Category: News

The Point Radio: James Frain From TRON to TRUE BLOOD

From TRON LEGACY to TRUE BLOOD, James Frain has carved out his place in the sci-fi genre and now has even more on his plate including a new car chase thriller, TRANSIT and the LONE RANGER reboot. We talk with James about his new film and why he won’t be involved with a remake of BLADE RUNNER. Plus more Comics In Court – Spidey settles while Tarzan looks for Dynamite.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

Watch A New Clip Of “The Amazing Spider-Man”

Followers of the Alternate Reality Game hinted at in the recent trailer of “The Amazing Spider-Man” have been watching the web site markofthespider-man.com to play along as people found backpacks from Peter Parker and followed clues and instructions to tag certain locations with Spider-graffiti and take pictures.

Now those efforts have born fruit as the tasks have been completed, and we’ve all been rewarded with a new clip from the film.

The film opens July 3rd and stars Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen, and Sally Field.

Take a look:

The Point Radio: VAMPIRE DIARIES – Taking Stefan From Good To Worse

There’s more on the CW‘s VAMPIRE DIARIES as we talk to Paul Wesley about how he moved Stefan from hero to villain, and is the changes permanent? Plus Stan Lee and CONAN face off in court, and can you guess who ALMOST wore that Scarecrow mask in the DARK KNIGHT films?

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

FORTIER TAKES ON THE ADVENTURES OF LAZARUS GRAY!

ALL PULP REVIEWS by Ron Fortier
THE ADVENTURES OF LAZARUS GRAY
By Barry Reese
Pro Se Productions
230 Pages
As much as most writers enjoy creating new series characters, eventually many of them, after writing the adventures of the same cast multiple times, start to feel the burden of familiarity.  Add to the fact that each new volume often builds upon the fictional cast from allies to recurring villains so that eventually the poor writer is saddled with a huge ensemble that he or she feels compelled to include in each new story.  These moments of repetitive angst seemed to be evident in Reese’s last volume of his Rook series.  For the uninitiated, the Rook is a masked vigilante created by Reese years ago as his entry into the new pulp community and was an instant success among fans; this reviewer included.
Still, by the sixth volume of that character’s exploits, the sheen of newness had faded and the Rook stories started becoming more about the supporting cast rather than the central hero.  Like Arthur Conan Doyle’s ultimate dissatisfaction with his own creation, Sherlock Holmes, Reese somehow seemed to be struggling to keep the Rook afloat.  It was clearly time for him to move on to something new and with this collection, he has done just that in a most triumphant way.
Lazarus Gray is Reese’s new hero and is an homage to the classic Avenger series, wherein we have our mysterious leading man aided and abetted by a team of loyal assitants; in this case a trio.  Together they are known as Assistance Unlimited.  Although Gray’s creation was part of a shared world that included two other heroes, Reese clearly found his old muse with these new characters and has produced some of his best, most energetic and enjoyable fiction to date.  These stories move at a breakneck speed and are filled with memorable characters and well delivered action to match anything done in the days of the old pulps.
At the beginning of the volume, we meet  an amnesiac washed ashore on the beach of Sovereign City with a strange medallion around his name on which is embossed the words Lazarus Gray.  Within minutes of awakening, an assassin dressed as a police officer attempts to kill him, but Gray is more than a match for him and is the victor.  Perplexed at his background, he assumes the name on the medallion and sets about creating a new life for himself as a champion of the underdog, the lost and impoverished while at the same time investigating his own unknown past.
Along the way he acquires three unique followers: Morgan Watts, a one time crook, Samantha Grace, a blonde debutante with both brains and beauty and Eun Jiwon, a Korean martial artists. All three are fiercely loyal to each other and Gray for various reasons and always eager to go into battle with him.  Reese’s ability to define this trio and breathe life into them is deft and although they do represent classic iconic pulp figures, he also injects original personal touches that set them apart in a truly refreshing way.
Having been a fan of the Rook series from the start, I had come to expect a certain level of quality from Reese.  That this collection totally blew those expectations out of the water was one of the best surprises this reviewer has had in a long while.  “The Adventures of Lazarus Gray” is by far the best work Barry Reese has ever produced and I predict will soon build an even larger fandom than that of his Rook tales.
One point does require mentioning and that is the last story in this volume appears in print for the second time.  It was first printed in “The Rook – Volume Six” and is a team up between the two heroes.  I have no problem with the publisher reprinting the story, but a notice of such should have been made in the book’s indicia.  Which brings about a minor goof because this story was clearly written before the others, although chronologically it appears last.  In this book Gray discovers his true identity as being one Richard Winthrop, yet in “Darkness, Spreading Its Wings of Black” we are told he was Richard Davenport. 
Finally let me add this book is a gorgeously designed package with a wonderful cover by graphic artist Anthony Castrillo and superb interior illustrations by George Sellas. So what are you waiting for?  Go pick up “The Adventures of Lazarus Gray,” you’ll be happy you did.  You can thank me later.

LATEST PAGE OF FLYING GLORY CELEBRATING A DECADE IN FLIGHT LIVE NOW!

This is so shocking… Molly and Wallace discover more secrets of Flying Glory and her friends and they gain further glimpses in to the future of our heroine in the latest page of “Reverberations” our 10th Anniversary issue.
Follow the story and read all 14 issues on our website: http://www.flying-glory.com
You can also follow us on Twitter: @FlyingGlory

STEEL CITY NOIR

Art: Dave Stokes

Writer, Vito Delsante’s new noir pulp story, Tonight Down By The River debuts at http://welcometotripcity.com/2012/02/tonight-down-by-the-river/

In Tonight, Down By The River, a rendevouz leads to murder.

Art: Dave Stokes
She wasn’t afraid.
It wasn’t their first date and while she was as nervous as she always was when they met, she wasn’t scared.
She just didn’t want to get caught.
She arrived at their favorite meeting place early, a small bar called Hemingway’s on Forbes Avenue, and she slid into their favorite booth. She didn’t dress conservatively on purpose, choosing a low-cut blouse over the business attire she was more comfortable wearing. The blouse clung to her curves, accentuating her tiny hips and her enhanced bust. The skirt was tight and gave the semblance of a shape where one didn’t exist naturally.

Read more at http://welcometotripcity.com/2012/02/tonight-down-by-the-river/

About Trip City:
TRIP CITY is a Brooklyn-filtered, multimedia, literary arts salon that launched November 1st, 2011. Curated by and featuring exclusive content from Emmy award winning artist, Dean Haspiel (Billy Dogma, Bored to Death), Seth Kushner (The Brooklynites, CulturePOP), Chris Miskiewicz (Everywhere), and Jeffrey Burandt aka Jef UK (Americans UK), with a fellowship of regular contributors featuring; Joe Infurnari (MUSH! Sled Dogs with Issues, Marathon), Nick Bertozzi (The Salon, Lewis & Clark), Jennifer Hayden (Underwire), Nick Abadzis (Laika), Jen Ferguson (Art in Chaos), Ron Scalzo (Bald Freak Music), Sandra Beasley (Don’t Kill the Birthday Girl: Tales from an Allergic Life , I Was The Jukebox), Dan Goldman (Shooting War, Red Light Properties), Jeff Newelt (Heeb Magazine, The Pekar Project), Jonathan Vankin (The World’s Greatest Conspiracies), Amy Finkel (Furever), Kevin Colden (Fishtown), and The Perv Whisperer (The Perv Whisperer).

Welcome to Trip City.


Trip City” © Dean Haspiel. All materials are © their respective creators.

Some material on the Trip City website may contain adult subject matter and may not be appropriate for children.
 

REVIEW: “Justice League: Doom”

justice-league-doom1-300x402-7902089If you’ve been a fan of Warner Bros.’ direct-to-DVD DC Universe movies, you are no doubt eagerly awaiting the February 28th release of Justice League: Doom.ComicMix’s ownGlenn Hauman and Mike Gold attended a press screening of the movie, along with the mandatory press conferences and post-game roundtable discussion. We decided to take a conversational approach to our preview – not quite a review, as we’re avoiding spoilers. Still, if you’re extraordinarily anal retentive (the fanboy/fangirl affliction), you might want to just look at the pictures. Glenn: The story, and the universe, felt familiar – not just because we’ve known these characters forever, but because it was Dwayne McDuffie’s take on them, his POV from Justice League and from Justice League Unlimited. One of those “you don’t realize how much you miss it until it’s gone” things.

Mike: DC’s animated universe came about organically, from the original Fox Batman Adventures through Doom… with major exceptions like that Teen Titans and that unnecessary and initially unwatchable TheBatman series a couple years ago. Dwayne played a major part in that Justice League animated universe to be sure, but those Batman and Superman series created the foundation of this universe, as well as the bouncing off point for many of the actors.

Glenn: Speaking of the DC animated universe: one thing that was weird for me, throwing a new bit of unexpected unfamiliarity, was meeting Kevin Conroy, the voice of Batman for two decades, because he just doesn’t quite look the part in real life – he looks more like the Scarecrow. I found myself mentally covering up his face from his nose up, superimposing a cowl on him. Or am I just that weird?

Mike: Yeah, Conroy is pretty skinny and he’s got a great face. But I think he’d be perfect as Jason Blood or Orion of the New Gods.

Glenn: Conroy as Jason Blood, live action? Oh, that works really well.

(more…)

New Pulp’s Table Talk – Turning the Table

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Those of you who follow this column know we run a regular “Questions from the Reader” segment every few weeks. Well, the guys like the interaction so much (let’s face it, sitting in an office with nothing but you and your imaginary friends can make a writer very lonely) they decided to try a new spin on it.

This week, Barry Reese, Bobby Nash, and Mike Bullock decided to turn the tables on you, the reader, and pose questions for you to answer. Please pick one (or more) question(s) and respond in the comment field at http://www.newpulpfiction.com/2012/02/table-talk-turning-table.html. When responding, please let the guys know to which question you’re replying so as to avoid confusing them more than life in general already has.

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Question #1 (Bobby Nash): There has been a lot of discussion lately on the appeal of pulp and new pulp to modern audiences? What makes you, the reader, want to pick up a classic pulp or new pulp book? Is it characters, publisher, creators, cover art, or something else? What are you looking for in your pulp tales?

Question #2 (Mike Bullock): What do you prefer reading, existing characters in all new stories, or all new characters in new adventures? Or, a mixture of both? Please explain why.

Question #3 (Barry Reese): Are there any genres you feel are currently being neglected in New Pulp? If so, what would you like to see and in what format?

New Pulp’s Table Talk – Turning the Table is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2012/02/table-talk-turning-table.html

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Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the Table Talk Trio to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns.

Follow the Table Talk Trio on Twitter @BarryReesePulp @BobbyNash @MikeABullock and Facebook.

HANCOCK TIPS HIS HAT….SLIGHTLY…TO ‘CALLER ID’

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
CALLER ID
Rachelle J. Christensen
Cedar Fort
Sometimes the four lines describing something that has a cool cover are enough to pull someone into reading a book.  And sometimes, even for a fan of almost any even slightly Pulp hinting piece of prose like me, that handful of lines turns out to be the best part of the experience.
‘Caller ID’ is a story of a young lady who accidentally stumbles upon evidence of something going on out of the ordinary around her idyllic, wealthy home and lifestyle.   Literally into a marijuana field and accidentally onto a name on a Caller ID screen that is supposed to be the first step into the harrowing adventure ahead.
Kidnapped and held prisoner, our young heroine works fervently to piece the mystery around her together and to escape.  Meanwhile, her family brings in the FBI, including Agent Jason Edwards, who makes it his singular mission to rescue her and sort out all the details.
‘Caller ID’ has moments of suspense.  It has several scenes that can be described as tense and action filled.  There’s also an undercurrent of mystery and a countercurrent, it seems, of romance.   The author handles words well and there’s quite a bit of potential within this book, but it doesn’t ever make up its mind what sort of book it is.  Even if it is a suspense romance as its been billed, it doesn’t even clearly define itself that way.   The book opens with a promising build up of the heroine, then focus shifts to the possible villains, then back to her, then to the Agent and at that point, the narrative completely loses focus.  The resolution is telegraphed far too soon and that’s even not tied up well as there’s a last minute twist that lacks credulity. 
TWO OUT OF FIVE TIPS OF THE HAT-‘Caller ID’ could have been high octane, tense, and still developed a romance between clearly defined characters.  Instead it just sort of rambled without really going anywhere exciting.