Category: News

Marvel Comics announced today Spider-Man: Family Business, one of Marvel’s new line of original graphic novels debuting in May 2014. And if you’re a big Spider-Man fan, you may note that the story seems a bit familiar. Spoilers follow…

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Academy Award Winner Nicole Kidman, Mia Wasikowska and Matthew Goode star in this “darkly wicked, beautifully executed mystery” (Los Angeles Times) by critically acclaimed filmmaker Park Chan-wook (Oldboy).

Following the tragic death of her father on her eighteenth birthday, India Stoker (Wasikowska) meets Charlie (Goode), her charismatic uncle, whom she never knew existed. When Charlie moves in with India and her unstable mother (Kidman), both are drawn to his charming and calming demeanor. But it soon becomes clear that Charlie’s arrival was no coincidence, and that the shocking secrets of his past could affect India’s future…or shatter it completely.

To gear up for the upcoming release of Stoker on Blu-ray and DVD on June 18^th – we’ve compiled some of the most iconic Lolita- esque characters in recent cinematic history.  Who’d be your top pick?

The Virgin Suicides – Kirsten Dunst

Part innocent teen, part mysterious seductress, Kirsten Dunst’s portrayal of Lux Lisbon is Sofia Coppola’s directorial debut is all Lolita. At one hand she does fragile teen in the movie so well, writing the name of ‘Trip’ onto her underwear, yet underneath her girly demeanour, a true female seductress lies. She wraps men around her finger, teases, seduces and finally fools her family and the rest of the neighborhood boys into realizing the true extent of their tragic plans.

American Beauty – Mena Suvari

American Beauty tells the story of a suburban father (Kevin Spacey) who snaps when he becomes disgusted with his stale, repetitive existence. He quits his job and begins a regression into young adulthood, lifting weights, smoking pot, doing nothing, and discovering the overflowing sexuality of his 16-year-old daughter’s best friend, Angela (Mena Suvari). Like the film itself, Mena’s performance is at first dark, somewhat comic, clichéd yet intelligent, scandalous, emotional, and without question one of the most seductive teenage performances of all time.

Taxi Driver – Jodie Foster

Jodie Foster made a huge impact in her performance for Martin Scorsese’s iconic Taxi Driver (1976). Playing opposite the equally mesmerising Robert De Niro, the film really hit its stride when Foster’s 12-year-old child prostitute, Iris, steps into Bickle’s cab in an attempt to escape her pimp (Harvey Keitel).  It’s no real surprise that Foster was great, as this was already her 33rd role as an actress. At only age 14, she already had more performances than some have in their entire careers.

The astonishing thing at play in her scenes is not even that she holds her own with a titan like De Niro, but that she truly carries herself like a grown up, someone who has lived twice the life of any girl her age. This is not a child actress acting adult-like in an amusing way, but a child conveying the utter loss of childhood. A true Lolita.

Stoker – Mia Wasikowska

In Stoker, Mia Wasikowska plays India, an introspective, peculiar, solitary girl who mourns the recent death of her father whilst being constantly at odds with her mother. She finds herself attracted to her mysterious Uncle Charlie who comes to live with them, following the funeral.

Taking on the role of Lolita, the pair engages in a seductive piano-playing sequence alongside a shower scene that somewhat recalls that scene in Psycho, Wasikowska’s character discovers herself in the shower after witnessing her Uncle dispose of her lecherous classmate. The incestuous relationship between niece and uncle in the film provides much of the picture’s sense of unease, as India becomes more and more drawn to her charismatic relative.

Lolita – Sue Lyon

The film, that started it all. “How could they make a movie out of Lolita?” screamed the print ads to Stanley Kubrick’s 1962 movie. By changing the 12-year-old object of Humbert’s lust into a 15-year-old, that’s how. Selected to portray Vladimir Nabokov’s celebrated nymphet was Sue Lyon, who was 14 when she won the role. The original novel caused no end of scandal by detailing the romance between a middle-aged intellectual and a 12-year-old nymphet.

Lolita is the object of Humbert’s love, a young girl who epitomizes the seductive qualities of the nymphet. Though she seems to like Humbert at first, over time she grows irritated with him and defies his authority. Beautiful, she is also vulgar, crude, and attached to popular culture.

Kick Ass – Chloë Moretz

When Kick-Ass was released in April 2010, everybody left the theater thinking about Hit Girl. Maybe it is a testament to the character and not the performance, but the two should go hand-in-hand. The unbelievable charisma of Chloë Moretz was unmatched by any other actor in the film. And we’re talking about a girl who went toe-to-toe with Nicolas Cage and Mark Strong.

Instead of resorting to the obvious and ultimately awkward sex appeal of a female hero, Moretz went with a mysterious badass persona. Hit Girl is the reason Kick-Ass lives up to its name. The other characters and the movie’s style are enjoyable on multiple levels, but without Moretz’s turn as Hit Girl the film just doesn’t have the electricity it needed. She left the humor up to her Big Daddy (Nic Cage) and kept a straight face the whole way.

Moretz is definitely a force to be reckoned with, reminding us of a young Jodie Foster without the overwhelming sexuality. Moretz was fun to watch in (500) Days of Summer and was even more graceful in Let Me In. However. Hit Girl was her coming-out character and the world will be able to recognize her because of an off-the-charts charisma that no other female youngster can match today.

Leon: The Professional – Natalie Portman

Most of the performances on this list excel because of the maturity of each youngster’s character. Sometimes a role is written that way, while others are the work of a dedicated child actor. Portman’s work in The Professional (a.k.a. Leon) is both.

As the film progresses, her balance of vengeance and progressive maturity is fascinating to watch. The fact she is now in the hands of a quasi-mentally-challenged hired assassin makes her resurgence as a lost soul even more powerful. It truly is all the work of Portman, though; she knew her character backwards and forwards, giving her a realistic quality that bleeds through the screen.

Her face contorts with every emotion, her lust for revenge comes through with an unsuspecting humor and her sex appeal is as uncomfortable as it is realistic. She just fits so snug into this character of Mathilda that it’s hard to tell if she is even acting at times – but there is no doubt she portrayed a character that has experienced something way beyond Portman’s real life.

In order to win your very own copy of Stoker on Blu-ray, simply answer the following question:

Director Park Chan-wook also directed which iconic cinematic tale of vengeance?

• Old Boy
• I Spit on Your Grave
• Irreversible
• Hard Candy

Post your response by 11:59 p.m., Tuesday, June 18 and the decision of ComicMix‘s judges will be final. Open only to residents of the United States and Canada.

On June 4, Gazillion’s Marvel Heroes MMOARPG launched to the public. And I’m here to tell you that it’s a heck of a lot of fun to play, especially if you are a Marvel fan.

Marvel Heroes is a free-to-play PC game featuring a story written by Brian Michael Bendis (which begins with a set of prequel motion comics that you can watch here). I covered the basics of the game in my previous Marvel Heroes column, so I’m going to move right into my review here.

The Good Stuff:

One of the strongest pros in this game is, of course, the Marvel IP – and what Gazillion has done with it while designing the look and feel of the game. With five starting character choices and twenty-one Marvel heroes currently available, each with three to five costumes (although Spider-man has six and Iron Man eleven!), players can instantly play as a Marvel hero who looks and talks like he or she came straight out of the comics. If players are willing to spend money, they can play as non-starter heroes from the get-go, and equip the heroes with favorite costumes as well (heroes and costumes are also available as in-game drops, but they are rare). And people who get tired of one character have plenty of choices available if they want to switch things up.

The characters look like the heroes we know and love; the costumes are iconic; and each character has unique voice-over work, some of which is done by actors who have previously voiced the same character in other media or games (e.g. Steve Blum reprises his role as Wolverine). Through this voice work, the characters interact with the environment and other players in ways that fit with their comics personas. (One thing I like about the voice-over work is that sometimes, the lines actually make me laugh out loud.) Some of the heroes even have enhanced costumes, with special effects and separate voice-over work (for instance, Pirate Deadpool speaks in a pirate voice). There are also “artifacts” you can get that change the cosmetic look of your hero a bit, or that add to their powers. The game even has a few pets available – like Old Lace from Runaways! Favorite characters of mine so far include Deadpool, Jean Grey, Rocket Raccoon, Iron Man, Scarlet Witch, and Hawkeye; and Gazillion plans to continue releasing new heroes, with Human Torch , Squirrel Girl, and Emma Frost being three announced heroes that I’m looking forward to playing.

The powers available for each hero are also mapped directly from Marvel lore, and can be customized via power points to make your individual hero suited to different play styles (melee, ranged, tank, team support, etc.) while still feeling authentic. The powers can also look pretty darned cool, like for instance when Jean Grey goes into her Phoenix Transformation and flies around with a flaming phoenix around her. Her other powers even have a different (fiery) look to them when she’s using them while transformed. The characters also have lore-appropriate epic Ultimate Powers, which can eventually be unlocked at higher levels and <a href=”

are mostly awesome. (I love that Iron Man’s is called House Party and calls up other Iron Man suits, just like in the movie.) You can also customize hero performance through gear drops, which come with various affixes like defense, or +X to a power, or gain of spirit on use of a basic power, or a personal favorite of mine, freeze.

The environments and enemies are also Marvel-specific in some pretty cool ways. We get maps like Hell’s Kitchen (accompanied by a cool Daredevil motion comic) which feel kind of dingy and shady and like Daredevil’s Hell’s Kitchen might; and maps like the Savage Land, which have dinosaurs (yay!). Other areas include the Jersey Docks, Madripoor, and more. The maps are randomized, which makes re-playing levels not overly monotonous. There are also fun side-missions, like an abandoned subway tunnel, or a convenience store, or a small island, that usually house a few enemies and sometimes a treasure chest. And then there are locations like the Hand Tower or Kingpin Tower that feel very authentic in design and end with a boss like Elektra or the Kingpin. (And I can’t explain why, but the fact that I can destroy Kingpin’s couch cushions on the way to the boss fight is a never-ending joy to me. Take that, Kingpin!) Enemies vary by location, so players will find themselves fighting AIM, Hydra, the Hand, the Maggia, etc.; as well as additional bosses, like Doc Ock, Venom, Taskmaster, MODOK, and more.

Everything about the game shows that Gazillion cares about the details of the Marvel universe and put a lot of thought into the design – up to and including the load screen tips, which sometimes address gameplay, but other times share facts about heroes and locations (and occasionally inform you that Deadpool is not standing behind you right now, which is always a relief). The motion comics are also part of the immersion – and are peppered throughout the game to move the story along. While I don’t love every single one of them, most are very cool and the introduction comic, the Madame Hydra fight comic, and the Taskmaster Institute comic come to mind as very enjoyable (the Taskmaster Institute one is the best).

Another area in which I think Marvel Heroes has done well is in the game’s accessibility to new gamers or new MMO players. For instance, I love Marvel and I love gaming. I have a comics collection that spans several shelves and is at least 3/4 Marvel, and I own an XBox and have played numerous games on it, including playing through Marvel Ultimate Alliance 1 & 2 an embarrassing number of times. However, until this game, I had never played an MMO-style game before, and hadn’t played a game on a PC in years. Marvel Heroes makes it easy to pick up the mechanics of gameplay during the prologue level (The Raft), and through interactions in player hubs, such as the crafting tutorial or the mission that sends you around Avengers Tower to “talk” to several non-playable characters and gain Marvel background information.

The game also makes teaming pretty easy – if you are looking to team up and don’t know anyone, you can try the chat window to talk to other players; or you can use the function that automatically puts you in a party. While in a team, there is a team “bodyslide” teleport feature, which transports you to the location of whichever team member you’ve chosen; and, of course, there is a team channel in chat through which you can talk to only your teammates.

Although this is not part of the actual game, I also think that Gazillion’s customer service is worth a mention here. Despite Gazillion being a relatively small company, I’ve consistently had good experiences with their community interactions and customer service. For example, during the launch of the game, there were a few problems that caused early access (for which users such as myself had paid) not to be available at the promised time. While that was disappointing, Gazillion addressed the issues with compensation for the delay, which, in my view, more than makes up for it. (Yay, a pet! I wanted a pet anyway.)

The Not-As-Good-Stuff:

Overall, I really like this game. However, there are a few issues that I think hamper enjoyability a bit.

One of these issues is the storage space (the S.T.A.S.H.) that you get for your heroes’ equipment and costumes; for XP, item find, and other boosts; and for crafting materials. The space allotted with the free game is pretty small and not organized into tabs or sections; and crafting materials, which you will need many of if you want to craft anything, don’t stack, and quickly fill up the available space. I realize that the small amount of storage space is deliberate, because Gazillion needs to make money, and people buying more S.T.A.S.H. space is one way they can do that – but I resent having to buy inventory space in a way that I don’t having to pay money if I want a new hero or costume, or a performance boost, or a cosmetic item (I have no problem with spending money for any of those things). They could have started us out with at least a little more space, or allowed us basic organizational tabs for crafting, gear, and other items. Also, while I received a S.T.A.S.H. storage tab specifically for the hero I purchased with my premium pack (Deadpool!) I did not get a tab for either of the Valentine’s Day special heroes that came along with that purchase and included costumes. So although I’m happy to have the heroes and costumes, unless I buy more tabs, four spaces in my general tab are always going to be taken up by costumes, which is a pain.

Another area that could use some improvement is in character balance – because although of course you don’t want playing Scarlet Witch to feel the same as playing The Hulk or Storm or Captain America, if one of these characters is noticeably overpowered at the same level as another hero who is very weak, the game can seem pretty skewed. I have seen some instances of this; however, I know that with MMOs, balance continues to be tweaked through and after game release, so I expect this will even out. In terms of balance, a few of the bosses could also use some work – particularly the Rhino, who just straight-up kills you if you’re standing in the path of his charge (hard to consistently avoid since he’s a world boss, so you’re always fighting him with a number of other players and their accompanying power effects, which can make it hard to tell you’re about to be run down). Again, though, I am guessing (hoping!) this may be adjusted as Gazillion works out some balance kinks, since I know this problem existed with Bullseye before and they adjusted that fight.

And To Sum Up:

I am really enjoying Marvel Heroes. I think it’s had a strong start, looks great, and has a lot of cool features. I do see some potential for improvement with the aforementioned issues, and perhaps by adding, e.g., achievements to the game and the like, but given that we know Gazillion intends to keep adding characters and other features to the game as time goes on, I have high hopes for this to continue to be a fun place to play for quite some time.

So if you like gaming (or you don’t know if you like gaming but would like to give it a try), or you like Marvel, or you like both, check out Marvel Heroes!

And until next time, Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

In the wake of revisionist takes on classic fairy tales, it was only a matter of time before someone came up with an approach that was tongue-in-cheek or so over the top it was going to be a wacky delight. I thought that was going to be Hansel & Gretel: Witch Hunters as the adult versions of the classic kids were first seen with crossbow and rifle, decked out in black leather and ready to kick ass. The trailers made it look like it could be tremendous fun and the cast of Jeremy Renner, Gemma Arterton, and Famke Janssen made it appealing.

Unfortunately, writer/director Tommy Wirkola couldn’t decide on a consistent tone for the film so sometimes it was a straight drama, sometimes a dark comedy, sometimes just boring. He’d been harboring the concept since 2007 and the pop culture zeitgeist caught up with him, allowing him to bring the notion to life. Originally slated for 2012 release, it was finally unleashed in 3D in January and now, on Tuesday, it comes to home video from Paramount Home Video. Surprisingly, despite tepid reviews and so-so box office, just this week there’s been talk of a sequel percolating.

In short, Hansel and Gretel survived their encounter with the witch when they were children and grew up to hunt down the rest of the black-hearted breed, hiring themselves out to towns in need. Wirkola amends the legend, codified in print by the Brothers Grimm in 1812, by having the parents gone early on. Additionally, he posits that mom was a white witch, an extremely rare breed whose blood contains special properties.

Muriel (Janssen) wants that blood and knows that Gretel has the blood flowing through her veins. Her goal has been to capture children from around Germany and sacrifice them in a Sabbath ritual that, coupled with Gretel’s blood, will make them immune to fire, the one thing that can kill them.

Things fall into place in the small town of Augsburg where the siblings have been summoned to find the missing children. While the mayor is smart, the sheriff is the stereotypical fists-first narrow-minded sort, expertly played by Peter Stormare.

Renner and Arterton work well together and Wirkola cheats the audience by keeping them apart for long stretches. The heart and soul of the film is their bond and the script gives them too few opportunities to demonstrate that. While we know Renner can handle the action, Arterton is a revelation and she clearly is having a good time, even without her normal accent.

There are witches aplenty and a lonely troll Edward (Derek Mears) who works for the witches until he encounters Gretel. There’s also an annoying proto-fanboy in the form of Ben (Thomas Mann) to help with some of the exposition. The posse also gains the help of another white witch in the form of the redheaded Mina (Pihla Viitala), which sets up the climax which features a visually interesting assortment of witches.

The film features anachronistic dialogue, mannerisms, cultural mores and most blatantly, the weaponry employed by the title characters. They make the film quirky but Wirkola does not do enough with them so things plod along with few surprises and weak dialogue. No wonder the theatrical release clocks in at a brisk 87 minutes. The Blu-ray, though, comes complete with an extended cut, adding ten minutes of promised comedy and mayhem which just makes things a little better, but not enough to change your overall opinion.

The transfer is lovely and looks nice with solid sound. There are just three short extras including a too-brief Reinventing Hansel & Gretel (15:41), which whisks you through the Making Of; The Witching Hours (9:01) with an emphasis on the inventive designs for the evildoers; Meet Edward the Troll (5:25), a look at how Mears and an animatronics team brought the troll to life.

The Adventures of Jungle Jim

Volume 1

 

Beginning with Tarzan, the pulp era was full of jungle heroes. Jungle Jim is one of the unique ones. He wasn’t a barely-literate loincloth-clad tree-dwelling wild man, but rather Jim Bradley, a “great white hunter” in the mold of heroes of earlier popular fiction such as H. Rider Haggard’s Allan Quatermain and Lord John Roxton from Arthur Conan Doyle’s The Lost World, who represented the colonial view of the so-called primitive regions of the globe. This gave him a distinctive difference from your run-of-the-mill jungle man, who often knew little about civilization and was equipped with not much more than a knife in most cases. Also, his stomping grounds were located in exotic southeastern Asia.

 

Produced by Jay Clark and often written by Gene Stafford, The Adventures of Jungle Jim was on the air weekly from 1935 to 1954, with announcer Glenn Riggs (among others). The show brought listeners tales of slave traders, pirates, foreign spies, wild beasts, poachers, hostile tribes, and, during World War II, the Japanese, as Jim often served as an Allied operative. Intended for a general audience, the series’ storylines are richer than the usual juvenile radio fare. Each exciting fifteen minutes episode opened with a section of the William Tell overture.

 

Matt Crowley originated the role, with Gerald Mohr, who had a long career in radio, film and television, taking over in 1938. Joined by his faithful aide, Kolu, a powerful Hindu giant (played by Juano Hernandez), Jungle Jim often encountered “Shanghai” Lille DeVrille (played by Vicki Vola and France Hale), who served as Jim’s femme fatale.

 

Described as a “gentleman adventurer, a true friend of all good men and relentless enemy of all bad ones, no matter what their race or creed may be”, Jungle Jim was so popular that in addition to his radio show, he also starred in film, comic books, comic strips and even television adaptations, portrayed notably by Johnny Weismuller in his post-Tarzan days.

 

This volume contains the first 40 fifteen minute episodes of The Adventures of Jungle Jim. Episodes #1 to #22 are “The Bat Woman” and episodes #23 to #40 comprise the first 18 exciting episodes of “The Purple Triangle.” 10 hours $29.98 Audio CDs / $14.99 Download.

 

 

Special 50% discount Offer

The Cisco Kid

Volume 1

 

“The Cisco Kid, ” as old time radio and B-Western fans know him best, bears little resemblance to the character introduced by writer O. Henry in his 1907 short story “The Cabellero’s Way”: a dark-skinned white man passing himself off as Mexican, a scabrous, cold-blooded criminal who expunged his victims as much for the sheer joy of killing as he did as a necessity of his work.

Such a personality would seem to have little potential as a long-running star of juvenile adventure fiction — but the Kid made the transition, evolving from a series big-budget feature films at the dawn of the talking picture age, down into B-pictures, the comics, and radio. By the time Cisco arrived at the microphone, he had been greatly sanitized to make him acceptable kiddie fare and had picked up the obligatory humorous ethnic sidekick — Pancho, lifted without acknowledgement from Miguel Cervantes’ “Sancho Panza” character in “Don Quixote.”

 

Thus modified, “The Cisco Kid” became a great favorite with western/adventure fans during the 1940s. Dubbed “the Robin Hood of the Old West,” his radio adventures originated for many years at WOR, New York, and were widely syndicated by transcription by the Frederic W. Ziv Company of Cincinnati, Ohio. Jack Mather and Harry Lang filled the lead roles, supported by the usual WOR stock company, and the transcribed series was produced for nine highly successful and lucrative years.

 

Since the 1947-1956 syndicated ZIV series was pre-recorded, a great many of Cisco and Pancho’s adventures have been in the hands of collectors for years — with the majority of available programs dating from earlier entries in the series. Recently, however, a large collection of beautiful discs was discovered in Des Moines, Iowa — uncirculated and largely unplayed 16″ vinyl transcription recordings, carefully preserved by a local advertising agency. These programs have, for the most part, been unheard since the 1950s and most have never been available to collectors – a real “find” for radio enthusiasts everywhere.

 

In addition to their rarity, a unique feature of these restored broadcasts is the reintegration of regional commercials, voiced by well-known announcer Marvin Miller. The series was sponsored on a number of Midwestern radio stations by the bakers of Butter-nut Bread, and the program recordings were accompanied by separate discs containing the commercials. As presented in this set, the commercials have been edited back into the programs — allowing you to hear them just as they originally aired in the early 1950s.

 

Of special interest to radio enthusiasts are the last two shows in this collection: “Murder at North San Juan” and “Porfirio and the Bearded Lady,” starring Jack Mather as Cisco and Mel Blanc standing in for Harry “Pancho” Lang as Pancho’s cousin-in-law, Porfirio. Lang fell ill in early 1953 and, rather than have another actor temporarily fill in, the producers instead chose to have Pancho fall ill as well and be replaced with a series of relatives. For the next few months, a varied array of cousins and uncles would ride with Cisco until Harry was well enough to return to the show. Lang did return for a brief time but, sadly, he suffered a fatal heart attack in August of 1953. The relatives – including Uncle Jose and Great Uncle Cipriano – returned in his stead until, finally, Mel Blanc assumed the role of Pancho himself. Fans of the series will be happy to hear that there will be many more shows featuring Mel Blanc in his best “Frito Bandito” voice in upcoming “Cisco Kid” collections from Radio Archives. 10 hours. Regular Price $29.98 - Specially priced until June 20 for $14.99 Audio CDs / $7.49 Download.

 

D-Day

38 Hours of NBC Coverage

 

It was the largest, most ambitious, and most successful military operation ever attempted — and radio was there to cover it.

D-Day, the invasion of Normandy. It was the turning point of the war in Europe, the beginning of the end for the Axis as the Allies started their drive towards Germany. It was a momentous event that would change not only the course of World War II, but the history of the world. Radio Archives is pleased and proud to offer the complete and continuous NBC network coverage of the events of June 6 and 7, 1944.

 
Noted inspirational author Dr. Norman Vincent Peale, King Haakon VII of Norway, Premier Gerbandy of the Netherlands, Premier Pierlot of Belgium, and US Senators Clark, Barkley, White, Hill and Congresswoman Clare Boothe Luce speak, as does the President of the United States, Franklin Delano Roosevelt. General Eisenhower speaks from SHAEF headquarters.

 

Regular NBC shows were included in the broadcast, “The Bob Hope Show”, “Fibber McGee & Molly”, “The Guiding Light”, “Vic & Sade”, “The Red Skelton Show”, “The Road of Life”, “Today’s Children”, “Ma Perkins”, “Pepper Young’s Family”, “Mary Noble, Backstage Wife”, “Stella Dallas”, “Lorenzo Jones”, “Young Widder Brown”, “When A Girl Marries” and “Front Page Farrell” among them.

 

Hear the events of the day as reported by Ben Grauer, Cesar Saerchinger, Charles F. McCarthy, David Anderson, Don Goddard, Don Hollenbeck, Ed Hocker, Edward R. Murrow, Elmer Peterson, George Wheeler, H. V. Kaltenborn, Herbert M. Clark, James Willard, John W. Vandercook, Louis P. Lockner, Lowell Thomas, Merrill Mueller, Morgan Beatty, Ralph Howard, Richard Harkness, Robert McCormick, Robert St. John, Tommy Traynor, W. W. Chaplin and Wright Bryan. Alex Dreier, in Chicago, recalled his experiences as the last western correspondent in Nazi Germany while Stanley Richardson offered an eyewitness account of the invasion from the Channel boats, and George Hicks reported from the beach-head itself!

These are recordings that many historians believe to be among the most valuable audio documents ever preserved. The NBC broadcasts — containing over 38 hours of continuous programming of news, music, drama, comedy, and entertainment — are history as it happened, in a special collection that is sure to occupy a special place in your radio collection. 38 hours. Normally priced at $113.98 Audio CDs / $56.99 Download, D-Day is Specially priced through the month of June at only $99.98 Audio CDs / $49.99 Download.

 

 

On June 6, 2004, in remembrance of the 60th anniversary of the Normandy invasion, the ABC Radio program Perspective featured a fascinating story detailing radio’s coverage of D-Day as it happened in 1944. Written, edited, and narrated by ABC reporter Chuck Sivertsen, the feature utilized clips from the D-Day collection described above. We think this in-depth and well-presented piece provides an excellent overview of the historic content of this collection.

 

 

Will Murray’s Pulp Classics #27

The Green Lama Audiobook

#2 Babies For Sale & The Wave of Death

by Kendell Foster Crossen writing as Richard Foster

Read by James C. Lewis. Liner Notes by Will Murray

 

 

The jade-robed Buddhist priest who battled crime as The Green Lama is back! Conceived in 1939 at the behest of the editors of Munsey Publications to compete with The Shadow, The Green Lama was the creation of writer Kendell Foster Crossen, who was asked to think up a hero who could lure mystery-minded readers away from The Shadow’s loyal legion of followers.

 

“The basis for the Green Lama came after I’d read a non-fiction book review in the New York Times about an American who really became a lama,” Crossen once recalled. “The book was titled, The Penthouse of the Gods.” 

 

From that gossamer inspiration, the writer spun an outrageously unique superhero. Returning to the States, young Jethro Dumont assumed an alternative identity of the Buddhist cleric, the Reverend Dr. Pali, then began gathering about him a band of civic-minded citizens to join him in his Buddhistic battle against suffering in all forms—particularly those caused by criminals. And aiding him from the shadows, the mysterious Magga, a woman of many faces who had taken an interest in guiding The Green Lama’s campaign against malefactors.

 

It was an outlandish concept. While The Shadow possessed the power to cloud men’s minds after his time in the East, The Green Lama relied on other, even weirder, powers—including the ability to become radioactive and electrically shock opponents into submission! He carried a traditional Tibetan scarf, which he employed to bind and befuddle opponents, and possessed a knowledge of vulnerable nerve centers which he put to good use in hand-and-hand combat. Being a practicing Buddhist, it would not do for The Green Lama pack a pair of .45 automatics a la The Shadow!

 

“The real success of the Lama was because of the mysticism,” Ken Crossen recalled. “We received a tremendous amount of mail about the Lama. People would come into the offices of the publishing company asking to see him. If he wasn’t there, they’d want to talk with Richard Foster.” Foster was the name of the imaginary “author” of the series.

 

James C. Lewis gives a thrilling performance of the mystical Green Lama for two more exciting exploits, Babies for Sale and The Wave of Death, both set in 1940 Hollywood. Om Mani Padme Hum! The Green Lama knows! 6 hours $23.98 Audio CDs / $11.99 Download.

 

 

 

FREE Pulp Audiobook!

 

RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.

 

If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.

 

Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.

 

“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”

 

Happy listening,

Will Murray

 

 

 

New Will Murray’s Pulp Classics eBooks

 

The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!

 

The Spider #69 June 1939 Rule of the Monster Men

The veterinarian’s ambulance was jammed, not with afflicted animals, but with human beings — monstrously deformed, and driven out into the street by men with whips! Richard Wentworth beheld this horror, and realized that a new Reign of Terror had struck New York! For somewhere, hidden from the baffled police, was a new Underworld master whom men called the Wreck. Foully misshapen, he had twisted countless victims — by means of drugs and operations — into his own evil image. And with this nightmare army he was plundering Manhattan! No area was safe from his vulture’s claws — not even the World’s Fair! But Richard Wentworth did not fear to challenge this crime-master — and with the Spider’s keen weapons began his fight to save a great metropolis from madness and death. Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.

 

 

G-8 and His Battle Aces #90 March 1941 Raiders of the Red Death

G-8 and His Battle Aces rode the nostalgia boom ten years after World War I ended. These high-flying exploits were tall tales of a World War that might have been, featuring monster bats, German zombies, wolf-men, harpies, Martians, and even tentacled floating monsters. Most of these monstrosities were the work of Germany’s seemingly endless supply of mad scientists, chief of whom was G-8’s recurring Nemesis, Herr Doktor Krueger. G-8 battled Germany’s Halloween shock troops for over a decade, not ceasing until the magazine folded in the middle of World War II. G-8 and his Battle Aces return in vintage pulp tales, reissued for today’s readers in electronic format. $2.99.

 

 

Double Detective #31 June 1940 Babies For Sale

The jade-robed Buddhist priest who battled crime as The Green Lama is back! Conceived in 1939 at the behest of the editors of Munsey Publications to compete with The Shadow, it was an outlandish concept. While The Shadow possessed the power to cloud men’s minds after his time in the East, The Green Lama relied on other, even weirder, powers — including the ability to become radioactive and electrically shock opponents into submission! He carried a traditional Tibetan scarf, which he employed to bind and befuddle opponents, and possessed a knowledge of vulnerable nerve centers which he put to good use in hand-and-hand combat. Om Mani Padme Hum! The Green Lama knows! The Green Lama returns in vintage pulp tales, reissued for today’s readers in electronic format. $2.99.

 

Dime Mystery Magazine Hugh B. Cave Book 1

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by Hugh B. Cave, reissued for today’s readers in electronic format. $2.99.

 

99 cent eBook Singles

Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.

 

Terror Tales Satan’s Mad Surgeons by Loring & Peggy Dowst

Van Rees knew he must unravel the dreadful secret of that buried charnel house — if he were to save the girl he loved from the crimson hands of the — Devil’s Surgeon! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.

 

Terror Tales School For Terror by Evan Leigh

It was a school of helpless, frightened girls, too young to guess at the true nature of the thing which nightly brought them fear and death. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.

 

 

Rangeland Romances #11 A Little Light Cheating by Anita Allen

Breezy young Poppy thought it would be lively fun — and good politics — to stir up all the women against the men. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.

 

Rangeland Romances #18 Petticoat-Corralin’ Hombre by Cecilia Bartholomew

Cowboy Chad knew a sure cure for the luscious little man-hater. Man-hatin’ Verlee found she was a tenderfoot at keepin’ her heart on her hatin’ when she met up with a Petticoat-Corralin’ Hombre. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.

 

All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.

 

Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:

 

 

Search for RadioArchives.com in iTunes.

 

 

 

FREE Spider eBook!

 

Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.

 

For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.

 

Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.

 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.

 

Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!

 

 

 

The Spider, Volume 12

Richard Wentworth, in the guise of his crime-fighting alter-ego, returns in two classic tales of The Spider. First, in “Satan’s Death Blast” (1934), normal and healthy men are going about their work one minute but, in the next minute, they literally cease to exist, wiped out by a devilish power beyond human comprehension. Taking credit for these atrocities is a mastermind who calls himself the Devil – and only The Spider dares discover if he can indeed beat the Devil! Next, no one gazed upon the new Czar of Crime and lived to tell about it, as he could inflict instant death upon his victims simply by looking at them! He, too, called himself the Devil, and with The Spider accused of murder and Richard Wentworth under suspicion by the police, he has the Devil’s luck in “Murder’s Legionnaires” (1942). These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. On sale for $12.95, save $2.00

 

The Shadow, Volume 73

The Knight of Darkness proves that crime does not pay in two pulp classics by Walter B. Gibson writing as “Maxwell Grant.” First, The Shadow follows a trail of murder to retrieve the priceless rubies known as “The Seven Drops of Blood.” Then, to prove the innocence of a man accused of an impossible crime, the Dark Avenger must uncover the strange secret behind “Death from Nowhere.” BONUS: The Whisperer brings true sight to “The Eye of Zion” in a thriller by Alan Hathway writing as “Clifford Goodrich.” This instant collector’s item features the classic color pulp covers by Graves Gladney and George Rozen, the original interior illustrations by Tom Lovell and Edd Cartier, and commentary by popular culture historian Will Murray. $14.95.

 

The Avenger, Volume 9

The original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, The Avenger is blamed when massive power outages black out North America. Can Dick Benson locate the mastermind called Nevlo in time to prevent a deadly final blackout? Then, Death in Slow Motion cripples an American industry, and Justice, Inc. must find an antidote in time to save hundreds from the deadly paralysis plague! Finally, a defeated crook returns to plot Vengeance on The Avenger in an exciting novelette by Spider-wordsmith Emile Tepperman. This classic pulp reprint includes both color covers by Graves Gladney, Paul Orban’s dynamic interior illustrations and commentary by pulp historian Will Murray. $14.95.

Doc Savage, Volume 66

80th Anniversary Commemorative Special. Commemorating the Man of Bronze’s anniversary with two expanded novels, restored from Lester Dent’s original manuscripts with never-before-published text! First, a Wall Street scandal sets the Man of Bronze on the golden trail of “The Midas Man,” who plots to control the global financial system. Then, while recovering from a serious head wound, a disoriented Doc Savage battles modern-day pirates and murderous zombies in “The Derelict of Skull Shoal.” PLUS: “80 Years of Doc Savage”: a Pictorial History of the Pulps’ Greatest Superman! This landmark collector’s edition features the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 

Doc Savage, Volume 66 James Bama Cover

80th Anniversary Commemorative Special. Commemorating the Man of Bronze’s anniversary with two expanded novels, restored from Lester Dent’s original manuscripts with never-before-published text! First, a Wall Street scandal sets the Man of Bronze on the golden trail of “The Midas Man,” who plots to control the global financial system. Then, while recovering from a serious head wound, a disoriented Doc Savage battles modern-day pirates and murderous zombies in “The Derelict of Skull Shoal.” PLUS: “80 Years of Doc Savage”: a Pictorial History of the Pulps’ Greatest Superman! This landmark collector’s edition features the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 

Featured Girasol Replica: Operator #5 #1 April 1934 [Pulp Replica]

This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00

 

Continuing to Celebrate the 80th Anniversary of Doc Savage and King Kong

Radio Archives continues to offers new King Kong and Doc Savage products. We are proud to offer high-quality limited edition Joe DeVito posters. Click here to take a look at these four gorgeous paintings by this award winning artist.

 

Doc Savage: Skull Island Series 1, wraparound cover
Doc Savage: Skull Island Series 2, front cover
KONG: King of Skull Island, full montage
KING KONG

 

Will Murray’s Monumental New Novel

Doc Savage: Skull Island

 

Doc Savage vs. King Kong!

 

Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.

 

While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.

 

As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?

 

On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.

 

The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.

 

“I know this creature,” Doc tells his dumbfounded men.

 

Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.

 

Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.

 

The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.

 

“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”

 

“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”

 

Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”

 

Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.

 

Review of Satan’s Death Blast from The Spider, Volume 12

By Andrew Salmon

 

To say that Norvell Page’s Spider novels are intense is akin to saying that fire is hot. Satan’s Death Blast, first published in the June 1934 issue of The Spider magazine features all of the trappings one can expect from the series. A diabolical villain disguised as the Devil himself, a deadly explosive that can level buildings, break-neck action and countdown clock intensity. These are all present to give the novel an immediacy that can be felt today as easily as it was back in ‘34. Page does not disappoint, constantly ratcheting up the action while turning the screws until you can scarcely breathe.

 

Another element well on display here is Page’s penchant for putting the Spider through an emotional as well as physical wringer. Generally speaking, a case can be made for the precarious mental state of Richard Wentworth at the best of times so when the heat gets turned up, his brain really begins to churn. His burning desire for justice and/or vengeance is what drives the tale and he suffers the slings and arrows of outrageous fortune as he tries to prevent the Devil from using his revolutionary explosive to create panic as he loots cities of their wealth. One of those arrows cuts right to his heart: betrayal! Watching Wentworth wrestle with a traitor in his midst – the person closest to him – makes for the special anguish that is particular to the Spider stories. Nowhere is it better showcased than in this ripper of a novel.

 

The Spider’s failure to prevent catastrophe early in the story spurs him on and he’ll endure bullets and stabs wounds as he’s pushed to the edge of not only his sanity but his mortality as well. Spider novels are all-out adventures and Satan’s Death Blast is not only one of the most exciting in the long line of incredible Spider adventures, it also packs more wallop than any half-dozen summer blockbusters. Action, intensity, sacrifice, betrayal, failure, triumph – they are all here in spades.

 

Satan’s Death Blast is a great read and as good a place as any for anyone not familiar with the Spider to get their feet wet. This Spider novel is not to be missed. Girasol Replica #GC1xx $35.00 / eBook #RE009 $2.99 / Double Novel reprint #12 #5512 $14.95 On sale for $12.95, save $2.00

 

Comments From Our Customers!

 

James Droegemueller writes:

Thanks for this awesome sale on Dr. Jekyll and Mr. Hyde, Volume 1. I love OTR (and the pulps, even more!) and am excited to listen to this.

 

Christopher Southworth writes:

Woo-hoo! G-8, at last! Thanks, as always, and have a great weekend!

 

Bobby Nash writes:

i was set up at the Alabama a Phoenix Fest this weekend and am pleased to share the news that my biggest seller of the weekend was Nightbeat, of which I sold out. There were some who looked at it and left with my business card and links with promises of ordering the digital download. I met several OTR fans.