of Hell is just another rollicking Spider adventure and leave it at that. Except that it isn’t. For one thing, the Spider does not even appear in the novel. Not once. Wentworth is the Corporal of Death throughout as most believe him dead and he hides from the factions that know better. Finishing the novel, and experiencing the body count, I couldn’t help but think Wentworth should have taken on the identity of the Brigadier General of Death, not Corporal.

What sets this novel apart, for me, was the visceral, gritty quality to the violence – the likes of which I’d be hard-pressed to cite examples of outside the Spider tales in general and The Mayor of Hell in particular. Wentworth is startlingly grim in this tale from 1936 and it reads as if it were written for today’s audience. The last line alone would not be out of place at the end of a classic Mike Hammer novel.

The Mayor of Hell is everything you could hope for in a Spider adventure. The more of these I read, the more impressed I am with Page’s ability to ratchet up the tension and intensity while keeping the plot moving. I couldn’t put the book down and had to shake my head in wonder numerous times at how he pushes the envelope of pulp action to dizzying heights. I can’t recommend it enough.

 
 
Girasol Replica #GC182 $35.00 / eBook #RE028 $2.99 / Double Novel reprint #15 #5515 $14.95 On sale for $12.95, save $2.00
 
 
Comments From Our Customers!
 
Joseph Allegretti writes:
Radio Archives is doing great work and I really appreciate it. 200 ebooks a year—I read fast but not that fast!
 
Jon Gerung writes:
Thanks for putting more of your audiobooks on Audible, I always have a couple of extra credits to use. I really enjoyed the “Moon Pool.” Do you have any more plans to do A. Merritt books?
 
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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I.A. Watson Plots Robin Hood’s End!

  • News
  • July 18, 2013
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Cover Art: Mike Manley
Airship 27 Productions is extremely proud to announce the release of I.A. Watson’s third Robin Hood adventure novel, “Robin Hood – Freedom’s Outlaw.”
 
As depicted in the first two books of this amazing trilogy, King of Sherwood and Arrow of Justice, the upstart outlaw of Sherwood Forest has become a thorn in Prince John’s side. All the efforts by his sadistic stooge, the Sheriff of Nottingham, to capture the elusive figure known as Robin Hood have failed.
 
Now, in this climatic final chapter to I.A. Watson’s exciting trilogy, Freedom’s Outlaw has Robin’s enemy devising a devious scheme to draw him out into the opening by laying siege to the castle of his ally, Sir Richard at the Lee.  But the trickster of the greenwoods may just be two steps ahead of them.  Meanwhile the Lady Marion uses her royal connections to bring all parties together before the High Nobles Court in London Town where the brash rogue’s fate will be decided.
 
Surrounding all these events is the whispered talk of the appearance of a White Hart in Sherwood Forest, a powerful symbol to the people for whoever captures her will be acknowledged the true King of the Forest.
 
“I’ve always loved Robin Hood stories,” explains Airship 27 Productions Managing Editor Ron Fortier. “He’s such a classic hero figure and it is fun to watch each new generation discover him for the very first time; be it in books, on TV or in the movies.  With this particular trilogy, Ian Watson has recaptured the thrills and excitement of this well known saga and made it fresh and new again.  No easy task.”
 
Now I.A. Watson brings his stunning, clever and historically based adventure to a rousing, crowd cheering conclusion that will leave all Robin Hood fans applauding.  The book features a stunning cover by Pulp Factory Award winner Mike Manley with interior illustrations and book design by fellow PF Award winner, Rob Davis and includes a very special post-essay on the character’s role in British history by the author.  At last the finale is here and it is one you will never forget!
 
AIRSHIP 27 PRODUCTIONS –  NEW PULPS FOR A NEW GENERATION!
 
The book is now available at Create Space and should be at Amazon and on Kindle within the next few days.

WHAT IS NEW PULP? FIND OUT ON THE LATEST EPISODE OF PULPED!

  • News
  • July 18, 2013
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PULPED! returns with a two fisted discussion like no other! Hosts Tommy Hancock and Derrick Ferguson return to PULPED! with more guests than You can shake a Pulp Magazine at! Featuring Lee Houston, Jr., Andrew Salmon, Michael Brown, Jeff Deischer, B. C. Bell, and Teel James Glenn, this podcast explores a question that has popped up increasingly in the last few months! New Pulp-Just What Is It’s Connection to Classic Pulp? A controversial topic amongst fans of both, Whether or not New Pulp is a descendant of Classic Pulp, a mutation, or something all its own is explored, discussed, and debated within this SPECIAL episode of PULPED!

http://pulped.libsyn.com/pulped-the-official-new-pulp-podcast-new-pulp-gets-pulped

Get a Free Poster by Ruby Files Cover Artist Mark Wheatley at Comic Con

  • News
  • July 16, 2013

The Ruby Files cover artist, Mark Wheatley loves reading. He will be offering the poster above for FREE at the San Diego Comic Con this weekend, with the purchase of any other item from his booth! Get an extra for your local library!

Mark’s a fantastic artist. You’re sure to find all manner of cool items at his booth.

Stop by and say howdy.

Tell ‘im Rick Ruby sent ya!

The Shadow Fan and the Black Falcon!

The Shadow Fan returns for Episode 40! This week, Barry Reese responds to listener feedback, talks about The Shadow Now series that’s coming from Dynamite and offers up a trio of reviews: The Black Falcon (1934), The Salamanders (1936) and The Shadow # 15 (Dynamite, 2013).

If you love pulp’s greatest crimefighter, then this is the podcast for you!

Listen to The Shadow Fan Podcast Episode 40 now at http://theshadowfan.libsyn.com/the-black-falcon

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