Category: News

PULP EMPIRE MAKES OPEN CALL FOR SUBMISSIONS

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Since 2010, Pulp Empire publishing has created quarterly anthologies featuring dozens of stories by new pulp authors. The success of the recent Pirates & Swashbucklers anthology leads in to Pulp Empire’s publishing initiative for 2012: new anthologies backed by a cohesive theme!

First, Pulp Empire introduces the world to Heroes of Mars. The new anthology offers writers a chance to tell tales in the world of Barsoom, the now public domain world originally created by writer Edgar Rice Burroughs in 1912. Stories will tell tales from all over Burroughs’ sword and science saga. Submissions are due on December 31, 2011.

Modern Pulp Heroes has a concept as straight forward as its title. The anthology will feature stories of true blue pulp heroes but placed in a modern 21st century setting. Characters don’t have to be masked, but Pulp Empire wants to see a real high adventure setting with heroes in a contemporary setting. Submissions are due on March 15, 2012.

Today we also announce our third anthology, Aliens Among Us. This anthology will feature tales of humans in any non-future setting as they learn that aliens exist and very well walk among us. This can take the form of alien invasion scenarios, abductions, friendships or whatever an author sees their human/alien relationship to be. Submissions are due on April 30, 2012.

For details on all these anthologies, please visit Pulp Empire’s submissions page.  http://pulpempire.com/submissions/

Paul Mannering’s TANKBREAD Now Available

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Paul Mannering’s new novel, TANKBREAD is now available now in Kindle format at http://www.amazon.com/dp/B006F820M2
Paperback edition coming soon.

About Tankbread, a novel by Paul Mannering.

Ten years ago humanity lost the war for survival against a spreading plague that brought the dead back to life as flesh eating monsters.

Now intelligent zombies rule the world. Feeding the undead a steady diet of cloned people called Tankbread, the survivors live in a dangerous world on the brink of final extinction.

One outlaw courier must go on a journey through the post-apocalyptic wasteland of Australia. Fighting his way into the very heart of the apocalypse in the desperate search for a way to save the last humans and destroy the undead threat.

His only companion is a girl with an extraordinary secret. Her name is Else and she’s Tankbread.

Praise for Tankbread:
Paul Mannering’s TANKBREAD is a guts and glory joyride into very dark territory. Very nasty and lots of fun!”
~ Jonathan Maberry, New York Times bestselling author of DEAD OF NIGHT and DUST & DECAY

Mannering’s take on the post-zombie apocalypse is scarifyingly real. Baked dog while you take orders from your zombie master anyone? Sink your teeth into an Australia where the zombies are in charge – you
won’t be disappointed.
~ Rocky Wood, author of STEPHEN KING: A LITERARY COMPANION and HORRORS! GREAT STORIES OF FEAR AND THEIR CREATORS

“Tankbread reads like a tick-list of genre staples: tens of thousands of zombies, a brave, wise-cracking warrior hero, a beautiful woman who might just hold the key to everything, mad scientists, and even a knight in shining armour and a helicopter-piloting mother superior thrown into the mix! And yet the whole is far greater than the sum of its disparate parts. Tankbread is a blast from start to finish. A breathless, country-crossing zombie epic – kind of like Mad Max colliding head on with Dawn of the Dead. Mixing great action scenes, laugh-out loud moments, copious amounts of horror and lead characters you really grow to give a damn about, Tankbread is a unique and very entertaining entry in the over-saturated zombie genre. Read it and enjoy it – I did.”
~ David Moody, author of the AUTUMN and HATER series.

For more on Paul Mannering’s Tankbread, visit http://tankbread.blogspot.com/
Paul Mannering’s Tankbread is now available for Kindle at http://www.amazon.com/dp/B006F820M2

Dynamite Entertainment Releases an Extended Preview of FLASH GORDON: ZEITGEIST #1

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Wraparound Cover Art: Francesco Francavilla
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Cover: Alex Ross

Dynamite Entertainment has released a preview of the upcoming FLASH GORDON: ZEITGEIST #1, which debuts November 30th wherever you buy your favorite comic book entertainment.

Click on images for a larger view.

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Cover: Francesco Francavilla

FLASH GORDON: ZEITGEIST #1
32 pages FC • Full issue introductory price $1.00 • Teen +
Written by ERIC TRAUTMANN
Plot and Art Direction by ALEX ROSS
Art by DANIEL INDRO
Covers by ALEX ROSS (75%), PAUL RENAUD (25%), FRANCESCO FRANCAVILLA (1-in-10), WAGNER REIS (1-in-25)
“Negative Effect Art” Retailer Incentive cover by ALEX ROSS
“Retro Original Art” Retailer Incentive cover by FRANCESCO FRANCAVILLA
“Black & White” Retailer Incentive cover by PAUL RENAUD

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Cover: Wagner Reis

“Sketch Art” Retailer Incentive cover by ALEX ROSS
The year is 1934, a time of two-fisted swashbuckling, of fearsome threats and wild adventure—and of ever-growing threats on the horizon.

Three valiant humans — Flash Gordon, Dale Arden and Dr. Hans Zarkov — are plucked from the Earth, traveling to the distant planet Mongo. Their exploits are legendary, battling the machinations and terror schemes of the dreaded emperor Ming, the All-Seeing Ruler of Mongo. But they did not fight alone…

Written by Eric Trautmann (Vampirella, Red Sonja), from a story and designs by Alex Ross (Kingdom Come, Marvels, Project Superpowers), and illustrated by Daniel Lindro (Sherlock Holmes: Year One).

To learn more about Dynamite Entertainment, please visit http://www.dynamite.net/.

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Cover: Paul Renaud
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Look for FLASH GORDON: ZEITGEIST #1 in stores November 30th.

MICHAEL DAVIS: The Art Of The Deal, Part 3

davis-column-art-1111221-5110613Please refer to Part 1 of this series. Part 2 was my attempt to try and underscore what I was trying to get across. Yeah, I have no idea why I did it either. To recap, I was breaking down my deal that put comic books in the school system.

The program was called The Action Files and it’s a K-12 high interest, low level reading program. These were the steps I took and the questions I asked:

Q. Did my idea have merit?

A. Comics in the school system. Duh, duh, triple duh.

Q. What were the barriers to entry?

A. After researching I decided the reason why there was no comic book reading programs taught as a curriculum because of the educational climate and prejudices that were associated (at the time, which was 1996) against comic books.

In other words, no one wanted to see The Hulk on a textbook.

Q. If such a good idea, why had it not been done before?

A. Marvel and DC were light years away from my brilliance! Only I was smart enough to figure out how to get into the school system! Me and me alone!!!!!

Or…Marvel and DC were simply not interested in the market to approach it the way I did which was as a curriculum.

I covered all of this in detail in Part 1. Now comes the Nitti Gritty as to exactly how I was able to pull this off.

The idea of comics’ as a learning tool and comics in the school is not a new idea and certainly not just my idea. I realized that idea was a good one but it was a huge one.

So I fine-tuned the idea to a smaller more manageable and focused idea. Comics in the schools as a reading program. A curriculum based program complete with lesson plans and teacher guides.

From my research I realized that most states have different guidelines for their schools. No matter how smart, well done and even needed my reading program was, it would not ever be seen in a state unless it adheres to that states guidelines.

So how did I get around that? Did I do a program for all 50 states?

Err, nope.

I created two different programs, one for California using their guidelines and one for Texas using their guidelines.

Why California and Texas? Why not my beloved New York and some other state I don’t hate like I hate both California and Texas?

Because there are no bigger players in the textbook market than California and Texas, where they go, goes the nation. Seriously, I can’t stand Texas and have no love for California but this as they say is business.

Did I care about the other 48 states and Puerto Rico?

Nope. Not for this deal. Sometimes less is more.

Now I had the program and knew the audience and had created The Action File Universe so now the question was how to get paid. Not how to get the comics into the classrooms.

I’ll say it again; the question after all this work was how I would get paid for this idea. Why was I not thinking about how to get the comics in the classroom?

Because that’s not what I do.

That’s so important. Many people try and be a jack-of-all-trades but end up being masters of none. I’m an idea guy. After the idea I’m like a deer in the headlights.

I don’t know nor do I want to know how the guy I hired to fix my car fixed it. Why? Because knowing how he did something does not mean I’ll be able to do it. So why waste my time trying? Hell, I know how and why my dentist drills my teeth but I’m not buying a drill so I can do it.

I don’t have millions of dollars (not anymore, here’s some advice kids, just say no) to pay for the creation, printing and distribution into the schools nor did I have the juice (influence) to get into the very exclusive education market.

I’ve got the juice now, trust me, I’m a doctor.

Remember. I’m an idea guy. The above is not what I do, even if I had that kind of bank.

I needed a partner. I needed a partner who would not only get it; they would also pay for it.

So, I took another month and wrote a detailed business plan. When that was done, I picked up the phone and called one of the biggest publishers in the world.

Next week, the deal.

WEDNESDAY: Mike Gold

The Point Radio: COVERT AFFAIRS & The REM Connection

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Every LOONEY TUNE Fan has a favorites character – and director. We open up the floor on that topic with animation superstar PAUL DINI, plus we slip backstage for the start of our look at USA Network‘s COVERT AFFAIRS and just where the band REM fits in.

 

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

JENKINS RELEASES A ‘GREATEST HITS’! AND IT’S ON SALE TODAY!

From Joel Jenkins-

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One day only (that’s 11/28 until the morning of 11/29), get 30% off my just-released book, The Gantlet Brothers Greatest Hits. Normally,
you’re looking at $11.95 (still a bargain in my completely biased
estimation), but if you follow this link (
https://www.createspace.com/3621701 ) and use the discount code 5YRZ6A8W you get 30% off the cover price.

So what’s the book about? Here’s the back cover blurb:

“From the broken and dusty terrain of Egypt’s Qattara Depression to
the grimy underbelly of New York City, erstwhile rock musicians and
guns for hire, the Gantlet Brothers, use charm, blades, bullets, and
fists to plow a path through amorous starlets with ill intentions,
bounty hunters, a deranged serial killer and terrorists hell-bent on
bringing down nuclear annihilation.

These are the Gantlet Brothers’ greatest hits collected for the first
time and including two never before published stories.”

This book is just released so there are no reviews out yet. However,
the inestimable Ron Fortier wrote a piece on the previous Gantlet
Brother novel, The Nuclear Suitcase which you can still find at the
Pulp Fiction Review Website.
http://pulpfictionreviews.blogspot.com/2009/10/nuclear-suitcase.html

Conan The Barbarian (1982) Movie Review

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1982
Universal Pictures
Directed by John Milius
Produced by Buzz Feitshans and Raffaella De Laurentiis
Written by John Milius and Oliver Stone
Based on the character/stories created and written by Robert E. Howard
I knew that director John Milius and his screenplay co-writer Oliver Stone got the character of Conan five minutes into the movie.  During the opening credits we see Conan’s father (William Smith) forging a mighty sword.  He then takes the young Conan (Jorge Sanz) to the top of a mountain.  He explains how The Riddle of Steel was stolen from Crom, the god of Cimmeria and that Conan must learn The Riddle of Steel for himself because as his dad succinctly sums up: “For no one in the world can you trust.  Not men, not women, not beasts.  But this-“ and he holds up the gleaming sword.  “-this you can trust.”
It’s not long after this that Conan’s parents, along with all the other adults in his village are slaughtered by the servants of Thulsa Doom (James Earl Jones) a powerful sorcerer who is also the leader of a cult that worships the snake god Set.  Conan, along with other children are taken as slaves and chained to The Wheel of Pain, a gigantic mill which they push night and day, through weather fair and foul.  It’s torturous work but it has its benefits.  The young Conan grows up into Arnold Schwarzenegger as pushing that damn thing has built up muscles of Herculean proportions.  He’s bought by The Hyborian Age’s version of a fight promoter and wins fame as a gladiator.  He’s freed by his master and after meeting up with the master thief and archer Subotai (Gerry Lopez) takes up a career as a thief himself.
It’s during their attempt to infiltrate The Tower of The Serpent and steal The Eye of The Serpent that Conan meets swordswoman and thief Valeria (Sandahl Bergman) who will become the great love of his life.  It’s their successful and daring theft that brings them to the attention of King Osric (Max von Sydow) who hires the trio to rescue his daughter from The Cult of Set.  While Valeria and Subotai see this as a chance for a really big payday, Conan has his sights on taking the head of Thulsa Doom.
Now, you can say whatever you want about CONAN THE BARBARIAN but it won’t faze me because if nothing else, John Milius and Oliver Stone respected Robert E. Howard’s enough that they obviously not only read his stories but incorporated elements of some of those stories into the movie including what is probably the most famous scene in any Conan story; his crucifixion and his killing of a vulture pecking at his flesh with nothing but his bare teeth. 
This movie, along with “The Terminator” launched Arnold Schwarzenegger’s career and it’s easy to see why.  Schwarzenegger at that time looked like he was designed by Frank Frazetta and he inhabits the role as well as Sean Connery did with James Bond or Michael Keaton did with Batman.  For those who claim that Schwarzenegger can’t act, I point out a terrific scene where Conan, Valeria and Subotai plan their assault on Doom’s stronghold.  While Bergman and Lopez have all the dialog, Schwarzenegger says far more than they do in the way he’s sharpening his sword.  And even though Schwarzenegger gets a lot of mocking for his dialog and accent in this movie, I like it.  I mean, the guy does sound like a barbarian from pre-history.   In fact, I like it that 90% of the characters have accents in this movie as they do sound as if they come from another age rather than modern day Californians playing dress up.
The supporting cast is outstanding.  James Earl Jones infuses Thulsa Doom with enormous presence and a true sense of not being entirely human.  His henchmen, played by Sven-Ole Thorson and Ben Davison are suitably impressive.   Bergman and Lopez back up Schwarzenegger well and create their own characters in some really wonderful intimate moments such as the one where Subotai tells the wizard Akiro (Mako) that since Conan, as a Cimmerian will not cry to show grief, Subotai must do it for him.  Mako contributes comedy relief without being buffoonish or degrading his own character.  But that’s to be expected because Mako is epic in everything he does.
And speaking of epic, the musical score by Basil Poledouris has become respected as one of the finest musical scores ever and rightly so.  A large part of the enjoyment of watching CONAN THE BARBARIAN comes from the sheer power of the score.  Poledouris also has done the scores for “Quigley Down Under” and “Lonesome Dove” that are easily as epic as the one for this movie.
So should you see CONAN THE BARBARIAN? No doubt you already have.  It’s one of those movies that everybody and their mother has seen, it seems.  Even chicks who normally shun this type of movie like it was the Ebola virus have seen CONAN THE BARBARIAN.  It’s violent, it’s raw, it’s sexy, and it’s fun.   There’s an excellent reason why CONAN THE BARBARIAN is rightly regarded as a classic.  It truly is inspired by the spirit of Robert E. Howard in a way that the recent remake never even comes close to.  If you’ve seen it, what the hell…watch it again.  And if you haven’t, I envy you discovering it for the first time.  Enjoy.
129 minutes
Rated R

FORTIER TAKES ON THE MERKABAH RIDER A SECOND TIME!

ALL PULP REVIEWS by Ron Fortier
MERKABAH RIDER
The Mensch With No Name
By Edward M. Erdelac
Damanation Books, LLC
218 pages
Perhaps the most popular sub-genre in the resurgence of new pulp fiction is that of the weird western. It seems everywhere one turns these days; another publisher is coming out with another anthology which combines the cowboy classic setting with all manner of bizarre and horrible trappings.  None is more effective and original than Edward M. Erdelac’s Merkabh Rider series.  In his first book, “Tales of a High Plains Drifter” we were introduced to the Rider, last of an order of Jewish mystics searching a demon infested west on the trail of his teacher, who betrayed and massacred the order known as the Sons of Essenes.  In this second volume, the Rider’s travails continue through four new adventures.
In “The Infernal Napoleon”, the Rider finds himself in an out of the way watering hole used by freight haulers.  Here, in this desolate way station he’s set upon by a vengeance seeking demonic dwarf who controls a satanic canon and is willing to destroy dozens of innocent lives to achieve his ends.  But in all things, there is a balance and the aid of a young Samson-like strongman may tilt the odds in the Rider’s favor.  The action is fast and brutal and sets the tone for the entire book.
Next is “The Damned Dingus.” During a train robbery by a group of dim witted varmints, the Rider’s unique Volcanic pistol is stolen. With the aid of the famous gunfighter, Doc Holiday, and an experienced deputy marshal, the Rider travels to an abandoned mine in the high country and encounters the savage menace of an invisible monster capable of ripping men and horses to pieces.  What is it the creature is protecting and what is its connection to his old teacher’s twisted plans?
Leaving Arizona, the Rider learns he has been labeled a wanted outlaw with a bounty on his head.  Fleeing into New Mexico, he encounters a band of Apaches battling an age old horror that dwells beneath the earth.  Here Erdelac takes a page from H. P. Lovecrafts’ canon in using the evil Old Ones from beyond the stars as the threat and only the Rider and his arcane skills can free the territory of the vile and corrupted She-Demon in the episode called appropriately, “The Outlaw Gods.” Before it is finished, the Rider will have led an army of Spanish ghosts in an epic battle across the astral plane.
Finally, still assailed by Queen Lilith’s invisible sprites that are draining away his life essence, the Rider is found by Kabede; a Merkabah Rider from a secret Ethiopian sect of the Sons of Essenes.  Kabede convinces the Rider that the answers to Adon’s diabolical plan, the meaning behind the so called Hour of Incursion, can only be answered by the Prince of Hell, Satan and they must travel to Hell in astral form.  Erdelac’s depiction of the various levels of Gehena are as evocative as Milton’s own “Paradise Lost” and deftly combine Judeo/Christian tradition with other prehistoric myths.  In the end, he weaves a complicated but amazing tapestry of mankind’s ongoing quest to explain the meaning of creation and the eternal conflict between faith and hopelessness.  By the end of this final chapter, the Rider and his new companion have set into motion actions which will either lead to their defeat at the hands of Adon and his minions, or a miraculous victory against the forces of alien damnation.  Calling this finale a cliffhanger is a major understatement.
“MERKABAH RIDER – The Mensch With No Name” is a terrific continuation of an exciting saga this reviewer imagines will culminate in a third and final volume.  This is easily some of the finest western/horror/action writing on the market today and comes highly recommended.  The Merkabah Rider is truly a pulp hero like no other.

The Point Radio: LOONEY TUNES Looking Better Than Ever

Tis’ the season for getting cool stuff, and there is little cooler than the new LOONEY TUNES CLASSIC Collection on Blu Ray DVD. We talk to the men who put the whole thing together, plus more with NIKITA‘s Maggie Q on how she keeps order on the seat of the hit CW show.

 

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.