Category: News

JIM BEARD TAKES A TRIP TO SKULL ISLAND

Art: Joe DeVito

New Pulp Author Jim Beard reviews Altus Press’ Doc Savage “Skull Island” novel by New Pulp Author Will Murray.

DOC SAVAGE: SKULL ISLAND
A review by Jim Beard

If you’re like me, you probably wondered what exactly we’d be getting in the new Doc Savage novel, SKULL ISLAND, it being both a Doc story featuring King Kong and a way to celebrate the 80th anniversaries of both legendary creations. Well, after reading the book, I’m happy to report that author Will Murray’s put some definite heart and soul into it and crafted what is now my most favorite of the recent “Wild Adventures of Doc Savage” series of novels.

But, that said, it’s different from just about any other Doc book you’ve ever read, something we’re clued in on by the “Will Murray” byline and the absence of the traditional “Kenneth Robeson” house name.

For me, the story was literally one that I didn’t want to put down; it’s that engaging. It begins at the end, right after Kong’s infamous nosedive off the Empire State Building, which leads directly to Doc’s involvement – or, rather, his telling of a tale to his aides of when he first met the giant simian. Yes, the great majority of the novel is a flashback to Doc Savage’s early days and therein is found its fascinating core. In essence, what we have here is the heretofore Secret Origin of Doc Savage.

Doc and his father – yes, you read that right; his father – head off on a quest for Doc’s grandfather, Stormalong Savage, which takes them into strange waters and exotic climes…and ultimately Skull Island. There they run afoul of enemies of many different stripes and discover wonders beyond their imagining. And a humongous ape-like “god-beast” called Kong.

Murray’s defining of the relationship here between Clark Senior and Clark Junior is practically worth the price of admission alone. This is a young Doc, fresh out of World War I and not exactly the bronze hero of the pulp adventures we know so well, and it’s with that admission that I can see some potential backlash with diehard Doc fans. This is a Doc who has not quite found his mission in life yet, nor honed all his skills and formed his famous tenets – most especially the rule against killing. This Doc kills and kills in often savage ways, which at points drenches the narrative in a bloodbath that may even disturb some readers. But, and it’s important to point this out, there’s a method behind Murray’s seeming madness – it all leads to something and something significant, namely the forging of the Doc Savage of the famous pulp adventures. And Murray does this all with style and careful thought and exciting imagery and action.

One of the things I loved about this novel is its use of language, precisely that which flies back and forth between elder and younger Savage in many bouts of witty verbal “fencing.” Will Murray has obviously crafted all his Doc books with care, but in SKULL ISLAND I believe I saw even more attention to detail, to dialogue, to atmosphere and to adventure. The story moves right along, only slightly bogging down a bit past its mid-section, and really defines the term “page turner.” Murray gives this one his best and finest and the book benefits from that in ways too numerous to list.

As I said before, this is a story of origins. Here we learn the origin of Doc’s trilling, of his disdain of guns and his inexhaustible search for knowledge, even the origin of the Hidalgo Trading Co. hanger. We also discover more information on the Savage family then we’ve ever had revealed to us before and hints of not only some of Doc’s other early adventures – did you know he was on the Titanic? – but also those of his father and grandfather, both famous explorers in their own right. Heck, we even hear about Doc’s uncle, another adventurer in the family. I wouldn’t be at all surprised if the author is suggesting here that readers might care to hear more of these adventures, as separate works.

But, again, it’s the relationship between father and son that really stands out in the novel, one that careens between dysfunctional and loving, and it’s that which will stay with me for some time to come. In fact, knowing the fate of Clark Savage Senior in 1933’s MAN OF BRONZE will perhaps add another layer of pathos to your reading of SKULL ISLAND.

And, oh yes, King Kong is here, too. You will discover much more about his origins, also, as well as Skull Island’s original inhabitants. And that’s all fascinating as well. Dinosaur fans will especially have reason to love this book. Kong and his environs are not given short shrift in the slightest; the King looms over this book with all the weight and gravity he deserves.

In all, I’m a richer pulp fan for having read SKULL ISLAND. Will Murray takes our expectations and delivers upon them while still striking off on his own path, assembling a story that will please both Savage and Kong aficionados and remind us all just how cool pulp can be. There’s heart and soul here, like I said, and I for one can’t quite see how Murray will manage to top this one….but I know he will, somehow.

Get this book and settle in for a trip to the South Seas and beyond, Savage style.

ALL PULP’S EBOOK BEST SELLER LIST FOR WEEK OF FEBRUARY 15, 2013!

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Welcome to All Pulp’s New Pulp EBook Best Seller List, inspired by the work of Barry Reese! Before we get to what you’re all waiting for, here are the rules by which this little list comes together.

1)    This list only tracks Kindle sales through AMAZON. It does not keep track of sales through Barnes and Noble, Kobo, Smashwords, or anything else!

2)   
This list only tracks DIGITAL sales. Exactly how Amazon calculates these things is mostly a trade secret and they vary wildly from day to day. If I checked this tomorrow, the list could be very different. This list reflects sales ranks as of Friday morning, February 15, 2013. 


3)   In order to keep the focus on new releases, eligible works must have been published within the last three months. So, since this list is being done on February 15, 2013, we are only looking at books published since November 15, 2012. Please keep that in mind before complaining that Title X is not listed. Also, keep in mind that for the most part, we are tracking sales from smaller and mid level press publishers who actively publish New Pulp material. We won’t generally track sales from Simon and Schuster or places like that — they have the New York Times Bestseller List for that. If one of the major publishers starts doing The Shadow or something, we’ll track that, but some publishers will not be listed here in order to keep the focus on the publishers actively working to produce and promote New Pulp.

4)   
Like the name suggests, we’re tracking “New” pulp —not sales rankings for reprints of classic material. In order for something to qualify for this list, it has to be at least 50% new material that has not been printed in book form before.


5)    We are human. If you are aware of a title that should be listed below (keeping in mind all the rules above), please let us know and we will make sure to remedy the situation.


6)    This information is garnered mostly from All Pulp, New Pulp, the Pulp Factory mailing list and a few other sites. If you think we might miss your release, let us know in advance — drop All Pulp a line and tell us when it’s being released.

Without further ado, here’s the completely and totally unofficial New Pulp Ebook Bestseller List as of right now (title, then publisher, then release date, then sales rank):

1) The Cestus Concern by Mat Nastos (Nifty Entertainment, December 28,2012) 2,731

2) Finn’s Golem by Gregg Taylor (Autogyro, January 10, 2013) -63,637

3) Whack Job by Mike Baron (Mike Baron, December 25, 2012)- 66,170

4) Fight Card Against the Ropes by Terrence McCauley (Fight Card Books, February 11, 2013)-66,970

5) Sherlock Holmes, Consulting Detective, Volume 4 by Various (Airship 27, January 19, 2012) – 75,826

6) The Detective, The Woman and the Winking Tree by Amy Thomas (MX Publishing, January 22, 2013) – 81,190

7) Tier Zero by Henry Brown (Virtual Pulp, January 13, 2013) – 101,021

8) Sherlock Holmes and Young Winston: The Deadwood Stage by Mike Hogan (MX Publishing, November 19, 2012) – 120,456

9) Monster Earth by Various (Mechanoid Press, January 13, 2013) – 133,118

10) Legion I- Lords of Fire (The Shattering) by Van Allen Plexico (White Rocket Books, January 26, 2013) – 193,627

Just missing the list were: Fight Card : The Knockout by Robert J. Randisi (Fight Card Books, December 1, 2012) – 213,403, Prohibition by Terrence McCauley, (Airship 27, December 15, 2012) – 241,449 Fight Card: Rumble in the Jungle by David Foster (Fight Card Books, January 8, 2013) – 243,473, and Sentinels: Metalgod by Van Plexico (White Rocket Books, December 10, 2012) – 244,801.

There’s definitely some shifting of numbers, but Mat Nastos hangs onto the top spot for two weeks in a row with extremely impressive numbers.  New titles enter into the mix, making this list, much like its sibling- The Bestseller Print list- a Holmes list with three titles featuring the classic detective. Terrence McCauley’s Fight Card entry enters the list at number 4, a good showing.   Every book on this list came in under 200,000, so that says quite a bit for how well ebooks sell.  

As far as Publishers are concerned, MX Publishing has two books in the debut EBook list, with Virtual Pulp, Nifty Entertainment, Mechanoid Press, Autogyro, White Rocket, Airship 27, Mike Baron, and Fight Card Books all checking in with one.  But remember, readers, take it all with a grain of salt. 

EARTH STATION ONE CELEBRATES EPISODE 150!

Dearly beloved geeks! We celebrate our 150th episode with the most guests ever! We gathered together at the new Titan Comics and Games in Smyrna, GA to discuss the current state of geekdom. ESO cohosts Mike Faber, Mike Gordon, and Bobby Nash presided over the event with the following representatives: Anthony Taylor, award-winning artist Mark Maddox, Alex Autrey (7th Row Center Podcast), Doctor Q, Mark Heffernan, Nikki Rau-Baker, Andrea Judy, Patrick Freeman, CD Ske, John Strangeway, Peter Cutler, and Victor Fishman. And there was much filibustering! God bless the United States of Geekdom!

Join us for yet another episode of The Earth Station One Podcast we like to call: The State of Geekdom 2013 at www.esopodcast.com
Direct link: http://erthstationone.wordpress.com/2013/02/14/earth-station-one-episode-150-the-state-of-geekdom-2013/

Recording ESO episode 150

Share Paperman with your Valentine

PapermanWalt Disney Animation sets hearts aflutter with their charming blend of hand-drawn and computer animated short Paperman. This short ran last year with Wreck-It Ralph, making for a double-barreled win for the stuido.

Here is a chance to see it for the first or fifth time and it’s perfect to share with your Valentine on this red letter day.

A GIRL AND HER CAT!

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(Promotional art – not actual cover)

New Pulp Author Win Scott Eckert announced on his blog that he is writing a new novel for Moonstone Books, Honey West and T.H.E Cat: A GIRL AND HER CAT!

It’s Honey West and T.H.E Cat, in the first new Honey West novel in over 40 years, A Girl and Her Cat!

Following on the heels of the first ever Honey West & T.H.E Cat crossover comic, Moonstone’s “Death in the Desert,” comes the Honey West & T.H.E Cat novel, A Girl and Her Cat…..

When an exotic green-eyed Asian doctor hires Honey to recover a stolen sample of a new influenza vaccine from a rival scientist, the blonde bombshell private eye—suspicious but bored—takes the case. But after she’s attacked not once, but twice, on her way from Long Beach to San Francisco to track down her quarry, she knows there’s more—much more—to her femme fatale client than meets the eye.

Along the way, Honey’s one-time paramour Johnny Doom—ex-bounty hunter and current Company agent—reenters the picture, and the gorgeous doctor’s insidious—and deadly—grandfather deals himself in. But when Honey questions whether Johnny’s playing her game, or just playing her for a patsy, she joins forces—as only Honey can—with the one man in Frisco who can help her recover the stolen vaccine-cum-bioweapon and prevent a worldwide epidemic—former cat burglar-turned-bodyguard Thomas Hewitt Edward Cat: T.H.E Cat!

Join writers Win Scott Eckert and Matthew Baugh, and cover artist Douglas Klauba, for A Girl and Her Cat, a groovy, racy 1960s romp coming in 2013 from Moonstone!

Scholastic Unveils New Cover for Harry Potter’s 15th Anniversary

Harry Potter 15thHard to believe that it’s been 15 years since J.K. Rowling’s boy wizard first came to America. To celebrate, Scholastic announced this morning that a new covers will grace anniversary editions of the seven-book mega-best-selling series. In an interesting move, Kazu Kibuishi, the creator behind the over-hyped Amulet series, will be providing the new covers, replacing Mary GrandPré’s now classic images. Here’s the first cover for your viewing and personally, I think it’s an improvement. It’d be nice, as part of the celebration, they used the original title, Harry Potter and the Philosopher’s Stone, but that’s not going to happen.

Here’s the formal release with all the anniversary details.

New York, NY (February 13, 2013) – Harry Potter fans and young readers just starting their journey through the world of Harry Potter will have something new and exciting to add to their bookshelves this September.  Scholastic (NASDAQ: SCHL), the global children’s publishing, education and media company, today unveiled an all new cover for Harry Potter and the Sorcerer’s Stone – the first of seven new covers to appear on U.S. trade paperback editions coming in September 2013 to celebrate the 15th anniversary of the U.S. publication of Harry Potter and the Sorcerer’s Stone, the original book in J.K. Rowling’s best-selling Harry Potter series.

The stunning art for the new editions is by critically acclaimed artist Kazu Kibuishi, best known for his #1 New York Times bestselling graphic novel series, Amulet.  Kibuishi is a longtime Harry Potter fan who called this opportunity, “more than a little surreal.”  Each of the seven new covers will depict a distinctive and memorable moment from the respective book.  The collection, which will also be released in September as a boxed set, will offer new readers just reaching the age to begin the series a glimpse of J.K. Rowling’s magical world and the epic story they are about to enter.

“The Harry Potter covers by Mary GrandPré are so fantastic and iconic,” said Kibuishi.  “When I was asked to submit samples, I initially hesitated because I didn’t want to see them reinterpreted!  However, I felt that if I were to handle the project, I could bring something to it that many other designers and illustrators probably couldn’t, and that was that I was also a writer of my own series of middle grade fiction. As an author myself, I tried to answer the question, ‘If I were the author of the books – and they were like my own children – how would I want them to be seen years from now?’ When illustrating the covers, I tried to think of classic perennial paperback editions of famous novels and how those illustrations tend to feel.  In a way, the project became a tribute to both Harry Potter and the literary classics.”

The inspired original art for the series, created by the talented Mary GrandPré will continue to be featured on the U.S. hardcover and digest paperback editions.

According to Ellie Berger, President, Scholastic Trade Publishing, “The brilliant artist Kazu Kibuishi offers his unique vision of the world of Harry Potter, making each cover an incredible adventure that will transport new readers just discovering Harry Potter for the first time directly into the rich world of J.K. Rowling’s imagination.”

Scholastic also announced that in November 2013, the company will release the first boxed set of the complete Hogwarts Library in the U.S., including Quidditch Through the Ages, Fantastic Beasts and Where to Find Them, and The Tales of Beedle the Bard.  Sales of the Hogwarts Library will support two charities selected by the author, J.K. Rowling:  Lumos, a charity founded by J.K. Rowling which works to end the institutionalization of children, and Comic Relief, a UK-based charity that strives to create a just world free from poverty.

Fifteen years after the first U.S. publication of J.K. Rowling’s first book, Harry Potter and the Sorcerer’s Stone in September 1998, there are more than 150 million Harry Potter books in print in the United States alone and the series still hits bestseller lists regularly. The seven Harry Potter books are published in over 200 territories in 73 languages and have sold more than 450 million copies worldwide.

Emily S. Whitten: Dress for Success, Superheroine Style

whitten-art-130212-8962748Remember that time when Lois Lane dressed up as one of the most ridiculously named superheroines I’ve ever heard of on Smallville? And that superheroine was named “Stiletto” because at the time when she beat up a dude who was mugging Chloe, she happened to be wearing stilettos? And then she needed to find a way to draw out “the Blur,” (a.k.a. the non-Superman Superman of Smallville) so she used that incident to create a superheroine persona that wore a leather bustier and super-high stiletto boots, and then almost got her ass handed to her (despite being, really, pretty kick-ass for a normal gal). Yeah, that was a pretty silly episode. (And on a related note, I swear it’s just happenstance that I’ve started my last two columns by reminiscing about Superman shows. Next week, I promise I’ll reminisce about a different show. Or something.)

Anyway, despite being silly, I got to thinking about it recently, after some discussion about how female superheroines are dressed in comics. Let’s say I lived in a comic-book world, where I was, e.g., a lawyer by day and a superheroine by night. What would that be like? Well, first, I’d be really good friends with Matt Murdock and Jennifer Walters, because of course. (Man, we would have the most awesome happy hours ever.) Second, I’d have to pick a costume. And really, I feel like that wouldn’t be an easy task. I mean, in part it would depend on what kind of superheroine I was, e.g. what powers I had; but let’s say for the sake of general thought that at the very least my style of superheroine fighting would require athletic moves, as most do. What would I wear? And in comparison with what we see in comics, would it, or even could it, look “sexy,” as most supeheroines do, while still being practical? Let’s “give it a think,” as Winnie the Pooh would say.

Undergarments: Yes, I’m going to start with this, and here’s why: 1) Well, obviously, we’re talking about all the practicalities of superheroine-ing, and that includes everything from the inside out; and 2) I’ve seen so many comics in which a superheroine is fighting and there’s a lot more wear-and-tear than you’d expect from just a physical fight, and then, voila! Clothes are ripped and we can see, omg! their unmentionables! (Or, you know, sometimes they just go out to fight crime with one boob hanging out. Sure, why not?)

Well; if I was going to be running around trying to karate-kick (or whatever kick) thugs and stuff, I’d definitely wear something comfortable underneath. And it is possible to wear comfortable underwear that’s still pretty or cute; but for any of those superheroines out there who I’ve seen drawn wearing even somewhat skimpy panties under their costumes – well, all I can say is, those ladies’ superpowers must include the power to fight wedgies. At the very least I’d be wearing underpants that cover and stay on my butt; and in all likelihood, as a superheroine my new favorite thing would end up being boyshorts. Also, for any artists out there who are drawing superheroines wearing thongs? AHAHAHAHA. snort Right.

Likewise, if I had plans to be backflipping all over, or hanging upside-down, or elbowing baddies, or pretty much anything involving gymnastics or a physical fight, the last thing you’d be seeing is my cleavage. I mean, who can spare the concentration to worry about flashing the world when you’re trying to save it? Also, low-cut shirts are an easy thing for someone to catch onto or snag during a fight – yikes! Despite her other hilarious costume choices, Ms. Marvel has it right when it comes to the practicalities of how much cleavage I’d want to worry about while I was fighting. (Power Girl! You were so close to having a practical top! What happened?? Oh yeah. Dudes.)

I’d also want to wear something very breathable, unless one of my superpowers was not sweating. So that means goodbye to all of the heavily padded “Wonderbra” type things that would boost cleavage to the level seen on most superheroines (and if that’s all natural, then whoo-boy, the back problems those ladies must have!). One of my friends who grew up in Florida once compared those bras to “wearing two warm wet sponges” when it’s hot outside, and she’s not wrong. Maybe I’d opt for a little padding so the world wouldn’t take notice every time it’s cold outside, but probably the very “sexiest” thing I’d try out as a fighting superheroine is a sports bra like this, which is what you get when you cross a “sexy” lingerie store with an attempt to be practical. And even that has underwire, which is not super-comfortable in athletic situations, so my likely favorite would be something like this. (P.S. Sports bras don’t usually have lace on them. Sorry, dudes.)

Pants and Top: I actually think in most fight situations, a tightly tailored costume would be beneficial. It means less clothing to get caught on stuff; easy movement; and comfort, particularly if you’re wearing a breathable material, e.g. cotton spandex instead of something like bathing-suit material (though that probably holds up better and shows perspiration less). Spandex isn’t super-durable, though. If I had something like Supergirl’s physical invincibility, which supposedly extends to at least form-fitting clothes, then sure, the protection of spandex might be all I’d need; but if I was less-than-invulnerable, I’d probably want at least a few layers, and/or some padding around the joints; or maybe some leather, like motorcycle riders wear, if I could make it flexible enough. If I was less of a gymnast and more of a heavy fighter, I might even go for some sort of flexible body armor, like Batman.

I’d say there would be a range of decent choices for design here, as long as it: 1) covered and provided some protection for all exposed skin, unless invulnerable; or 2) If invulnerable, was still comfortable to fight in, so no unitards (wedgie problems again, as well as the worry about flashing everyone, for reals). The closest I’d go is spandex shorts to, like, mid-thigh. Or, if I absolutely had to wear a unitard, I’d at least wear tights or hose underneath. Also, let’s be frank, us ladies don’t shave our legs every single day ever, and crime waits for no beauty regimen. So even as Supergirl I might prefer something that covers my legs.

Oh, and I might opt for a belt of some sort, both a) to stave off butt cleavage; and b) for pouches, because seriously, as much as we make fun of comic book characters with myriad pouches sometimes, where else would I keep my weapons, grappling hook (because of course I’d have a grappling hook), communication and/or time-telling devices, and other necessaries (deodorant might be welcome, if I’m constantly fighting)? I might even go for a leg sheath too, if I were a guns-and-knife-y sort of gal. (Ooh – or maybe boots with leg knife sheathes! Rad.) If no pouches, or maybe in addition to them, I’d probably have zip-pockets sewn in all over the place, pants and shirt.

In the tops department, I’d go for full coverage unless I was invulnerable; and if I was, again, Ms. Marvel had the right idea for necklines. Oh, and I’d never, ever, ever wear a corset or bustier of any sort, unless my super-powers were being able to not breathe while exerting myself, and winning fights without bending too much in the middle. I’d also never, ever wear a cape, no matter how cool it might look if I could fly, because hello – how seriously easy is it to get tangled up in something like that, not to mention baddies literally yanking you around? (The exception being, I guess, Batman-types, who actually use the capes to fly, and even then I’d want it to, like, retract into a pouch or something.) I’d probably also opt for some good short, tight leather fingerless gloves with velcro wrist-adjusters and grip on the palms, especially if I was a climber or gymnast-y type fighter.

Shoes: No heels, no way. Hell no. Or, to be more precise – up to maybe 3/4 to 1 inch of a sneaker-style heel could be acceptable, but there would be no stiletto or spike heels, no square heels, no narrow-heeled wedge heels, etc. A short wedge that was wide and actually designed for stuff like fighting and running could be acceptable, I guess (it’d have to be tested). A low platform also might work. (Although of course, both of those options would be solely for the vanity/fashion desires of the superheroine, since I can’t see either of them being a fighting advantage). But again, short and low means like, 0.75 to maybe 1.25 inches, which is a lot lower in appearance than most comics artists realize. Even flying superheroines wouldn’t really be exempt from this, because they don’t do all of their fighting in the air, and they’d still need to keep their balance and speed while kicking someone or running on the ground.

If I was a superheroine that ran a lot or fought like a martial artist, I might actually want something closer to racing flats, Puma Speed Cats, or the like (racing flats are so nice to run in). I’d also want rubber soles with excellent grip (and maybe hidden knives in the heels if I did have thick soles, because knives in the heels. So cool. As far as a question of boots or sneakers, I actually might prefer boots with a soft but flexible leg – for more ankle support, as well as more leg and ankle protection. And I’d definitely get some good breathable athletic socks that stayed up and had arch support.

Accessories: Along with the aforementioned pouches, I’d definitely have my hair either very short, just long enough to stay in a short ponytail (a cut at about shoulder-length, maybe?), or in a bun at all times. As someone who’s done sports with hair that’s not super-short but too short to really tie back, and hair that was long enough to sit on, I know how annoying hair in your face/mouth/eye can be; and that doesn’t even consider it being a really convenient thing for people to grab in fights. No no, my superheroine hair would not be flying everywhere. A neat bun, perfect short ponytail, or super short ‘do is the only way to go. Barring or on top of that, I might opt for a skullcap, or similar tight hat, or a bandana like Elektra wears (but with all of my hair actually inside, and no flowing ribbons to catch on things).

If I was the sort to need to hide my face and keep my secret identity, I actually like the style of Black Canary on Smallville, where she paints a mask of elaborate makeup on as opposed to wearing a mask. She also has short hair and wears a wig in regular life, which is quite practical. Well done there, Smallville. Makeup is super time-consuming, though, so I might also have a fitted demi-mask to throw on as needed. Or, seriously, a ski mask-style thing. keeps the hair and identity under wraps!

And with that, I’d be (hopefully, somewhat) practically fitted out to go fight crime! And now we are back to the question, how “sexy” would I be? Well, I’d have low-to-no heels, and no cleavage or skin flashing. I’d also be lacking the flowing hair worn by so many superheroines, and maybe be wearing a cap or even a ski mask (and those things are ugly). Pretty much, I’d be Batman. I would, however, probably be wearing tight clothes. So I guess that’s, like, one sexy point in favor of practical costuming? But more importantly than any of that, I’d be comfortable, incognito, and giving myself the best advantages for winning the day and staying alive; and I have to think for most superheroines, those would be the most important considerations.

Looking at how superheroines dress in comics today, I occasionally see evidence that character and costume designers have at least thought of some practicalities; but I also see many egregious examples of “this would never happen in real life, wow.” And I see an imbalance in the practicality of design for male vs. female heroes. I’m not an idiot, or an unreasonable person – I know comics are for looking at, and people want to look at nice things; and superheroines having at least some prettiness or sex appeal is (almost always) inevitable. And that can be okay; I like looking at nice things, too. I also understand that for some heroines, invulnerability or other powers change the costume metric. But I do think it’s great when I see at least some thought being put into what it would really be like to be a superheroine, rather than just “what I want to look at.” And since male professional creators in comics still greatly outweigh female creators and can’t know what it’s like to actually live in female bodies and wear women’s’ clothes…maybe my little foray into musing about practical superheroine-ing will actually be helpful to someone. And if not…well, if I create a superheroine, now at least I know what she’ll be wearing!

Until next time, dress for success and Servo Lectio!

TUESDAY AFTERNOON: Michael Davis Does The Sgt. Pepper Rag

WEDNESDAY MORNING: Mike Gold and The Nerddom Intelligentsia