Category: News

THE ROOK’S BARRY REESE VENTURES INTO THE BOOK CAVE!

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Cover Art: Bob Hall

New Pulp Author and Rook creator Barry Reese visits Ric Croxton and Art Sippo at The Book Cave to introduce his latest Rook bestseller, “Tales Of The Rook.”

Listen now at The Book Cave. http://thebookcave.libsyn.com.

OFFICIAL PRESS RELEASE:

Reese Unlimited, an Imprint of Pro Se Productions, proudly announces the release of TALES OF THE ROOK!  The Rook, a character created by Barry Reese, now lives on in stories written by Reese as well as five other premiere writers of New Pulp!

“When The Good Is Swallowed By The Dark…There The Rook Shall Plant His Mark!”

For years, New Pulp Author Barry Reese has masterfully written the thrilling adventures of The Rook, a masked Hero of Reese’s creation who is compelled through dark dreams to hunt down and destroy evil wherever it might hide! Assisted by loyal friends and a vast array of allies from the annals of Classic and New Pulp as well as Comics of a bygone era, The Rook’s escapades have been a hallmark in the world of New Pulp!

Now, for the first time and under the REESE UNLIMITED imprint, Barry Reese has invited some of New Pulp’s finest authors into The Rook’s world to put their unique spin on the character and tell their own tales…TALES OF THE ROOK! Featuring stories by Ron Fortier, Bobby Nash, Mike Bullock, Percival Constantine, Tommy Hancock, and a brand new ROOK tale by Reese himself! 

Concerning the popularity of The Rook and his cast of characters, Barry Reese commented that the concept was still with him, six years after its debut.  In the book’s introduction, Reese says, “Others have felt the siren’s call, as well. The Rook has appealed to them to the point where they agreed to write new stories featuring my hero. I’m flattered and thrilled to present the results to you. Some of the greatest writers in New Pulp have crafted their own takes on The Rook and it’s a lot of fun to see where they went when given the chance.”

TALES OF THE ROOK also features an explosive cover by Bob Hall, stunning interior art by George Sellas, and outstanding format and design by Sean Ali! Ready for the best in New Pulp? Get it today in TALES OF THE ROOK! From Reese Unlimited and Pro Se Productions!

Tales of The Rook can be found at:
Amazon 
Smashwords
NOOK
Kindle

Pro Se Productions- Puttin’ The Monthly Back Into Pulp! www.prosepulp.com

Found: Briefcase of Dr. Richard Parker (The Amazing Spider-Man)

If you’ve been following The Amazing Spider-Man and any of the viral activity surrounding #markofthespider-man, you may note that there’s been some action leading up to today. There’s been a countdown clock that indicated various things were going to happen today, with flights booked by Dr. Richard Parker leaving today.

At noon today, this image appeared on the link for New York:

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That happened to be at the New York Hall Of Science, not far from the Forest Hills home of the Parkers, and where there happens to be a pretty decent exhibit on Animation running until Sept. 2 sponsored by Cartoon Network.

I rushed over there, went to the coat check window, and reclaimed this satchel:

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A leather satchel with an RP monogram…

Inside we found the following:

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A bit more detail:

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Oscorp Industries ID for Richard Parker, glasses, and a Parker Pen.

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An HP48G calculator, an Ericsson phone, and more pens.

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Three New York City subway tokens, and three quarters, all at lest twelve years old.

And two spiders encased in lucite.

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Surely, this couldn’t be all of it, could it? Hey, there’s a pocket on the back of the satchel…

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Pocket’s empty. But wait, I can feel something in there… is there a zipper on this pocket?

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Bingo. And what do we have here…?

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This is the point where a good storyteller covers for getting to a scanner with the words… “To Be Continued!”

THE SKINVESTIGATOR RETURNS IN SUNBURN!

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FOR IMMEDIATE RELEASE

(June 20, 2012 – Melbourne, FL) Press release: Final Book of The Skinvestigator Trilogy coming this July.

The third and final volume of the popular Skinvestigator series is coming out this Summer. Author Terry Cronin has published each novel on a yearly basis in preparation for pre-release at the famous San Diego Comic-Con. 3 Boys Productions will release the eagerly awaited final installment The Skinvestigator: Sunburn on July 31st, 2012.

As the finale to Cronin’s Sunshine State Trilogy, The Skinvestigator: Sunburn is not content to merely match the adrenaline-charged pace of his first two novels The Skinvestigator: Tramp Stamp and The Skinvestigator: Rash Guard. Instead, it explodes with a roaring storyline that blows the doors off the series and proclaims that the very best has been saved for last. Dermatologist Harry Poe is in trouble. He’s been abducted by Venezuelan thugs from his past and is poorly prepared for their increasing level of violence. Sexy tattoos, illicit cosmetic surgery, and espionage round out the exhilarating conclusion to the Sunshine State Trilogy and may just mark the end of the career of The Skinvestigator . The dermatologist detective series is currently available at Barnes and Noble and on Amazon.com

Terry Cronin created the critically-acclaimed horror adventure series Students of the Unusual and has been a long-term advocate for independent filmmaking co-founding the Melbourne Independent Filmmakers Festival. Fans can follow him on Facebook and Twitter. Readers can also visit his Skinvestigator fan page on Facebook.

Table Talk: In the Wake of the Rook…

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Cover Art: Bob Hall

Welcome back to Table Talk, a (wanna-be) weekly column where New Pulp authors Barry Reese, Bobby Nash and Mike Bullock babble on about whatever ricochets through their speakeasy. This week, the guys are still inhaling the euphoric fumes of rarified air that is the success of Tales of the Rook, the most recent release from Pro Se Press and Reese Unlimited. For those who have been on the lamb from all things New Pulp, Tales of the Rook has planted its flag squarely on the NewPulp best seller list since it debuted last month. If you haven’t read it yet, grab a copy and enjoy.

We now return you to your regularly scheduled gibber-gabber, already in progress at www.newpulpfiction.com.
Direct link: http://www.newpulpfiction.com/2012/06/table-talk-in-wake-of-rook.html

Follow the Table Talk Trio on Twitter @BarryReesePulp @BobbyNash @MikeABullock and Facebook.

First Look at Monsters University

We’re exactly a year away from its release, but Disney is wisely beginning to tease next June’s Monsters University with the opening of Brave on Friday. The sequel to the successful Monsters Inc. will once more feature vocal work from Billy Crystal and John Goodman, joined by Steve Buscemi, Dave Foley, Julia Sweeney, Joel Murray, and Peter Sohn. The Pixar production is being directed by Dan Scanlon.

Mike Wazowski and James P. Sullivan are an inseparable pair, but that wasn’t always the case. From the moment these two mismatched monsters met they couldn’t stand each other. “Monsters University” unlocks the door to how Mike and Sulley overcame their differences and became the best of friends.

Screaming with laughter and fun, Monsters University is directed by Dan Scanlon (Cars, Mater and the Ghostlight, Tracy) and produced by Kori Rae (Up, The Incredibles, Monsters, Inc.). The film opens in U.S. theaters on June 21, 2013, and will be shown in Disney Digital 3D™ in select theaters.

Notes:

  • Monsters, Inc., originally released on November 2, 2001, was nominated for four Oscars®: Best Animated Feature Film, Best Original Score, Best Sound Editing and Best Original Song—“If I Didn’t Have You,” for which it won.
  • Monsters University will hit U.S. theaters nearly 12 years after the Monsters, Inc. theatrical debut.

 

Yahoo and Liquid Comics set to publish motion comics

I wonder if this will move Yahoo’s stock price. From the AP:

Yahoo said Wednesday it is expanding its original offerings, partnering with Liquid Comics to offer motion-comics. The two companies said they’ll make the first two titles — created by film directors Barry Sonnenfeld and Guy Ritchie — available online later this summer through Yahoo! Screen.

Motion comics blend elements of comic book art and animation, offering some movement and action but on a limited scale. It’s gained ground and popularity in recent years as publishers big and small experiment with the medium, which can viewed online or on devices like tablets and iPads.

“This is compelling content from great storytellers, and we are excited to be adding Liquid Comics to our robust slate of premium content partners,” said Erin McPherson, vice president and head of video for Yahoo.

By partnering with Liquid Comics and focusing on animation, she said Yahoo is enhancing its premium original content.

Together with Tom Hanks’ new animated Web series, “Electric City,” ”motion comics are the start of a unique animated offering on Yahoo,” McPherson said.

Sonnenfeld’s offering is “Dinosaurs vs. Aliens.” The director of the “Men In Black” films tells the story of aliens invading earth in prehistoric times only to face off against dinosaurs.

Ritchie, whose films include “Lock, Stock and Two Smoking Barrels” and the recent “Sherlock Holmes,” will have his “Gamekeeper” transformed into a motion-comic written by Andy Diggle. It focuses on groundskeeper whose life is turned upside down by mercenaries.

Sharad Devarajan, CEO of Liquid Comics, said the titles, along with plans for more, will help expand the reach of graphic novels and comics.

“Yahoo’s impressive global reach will greatly enhance Liquid’s goal of pushing the boundaries of comic books through digital platforms and technology and enabling our creative partners to share their stories with audiences worldwide,” he said.

via Yahoo, Liquid set to publish motion comics – Yahoo! News.

Just to refresh your memory: Liquid Comics is what’s left of the former Virgin Comics line, a joint venture between Richard Branson and Deepak Chopra, which originally published Gamekeeper.

Gerry Giovinco: What If?

Does it infuriate you to hear about comic book creators, especially the aged ones, struggling to get by financially, without health benefits, and working menial jobs because they can no longer find work in the comics industry while their creations or characters whose legacy they’ve passionately contributed to continue to rake in grotesquely monolithic profits for the corporations that currently own the copyrights and trademarks to them? Don’t you think that anyone should be upset about this, except maybe the soulless, money grubbing powers of the corporate world that have driven the globe into economic crisis? Surely, the average person gets it. You know, the dreaded 99% who feel that we have to live with our hand out just to get by, constantly in debt so that we can live co-dependant on the new staples of life like TVs, cars, computers, and cell phones, not to mention upsized happy meals that make our asses so fat we need therapy because we no longer fit the impossibly ideal image of the perfect body that has been created by the same bastards that sold us the 64 ounce Big Gulp. Ahem.. Maybe people don’t get it because it has to do with the arts. The efforts of creative types, with the exception of those few that rise to the top of the heap and rake in the big bucks, are rarely understood. People expect that the arts are practiced by those that do what they do because they love it, it’s fun, and it’s not really work. This   thinking perpetuates the romantic ideal of the so-called “starving artist.” This is true wether it is painting, music, dance, theater, literature, film or comics. The creative community, however, understands that though we all appreciate that our work is a “labor of love,” it is also a lot of hard work that requires great dedication,  sacrifice and  expense. This work, no matter how much we may enjoy it, has value, especially when it is making gobs of money for somebody else.

So, when I see comic artists struggling and am completely stymied when one can’t even expect a decent burial because of his poverty, it is probably only other artists that I can expect to fully appreciate the knot in my gut. This is why I am wondering where all the support for comic artists is when it comes to the ethical injustice of no compensation for work that was created under the auspices “work-for-hire” at a time when no one could have anticipated the economic power of modern media. Where is the support from other artists, other entertainment fields and their unions, especially those who are benefitting most from adapting comics to other mediums, like film. So I ask. What if the Screen Actors Guild, the Directors Guild of America, and the Writers Guild of America came to the defense of comic creators who have never successfully unionized and, as they do for themselves, show a force of solidarity for the people that created the source material that is creating extremely lucrative jobs for their members? What if the long list of prominent actors that portrayed characters from comic books in films took a stand to support those creators? What if the “A” list writers and directors showed some moral scruples and held a higher ground? I understand that it would be impossible to to fully effect every comic creator that may have participated in making the comic book characters that have become stars on the silver screen the cultural icons that they are today. I also understand that the rights to ownership of these characters are legally embroiled by the federal copyright laws that were lobbied successfully by the big corporations. None of that, however, justifies letting some of these talented creators struggle in abject poverty, living hungry on the streets with no healthcare, doomed to be buried in an unmarked pauper’s grave while others, including other artists, get rich off the fruits of their creations.

The comic industry does not have a union but it does have advocates. The Comic Book Legal Defense Fund and The Heroes Initiative are two organizations that have been formed to offer services to protect comic creators. Both organizations could benefit greatly if they were to receive generous donations from those that are currently benefitting the most from the success of comic book characters in film and related merchandise.

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It has been reported that “Since its inception, The Hero Initiative (Formerly known as A.C.T.O.R., A Commitment To Our Roots) has had the good fortune to grant over $500,000 to over 50 comic book veterans who have paved the way for those in the industry today.” In contrast, if we were to signal out just Robert Downy, Jr. who is reported to have made $50,000,000 off of his role as Iron Man in the Avengers film and ask him to donate a mere one tenth of a percent of that salary to The Hero Initiative, he would match every penny they have ever spent to support comic creators in need. These stars are a generous lot and, in fact, need to be philanthropists just to write off their taxes. Robert Downy, Jr., himself supports, Clothes Off Our Back, Midnight Mission, and Orca Network. Why wouldn’t he support some struggling comic artists that created the opportunity for him to make his millions?

What if every actor, writer, and director, especially those that reaped the mother load reached out to support these two organizations that protect struggling comic creators? It wouldn’t make certain creators as rich as they could be if the industry was fair, but it would guarantee that comic artists who dedicated their lives to their art and our enjoyment could be a little more secure and might not die penniless like so many before them.

What if everyone reading this blog took it upon themselves to pursue this campaign and contact their favorite actor from a comic book film requesting their aid? What if we all made a difference?

Gerry Giovinco

And now, another added bonus! Those of you that are huge fans of Chris Kalnick’s NON the Existential Extraterrestrial and Depth Charge both featured here at CO2 Comics will be thrilled to find out that our old buddy NON is back in a new installment titled “A Sensory Neuron’s Quandary.” The feature begins today and will be updated every Sunday. Mr. Kalnick will be  sure to have you all questioning the true “meaning of life.”