Category: News

The Hunger Games: Catching Fire Tweeks Special

the-tributes-of-the-75th-hunger-games-catching-fire-movie-35052815-2498-916-300x110-8047556 Because last weekend was jammed packed with awesomeness for The Tweeks, we’ve got an extra installment this week! On Friday November 22nd, Maddy and Anya caught an Imax screening of the blockbuster The Hunger Games: Catching Fire on opening day. They even wore costumes to the theater! Here’s their review, brimming with the fever pitch excitement and enthusiasm for the event tweens the world over have been waiting for!

 

Watch now! Then go see the movie for yourself (if you haven’t yet!)

See Summit’s The Legend of Hercules New One-Sheet

her_ka_r1_02_ps_f3-0-e1385933665609-4195361SANTA MONICA, CA  November 12, 2013 – Summit Entertainment, a LIONSGATE® (NYSE: LGF) company, has acquired U.S. distribution rights to Millennium Films’ action-adventure HERCULES: THE LEGEND BEGINS starring Kellan Lutz (THE TWILIGHT SAGA, the upcoming THE EXPENDABLES 3) and directed by Renny Harlin (DIE HARD 2, CLIFFHANGER).  Summit will release the film in 3D and 2D nationwide on February 7, 2014.  The deal was announced today by Lionsgate Motion Picture Group Co-Chairs Rob Friedman and Patrick Wachsberger, and Avi Lerner, Chairman of Millennium Films.

Lutz stars as Hercules, the mythical Greek hero, demigod and son of Zeus.  Betrayed by his King and sold into slavery, Hercules must use his formidable strength to fight for his freedom and return to his true love, Hebe, the Princess of Crete (played by Gaia Weiss).

The supporting cast includes Scott Adkins (THE EXPENDABLES 2), Liam McIntyre (Spartacus), Liam Garrigan (Strike Back), Johnathon Schaech (Ray Donovan, The Client List), Roxanne McKee (Game Of Thrones) and Rade Serbedzija (Red Widow).  Screenplay is by Daniel Gliat.  Producers are Danny Lerner, Les Weldon, Boaz Davidson and Renny Harlin.  Executive Producers are Avi Lerner, Trevor Short and John Thompson.

“We look forward to working with Millennium to bring this larger-than-life hero to theaters and action fans in the new year,” said Friedman and Wachsberger.  “We are also very proud to work on a project starring Kellan, with whom we have grown very close throughout the release of all five TWILIGHT SAGA films as well as the production of THE EXPENDABLES 3 scheduled for release next year.”

“We’re thrilled to be expanding our relationship with the very talented team at Lionsgate and Summit, who had such extraordinary success with Kellan in THE TWILIGHT SAGA franchise and with whom we have a great partnership on THE EXPENDABLES franchise,” Lerner said. “And I’m very pleased that ours will be the first movie in the 21st century to reintroduce modern audiences to this classic, timeless story.”

The deal was negotiated on behalf of Lionsgate and Summit by Jason Constantine, Lionsgate’s President of Acquisitions and Co-Productions, Eda Kowan, Lionsgate’s SVP of Acquisitions, and Wendy Jaffe, Lionsgate’s EVP of Business & Legal Affairs for Acquisitions & Co-Productions, and on behalf of Millennium by Avi Lerner and Mark Gill.

Synopsis

In the epic origin story THE LEGEND OF HERCULES, Kellan Lutz stars as the mythical Greek hero – the son of Zeus, a half-god, half-man blessed with extraordinary strength.  Betrayed by his stepfather, the King, and exiled and sold into slavery because of a forbidden love, Hercules must use his formidable powers to fight his way back to his rightful kingdom.  Through harrowing battles and gladiator-arena death matches, Hercules embarks on a legendary odyssey to overthrow the King and restore peace to the land.

U.S. release via SUMMIT ENTERTAINMENT on January 10, 2014.

Watch “An Awkward Justice League Thanksgiving”

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It’s Thanksgiving at the Justice League of America household and things are just as awkward for them as they might be for your family. Join Superman, Batman, Wonder Woman, Green Lantern, and more as they give thanks. Via the Nerdist: http://www.nerdist.com

Written by Joseph M Petrick and Andrew Bowser
Directed by Andrew Bowser

Cast:
Wonder Woman: Valerie Perez
Batman: James Mastraieni
Superman: Ryan Stanger
Aquaman: Steve Szlaga
Green Lantern: William Sterling
The Flash: Steven Meissner
Raven: Celia Sutton
Ms Marvel: Olivia Taylor Dudley
Green Arrow: Bradford Jackson
Robin: Jesse McKeil
Martian Manhunter: Charlie Sanders

Wonder Woman Cosplay Courtesy of Valerie Perez
Superman Cosplay Courtesy of William Sterling
Batman Cosplay Courtesy of Sam Schmucker
Aquaman Cosplay Courtesy of Christopher Cho
Green Lantern Cosplay Courtesy of Thomas Parham
Green Arrow Cosplay Courtesy of Sam McClellan
Flash Cosplay Courtesy of Steven Meissner
Robin Cosplay Courtesy of Kelly Mark
Raven Cosplay Courtesy of Celia Sutton
Ms. Marvel Cosplay Courtesy of Mandie Bettencourt

Tweeks Get Their Whovian Geek On For The 50th

doctor-who-the-50th-anniversary-wallpaper-doctor-who-35308700-1920-1080-3433456The Tweeks enjoyed the Day of the Doctor in Los Angeles and today recap the Dr. Who 50th Anniversary, giving us their review and reactions.

And yes, they  manage to keep their squeeing over both their Doctors being onscreen at once to a minimum.

Spoilers Alert!

The Tweeks will return Tuesday morning with their special Hunger Games: Catching Fire review!

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

 

 

“Spider-Man: Turn Off The Dark” closing $60 million in the red

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Spider-Man: Turn Off The Dark will end its Broadway run on January 4, with expected losses of $60 million, the biggest loss ever in Broadway history. New York Magazine has a breakdown on the show’s costs, both financial:

$1,300,000: Weekly production budget

$2,940,000: Gross for the week of December 25, 2011, the highest one-week take for any show ever

$621,960: Gross for the last week in September 2013

and human (five people with major injuries, including one person who required amputation).

Most disturbing to me: they spent more money on props and puppets for the show than Spider-Man co-creator Steve Ditko has ever seen from the creation of Spider-Man.

Tickets are available now, heavily discounted if you know where to look and are willing to brave Christmastime crowds in Times Square.

via A Monetary Autopsy of Spider-Man — Vulture.

The Point Radio: MOB CITY Heaps On The Noir

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TNT’s MOB CITY not only brings to TV a stylized, noir look at a crime ridden Los Angeles, but it also signals the return of acclaimed show runner Frank Darabont. Franks talks about what hooked him on the project and how he chose the cast that fit the era just right. Plus DOCTOR WHO scores big and Warren Ellis takes a crack at MOON KNIGHT.

THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

New Who Review: The Day of the Doctor

It’s not often you get to describe an event as being fifty years in the making. even less so do you get to mean it.  Three Doctors in three timelines converge to give them all a chance to change a terrible moment in their collective past.

The Day of the Doctor
by Steven Moffat
Directed by Nick Hurran

The Doctor is in the present, in his most recent incarnation, picking up Clara, when he gets picked up himself, by UNIT, to investigate a mystery at the National Museum.  Meanwhile (well, I say meanwhile…) in his previous incarnation, he’s investigating a mystery in Elizabethan Britain, an attack by the Zygons that could lead all the way to the Queen herself.  And in another part of the Universe entirely, The War Doctor is making a decision that will put the lives of countless innocents in his hands, a choice that will darken and color his life for centuries to come.

Considering that it is physically impossible to create an episode that has everyone and everything that every fan wants, this episode was as close to perfect as could be.  It embraced plotlines that were started in the Davies era, tied in moments and points in Moffat’s own time of running the show, and did a job of undoing a dark moment in The Doctor’s history worthy of Geoff Johns.  I screamed out loud three times, and it would have been four, if one fellow had been able to keep his mouth shut.

THE MONSTER FILES: The Zygons only got one appearance in the original series, the eponymous Terror of the Zygons, but it was enough to keep the popular in the alternative media for years.  Shapeshifting beings, they invade by taking over from within, taking the forms of important people.  They got an off-camera return in The Power of Three as they tried to invade during Amy and Rory’s second honeymoon.

BACKGROUND BITS AND BOBS:Trivia and production details

Oh my GOD is this gonna be a long one.  This episode is packed with self-references and tips of the hat, as well as calling back to points from many other episodes.  I’ll see if I can hit them all…

THE QUESTION ISN’T WHERE, IT’S WHEN: More precisely, from when.  Matt Smith’s Doctor is clearly experiencing this adventure in the “present,” as in after the events of the last season.  Considering Ten(nant) is traveling alone, and is having the adventure he refers to when talking to Ood Sigma in the beginning of The End of Time, he’s clearly from a period between The Waters of Mars and that episode.  We don’t know exactly how much time he spent gallivanting about between those episodes, clearly long enough for his memories of the details of this paradoxical adventure (while still remembering the bits about the Virgin Queen) that he still saw a need to re-imprison the Time Lords with the help of The Master.

Similarly, The War Doctor is experiencing this adventure at the end of this regeneration.  But while we saw his “birth” in the Paul McGann mini-episode, we don’t know exactly how long he has been around, fighting in (and against) the Time War.  He was in his seven hundreds at the end of the original series, and nine hundred at the beginning of the new, so there’s quite a lot of years to spread around between Seven, Eight, and The War Doctor.

So in brief, we’re seeing all three Doctors having this adventure very near the end of their respective regenerations.  So each of them have seen all they’re going to see through their eyes, and that’s about the best time.

CALL FOR THE DOCTOR QUICK, QUICK, QUICK: Kate Stewart, the head of UNIT, daughter of The Brig, has a custom ring for The Doctor on her phone.
Also, note that The Doctor’s number is once again 07700900461, as it was in The Stolen Earth. About 2500 people thought that might be a working number (at least for a tie-in recording or bit of marketing, anyway) when that adventure aired, and tried calling it.  no idea how many will try it this time.

“Waste no more time arguing about what a good man should be: Be one”: They hit the ground running with the self-references.  I.M. Foreman‘s scrap yard was where we first met the Doctor, Susan and the TARDIS, lo those fifty years ago.  Susan attended Coal Hill secondary school, where she aroused the curiosity of teachers Barbara Wright and Ian Chesterton, who as we see here, now serves as headmaster.  Sarah Jane Smith did a bit of investigating, and tracked down Ian and Barbara (now Barbara Chesterton), and reported to her son Luke that they no longer appear to age.  Also, notice that as we see Clara erasing the quote from Marcus Aurelius on her whiteboard, the words “NO MORE” are in the center of the screen.

“Draft”: The Triumph Clara’s driving is the one The Doctor drove up the side of The Shard in The Bells of Saint John.  When last we saw Clara and The Doctor, she was not getting along with the TARDIS, now she’d shutting the doors with a click of her fingers.  Clearly quite some time has passed since the events of The Name of the Doctor – enough time for her to get a job as a teacher, and to make peace with the TARDIS.  And yet she and The Doctor still keep their “See you next Wednesday” relationship, as it’s clear she’s not traveling with him regularly, tho she has no problem with picking up and running when he pops by.

“Tell Malcolm we need new batteries” – Malcolm Taylor is the acting scientific advisor for UNIT, and was played by Lee Evans in Planet of the Dead, and when I heard his name, I let loose with my third-loudest shout of the evening.  If you folks think you were upset that Rose or Eccleston didn’t appear…
And those are presumably the “Ravens of Death” she claimed to have in The Power of Three.

“Nice Scarf” – Considering what we appear to learn at the end of the episode, that scarf MAY not be a replica.  It might have been a gift. From the original owner.
There’s a bit of debate going on as to exactly who Osgood is. Rich Johnson at Bleeding Cool seems to believe that she’s Kate’s daughter – while her first line was her calling “Mum”, I took that to mean the honorific “Ma’am”, and not “Mom”.  But we both noticed there was a UNIT tech named Tom Osgood in The Daemons, and a few of the prose stories, so that seems a more possible guess on her father, anyway.

“I’d be brilliant at having a job”: Well, he really does work for UNIT, when he’s around, and he did pretty well in the two jobs he took when he was helping Craig Owen in The Lodger and Closing Time.

“The High Council is in emergency session, they have plans of their own”: Those would be the plans set into action in The End of Time. We first heard of The Moment in that episode, as it too took place (partly, in flashback) during the end of the Time War.

“The Doctor has The Moment”: In a delightful bit of ingenious design, the initial gear-like design for of The Moment somewhat resembles the Antikythera mechanism, an Out Of Place Artifact found in Greece that (theoretically) could plot the positions of the stars to astounding accuracy.

“The interface is hot”: For those who are grousing that Billie Piper is not playing Rose, not my comment above.  If we were watching an adventure where The Doctor was traveling with Rose, we’d be watching a Doctor who had not yet met Martha, Donna Noble, the crew of Bowie Base One, a Doctor who had, in short, barely begun to live.  This was a way to have Billie a part of the show, while still giving us the best Doctor to experience the story. Also note that it’s a lovely parallel to Ten meeting Rose at the end of The End of Time, before they’ve met in that first adventure, Rose. The War Doctor meets her (or at least sees her visage) before he regenerates and meets (and saves) her in that department store.  So once again, The Bad Wolf was guiding them all to fulfill the almost predestined moment so far in the future.

“Elizabeth the First…you knew her, then?”: Based on what we see here, and what Ten implies later, we shall have to leave tactfully alone the question of what definition of “knew” is being used here… This is England 1562, 37 years before The Shakespeare Code, where we “First” meet the queen, and The Doctor is totally unaware of why she’d be so angry at him.  I expect that happens a lot.

It’s a machine that goes “ding”: It’s presumably similar to The Machine That Goes “Ding” When There’s Stuff, as seen in Blink. While that one was more tuned to temporal anomalies, this one is attuned to physical ones, like the energy expended by a shapeshifting alien.

“Is it important?” “In 1,200 years, I haven’t stepped in anything that wasn’t”” Another callback, this time to A Christmas Carol, when he said it about people.

“I need you to send me one of my father’s incident files”: She is almost certainly asking for the files on the incident we know as The Three Doctors, the tenth anniversary adventure.  As they had to do in the past, they had to come up with a way around using one Doctor, but not for the same reason. William Hartnell was not well at the time, an advancement of the illness that cause him to leave the show in the first place.  So he was not able to take an active part in the story, instead relegated to appearing via the scanner screen.  Ten years later, Tom Baker wasn’t able to appear in The Five Doctors, so they used footage from Shada in his stead.  Hartnell had already passed, so Richard Hurndall took on the role of the First Doctor.
For all the grousing many fans are making that they “left out Eccleston” from this adventure, it’s been verified via the man himself and he chose not to participate in the episode.  His departure from the series was not entirely cordial; no firm details have come to light because he’s a professional, but it’s generally understood there was no small amount of bad blood.
The reference to “Seventies or eighties, depending” is a sly nod to the fact that the Pertwee years of the show were filmed in the seventies, but were supposed to be taking place an unspecified number of years in the future, to try and explain the higher tech items that were sprinkled around.

“Reverse the polarity”: “Reverse the polarity of the Neutron Flow” was one of Jon Pertwee’s legendary catch phrases, but like “Beam me up Scotty”, usually misremembered.  That exact phrase was only used once in the series, and as a hat tip in The Five Doctors”, it was the shorter quote used here that got used in numerous episodes.

“Why are you pointing your screwdrivers like that?”: The War Doctor gives voice to many of the complaints old-guard fans have had about the new series – all the kissing, the Sonic Screwdriver acting more like a weapon (and a magic wand), and much more.  Not to mock the fans, but more to point out the fact that the creators know full well how much the show has changed. And indeed, it’s the constant change of the show that has kept it alive.

“We’ll need access to the Black Archive”: Of all the stuff in that warehouse, I spotted River Song’s Manolos, a Cyberman head, a Sontaran blaster and the chair they had Ten trussed up in in The End of Time, which at this point in time…hasn’t happened yet.  The Black Archive first got mentioned on Sarah Jane Adventures, in the episode Enemy of the Bane, guest-starring Nicholas Courtney in his last appearances as The Brigadier.

“You have a top-level security rating from your last visit”: The question is, is that just a continuance of the fact that everyone has their memories wiped as they leave, one of the many times that Clara has appeared in The Doctor’s past, or a precursor to an upcoming story?  Also on that board with the more recent Companions are Tegan Jovanka, Nyssa of Traken, Kamelion, Five’s short-lived android companion, even Ian and Barbara.  Also, photographed with Captain Erisa Magambo is Rose Tyler…but there’s a problem there.  The only time they met were in the alternate timeline of Turn Left.  So…where did that photo come from?

“We don’t have the activation code”: The numbers The Doctor scratches into the wall of their cell is 1716231163.  Or more clearly, 17:16 23/11/63, the exact date and time that episode one of An Unearthly Child was originally broadcast.

“Same software…different face”: We’re not talking about the screwdriver any more, are we, blondie?  Because later on in the episode, we find out that in a very similar way, The Doctor has been mulling a problem over for the same 400 years, one that he gets to solve himself, not by someone just opening the right door at the last minute.
Moffat is so so good at playing with time as a plot point.  Sending the activation code into the future by writing it on the wall, and the idea of the scan taking the long way round and finishing up just as it’s needed.

“Oh, you’ve redecorated…I don’t like it”: A twice-joked joke, back for a third time.  Patrick Troughton said it about Jon Pertwee’s TARDIS in The Three Doctors, and Eleven said it about Craig’s home in Closing Time.

“At worst, we failed at doing the right thing, as opposed to succeeding in doing the wrong”: What this episode does is essentially undoes an act that The Doctor has regretted for centuries.  But as is always true of situations like this, it has to be undone in a way so nobody KNOWS it was undone, otherwise any events springing from it will not happen as they did, and you get paradoxes springing up like dandelions. So that, more than any other, is why all the Doctors from the time The Moment was supposedly used had to believe they DID use it.  Only until after the present Doctor lives through his portion of the history can he be allowed to remember.  It’s a temporal version of eating your cake and having it too.

“Wearing a bit thin”: Which is exactly how Hartnell described himself shortly before the first regeneration in The Tenth Planet, ushering in the miracle that would keep the show going for five decades.

“I don’t want to go”: Technically, this is the first time he says that – he’ll say it again in The End of Time.  They even worked it into the script of An Adventure in Space and Time.

“I could be a curator”: He is the Curator.  The letter from Elizabeth I appoints The Doctor as official Curator of the Undergallery, “to be summoned in the event of any crises concerning it.”  Now, how he gets all the way back around to the time, place and form we see here, well, that’s all the fun is finding out, isn’t it?

BIG BAD REPORT / CLEVER THEORY DEPARTMENT: For once, the arc of the upcoming season might be a positive.  Gallifrey Falls No More, and clearly The Doctor wants to find it.  But there’s a problem.  They may not have been destroyed, but this is clearly still the Time Lords who saw no problem with breaking out of their temporal prison by destroying the Earth, with the goal of controlling all of time and space.  Now one could argue that it was more the mad plans of the Lord President (played by Timothy Dalton in The End of Time) nd the rest of the Time Lords (save two) fell into line.  But that’s an argument we heard around the middle of last century, and it didn’t fly too well or too often.  If I have the timeline right, The Time Lords will be banished back into the Time Lock after EoT, and find almost immediately that their plan was unneeded, as The Doctor saves the planet and shunts it off somewhere.  So in the time that has passed, have they come to their senses and spent their time rebuilding, or have the grown even more enraged as they pounded at the walls of their temporal prison?  It’s the same question Wilf asked in EoT – will the Time Lords’ return be a good thing?  A lot of possibilities.

“No , sir…all thirteen”: In two seconds, Peter Capaldi premiered as The Doctor, and his eyebrows have already garnered their own fandom.  It also verifies what has been assumed to be true since new news of the New Doctor came out: The next Doctor is the last of his current cycle of regenerations.  Moffat has stated clearly that the 12-regeneration limit is still in place, whimsical comment in Sarah Jane Adventures notwithstanding. So in addition to the search for Gallifrey, we’ll certainly hear more than a bit about him reaching the seeming end of his lives.  One has to wonder if the resolution of one plotline will resolve the other.

NEXT TIME ON DOCTOR WHO

In the more short-term, Silence Will Fall.

See you back here at Christmas.

Marc Alan Fishman: The Shoot Promo on Comics

fishman-art-131123-150x114-1762129The professional wrestler C.M. Punk truly made his mark and broke free of the shackles of mid-card obscurity by way of his infamous pipe bomb shoot promo. For those not in-the-know, a shoot in wrestling is an interview (or soliloquy some of the time) wherein said grappler breaks the fourth wall. As relived in this week’s WTF podcast, Punk was vivid in saying that <a href=”

this promo was done because he was at the end of his rope.

With the WWE wanting him to resign for three more years and Punk decidedly against continuing to not be the guy on the roster, Vince McMahon allowed him to air his grievances live on their Monday night broadcast. If Punk captured the zeitgeist, he’d be a made-man forever in wrestling (which, by my count, is a little over two years). If he failed, he’d be gone, buried back in VA halls wrestling for gas money, and be nothing more than a footnote in WWE’s now 50-year history.

The shoot worked. Punk resigned, and ruled the company with an iron fist until he literally could give no more. The glass ceiling was shattered on the “norm” of the product, and wrestling now is forever changed. Well, maybe not, but I’ll circle back round that idea in a bit.

Why do I bring this up? Well, for one, because it’s topical to me. I was just listening to the podcast on my way home from work tonight. Beyond that, it dawned on me that with all the coverage and snark that exists in the world of comics… there is no C.M. Punk. There is no shoot promo to cut, on any live broadcast. There’s only guys like me; indie creators and op-ed columnists chasing windmills and yelling into the wind. But this here is my stage. This here is my time. So, allow me to speak ill of the industry I wish every damned day I was a part of, but know full well I’ll never actually see.

The WWE’s CEO lives a double life as an on-screen performer. He enjoys his product not only for the money it makes but for the crafted product it actually is. Warner Bros and Disney are just faceless boardrooms ruled not by the glee in little kids’ faces, but cold hard cash. Their publishing branches exist for one reason, and one reason only: to keep the movie and TV machines churning. Don’t think for a second that your issues of Batman mean any more to the execs in Burbank than a roll of teepee. It doesn’t. That rag in your hands? The one that has the blood, sweat, and tears of a dozen hard working men and women broiled into its pulp? It’s an incubator of ideas for a movie or cartoon show. It’s a crockpot keeping the license warm. It’s a mosquito light that keeps the most vocal fans distracted. Go ahead, post your death threats if we make Afflec Batman… but hey! Look over there! It’s Zero Year!

We all desire the notion that those behind the rich mahogany desks (being packed up in Midtown Manhattan in 18 months) lie overgrown fanboys and girls that just want to knock the socks off us, the ever-enduring fans of a dying medium. But it too is just a pipedream. The suits that run your comic book publishing companies are shackled to boulders far too big to drag up the mountain. Beyond the goodwill garnered by our little niche market, and the fervent fans that exist at comic cons lie those aforementioned suits in bigger boardrooms that still demand that at the end of the day everything be profitable. Profits occur when sales increase. Sales increase when gimmicks, #1s, and creators that draw a crowd are given the top spots. When a book stops earning what meager profits it can when it’s hot, it’s tossed out with the bathwater and things start again. The era of continuity is long dead. All hail the retcon.

The closest thing we had to C.M. Punk in comics was Robert Kirkman. He took his indie prowess and love of the craft and turned out The Walking Dead. Now, Kirkman is a suit. Behind a desk. Of a multi-media empire. He won the championship belt, and didn’t even have to work for the man to do it. Now, he is the man, and no longer a voice of the voiceless. Like so many though, atop his mountain of money many years ago he gave birth to his manifesto wherein he challenged the industry to veer towards creator-owned projects. Hey Robbie! Trickle-down economics don’t work in real life or in comics. If every known talent jumped off their pedestals at Marvel and DC to come make indie books at Dark Horse, Image, and Boom! the line to replace them would still be wrapped around the vacant Midtown offices and land somewhere in the opposite ocean. Everyone is replaceable when the end goal is product. Not good product. Just product.

The fact is this: After he changed the world and held the WWE title for longer than any wrestler in the last two decades or so, Punk took a much-needed break. When he returned, he was just as our resurrected Jean Greys, Steve Rogers, or Hal Jordans… a hero to be celebrated for what he was, not who he is now. A long and listless program against his on-screen mentor, and Punk is now booked right back in the mid-card where he started. The comic book industry has no panacea to cure itself of the ills we rally against. Just as the WWE fans buy their John Cena Fruity Pebbles Lunchboxes… so too do we comic fans flock to every worthless gimmick they shove on the racks. We make our excuses, we plunk down our money, and we bitch about it on the Internet later.

The only way to make change, is to make it. There is no utopia. There’s only revolution.

SUNDAY: John OstranderMONDAY: Mindy Newell