Category: News

Watch “Thor: The Dark World” Trailer

Will Thor: The Dark World Be Plagued By Dark Elves?

Just in time for Iron Man 3, we have trailers for Thor: The Dark World, hitting UK theaters on October 30 and US theaters on November 8. Of course, it’s the sequel to Marvel’s Thor, starring Chris Hemsworth, Natalie Portman, Tom Hiddleston and Christopher Eccleston.

Marvel’s Thor: The Dark World continues the big-screen adventures of Thor, the Mighty Avenger, as he battles to save Earth and all the Nine Realms from a shadowy enemy that predates the universe itself. In the aftermath of Marvel’s Thor and Marvel’s Avengers Assemble,Thor fights to restore order across the cosmos…but an ancient race led by the vengeful Malekith returns to plunge the universe back into darkness. Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save us all.

Starring Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård, Idris Elba, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Kat Dennings, Ray Stevenson, Zachary Levi, Tadanobu Asano and Jaimie Alexander with Rene Russo and Anthony Hopkins as Odin, Marvel’s Thor: The Dark World is directed by Alan Taylor, produced by Kevin Feige, from a story by Don Payne and screenplay by Christopher Yost and Christopher Markus & Stephen McFeely and is based on Marvel’s classic super hero Thor, who first appeared in the comic book “Journey into Mystery ” #83 in August, 1962 by Stan Lee and Jack Kirby.

See a new Star Trek Clip

Paramount Pictures has released a clip from Star Trek Into Darkness via Moviefone. The May 17 release has been receiving a tremendous marketing push from the studio both here and internationally, in the hopes of reigniting interest after making fans wait four years since the first entry in the rebooted series.

In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth.  In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.

As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

See Iron Man 3 in IMAX and get an Exclusive Poster

im3-e1366666238610-9464272If you can’t wait to see Iron Man 3 and are lining up for the 12:01 a.m. IMAX screening on May 3, know that you will be rewarded with an exclusive one-sheet. The artwork is by Jock, the British artist better know for Vertigo’s  The Losers than he is Marvel heroes. This is a three-way collaboration between Marvel Studios, IMAX and Mondo.

Marvel’s Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test hismettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s “Iron Man 3” is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of Tales of Suspense #39 in 1963 and had his solo comic book debut with The Invincible Iron Man #1 in May of 1968.

Iron Man 3 is presented by Marvel Studios in association with Paramount Pictures and DMG Entertainment. Marvel Studios’ President Kevin Feige is producing and Jon Favreau, Louis D’Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee and Dan Mintz are executive producers. The film releases May 3, 2013, and is distributed by Walt Disney Studios Motion Pictures.Watch the new trailer on Tuesday exclusively on iTunes Movie Trailers!

Doctor Who: The 50th Anniversary Rumor mill

In a absence of fact, rumor and Clever Theories rush in to fill the vacuum.  And considering the security surrounding The 50th anniversary Doctor Who adventure, and the ravenous hunger of the public for details, there’s no doubt the media is falling over itself to deliver any snippet it can, real or imagined.

So far the actual facts are few and far between.

It will be broadcast in 3-D Whether or not there will be any cinematic presentations in that format is unkown, but wouldn’t be a bad idea.

We know of only one other Doctor who will appear – namely David Tennant, with Billie Piper returning as Rose Tyler.  No news on from what point of his history this even will take place, however, though based on their costuming, it’s a fair bet Tennant is playing the proper Doctor and not “Doctor Two”, the one from Pete’s world.

The Zygons are back – publicity photos confirm this. However, Robert Banks Stewart, writer of Terror of the Zygons (not to mention The Seeds of Doom), confirmed he gave permission to use the baddies, and claims in this interview that the Daleks and Cybermen will appear as well.  His data source is suspect, and none of either baddie have been sighted on location.

Jemma Redgrave will be back as Kate Stewart, the new head of UNIT.  Other guest stars include John Hurt and Joanna Page, “Stacey” from Gavin and Stacey, in which James Corden was Gavin.

Christopher Eccleston will not appear – He’s stated, and the BBC has confirmed that while he talked to Moffat about a return to the series, he has chosen against it.  Now there’s every possibility that’s a clever lie, intended to keep a surprise a secret. But one must know when to fish, and when to cut bait, so considering Eccleston’s reticence to stay with Who any longer than he did, it’s fairly safe to presume this is the truth.

None of the earlier Doctors will be back either – Colin Baker, Paul McGann and Sylvester McCoy all confirmed at a convention in New Zealand that none of them had been approached.  McGann still help out hope for a last-minute call, commenting he was used to being called on Wednesday for a part that began on Thursday.  But one thinkg they all agree on is that Lord of the Rings auteur Peter Jackson would make a stellar Who director.  Jackson whimsically commented in earlier interviews that he’d love to do an episode, even refusing payment, saying he’d accept a Dalek in lieu of a check.  While I’m sure the BBC would love to have this happen, but there’s certainly nothing in the cards

Those are the facts at hand.  Everything from this point on is merely the reportage of various rumors, dreams and outright cockeyed flumdummery from the media.

The roles Hurt and Page are playing are unknown, but theories abound.  Based on her costume at the various location shootings, some believe Page may be playing Queen Elizabeth the first, a character who has been alluded to in past episodes, most notoriously when The Doctor implied that her sobriquet of The Virgin Queen was not  (any longer) the case.

John Hurt’s role is unknown as well, but the fans are ready with a clever theory.  There are those who suggest that he is a new incarnation of The Doctor, having taken place between McGann’s and Eccleton’s.  This is possibly sprouting from this picture of John Hurt from the filmnig, wearing an outfit somewhat reminiscent of both actors’ costumes.  Whatever he’s playing, he’s dedicated to the part – he left early from a party in his honor over the weekend to ensure he made first call in Cardiff the next day

tumblr_lk4htxvxqj1qziulwo1_500-5157034The past Doctors may appear virtually – The latest rumor bouncing about is that Doctor Who may take a page from Star trek, specifically Deep Space Nine’s adventure Trials and Tribbleations The UK’s Daily Star (not exactly a paper of record, but still) reports that the BBC may be planning to digitally insert matt Smith into episodes from past Doctors’ eras in the same way they inserted the DS9 cast onto Space Station K-7 in The Trouble With Tribbles.  This wouldn’t be the first time they did something similar – Matt appeared dancing with Laurel and Hardy on Amy and Rory’s TV in The Impossible Astronaut, which may well be where the rumor got its start.

The BBC are keeping as tight a lid on the details of the episode as possible for obvious reasons. Matt Smith has reported it’s a wonderful story, but shared no details.  On Jonathan Ross, David Tennant suggested “paintings” may be involved in the story in some way.

As a rule, one must use the first rule of the internet when analyzing the various “news” you will hear over the next few months – “Pictures, or it didn’t happen.”

 

Mindy Newell: To Tell The Truth

steven-colbert-with-elements-of-style-fourth-edition-william-strunk-jr-author-e-b-white-author-roger-angell-foreword-5809441Embellishment.

Is it a dirty word, especially when it comes to writing? Well, it depends. Simply put, there must be no embellishment when writing for a professional journal. The truth must be told.

There is a big difference between writing for a professional journal and writing fiction, or even this column. Writing for a professional journal must follow a proscribed style set by peer-reviewed organizations whose rules on grammatical usage, word choice, elimination of bias in language, the proper citation of quotes and references and the inclusion of charts and tables have become the authoritative source for all intellectual writing. This means that for me, as an RN, BSN, CNOR, I must adhere to the styles and standards set by the Publication Manual Of The American Psychologoical Assocociation (APA), which is “consulted not only by psychologists but also by students and researchers in education, social work, nursing, business, and many other behavioral and social sciences” (VanderBros, 2010) if I submit a paper or article to the Journal of the Association of Operating Room Nurses (AORN) for publication.

Does this mean that when I write fiction, or this column, I am allowed to freely embellish my stories? Does it mean that I am allowed to not to tell the truth?

Fiction writers do not really have one easily referenced professional publication in which the governance of grammar and punctuation are laid out in indisputable terms, in which the standards of style are set – though this does not mean I can sit down in front of my computer screen and write just one continuous sentence that goes on and on for pages and pages – well, perhaps I could if I was James Joyce. But all writers do need to start somewhere, and for anyone who has ever taken a creative writing course, or even tried to stay awake in their English high school class, the classic Elements Of Style, first written in 1918 by Professor William Strunk, Jr., is a good place to start. Strunk said something in that first edition that, 95 years later, has withstood the test of time and which, I believe, every writer, aspiring or published must integrate into his or her understanding of the art of writing:

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell.”

Elements was first revised in 1957 by New Yorker writer E. B. White (the author of the children’s classic Charlotte’s Web), and by 1979s third edition, listed 11 rules for grammar, 11 principles of writing, 11 standards for form, and 21 recommendations for style. (A search on Amazon revealed that Chris Hong updated The Elements Of Style for Kindle readers in 2011.) But there’s a lot more advice out there. A little while ago I entered “standards for fiction writing” on Google, and got 15,400,000 hits in 0.23 seconds.

On my bookshelf I have not only Elements of Style, but also Zen in the Art of Writing – Essays on Creativity by Ray Bradbury, Write for Yourself – The Book About The Seminar and Telling Lies for Fun and Profit, both by Lawrence Block, Write in Style – Using Your Word Processor and Other Techniques to Improve Your Writing by Bobbie Christmas, How I Write – Secrets of a Bestselling Author by Janet Evanovich with Ina Yalof, Inventing the Truth – the Art and Craft of Memoir edited by William Zinsser and which includes essays by such notables as Russell Baker, Annie Dillard, Toni Morrison, and Frank McCourt, Is Life Like This? – A Guide to Writing Your First Novel in Six Months by John Dufresne, The Weekend Novelist Rewrites the Novel by Robert J. Ray, Writing Fiction from the Gotham Writers’ Workshop, and Writers on Comics Scriptwriting which includes interviews with such illustrious authors as Peter David, Kurt Busiek, Garth Ennis, Neil Gaiman, Frank Miller, Jeph Loeb and Grant Morrison.

I also have Eisner/Miller – Interview Conducted by Charles Brownstein, which is wonderful not only for its historical perspective, but for a peep into two great creative minds, and “Casablanca – Script and Legend” by Howard Koch,” which is incredibly instructive in detailing how magic sometimes happens despite ornery studio heads, battling co-writers, and an inability to decide how the story ends. I also have Stephen King’s “On Writing: A Memoir of the Craft” on my to-buy list.

And to tell the truth, I sometimes think that all this advice is still not enough.

Reference: Vandehaus, Gary R. (2010). Publication Manual of the American Psychological Association. (6th ed., pp. xiii – xiv). Washington, D.C.: American Psychological Association.

To Be Continued…

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

New Who Review: “Hide”

tumblr_mlmgqbtmpc1qka8b1o1_500-8473832

Quite often ghosts are described as spirits who cannot bear to leave their loved ones.  That appears to be the case in this week’s Doctor Who adventure, as an old house seems to be the home of a creature (or two) that makes you want to run and…

HIDE
by Neil Cross
Directed by Jamie Payne

Caluburn House is home to a roaming spirit who has been appearing for centuries, calling for help.  A former espionage agent and his assistant are dedicated to discovering her secrets when The Doctor arrives.  It’s evident quite quickly that the ghost is not all she appears to be…and she is not alone.  The Doctor is stranded, and Clara has to get past what appears to be a resentment by the TARDIS to save him.

Bluntly, this is the story people were expecting when they heard Neil Cross was writing for Doctor Who.  An indeed, it’s the first script he wrote – he had this idea first, and came to Moffat with it.  Rings of Akhaten was good, but didn’t have the edge one would expect from the creator of Luther.  A solid story with a stellar cast, including two exemplary guests.

GUEST STAR REPORT

Jessica Rayne (Emma Grayling) Hit the ground running in her short acting career, striking gold with the role of Jenny lee in Call the Midwife.  She’ll be back for the anniversary special An Adventure in Time and Space, playing Doctor Who producer Verity Lambert.  She also appeared with the rest of the Midwife cast in a sketch on Red Nose Day this year, with a <a href=”

target=”_blank”>particular guest star.

Dougray Scott (Alec Palmer) Has had an impressive career, both for the roles he took and the ones he almost had.  He was originally scheduled to play Wolverine in X-Men, but when production on Mission Impossible II went long, he had to give up the role.  He was also in the race to be the next James Bond, a part that eventually went to Daniel Craig.  He’s currently appearing in the thriller mystery series Hemlock Grove.

Jamie Payne (Director) has worked mainly in television, including three episodes of Call the Midwife and several genre shows like Primeval, Askes to Ashes and Survivors. I really liked the jump-cutting from several camera angles during conversations – gave the scenes a more disjointed nature.  Even more so than the Krafaysis in Vincent and the Doctor, the beasts are just lonely for each other, and reaching out for anyone who can help them.

THE MONSTER FILES – The Crooked Man follows a theme in Doctor Who of late – he’s not actually named in the episode, and he’s not actually a bad guy. The Doctor realizes it’s not actually trying to harm anyone, it’s just rapped in the same time/space event as Hilla Tacorien.  To make its movements a bit off, they filmed the suit actor moving backwards, and then reversed the film, resulting in being a bit irregular-looking when played.

Similarly, The Caliburn Ghast is another example of a phenomenon mistaken for supernatural when it’s just super-science. Scaroth of the Jagaroth was also spread across time, manifesting itself as seven distinct beings in City of Death.

Hmmm…a being appearing at several times in history, seemingly connected in some way… Oh, never mind, just a coincidence…

BACKGROUND BITS AND BOBS – Trivia and production details

NOTHING BEATS AN ASTRONAUT – That spacesuit may look familiar – it’s the one Ten wore in The Impossible Planet / The Satan Pit.  He wears the same helmet as he enters Bowie Base One in The Waters of Mars,

STAY CLOSE TO THE CANDLES…THE STAIRWAY CAN BE TREACHEROUS – Not really a hint or anything, I just loved the way Clara hung onto the candelabra long after the candles got blown out.

THE QUESTION’S NOT WHERE…IT’S WHEN – The TARDIS didn’t used to get used in the body of an episode.  Usually it was a device for bringing the adventurers to the crisi of the week, and is them promptly forgotten about, or like in last week, taken off the table dramatically.  It’s really only in the Moffat years did it get more often used as a tool to solve the mysteries of the week.

“Member of the Baker Street Irregular, the Ministry of Ungentlemanly Warfare” – A real covert ops department in the British government during WWII, those were both nicknames for the Special Operations Executive, also known as “Churchill’s Secret Army”.  One of its members was (yes, that) Christopher Lee.

“Experience makes liars of us all” – There are SO so many lines in this episode that could easily be applied at The Doctor.  Palmer is talking about his brief life in espionage, and later laments the deaths he has caused – imagine how many times more The Doctor feels these things.

“Whiskey is the the eleventh most disgusting thing ever invented” – Ignoring the potential correctness of the phrase, this is just another passing use of the number eleventh that permeates the series, all alluding to the fact that The Doctor is in his eleventh regeneration, starting with matt’s first episode The Eleventh Hour.

“A blue crystal frm Metebelis III” – Oh boy did that one make the Whofen squee.  The planet Metebelis III was possibly the first attempt to create an arc storry on Doctor Who.  It was first mentioned in Carnival of Monsters as a planet he wanted to Take Jo Grant to after his exile was lifted.  He made a few attempts to reach it, finally succeeding in The Green Death, retrieving one of the blue crystals.  As he explains in this episode, the crystals enhance mental energy, which in that past episode, allow a group of people to break from the control of a sentient computer.  He gives the crystal to Jo as a gift as she leaves his company, only to have it reappear in Pertwee’s last adventure, Planet of the Spiders.  Here allowed a mentally handicapped man to read, and eventually to be healed of its damage that cause him handicap.

“Subset of the Eye of Harmony” – The Eye of Harmony is traditionally the name of the Black Hole that Rassilon stabilized and set in the core of Gallifrey, to use as a power source for all Time Lord technology.  In the TV movie it’s said to be on the TARDIS itself.  There’s a couple of theories to explain that, the most plausible being that each TARDIS is connected to the original Eye on Gallifrey.  But with Gallifrey now trapped in the time lock as part of The Doctor’s actions in the Time War, the Eye is likely a stand-alone power source.  It’s recharged itself lately on Rift energy, like the one found in Wales.  This is in fact the time time the Eye has been mentioned in the new series.

“In four seconds the entropy would drain my heart – in ten seconds I would be dead” – It is assumed that the conduit that Emma opens would prevent that eventuality, as they were in the pocket universe for more than four seconds.  Once the way was open, the TARDIS opened up for Clara (by itself – note that modern Clara hasn’t got a key) and made the dangerous trip.  And then again at the end of the episode.  Presumably the trip through that conduit is not as arduous as a full blown trip in the time vortex, which explains how The Doctor and The crooked Man survived it hanging onto the outside.

“Every lonely monster…needs a companion” – See earlier comment about statements not always referring to whom they’re originally said about.

BIG BAD WOLF REPORT / CLEVER THEORY DEPARTMENT

“Is she real?  as in, actually real?” – That’s another “Clarallel” – it’s very similar to a line Future Oswin spoke in Asylum of the Daleks, asking The Doctor if he wasn’t a figment of her imagination.

“Cold…warm…cold…warm” – What interesting is that it’s supposedly it’s Hilla and Emma & Alec who have the connection.  But the connection gets MUCH stronger when Clara walks through the odd manifestation The Doctor chalks off.  At first, many folks online thought it was because Clara herself was the anomaly.  That wasn’t the case, but since we learned later that the ghost was a temporal anomaly, might not another temporal anomaly also strengthen the link?

“It sticks out, like….a big chin.” – We’re not talking about Emma anymore, are we Clara?

“We’re all ghosts to you” – Here we see the sum total of Earth’s history, from its fiery origin to its fiery end.  And Clara can’t cope with it.  She imagines how insignificant humans must look like to him.  Wilf had a similar conversation with The Doctor, saying “We must look like ants to you”: The Doctor replied “I think you look like giants”

“You are the only mystery worth solving” – As before, The Doctor may well be talking about Humanity as a whole…but he may well be looking straight at Clara and talking to her specifically.

“It doesn’t like me” – Clara’s belief that the TARDIS “doesn’t like” her was first referenced in Cross’ last story, and it was easy enough to wave off as worry.  Here’s it’s placed flat in the middle of the room and has a lampshade on.  Theories have abounded that Clara may be an anomaly of time, as Captain Jack became when Rose made him a living Fixed Point.  More than a few people have drawn more than a vague connection there, suggesting that Clara may be related to Jack in some way.

The interaction between Clara and the TARDIS is priceless, from Clara called her a “cow” to the TARDIS choosing Clara’s own image, because it’s programmed to project an image the viewer will trust and esteem, and realizing the only person that means for Clara is herself.  Considering the title and plot of next week’s episode, it’s clear this plot thread will be followed quite a bit more.

“You need a place to keep this” – The Doctor’s confusion is understandable – there’s been either an umbrella stand or a hat rack in the control room for almost every iteration of either the ship or the Doctor.  It’s almost conspicuous in its absence.  I earlier posited the theory that what we’re seeing as the control room now is the default design, the design for a person who couldn’t care anymore about how it looks, and one who wasn’t expecting guests, so they wouldn’t need a hat rack.

“Clara – what is she?” – As in The Almost People, The Doctor is ostensibly just out for an adventure when he’s actually looking for information about his companion from an expert source.  Emma has nothing but good to say about her, which should please The Doctor, but likely only makes him more curious.

“Don’t trust him…there’s a sliver of ice in his heart” – but is it at all possible that based on this statement from earlier in the episode that she’s lying?  She’s a powerful enough psychic empath that The Doctor seeks her out to get a reading on Clara – odds are she’s right about what she sees in him. She just may not understand the whys and wherefores that cause d it, and assumed the worst.

NEXT TIME ON DOCTOR WHO – One of the more promising titles in the series – Journey to the Center of the TARDIS – in one Saturday hence.

Happy Diamond Anniverary, Superman!

superman-100-28-7020055Seventy-five years ago on this day in 1938, the Golden Age of Comics began with the release of Action Comics #1, where Jerry Siegel and Joe Shuster introducing us to a strange visitor from another planet with powers and abilities far beyond those of mortal men– Superman! Who can change the course of mighty rivers– bend steel in his bare hands– and who, disguised as Clark Kent, mild-mannered reporter for a great metropolitan newspaper, fights a never-ending battle for truth, justice, and the American way!

And now, here are some scenes from the adventures of Superman*:

superman-origin-550x754-7968054

  • Sorry about that– reflex.

 

THE WHITE SAVAGE COMES TO ALTUS PRESS

Altus Press announced another new release today.

The White Savage: The Complete Tales of Matalaa

by E. Hoffmann Price
introduction by Will Murray

The Jungle Lord… of the South Pacific? Thrill to the adventures of Warren Steele, Jr., the only survivor of a South Seas shipwreck who was raised by a witch doctor to battle evil.

Written by pulp master E. Hoffmann Price, this series has never been properly reprinted, until now.

368 pages, approx. 6″x9″

Learn more about The White Savage: The Complete Tales of Matalaa here.

WALTER MOSLEY AND JOE LANSDALE HEADLINE LATEST PRO SE ANTHOLOGY-BLACK PULP!

blackpulpinteriorlogo-8722112

 

bpfclowres-3573550

Batesville, AR – 4/17/2013 – Pro Se Productions, a Publisher known for balancing tales harkening back to classic Pulp Fiction with stories pushing the boundaries of modern Genre Fiction, continues its publishing of books that do both. Pro Se proudly announces the debut of BLACK PULP, a collection featuring the work of various authors, including bestsellers Walter Mosley and Joe R. Lansdale.

BLACK PULP is an anthology of original stories featuring black characters in leading roles in stories running the genre gamut. Pulp fiction of the early 20th century rarely, if ever, focused on characters of color and the handful of black characters in these stories were typically portrayed stereotypically. BLACK PULP brings some of today’s best authors together with up and coming writers to craft stories of adventure, mystery, and more — all with black characters in the forefront.

Co-editor of BLACK PULP, crime novelist Gary Phillips observed, “While revisionism is not history, as the films Django Unchained and 42 attest, nonetheless historical matters find their way into popular fiction. This is certainly the case with New Pulp as it handles such issues as race with a modern take, even though stories can be set in a retro context.”

Black Pulp offers exciting tales of derring-do from larger-than-life heroes and heroines; aviators in sky battles, lords of the jungle, pirates battling slavers and the walking dead, gadget-wielding soldiers-of-fortune saving the world to mystics fighting for justice in other worlds.

“The title is indeed BLACK PULP,” Pro Se Productions publisher and Black Pulp co-editor Tommy Hancock, “but these stories appeal to all. All of the basic needs for a story to touch a reader are there, including emotion, action, relevance, and more. To see all of that in a Pulp story funneled through characters that got the short shrift in terms of appropriate treatment in classic Pulp is definitely something worth sharing.”

BLACK PULP also features a new essay on the nature of Pulp, both classic and modern, by award winning bestselling author Walter Mosley.

bpbclowres-2392366

The other writers contributing original works to the anthology are: two-time Shamus award winner Gar Anthony Haywood, two time Award finalist Kimberly Richardson, Dixon Medal winner Christopher Chambers, critically acclaimed novelist Mel Odom, hip-hop chronicler Michael Gonzales, and award winning leading New Pulp writers Ron Fortier, D. Alan Lewis, Derrick Ferguson, Charles Saunders, Tommy Hancock, and Chester Himes award winner Phillips. This collection also features a classic story by Joe R. Lansdale, winner of the Edgar Allan Poe award, and multiple Bram Stoker awards.

BLACK PULP is available now from Amazon athttps://amzn.to/4nCcifU and via Pro Se’s own store at https://www.createspace.com/4248056! Coming soon in digital format to Kindle, Nook, and more!
With a pulse pounding original cover by artist Adam Shaw and stunning cover design by Sean Ali, BLACK PULP delivers hair raising action and two fisted adventure out of both barrels!

For more information concerning BLACK PULP, including interviews and review copies, contact Pro Se Productions at 870-834-4022 or at proseproductions@earthlink.net.

###

Never-Aired Pilot Highlights Dr. Kildare The Complete First Season

drkildare_s1_pt1_onesheet-72dpi-e1366215937397-7796698We here at ComicMix celebrate all manner of pop culture from today’s obvious hits to the arcane wonders of yesteryear. every now and then we get a notice about something that seems just outside our realm of interest but there’s a thing or two that grabs us. Something like an unaired pilot to the legendary Dr. Kildare series is one of those things. Not only that, but the series gave us Richard Chamberlain as a star (long before he was resurrected for Leverage). The show not only boasted an impressive guest cast, as noted below but it featured some of the best writers working in television including a pre-Star Trek Gene Roddenberry. So, here’s the press release for those who remember and remain interested:

Warner Archive Collection continues to unveil some of the finest series in television history with its release this week of DR. KILDARE: THE FIRST COMPLETE SEASON. The newly remastered DVD premiere includes a “lost” episode – “The Eleventh Hour,” the original, never-aired pilot for the Wendell Corey drama.

Young Richard Chamberlain and veteran actor Raymond Massey don the surgical scrubs – first made famous in the Dr. Kildare films of the 1930s and ‘40s by the team of Lew Ayres and Lionel Barrymore – for the equally successful TV incarnation in the 1960s. Chamberlain’s star ascended quickly, as the show swept him from being a relative unknown to full-on teen idol status (in a show pointed squarely at adults, no less).

The guest cast features a stunning array of Hollywood notables and future primetime TV and film stars. Notable guests from DR. KILDARE: THE FIRST COMPLETE SEASON include film legends Joseph Cotten, Mary Astor, Margaret O’Brien, Lee Marvin, Ellen Burstyn and Dorothy Malone. Television luminaries appearing in the first season spotlight William Shatner, Ted Knight, Jean Stapleton, Suzanne Pleshette, John Fiedler, Herschel Bernardi, Gavin MacLeod, Anne Francis, Jan Murray, Ken Berry, Donna Douglas, Harvey Korman, Ross Martin, Richard Kiley, Roger Mobley, Edward Platt, Martin Balsam, Arte Johnson, Jack Albertson, Bill Mumy, Pat Hingle, William Schallert, Glynnis Johns, Rip Torn, Michael Constantine, Dean Jagger, Joyce Van Patten, and BOTH Bewitched Darrins, Dick York and Dick Sargent.

William Shatner is featured in this clip from DR. KILDARE: THE FIRST COMPLETE SEASON:

<a href=”

Beyond the impressive guest cast, the true star for TV fans is the “lost” episode. “The Eleventh Hour,” the never-aired pilot, teams Dr. Theodore Bassett with Drs. Gillespie and Kildare to get to the bottom of what the devil is wrong with Ann Costigan (Vera Miles).

All episodes have been newly remastered especially for this DVD premiere release. Initial quantities of this release will be traditionally replicated (pressed) in anticipation of high consumer demand.