PULP OBSCURA DEBUTS NEW ADVENTURES OF ARMLESS O’NEIL!
In case you missed it, Brave opens on Friday but first, they honor Father’s Day (despite the holiday not existing at the time of the film).
Set in the rugged and mysterious Highlands of Scotland, Disney•Pixar’s Brave follows the heroic journey of Merida (voice of Kelly Macdonald), a skilled archer and headstrong daughter of King Fergus (voice of Billy Connolly) and Queen Elinor (voice of Emma Thompson). Determined to change her fate, Merida defies an age-old custom sacred to the unruly and uproarious lords of the land: massive Lord MacGuffin (voice of Kevin McKidd), surly Lord Macintosh (voice of Craig Ferguson) andcantankerous Lord Dingwall (voice of Robbie Coltrane), unleashing chaos in the kingdom. When she turns to an eccentric Witch (voice of Julie Walters), she is granted an ill-fated wish and the ensuing peril forces Merida to harness all of her resources—including her mischievous triplet brothers—to undo a beastly curse and discover the meaning of true bravery. Directed by Mark Andrews and Brenda Chapman, and produced by Katherine Sarafian, Brave is a grand adventure full of heart, memorable characters and signature Pixar humor. Opens on June 22, 2012, in Disney Digital 3D™ in select theaters.
In the not-too-distant past, 1988 A.D… there was a guy named Joel, and then another guy named Mike, both of whom worked as janitors at Gizmonic Institute, and who ended up getting tormented by mad scientists. But you already knew that, I’m sure. In fact, you may (like me) recognize far, far too much of this comprehensive and hyper-condensed tribute to Mystery Science Theater 3000 and a whole lot of related stuff like Turkey Day, Rifftrax, Cinematic Titanic, and on and on and on.
Now keep in mind you can’t control where the clips begin or end…
How many of these have you seen? Worse, how many of these had you seen before the MST3K bots got their hands on them? And which were your favorites?
With the President’s recent open approval of same-sex marriage; a federal appeals court striking down the Defense of Marriage Act (claiming it unconstitutional); the success of Life with Archie #16, featuring the marriage of a gay character; and Marvel and DC’s inclusion of prominent storylines about gay characters, one may surmise it is easy for everyone to access constitutionally-protected LGBT materials. This is not the case, as students in a school district north of Salt Lake City will have to get parental permission before checking out a book about a lesbian couple raising a family, according to a recent article on the Huffington Post.
The book In Our Mothers’ House by Patricia Polacco is at the center of these prohibitive policies due to a complaint by the mother of a student who checked out the book, which features a family led by a lesbian couple and how they use love to give them the strength to overcome intolerance.
From the Huffington Post article by Jennifer Dolner:
Students in a Utah school district will need permission from their parents to read a book about a lesbian couple raising a family following the decision by a special committee to keep it behind library counters instead of on bookshelves.
The book In Our Mothers’ House, by Patricia Polacco, became the subject of controversy in January when the mother of a student who brought the book home complained to the school.
‘The book is still in the library and children can still have access to the book as long as they have written permission from their parents,’ said Chris Williams, a spokesman for the Davis School District, which covers an area north of Salt Lake City.
Dolner goes on to relate that the book has been challenged in libraries around the country:
The Davis district is not the first place parents have raised concerns about the book, which was published in 2009. A 2011 report by the American Civil Liberties Union of Texas shows the book was banned in several schools in that state.
Williams said a school-level committee made up of teachers, administrators and parents decided that access to In Our Mothers’ House should be restricted to students in grades 3 through 6. When that didn’t satisfy the parent, a district committee was petitioned to address the issue.
In late April, the district committee voted 6-1 that the book could stay in the collection, but should be kept behind the counter, instead of on shelves. A letter informing parents of the decision was sent out in May.
Williams said in the article that what’s objectionable to one person is not to another. Thusly, a person’s objection to legal material (that is not defined as offensive or profane by law) has led to a subjective decision to restrict access to said material. These policies, therefore, are based on personal ideologies, not law, and are in violation of a national canon of free expression.
Similar outcries and boycotts have been made by special interest groups, such as One Million Moms, against the comic industry for its depiction of gay characters. In February, One Million Moms lobbied to have an Archie comic removed from shelves and encouraged people to boycott the comic.
From a CBLDF article by Betsy Gomez:
One Million Moms — a division of the American Family Association, a conservative non-profit organization that ‘promotes traditional family values’ — recently made news over their boycott of retailer JC Penney over hiring lesbian TV host Ellen DeGeneres as a spokesperson. They are in the news again with recent reports that they will be boycotting Toys ‘R’ Us over the display and sale of Life with Archie #16, which features the marriage of openly gay character Kevin Keller.
Despite the group’s efforts, the comic stayed on the shelves and even sold out.
More recently, the group has taken similar actions against Marvel’s Astonishing X-men #51, featuring the marriage of the mutant Northstar to his same-sex partner, and DC’s “outing” of the Green Lantern, according to an ICv2.com article.
From the ICv2 article:
American Family Association ‘project’ One Million Moms has added Marvel and DC to the list of comic publishers that it opposes because of their inclusion of gay characters. The group argues that the companies ‘want to indoctrate [sic] impressionable young minds by placing these gay characters on pedestals in a positive light.’ The group was reacting to the announcement by Marvel that its character Northstar would marry his same sex partner in Astonishing X-Men #51 (see A Gay Wedding for Marvel). DC announced this week that a major, iconic DC character would be revealed as gay next month (see DC Character to Come Out). ‘These companies are heavily influencing our youth by using children’s superheroes to desensitize and brainwash them in thinking that a gay lifestyle choice is normal and desirable,’ the group said.”
Though One Million Moms public objections are constitutionally protected speech, banning comics and books (as in the case of Texas schools banning In Our Mothers’ House) due to moral, political or religious ideologies violate these First Amendment rights.
From the First Amendment Center’s website FAQs concerning speech, schools and books:
School officials cannot pull books off library shelves simply because they dislike the ideas in those books. In Board of Education v. Pico, the Supreme Court ruled that school officials in New York violated the First Amendment by removing several books from junior high school library shelves for being too controversial.
The Court said the First Amendment protects students’ right to receive information and ideas and that the principal place for such information is the library.
However, in Pico, the Supreme Court also said school officials could remove books from library shelves if they were ‘pervasively vulgar.’ The Court noted that its decision did not involve school officials’ control over the curriculum or even the acquisition of books for school libraries.
•••
School districts should develop policies on how to handle challenges to books, and how to ensure that decisions regarding removal of books from the library or the curriculum respect the Constitution and reflect sound educational policy. School officials must also ensure that a book is not removed simply because a concerned parent or special-interest group dislikes its content.”
Visit the non-profit organization First Amendment Center’s website for more information.
LGBT publications, from books to comics, are often challenged, banned or subject to restrictive access policies in libraries. These materials are legal, non-obscene, and protected speech, but they often suffer the consequences of personal, religious, and moral dogmas that infringe on free speech and free access.
Please help support CBLDF’s important First Amendment work and reporting on issues such as this by making a donation or becoming a member of the CBLDF!
Justin Brown is a journalism graduate of the Indiana University of Pennsylvania.
UPDATE 3 AM, 6/22: Holy cow, a lot of money has come in this round– $65.75 for Oglaf and $500 for Go Get A Roomie! We’ve modified the vote totals accordingly, adding 263 votes to Oglaf and 2000 to GGAR, but there’s still time for your favorite to win, either by voting, getting your friends to vote, or by buying votes with proceeds going to the CBLDF!
At long long LONG last– the Finals of the Mix May Mayhem (well, it’s not May anymore) NSFW Webcomics Tournament!
So far, we’ve raised over $650 for the Comic Book Legal Defense Fund, and now we’re down to the final two contestants– Go Get A Roomie going head to head against Oglaf!
Here are the updated brackets… and remember, these are NSFW comics, so be careful when you click through to look and read them! (more…)
The September 2012 issue of Asimov’s Science Fiction (appearing via online sources and in bookstores in mid-July) will feature a new novella about the variously named character from William Preston’s “Helping Them Take the Old Man Down” (Asimov’s, March 2010) and “Clockworks” (Asimov’s, April/May 2011), who was conceived in part as an homage to Doc Savage.
The new story, which takes place in 1925, sends readers back to the first adventure of the man who will, in time, become “the Old Man.” Be sure to look for “Unearthed” in the September Asimov’s.
For those who want to read the stories in the sequence they’re intended to be read, you can now purchase “Helping Them Take the Old Man Down” and the prequel “Clockworks” in ebook format at Amazon. Both novelettes appear bundled together for $2.99 at the following links:
http://www.amazon.com/Helping-Them-Take-Clockworks-ebook/dp/B008BC4EME/ref=sr_1_1?ie=UTF8
These may not actually be the absolute 10 Worst Book Covers in the History of Literature, but they’re definitely on the shortlist.
My favorite is right here:

Double Penetrator! Try to tell me that was inadvertent! Just try!
Swedish news outlet The Local reports that their Supreme Court has overturned the conviction of manga translator Simon Lundström on child pornography charges relating to manga files on his computer. The court’s decision reflects the viewpoint of free speech advocates, including the CBLDF, that sexually explicit manga images are protected artistic expression and not child pornography. The court stated, “The criminalization of possession of the drawings would otherwise exceed what is necessary with regard to the purpose which has led to the restriction on freedom of expression and freedom of information.”
The Local reports:
Lundström, described by Swedish media as a top manga expert, was found guilty by two lower courts of having 39 drawings portraying figures in sexual poses stored on the hard drive of his computer.
In his initial trial, he explained that he had retrieved the pictures in order to stay up to date with the latest developments in the Japanese comic genre.
A district court fined him 25,000 kronor ($3,500) but an appeals court lowered the sum to 5,600 kronor.
CBLDF Executive Director Charles Brownstein welcomed the ruling, stating, “This is an important victory for free expression and for manga. The Swedish Supreme Court has correctly drawn the boundary that governments have a compelling interest in prosecuting criminal behavior, not ideas or expression. Child pornography is an abhorrent crime because real people are harmed, and the creation, distribution and possession of that content are criminal behaviors that contribute to creating victims. Today’s ruling that drawings of an imaginative nature where no victim is created cannot be child pornography is clear-minded and will hopefully provide guidance here in the United States and around the world when similar cases arise in the future. We congratulate Mr. Lundström and his attorney Leif Silbersky for their courageous efforts in reaching this important decision.”
Latchkeys #4, “The Bootleg War”, is now available for Kindle and Nook. Author Paul Kupperberg talks about the writing experience.
By Paul Kupperberg
For writers, ideas are like stacked up airplanes circling the fogged in airport. We want desperately to have all of them land safely, but some are going to have to stay up in the air a little longer than others until the weather clears or a runway opens up. As a result, we’ve all got lots of ideas circling our brains but no opportunity to bring them in for a landing on paper as quickly as we would like.
A few years back, Steven Savile, on a writers email list to which we both belong, suggested that a bunch of us join forces to take some of those high-flying ideas, throw them into a hat, and pick a few on which a dozen or so of us could work together. The idea was to hasten the development and writing of these various concepts by sharing the workloads. The result of Steve’s suggestion was a collective we came to call the HivemMnd.
While Steve has already related the secret origin of the HiveMind in an earlier post here on the Crazy 8 Press blog, the work of actually writing Latchkeys takes place not as a community activity, but in the individual workrooms, offices, and minds of our fourteen writers. The current episode, “Chapter 4: Speakeasy, Part One: The Bootleg War” began with a story by Kris Katzen, which landed on my desk for fleshing out and was a particularly fun story for me to work on. It incorporates elements that play to several of my strengths as a writer: It takes place in New York, the city in which I was born and about which I have an insatiable curiosity (I have shelves containing nothing but histories and biographies related to this, the greatest city on earth), and is set against a historic backdrop, in this case the Prohibition era of the 1920s (coincidentally, I recently read Daniel Okrent’s fascinating history, Last Call: The Rise and Fall of Prohibition).
I love to pepper period stories like “Bootleg War” with interesting little historic tidbits, whether about its locale or some incidental information (did you know Converse All-Stars sneakers were introduced during the First World War?)…just enough to give it the right flavor and a dash of verisimilitude. Of course, stories have to come from out of the characters first, but those characters need to be rooted in a world that’s as real as they are. The use of the wrong slang or an anachronistic prop and the reader is yanked out of the moment and all the mood and drama the author was hoping to set up is ruined.
And speaking of characters: Latchkeys stars a roster of good ones. I was already familiar with two of them, twin sisters Mercy and Marguerite, from writing one of the later Latchkeys episodes (#13, “Emmett”), but “Bootleg War” gave me the opportunity to get to know a couple of the other fascinating teens who populate this world. I hope you’ll find their intelligence and resourcefulness as interesting as I did while writing them.
So, to torture my opening airplane analogy just a little further, bringing Latchkeys in for a landing has been, in some ways, a long and sometimes bumpy ride, but now that we’re safely home, I wouldn’t have wanted to miss a moment of the trip. For readers, on the other hand, there’s nothing but clear skies and some good reading ahead.