RUNEMASTER PULP CASTS A SPELL OF BLOOD!


Walt Disney announced today that the hotly rumored 1952 project is officially titled Tomorrowland. Written by Damon Lindelof and Brad Bird from a concept by Lindelof and Jeff Jensen. Lindelof (Star Trek, Lost, Prometheus) will produce and Bird (The Incredibles, Mission: Impossible – Ghost Protocol) will produce and direct. Jensen, a longtime contirbutor to Entertainment Weekly and one-time Teen Titans writer, is making the jump to the big leagues with this one. George Clooney is signed to star in the film which is scheduled for released December 19, 2014.
Coming out far sooner is Sam Raimi’s Oz the Great and Powerful. The studio released this teaser for the Super Bowl ad set to air on Sunday. Apparently, once the spot airs, the Disney website will be taken over by one of the witches. Willit be a good witch or a bad witch remains to be seen.
Disney’s fantastical adventure “Oz The Great and Powerful,” directed by Sam Raimi, imagines the origins of L. Frank Baum’s beloved wizard character. When Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz, he thinks he’s hit the jackpot—fame and fortune are his for the taking—that is until he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone’s been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity—and even a bit of wizardry—Oscar transforms himself not only into the great wizard but into a better man as well.
Oz The Great and Powerful is produced by Joe Roth, with screen story by Mitchell Kapner and screenplay by Mitchell Kapner and David Lindsay-Abaire. Grant Curtis, Palak Patel, Josh Donen and Philip Steuer are serving as executive producers. Oz The Great and Powerful opens in U.S. theaters on March 8, 2013.

THE FOLLOWING has exploded onto Fox primetime, and we begin our exclusive look at the show that everyone is talking about. Creator Kevin Williamson along with actors Anna Parisse and Shawn Ashmore talk about just a few of the ways the series stands put from the rest of TV, plus as 30 ROCK prepares to say goodbye, we talk to cast member Grizz Chapman who thinks the exit might be a little premature. And did you hear that the old X-MEN Movie gang is getting back together?
Check out our <a href=”
target=”_blank” rel=”noopener”>exclusive video interview with KEVIN BACON right here on our YouTube Channel. Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app - and follow us on Twitter @ThePointRadio.
Now that the NHL strike is over and hockey is back, who saved the season? Superheroes!
Playing for the heroes: Batman, Spider-Man, Rogue, Gambit, and Iron Man. Playing for the villains: Bane, Joker, Mystique, Catwoman, and Deadpool… and Commissioner Gordon as the referee!
For Immediate Release

Pro Se Productions, a leading Publisher of Genre Fiction and New Pulp, announces that one of its most consistently popular properties is stepping beyond its covers and into the world of gaming.

YESTERYEAR by Tommy Hancock is a novel featuring a new universe of Heroes and Villains that explores the history of these characters, from their Pulp Roots in the Early 20th Century to the chaotic, power driven modern era of super powered beings. ÃÂ Centered around a manuscript that disappeared in the 1950s -along with its author -that has resurfaced, YESTERYEAR weaves a tale between two books; The original manuscript that peels back the gilded curtain from the Golden Age and the story of a modern publisher who has possession of the mythic tell all and has to sort out how best to use and it and stay alive. ÃÂ

Pro Se in conjunction with lost gamers productions announced that YESTERYEAR is being developed into a Role Play Game and will debut at Pulp Ark 2013. ÃÂ

YESTERYEAR has been and will continue to be tested in a variety of ways by the minds behind LGP, both internally and through application at conventions between now and April. ÃÂ The first official unveiling and playing of the game will be April 26-28, 2013 at Pulp Ark in Springdale, Arkansas.
It takes a lot these days to make the internet meltdown but the news that Bad Robot’s J.J. Abrams was signing to direct Disney’s new Star Wars film was just the megatonage needed. It was a very good week for Abrams, whose production company also sold pilots to NBC and Fox. To avoid being totally eclipsed by the news, Paramount Pictures made it clear that Abrams and team would remain involved in some manner with its Star Trek and Mission: Impossible franchises. Here’s the official release which Disney sent out late last night:
J.J. Abrams to Direct Star Wars: Episode VII
J.J. Abrams will direct Star Wars: Episode VII, the first of a new series of Star Wars films to come from Lucasfilm under the leadership of Kathleen Kennedy. Abrams will be directing and Academy Award-winning writer Michael Arndt will write the screenplay.
âÂÂItâÂÂs very exciting to have J.J. aboard leading the charge as we set off to make a new Star Wars movie,â said Kennedy. âÂÂJ.J. is the perfect director to helm this. Beyond having such great instincts as a filmmaker, he has an intuitive understanding of this franchise. He understands the essence of the Star Wars experience, and will bring that talent to create an unforgettable motion picture.âÂÂ
George Lucas went on to say âÂÂIâÂÂve consistently been impressed with J.J. as a filmmaker and storyteller.àHeâÂÂs an ideal choice to direct the new Star Wars film and the legacy couldnâÂÂt be in better hands.âÂÂ
“To be a part of the next chapter of the Star Wars saga, to collaborate with Kathy Kennedy and this remarkable group of people, is an absolute honor,â J.J. Abrams said. âÂÂI may be even more grateful to George Lucas now than I was as a kid.”
J.J., his longtime producing partner Bryan Burk, and Bad Robot are on board to produce along with Kathleen Kennedy under the Disney | Lucasfilm banner.
Also consulting on the project are Lawrence Kasdan and Simon Kinberg.ÃÂ Kasdan has a long history with Lucasfilm, as screenwriter on The Empire Strikes Back, Raiders of the Lost Ark and Return of the Jedi. Kinberg was writer on Sherlock Holmes and Mr. and Mrs. Smith.
Abrams and his production company Bad Robot have a proven track record of blockbuster movies that feature complex action, heartfelt drama, iconic heroes and fantastic production values with such credits as Star Trek, Super 8, Mission: Impossible Ghost Protocol, and this yearâÂÂs Star Trek Into Darkness. Abrams has worked with LucasfilmâÂÂs preeminent postproduction facilities, Industrial Light & Magic and Skywalker Sound, on all of the feature films he has directed, beginning with Mission: Impossible III. He also created or co-created such acclaimed television series as Felicity, Alias, Lost and Fringe.
Some things we now know about the Doctor thanks to Eoin Colfer, writer of the Artemis Fowl books:
The Doctor hates Blakes 7.
The Doctor has lost a hand before.
The Doctor’s first stop on Earth was not 1963.
Colfer’s e-book, A Big Hand for the Doctor, is the first of eleven monthly releases, each featuring a different Doctor. Eoin (“Owen”) chose the first Doctor, as played by William Hartnell, and takes advantage of that by doing an end-run around continuity and setting his adventure before the first adventure of the series. In it, he is in Victorian London, recuperating from a battle with a band of organleggers who kidnap children from their bedrooms, wasting “not a molecule” of their biomass, resulting in their fearful moniker, the Soul Pirates. The Doctor lost a hand in a sword fight with their leader, and while a new one is grown for him, a helpful alien surgeon fits him with a functional if unattractive metal claw. His granddaughter Susan has disobeyed (of course) and set off after the Soul Pirates herself, only serving to get herself caught in their glittering tractor beam. The Doctor must fight off the hordes of slow-witted pirates to save the children, as well as match wits with their leader, a young man who has chosen to wear The Doctor’s severed hand around his neck.
The short story (only about 5,000 words) is witty and charming, with wonderful tossaway details of still more adventures unseen and yet to come. The story is laced with parallels to a certain classic of children’s literature, all tied up with a cameo by the author at the end, once again showing that even when he’s not aware of it, The Doctor can’t help but to help.
The authors of the rest of the anniversary adventures are a closely-guarded secret Each will be revealed around the beginning of each month. A number of names have been floated by numerous websites with little evidence or basis in fact, mainly to draw clicks to their pages. The first book is available at many e-book dealers including Amazon.com.
If you were to come by my place for one of my fabulous dinner parties, you would be disappointed. My kitchen table is covered with file folders and copies of every bill I paid in 2012. Yes, itâs tax season! Every person has a different set of issues with the IRS, and mine this year are especially weird. Is an ambulance deductible?
Naturally, in an attempt to avoid this tiresome chore, Iâm wondering what super-heroes who find themselves in this situation do.
I mean, Iâd assume that the fabulously wealthy, the Bruce Waynes, the Tony Starks, the Oliver Queens, have accountants who can write off their gear as R & D expenses at a corporate level.
And Aquaman, Wonder Woman and Doctor Doom are heads of state of sovereign nations. Whatever they might owe their respective governments, they arenât writing checks to the IRS.
But what about the average working schmoe? Just because you can bend steel with your bare hands doesnât mean you can deduct your spandex pants. Thatâs only possible if being a hero is your business, and you need your costume as a business expense. Hooters waitresses can claim their t-shirts, Grant Morrisonâs Superman canât.
It is, I think, a major problem of our tax code that this is true. Why should Anne Romneyâs horse be legally deductible as business expense when Comet is a taxable money-pit.
The reason that Rafalca is a legitimate business expense is that raising her is a business, with profit and loss. Similarly, if the Romneyâs chose to donate the horse (or, more likely, a piece of artwork or simply cash) to charity, they would be legally entitled to a deduction for the value of their gift.
This is a good thing. Iâm in favor of philanthropy. Iâm in favor of tax laws that encourage charitable giving. I might quibble with an individualâs choice of charity, but then, I quibble with my own choices, and thatâs what makes a democracy.
This should also apply to heroics. If Peter Parker is saving New York from the Green Goblin, he should be allowed to deduct his web fluid. That matters more to the cityâs quality of life than a dozen socialites giving their used wardrobe to the Metropolitan Museum.
And Peter needs the deduction more. Heâs a working stiff.
Similarly, there are all kinds of people who do good without any fancy outfits. Working people who use their own metro-cards to help tutor at-risk kids, or work at a soup kitchen, or a thrift store. They donât have money, so they donate their time. It would be great if we lived in a world where these problems were taken care of at a macro level by the government. Until that happens, it would be nice if our tax laws encouraged its citizens to pick up the slack.
We can use the extra heroes.
SATURDAY: Marc Alan Fishman and Something About The New 52
Today’s the day we celebrate Charles Montgomery Plantagenet Schickelgruber Burns, the owner and manager of the Springfield Nuclear Power Plant. Without this ancient billionaire, the Simpson family would simply be poor, instead of part of the working poor. So feel free to say “exxxcellent” all day long. And don’t forget to release the hounds.
Other people may tell you that this is actually the birthday of poet Robert Burns, and that you should celebrate by playing the bagpipes, eating haggis, drinking scotch, reciting poetry in a thick Scottish accent, and closing out the evening by singing Auld Lang Syne. But that just sounds frickin’ weird.
Great Caesarâs bust is on the shelf
And I donât feel so well myself.
â Arthur Guiterman
I guess theyâre not kidding about this âdust thou art and unto dust shalt thou returnâ business. After 1,699 issues and 42 years of publication, what began as the brainchild of 17-year-old Alan Light and, after a few earlier names was finally and best known as The Comics Buyerâs Guide â CBG for short â has reached its end.
I donât think I ever paid for an issue of the paper but, thanks to the generosity of its publishers, I read a lot of them. When I was sitting behind various editorial desks CBG would appear in the mail once a week and when I had some spare time Iâd page through it, reading this and that. It wasnât a big part of my professional life, but it was nice.
Eventually, I did a short article for it. My idea was to make CBGâs readership aware of Harvey Pekar and his self-published and strange and unique comic book, American Splendor. Since Harvey didnât truck in the usual comic book stuff, I thought that maybe CBGâs readers might be missing something that was unlike anything else on the market, something theyâd like. I now wish I had a do-over. Though my intentions were pure, the piece I produced, I think, was patronizing, maybe because I didnât, and donât, know how to describe Harveyâs episodic autobiographies. He was an American original and his work doesnât classify easily.
That regrettable bit of quasi-journalism printed and, one hopes, quickly forgotten, I no doubt thought I was done with CBG except for my weekly reading of it. But the best was yet to come. CBG played a small, but crucial, part in events that shaped the rest of my life. Cue organ chord.
Getting married is generally considered to be a life-shaper, no? And getting married to a teenage sweetheart you havenât seen in 30 years, well…
To be brief: Marifran Reuter, nee McFarland, was teaching a parish school of religion in a St. Louis suburb. Talking to a studentâs mom, she mentioned that she once dated a guy whose brother had the same name as the studentâs father. Mom and teacher compared facts and, yes, the studentâs dad was, indeed,the brother of the guy teacher had dated, long since moved to New York and working as a writer. Teach wrote writer a letter and, on the writerâs next midwestern visit, they met and talked until three in the morning. A bit later, during a phone conversation, Marifran told the writer that sheâd be selling text books in Omaha during summer vacation. Uh-huh! So the writer, me, looked into CBG and found the name of a comic shop in Omaha. I called the shop and persuaded the proprietor to invite me for an autographing session on the June day that Marifran was hawking textbooks in the area. Then I called her and said that she wouldnât believe what just happened â I had a gig in Omaha on the same day and why donât we meet in Missouri and go together…
Would it have happened without CBG? I donât know. But happen it did, and on a warm Nebraska night, we sat on a hillside and spoke the truth as we knew it and created the rest of our lives.
THURSDAY: Martha Thomasesâ Extra Heroes