Category: News

FORTIER TAKES ON ‘GIRL GENIUS’!

ALL PULP REVIEWS- Reviews by Ron Fortier
GIRL GENIUS
(Agatha Awakens)
By Phil & Kaja Foglio
A 319 pg graphic novel.
Tor Books
One of the things I bemoan as a professional reviewer is the lack of graphic novels I’m sent to look at.  Note I did say, “look at.”  The fun of such material is that, when well done, it becomes both a literary and visual feast; a narrative told with both words and art.
The problem is that, even in our supposed enlightened times, most major publishers still do not appreciate or acknowledge graphic novels as legitimate and thus are not receptive to publishing them.  Those pioneer publishers who do are few and far apart.  Happily Tor Books is one of the leading pioneers in this acknowledgement and they deserve credit for not only publishing books such as the Foglios’ “Girl Genius” but also promoting them so heavily.
Since its inception as a webstrip many years ago, this manga inspired sci-fi steampunk comic about airships, monsters, half-humanoid beings and a magical talent called “the Spark,” has won three Hugo Awards and been nominated for both the Eisner & Eagle Awards; the best for American and British strips respectively.  It is a grand, over-the-top tale that showcases a world where machines are looked upon with fear by the average citizen and those scientist who can master them considered heroes of mythic proportions.
Agatha Clay, an orphan college student in Transylvania, is being raised by her aunt and uncle and has no knowledge that she possesses the Spark.  Her only clue being that she often awakens from deep sleeps in her uncle’s workshop surrounded by tools and bizarre, unfinished, “cranks.”  These are robot-like inventions that come in all sizes and shapes with a variety of functions.  Eventually, her secret ability begins to assert itself and she comes under the scrutiny of Baron Wulfenbach, one of the most powerful political scientist in all the world.  He ultimately brings her aboard his city-size airship and there she meets an assortment of characters, both human and half-human, along with a talking cat with attitude and the Baron’s handsome young son, Gilgamesh. 
The boy is keen enough to realize Agatha has the Spark and suspects her talents are greater than most others known to his father.  At the same time, the great ship is coming other attack by an alien entity from another dimension and in the end, there is a climatic battle wherein Agatha, using her gifts consciously for the first time, helps Gilgamesh save the day.  But not before she uncovers other mysteries of her past and her parents.  In the end she is forced to steal an airship and along with her pal, the feisty talking cat, makes good her escape, thus ending the first part of her saga.
At 319 pages, “Agatha Awakens” is a whopping chunk of madcap, graphic fun and action galore.  Although the first hundred pages display a roughness to the depiction of the characters, it is easy to reconcile this was the first year’s worth of pages and the artists were gradually beginning to know their characters.  By the second hundred pages, the art settles into an easy, cartoony style that is part manga, without being overly exaggerated, and typical Saturday morning fare.  I particularly liked the use of coloring, which has been redone for this collection.  It shifts from the duotone and sepia when detailing earthbound city scenes and then explodes with a vibrant rainbow palette upon arriving at the giant airships that cruise majestically through the sky.
Agatha and her supporting cast of characters are fresh, original and fun.  This beautifully produced hardcover is like nothing else I’ve read in graphic form and it truly impressed me a great deal.  If you are a fan of American manga, sci-fi or steampunk, you are going to love “Girl Genius – Agatha Awakens.”  Take my advice; get two copies, one for yourself and another for your pre-teen kids or grand kids. They’ll eat it up.

Predict the Mix March Madness Final Four and Win $50 Gift Card!

comicmixmarchmadnesssquare-5727215You think you’ve got the pulse of this year’s Mix March Madness Webcomics Tournament? Here’s your chance to prove it. If you’re the first person to predict every strip that makes it to the Final Four, you’ll win a $50 gift card from Amazon. Here’s how:

  1. Examine the brackets of the 128 comics competing in Round 1. (And while you’re looking, you may want to vote on them yourself.)
  2. Decide who will win in each Division.
  3. Post them in a single comment to Facebook Comments below. (No string comments.)

That’s it. If you’re the first person who correctly names the winners of the four brackets, you’ll win a [[[$50 gift card]]] from Amazon. (After all, why should only the winners of Mix March Madness get any money?)

No entries made after 11:59 PM Eastern Daylight Time on March 16, 2012 will be considered. No purchase required. Contest void where prohibited by law.

Good luck!

Vote in the Mix March Madness 2012 Webcomics Tournament First Round!

comicmixmarchmadnesssquare-1017597UPDATE: Round 1 voting is closed! Round 3 voting is open right now!

First, thank you to the thousands of people who voted in the nominating process, as well as all of you who added your favorite webcomics to the list. We’re adding all of the webcomics you suggested to our directory.

But now, the challenges start!

These are the top 128 webcomics you’ve chosen, and we’re running a single elimination tournament to winnow down to the favorite. There are so many webcomics, we’ve had to break them up into four divisions– Giraud, Moldoff, Robinson, and Simon. The winner of each division will get $25 in their tip jar and advance to the Final Four. Whoever ends in second place will get $50, and the winner will walk away with $100. UPDATE: And if you’re first to pick the Final Four, you will win a $50 gift card from Amazon!

The first round starts right now, and ends Friday at midnight. We’re starting with 64 contests, so go vote already!
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HANCOCK TIPS HIS HAT TO THE CATER STREET HANGMAN!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock

THE CATER STREET HANGMAN
by Anne Perry
Published by Ballantine Books
2008

Tales set in the Victorian Era are odd creatures, particularly when one tries to identify whether or not they are Pulp.  Using the thumbnail description for New Pulp that I do, most Victorian mysteries and even adventures do not contain most of what’s needed to be called Pulp.   Even those intentionally venturing into that era of contradictory morals and inhibitions attempting to craft a New Pulp tale from the rich, though nearly strangling history and knowledge of society of that era often struggle with striking a good balance between what Pulp demands and what the Era signified.

Anne Perry did not write THE CATER STREET HANGMAN with any intentions of it being New Pulp. The reason I read it, however, was that many readers of New Pulp, including some of you reading this review this very minute, have been after me for awhile to check out Perry’s Charlotte and Inspector Pitt series of Victorian era mysteries, telling me that this series featuring a young socialite in Victorian society reluctantly encountering and teaming up with a gruff, rather ruffian Police Inspector most definitely qualified as a success in that wild effort to blend Victorian Era and New Pulp sensibilities.

Well, if her first novel in the apparently extremely popular series is any indication, a lot of you were slightly off.

THE CATER STREET HANGMAN is the story of the first meeting of Charlotte Ellison, a daughter of a moderately well to do well placed family in Victorian society and the gruff, rather ruffian Police Inspector Pitt, injecting himself into the lives of the Ellison family due to the murders of several young women in a serial style near the Ellison home.  As the mystery unfolds with the practiced, plodding diligence of a Victorian matriarch relating all her forgotten loves, Perry also gives a fantastic glance into the inner workings of a family and a neighborhood during this era.   She shows the veritable caste system that existed while simultaneously illustrating how people, particularly young adults, bucked and pulled at the system, trying to sow oats while staying between the rigid lines set for them.  She uses the Ellison girls, Charlotte and her two sisters, to do this throughout the book and does it quite well.

Charlotte by far is the most engaging character in HANGMAN.  Clearly born in the wrong time, she is headstrong, plain spoken, and uncomfortable being restrained by frills and lace.  When faced with Inspector Pitt, however, she relies on the trappings of her society to protect her from strange feelings she has for him, revulsion bordering on attraction.    By the time the mystery is resolved, she still resists the urge, the draw to Pitt, but it’s clear that will not last much longer.

Now, having said all that, notice I barely discuss the mystery (it’s paper thin and lost in the societal machinations and moanings and its solution is telegraphed way early) or any action (almost a total lack thereof, honestly) that the book contains.  The plot is solid enough, but moves at a snail’s pace.  As mentioned previously, the truly interesting character of Charlotte stands out from the other Victorian shades around her, so there’s not a lot to draw a New Pulp reader in via the characters.   Pitt’s likable enough, but the tension between he and Charlotte is pedestrian at best.

A decent read if you’re interested in traditionally written Victorian mysteries? Yes.  New Pulp?  Not for this reader.

THREE OUT OF FIVE TIPS OF HANCOCK’S HAT- Perry’s grasp on the Victorian Era earns it at least that much.

HANCOCK TIPS HIS HAT TO ‘THE GHOST SQUAD’!

TIPPIN’ HANCOCK’S HAT- Reviews of All Things Pulp by Tommy Hancock

GHOST SQUAD: RISE OF THE BLACK LEGION
by Andrew Salmon and Ron Fortier
Cover by Chad Hardin
Interiors by Rob Davis
Published by Airship 27 Productions
2008

ghostsquad-5759837

Even though Pulp, both Classic and New, runs rampant over a myriad of genres, there’s no doubt that a personal favorite of mine and indeed of many Pulp fans of all shades and types is the tried and true Hero Pulp.  A strong central ‘lead’ character surrounded by able bodied, skilled, and interesting teammates off on an adventure against over the top villains with a larger than life plan to take over some corner, or pray tell  even the entire world.   There’s just something about those stories that endear themselves to me and to Pulp Fans as a whole.

I really enjoy it when I find such characters in a New Pulp work, one that effectively tips its fedora to what came before, but also brings enough modern sensibility and nuance to the Hero genre to make it stand out, to make it more New than Rehash.

That’s why I really, really enjoyed GHOST SQUAD: RISE OF THE BLACK LEGION from Airship 27 Productions.

Co-written by Ron Fortier and Andrew Salmon and originally released in 2008, GHOST SQUAD opens with a story known to many of a man once dead returned to life by Jesus Christ.  This opening segues into another introductory sequence showing the same man now working the front lines of World War One.   This unique way of setting up the central character of the team we get introduced to in later chapters quickly endears the reader to said character, who currently, in this title, is using the name John Lazarus.

The uniqueness of utilizing the biblical character adds a touch of fantastic imagination to a story that also comes replete with a two fisted pilot, a beguiling lady stage magician skilled in real magic, an elite group of Nazis led by someone nearly as long lived as Lazarus and very much his opposite number, and so much more.   GHOST SQUAD moves with a pacing in the first 12 chapters and from chapter 14 on that is top notch and would serve as a great blueprint for New Pulp writers on how to pace a Pulpy tale and utilize both rapid fire action and balance throughout.

There are times, however, when one section, one chapter, even one page of a book can threaten to derail the whole process, disengage the reader so completely that they almost don’t finish the tale.  GHOST SQUAD has just such a stumbling block.  Chapter 13, which highlights a car chase involving Hale, one of the Ghost Squad members, and a very special guest star from the era of the Classic Pulps through the city of San Francisco, is a complete waste of time.   Well, not the whole thing necessarily, but the chapter, 23 pages in length, drags on after about the tenth page and carries the heroes and villains through a series of twists and turns that, although possibly intended to add tension and excitement to the story as a whole, does just the opposite and weighs the story down so much that it made it hard to stay invested in the tale.   Fortunately for the book and for me as the reader, Salmon and Fortier return to the dead on pacing and storytelling they exhibited in the first 12 chapters with Chapter 14 and do not let up or fall back into that Chapter 13 trap again at all.  

Although the cover to this book isn’t typically what I enjoy stylistically, Hardin’s work fits this piece extremely well and the image cast by the cover works perfectly.  Add in Davis’ top of the line interiors, some of his best New Pulp work I’ve seen to date, along with his equally excellent design work on the package as a whole, and GHOST SQUAD definitely stands as one of the best looking New Pulp offerings out there.

FOUR OUT OF FIVE TIPS OF HANCOCK’S HAT- This book came out in 2008.   Far too long since Lazarus and crew have seen light, if you ask me.

The Point Radio: COMMUNITY Fights Back

Fans can rejoice – COMMUNITY is back on NBC this week, but what do they have to do to power their way into another season? Creator Dan Harmon and series star Joel McHale talk about life as underdogs – plus more on GRIMM and yes it’s Spider-Men.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

Which is the Real DC Earth?

Image via Wikipedia

 

Recently, DC Comics has made a big deal over the fact that the Earth where the New 52 comics have been telling stories is the Main Earth. This is to clearly separate it from the Earth-One seen in the hardcover graphic novels – the first of which, [[[Superman: Earth One]]] came out to great acclaim last year and the next, [[[Batman: Earth One]]] is due out later this year. It also paves the way for people to understand that the Main Earth is not the same homeworld as the events seen in two second wave releases in May: Earth-2 (featuring the Justice Society of America) and World’s Finest, which features Power Girl and the Huntress of that world trapped on Main Earth.  And while we were initially told this Earth-2 would be the home of World War II’s mystery men the reality seems far from it.

 

So what, you wonder, became of New Earth which resulted from the events of Infinite Crisis? We were told that it was altered through the events depicted in the Flashpoint event last summer, which in turn revised reality which gave us Main Earth.

 

Except…

 

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HANCOCK TIPS HIS HAT TO FIGHT FICTIONEERS!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock

FIGHT FICTIONEERS Issue 1
by Paul Bishop, Mel Odom, Eric Beetner, David Foster, et al

A major aspect of Pulp in its heyday that has often been overlooked and even hidden in the shadow of the likes of Doc Savage and others was the Sports Pulps.  Fortunately, that’s no longer the case.   A resurgence is taking place today with the New Pulp Renaissnace and that also is the fact that Sports centered Pulp tales are once more playing a prominent role in what defines Pulp for readers today.  That return to greatness has very much to do with the efforts of a small, hardy band of creators who intend to spare no talent and take no prisoners in making sure Sports Pulp is vibrant, active, and a major component of the New Pulp Movement.

Led by veteran authors Paul Bishop and Mel Odom, the creative geniuses behind the extremely popular FIGHT CARD series of New Pulp focused on Boxing, this group of Pulp and Boxing enthusiasts have produced FIGHT FICTIONEERS, a magazine focused on not only promoting the Fight Card books, but also Pulp and Fiction in general crossing several mediums that promote the use of Boxing and similar sports, like Mixed Martial Arts (MMA) in books, films, etc.  This e-magazine is filled with great articles on current authors and works dealing with the Sweet Science or just fighting in general.   Add to that the reviews of movies and books by Foster and the pure passion that pours through in every word, be it from Bishop and company or those authors and others they interview, then FIGHT FICTIONEERS is not only informative and the best way to learn about New Sports Pulp, but it also takes its place beside the finest representatives of this renaissance as a major piece of the perfect blending of Sports and Pulp!

Five out of Five Tips of the Hat-  Definitely can’t wait for Issue Two

ALL PULP BREAKS 200,000 VIEWS!

The Spectacled Seven and all the Staff at All Pulp are proud to announce that All Pulp’s viewership has surpassed 200,000 views! In 18 months, over 200,000 people have viewed the news, reviews, columns, and everything else that All Pulp has provided to The Pulp World at Large! Thank you so much and please keep on checking out All The News that is Pulp at All Pulp!

Hugo Deadline Fast Approaching

I always leave these things to the last minute, so I just submitted my nominating ballot. It’s not as full, or as well-informed, as I’d like to be, but this process works best the more of us take part — however much, and however well, we can.

So, if you’re eligible, and you haven’t yet done it, take a few minutes before midnight PDT tonight and fill out some of your favorites from 2011. The nominating ballot is here. It doesn’t matter if you haven’t read or seen “everything;” none of us have. You’ve read or seen some things, and if you thought some of those are good enough, nominate ’em.