New Original Novel Featuring Classic Argosy Character Debuts!
For the third interview in the BAD TIGER series, ALL PULP corners Writer/Creator/Marketing Director D. C. Golightly!
ALL PULP: Tell us about yourself, your personal background, and how you got into writing/art/etc.
DCG: I reside in Pittsburgh, Pennsylvania with my wife and kids. I love comics, cookies, and characters. Follow my freelance rumblings at http://dave-golightly.blogspot.com/. I’ve always been a huge comic fan, and growing up I really got into more adventure pulps as my comic collection grew. Since I wanted to weave a wonderful world myself, I started scribbling little stories. I’ve been lucky enough that some people are willing to pay for those stories. I always wanted to be an artist, but I lack talent. Therefor the pen is the only version of the brush that I can manipulate as a creator.
AP: What is your role at Bad Tiger?
DCG: I write The Skull, a bi-monthly strip, as well as the prose for The Black Kingdom. I’ve recently agreed to take on the role of Minister of Propaganda…or Marketing Director…or whatever you want to call the guy that advertises our junk.
AP: In our modern society, some would say that there’s nothing new or original anymore. What makes Bad Tiger stand out?
DCG: It’s a group of like-minded people that have a single goal: create awesome stories. We’re not doing this to get paid; we’re doing this because we love these characters and this genre. There’s a lot of work being put into this venture, and a lot of talent to recognize. This group is populated by people that are not only good enough to make it in the industry, but to an extent already are. We choose to take the time to build this initiative because we believe in it and want to get our stories told.
AP: What are your inspirations, influences for the work you do?
DCG: Jim Butcher is always on his game, and I would buy lunch for Mark Waid any day of the week. Jeffery Deaver can write a character out of any corner.
AP: What do you think appeals to the public about heroic/genre fiction and/or comic strips? Why will people come to Bad Tiger?
DCG: Bad Tiger Studios will quickly become a place fans recognize as a platform for creative talent, free of charge. We’ll toss incredible projects to the wall, see what sticks, and then turn them around for readers. The quality of the material is out of this world and the people interested in this genre will undoubtedly return after they get a sample of what we have to offer. These are the kinds of stories that people want to see, and we’re more than happy to offer them.
AP: Free response! Say whatever you’d like to about Bad Tiger, yourself, or the experience!
DCG: I’m flattered to be associated with such uniquely creative people. These people are putting in many long hours of work just to provide entertainment, and all they are asking for is a shot to be viewed.
BAD TIGER STUDIO- www.badtigerstudio.com
Author Rus Wornom is featured in the July/August issue of FANTASY AND SCIENCE FICTION MAGAZINE with a story that harkens back to Pulp Adventures of the 1920s and 30s.
ALL PULP continues its series of interviews with BAD TIGER STUDIO! This time, we have co-founder Justin Ditzler in the hot seat!
ALL PULP: Â Tell us about yourself, your personal background, and how you got into writing/art/etc.:
JD: I live in Central Pa with my wife and we are expecting our first child in December. I have always been an artist, for as long as I can remember. My family still has drawings of mine from before I can even remember. Iâve always enjoyed working in pencil, black and whites, and inks. When I was in school, all of my best grades came from art class. I entered a few school based competitions over the years and usually place high if not on top. My home town is also the location of the county fair where the school would enter my work and I had quite a nice collection of blue ribbons as a kid. As I grew older, life kept pushing me further and further away from the artwork that I loved so I was forced to find other outlets for my creativity. Through this I discovered I could use a computer to create, so I took to some digital coloring for my drawings and scraps. Over the last decade or so, Iâve been learning about digital art and web design in my free time and squeezing in some drawing where I can. In the past I have created album art and logos for the various musical projects and the occasional tattoo design. I am new to the world of comics and pulp, but Iâm really liking what I have seen thus far.
AP: What is your role at Bad Tiger?
JD: I am the Co-Founder of Bad Tiger Studio, along with C. William Russette. Also, I am the web-designer/webmaster at www.badtigerstudio.com, the Co-Creator of Operator Zero and the colorist/letterer of Operator Zero. Furthermore, I have designed all of the logos for Bad Tiger Studio and Operator Zero and I am one of the Administrators of the Bad Tiger Studio Facebook Page.
AP: In our modern society, some would say that there’s nothing new or original anymore. Â What makes Bad Tiger stand out?
JD: In most cases, I would agree. Originality is something that seems to be very hard to come by these days. To me this is not a surprise. With the invention of the internet and social media itâs becoming harder and harder to come up with a truly original idea. Also, we have to consider the amount of characters and stories that are out there today. Our Genre is not a new one and there are so many Archetypes out there that influences and similarities are very hard to escape.
I think originality is found within the stories of the characters we create. As creators we spend amazing amounts of time figuring out the backgrounds and the stories of our characters. When we write our stories we need to know how our characters will react to the situations and why and what made them react in such a way. So we spend countless hours creating worlds, families, friends, foes and histories just so we can convey the best story and best character to our readers.
At Bad Tiger Studio, our characters and our stories make us stand out. From our writing to our character design and development, to our artwork and finished products, I think we have some great things to offer.
AP: Â What are your inspirations, influences for the work you do?
Considering I am quite new to the world of comics and pulp, I think my inspirations and influences are everywhere. Iâll spend hours in the local book store browsing the comics section, picking up book after book just to see the differences in style and technique. Sometimes I learn things and sometimes I get lost in the story.
JD: What do you think appeals to the public about heroic/genre fiction and/or comic strips? Â Why will people come to Bad Tiger?
I think hero fiction appeals to everyoneâs inner hero. I think that all people have some sort of drive or urge to do the right things on one level or another. The hero fiction genre allows us to indulge our inner hero with the ability to put ourselves in the heroâs shoes, or cape in some cases. These small escapes give us the opportunity to imagine ourselves standing up for what is right and just. Thankfully for us, the creators, once a person is hooked on this feeling and finds our characters relatable, they keep coming back for more. I think as our stories unfold at Bad Tiger Studio, our audience will see just how intricate our stories are and they will keep coming back to find out where the story is headed next.
AP: Â Any last words?
JD: Thus far Bad Tiger Studio has been a great experience for me. I work with very talented people and we all seem to share a common interest. We all want to get our characters out there into the hands of the readers and we all want to tell our stories.
Bad Tiger Studio- www.badtigerstudio.comÂ
All Pulp congratulates the winners of the 2013 EISNER Awards.
PRESS RELEASE:
The winners of the 2013 Will Eisner Comic Industry Awards were announced at a gala ceremony held during Comic-Con International: San Diego, at the Hilton San Diego Bayfront, on Friday, July 19.
Best Short Story: “Moon 1969: The True Story of the 1969 Moon Launch,” by Michael Kupperman, in Tales Designed to Thrizzle #8 (Fantagraphics)
Best Single Issue (or One-Shot): The Mire, by Becky Cloonan (self-published)
Best Continuing Series: Saga, by Brian K. Vaughan and Fiona Staples (Image)
Best New Series: Saga, by Brian K. Vaughan and Fiona Staples (Image)
Best Publication for Early Readers (up to age 7): Babymouse for President, by Jennifer L. Holm and Matthew Holm (Random House)
Best Publication for Kids (ages 8–12): Adventure Time, by Ryan North, Shelli Paroline, and Braden Lamb (kaboom!)
Best Publication for Teens (ages 13–17): A Wrinkle in Time, by Madeleine L’Engle, adapted by Hope Larson (FSG)
Best Humor Publication: Darth Vader and Son, by Jeffrey Brown (Chronicle)
Best Digital Comic: Bandette, by Paul Tobin and Colleen Coover (Monkeybrain)
Best Anthology: Dark Horse Presents, edited by Mike Richardson (Dark Horse)
Best Reality-Based Work (tie): Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert (Center for Cartoon Studies/Disney Hyperion); The Carter Family: Don’t Forget This Song, by Frank M. Young and David Lasky (Abrams ComicArts)
Best Graphic Album—New: Building Stories, by Chris Ware (Pantheon)
Best Adaptation from Another Medium: Richard Stark’s Parker: The Score, adapted by Darwyn Cooke (IDW)
Best Graphic Album—Reprint: King City, by Brandon Graham (TokyoPop/Image)
Best Archival Collection/Project—Strips: Pogo, vol. 2: Bona Fide Balderdash, by Walt Kelly, edited by Carolyn Kelly and Kim Thompson (Fantagraphics)
Best Archival Collection/Project—Comic Books: David Mazzucchelli’s Daredevil Born Again: Artist’s Edition, edited by Scott Dunbier (IDW
Best U.S. Edition of International Material: Blacksad: Silent Hell, by Juan Diaz Canales and Juanjo Guarnido (Dark Horse)
Best U.S. Edition of International Material—Asia: Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
Best Writer: Brian K. Vaughan, Saga (Image)
Best Writer/Artist: Chris Ware, Building Stories (Pantheon)
Best Penciler/Inker (tie): David Aja, Hawkeye (Marvel), Chris Samnee, Daredevil (Marvel); Rocketeer: Cargo of Doom (IDW)
Best Painter/Multimedia Artist (interior art): Juanjo Guarnido, Blacksad (Dark Horse)
Best Cover Artist: David Aja, Hawkeye (Marvel)
Best Coloring: Dave Stewart, Batwoman (DC); Fatale (Image); BPRD, Conan the Barbarian, Hellboy in Hell, Lobster Johnson, The Massive (Dark Horse)
Best Lettering: Chris Ware, Building Stories (Pantheon)
Best Comics-Related Periodical/Journalism: The Comics Reporter, edited by Tom Spurgeon, www.comicsreporter.com
Best Comics-Related Book: Marvel Comics: The Untold Story, by Sean Howe (HarperCollins)
Best Educational/Academic Work: Lynda Barry: Girlhood Through the Looking Glass, by Susan E. Kirtley (University Press of Mississippi)
Best Publication Design: Building Stories, designed by Chris Ware (Pantheon)
Hall of Fame: Lee Falk, Al Jaffee, Mort Meskin, Trina Robbins, Spain Rodriguez, Joe Sinnott
Russ Manning Promising Newcomer Award: Russel Roehling
Bob Clampett Humanitarian Award: Chris Sparks and Team Cul deSac
Bill Finger Excellence in Comic Book Writing Award: Steve Gerber, Don Rosa
Will Eisner Spirit of Comics Retailer Award: Challengers Comics + Conversation, Chicago, IL
See more at http://www.comic-con.org/awards/eisners-current-info#sthash.7hRCavEx.dpuf
Now Available at the Pro Se Productions Website- FREE CONTENT! If you’re interested in extras from our books, behind the scenes peeks at what might have been from writers’ drafts, work-in-progress art, and more, then you’ll want to bookmark http://prose-press.com/pro-se-extras-free/! Available there now- An Adventure from between the chapters of BLOOD OF THE CENTIPEDE by Chuck Miller! Yours to Read for Free!
Written and directed by legendary filmmaker Francis Ford Coppola (The Godfather franchise, Apocalypse Now) as an homage to his lifelong love of the horror genre, the terrifying Gothic horror experience TWIXT arrives on Blu-ray and DVD July 23 from Twentieth Century Fox Home Entertainment. A film festival favorite, the visually compelling film starring Val Kilmer, Elle Fanning and Bruce Dern has been screened to rave reviews at prestigious festivals including Toronto Film Festival, San Francisco International Film Festival, San Diego Comic-Con, and the European Union Film Festival, among others.
TWIXT follows Hall Baltimore (Kilmer), a writer on a book tour who uncovers a disturbing murder that could be source material for his next novel. But as Hall investigates the killing, he finds himself confronted by chilling nightmares, including the ghost of a young girl (Fanning). As he uncovers more horrifying revelations, Hall discovers that the story has more to do with his own life than he could ever have imagined.
The TWIXT Blu-ray and DVD includes an exclusive forty minute documentary on the making of the film by Gia Coppola.
ComicMix has two copies to give away and all we need you to do is answer the question below by 11:59 p.m., Monday, July 22. The decision of our staff will be final. Open only to US and Canadian readers. In order to win your very own copy of Twixt on Blu-ray, simply answer the following question:
Which actor portrays Hal Baltimore in the film?



Rasp-rasp-rasp! It was a queer sound, ghostly, hearing it in the open country after midnight. Chills gripped King as he set out to investigate, but he forgot about them when he found ÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂàa man buried alive! And when he heard the manÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂs strange story, he knew that the Secret Six was going to tackle its most exciting and dangerous case, gambling for fabulous stakes in a game of golden death.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàCriminals quaked at the name The Secret Six. And for four glorious issues, this team of six crimefighters took on some of the weirdest and most fantastic antagonists that ever reared their heads in the pulp magazines. It was where weird menace met six normal men with no strange gadgets or outlandish skills. The utterly amazing stories were written by Robert J. Hogan, better known for writing the G-8 and his Battle Aces stories. But after four issues, the over-the-top action came to an end and Popular Publications pulled the plug on the series.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàThese vintage pulp tales are now reissued for todayÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂs readers in electronic format.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂà$2.99.
In 1934 a new type of magazine was born. Known by various names ÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂàthe shudder pulps, mystery-terror magazines, horror-terror magazines ÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂàweird menace is the sub-genre term that has survived today.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàDime Mystery MagazineÃÂÃÂÃÂÃÂÃÂÃÂÃÂàwas one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages ofÃÂÃÂÃÂÃÂÃÂÃÂÃÂàDime Mystery Magazine, all written byÃÂÃÂÃÂÃÂÃÂÃÂÃÂàArthur J Burks and Nat Schachner,ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàreissued for todayÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂs readers in electronic format.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂà$2.99.
In that dank tomb Forsythe found living beauty ÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂàand the ugly, gibbering spawn of Hell!ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàIn 1934 a new type of magazine was born. Known by various names ÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂàthe shudder pulps, mystery-terror magazines, horror-terror magazines ÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂàweird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages ofÃÂÃÂÃÂÃÂÃÂÃÂÃÂàDime Mystery Magazine, reissued for todayÃÂÃÂÃÂâÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂs readers in electronic format.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂà$0.99.

Pulp fiction’s Master of Men returns in two classic stories from one of the pulp era’s best selling magazines. In the first story — could it be? Is The Spider dead? So it would seem, which forces Richard Wentworth to adopt the guise of Corporal Death in his battle withÃÂÃÂÃÂÃÂÃÂÃÂÃÂà“The Mayor of Hell”ÃÂÃÂÃÂÃÂÃÂÃÂÃÂà(1936). Then, inÃÂÃÂÃÂÃÂÃÂÃÂÃÂà“Fangs of the Dragon”ÃÂÃÂÃÂÃÂÃÂÃÂÃÂà(1942), The Spider visits the town of Bethbury, where the bite of flying dragons drives the populace to insanity and murder! This instant collectible contains two exciting pulp adventures that have been beautifully reformatted for easy reading and features both of the original full color covers as well as interior illustrations that accompany each story.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàOn sale for $12.95, save $2.00
The Knight of Darkness proves that crime does not pay in two pulp classics by Walter B. Gibson writing as “Maxwell Grant.” First, The Shadow follows a trail of murder to retrieve the priceless rubies known asÃÂÃÂÃÂÃÂÃÂÃÂÃÂà“The Seven Drops of Blood.”ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàThen, to prove the innocence of a man accused of an impossible crime, the Dark Avenger must uncover the strange secret behind “Death from Nowhere.” BONUS: The Whisperer brings true sight toÃÂÃÂÃÂÃÂÃÂÃÂÃÂà“The Eye of Zion”ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàin a thriller by Alan Hathway writing as “Clifford Goodrich.” This instant collector’s item features the classic color pulp covers by Graves GladneyÃÂÃÂÃÂÃÂÃÂÃÂÃÂàandÃÂÃÂÃÂÃÂÃÂÃÂÃÂàGeorge Rozen, the original interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular culture historian Will Murray.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂà$14.95.
The pulps’ original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, smuggledÃÂÃÂÃÂÃÂÃÂÃÂÃÂà“Pictures of Death”ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàare only the sinister prelude to deadly sabotage and mass destruction. Then, Justice Inc. hunts for the antidote to a deadly malady that transforms men into apelike monstrosities inÃÂÃÂÃÂÃÂÃÂÃÂÃÂà“The Green Killer.”ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàWill the cure bring death to The Avenger? PLUSÃÂÃÂÃÂÃÂÃÂÃÂÃÂà“Calling Justice Inc.,”ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàa bonus Avenger thriller by Spider-scribe Emile Tepperman! This classic pulp reprint showcases the classic color pulp covers by Lenosci and William Timmons, Paul Orban’s interior illustrations and commentary by pulp historian Will Murray.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂà$14.95.
The Man of Bronze and his daredevil cousin Pat Savage return in two classic pulp novels by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, Doc Savage is accused of serial murders and jailed. Can Pat and Doc’s aides help unearth the strange secret ofÃÂÃÂÃÂÃÂÃÂÃÂÃÂà“The Invisible-Box Murders”ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàand prove the Man of Bronze’s innocence? Then, Doc journeys to Honolulu after a strange letter makes Pat’s friend, Sally Trent, aÃÂÃÂÃÂÃÂÃÂÃÂÃÂà“Target for Death.”ÃÂÃÂÃÂÃÂÃÂÃÂÃÂàBONUS: “The Hang String,” a rare 1933 tale by Lester Dent from the back pages of The Shadow Magazine. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels.ÃÂÃÂÃÂÃÂÃÂÃÂÃÂà$14.95.
Featured Girasol Replica:ÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ Spicy Detective Stories #18 October 1935ÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ [Pulp Replica]
What sets this novel apart, for me, was the visceral, gritty quality to the violence – the likes of which I’d be hard-pressed to cite examples of outside the Spider tales in general andÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ The Mayor of HellÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ in particular. Wentworth is startlingly grim in this tale from 1936 and it reads as if it were written for today’s audience. The last line alone would not be out of place at the end of a classic Mike Hammer novel.
The Mayor of HellÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ is everything you could hope for in a Spider adventure. The more of these I read, the more impressed I am with Page’s ability to ratchet up the tension and intensity while keeping the plot moving. I couldn’t put the book down and had to shake my head in wonder numerous times at how he pushes the envelope of pulp action to dizzying heights. I can’t recommend it enough.
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| Cover Art: Mike Manley |
PULPED! returns with a two fisted discussion like no other! Hosts Tommy Hancock and Derrick Ferguson return to PULPED! with more guests than You can shake a Pulp Magazine at! Featuring Lee Houston, Jr., Andrew Salmon, Michael Brown, Jeff Deischer, B. C. Bell, and Teel James Glenn, this podcast explores a question that has popped up increasingly in the last few months! New Pulp-Just What Is It’s Connection to Classic Pulp? A controversial topic amongst fans of both, Whether or not New Pulp is a descendant of Classic Pulp, a mutation, or something all its own is explored, discussed, and debated within this SPECIAL episode of PULPED!
http://pulped.libsyn.com/pulped-the-official-new-pulp-podcast-new-pulp-gets-pulped