Category: News

How Should Comic Shop Owners Deal With Digital Comics? Start Drinking. (Really.)

A lot of pixels have been spilled recently about Dark Horse going day-and-date digital at a cheaper price point than the print edition, with many retailers feeling undercut. Mark Millar has said we shouldn’t be doing day-and-date at all:

I really think day and date release is a disastrous idea and makes no economic sense at all to comics as a business. It’s potentially ruinous for comic stores, and in the long term it’s not going to do publishers any favors either.

Brian Wood has a more nuanced point of view:

No sane creator, or publisher, wants to see comic shops hurt. We all have emotional connections to them, to the idea of them, and we count owners and employees as personal friends. We aren’t looking for digital to steal customers away from shops, but rather to be an additive thing, to be an additional source of income. To simply switch a current print consumer to a digital consumer does not solve any problems! It benefits no one at all. It will not save us.

So what will save us? In the words of Bluto Blutarsky: “My advice to you is to start drinking heavily.”

If you’re in comics, you’ve spent time in bars. (Oh, don’t deny it, the photos are all up on Facebook.) But the question is: what kind of bars? Do you spend it in old man bars where the average age of the customers goes up by one each year? Are the places dimly lit and crowded, but it’s still happening– or have you not been in that dive since you graduated? Is it a friendly place where you and your friends can hang out? Is there a decent beer list, or do they only sell stuff from the big players, without a hint of imported beer or microbrews? Does the person behind the bar know how to make a decent Harbor Light?

And really, why are you spending time in bars anyway? You can get booze cheaper if you buy it and drink it at home. Much cheaper.

This is where we are now with comic book stores– compare them to your bar on the corner. Maybe it’s a place you’d rather not be at all. Maybe it’s okay for some people, but it’s not the kind of place you’d take your mom on her birthday. Maybe it’s a family place, maybe it’s sports only. And just as some bars die out for a variety of reasons, so too do comic stores.

There are great comic stores out there– Challengers in Chicago, The Secret Headquarters and Meltdown in LA, and New York City has a bunch like Midtown and Manhattan and St. Mark’s and Jim Hanley’s Universe. Each one has a different vibe and feel, but they all know how to reach their customers and they’re all places you want to spend some time in.

Is your store a place you really enjoy spending time in? Or is it a place that’s survived because it’s the only way to get your weekly fix?

There are comic stores that have taken these lessons to heart and made them places you want to go to and spend money, even though you can get stuff cheaper elesewhere.

Spider-Man: Threat, Menace, or Bank Robber?

s-spider_man-large-5157909Hat tip to Peter David, who sent this out with the note, “Holy crap. J. Jonah Jameson was right all along.”

Prince George’s County Police Department is looking for an armed man they suspect robbed a BB&T bank in Fort Washington, Md., on Wednesday afternoon. According to the police department’s blog, the man robbed the bank while wearing a Spider-Man mask and matching Spider-Man sweater:

The suspect is described as an unknown race male in his 20’s, around 5’5”-5’7” tall, and weighing between 150-170lbs. He was last seen wearing a black and gray “North Face” jacket, a black hooded “Spider Man” sweater with a spider on the chest, a “Spider Man” mask with a white web design, black shoes with white soles, gloves, a blue canvass bag, and armed with a silver handgun.

This is, of course, not the first time that Spider-Man’s visage has been employed in a bank robbery. In 2010, a Utah bank was robbed by a man in a Spider-Man mask. Earlier this year, a credit union was robbed by a man in a Spider-Man mask (the same man may also have robbed a Waffle House). The blog Consumerist says Spider Man masks for robbers are so common they’re a veritable trend.

via Spider-Man Robs Bank In Maryland (PHOTOS).

Maybe the new movie is going over budget, and Marc Webb needs to make up the shortfall?

DC Comics Remembers Jerry Robinson

“Jerry Robinson illustrated some of the defining images of pop culture’s greatest icons. As an artist myself, it’s impossible not to feel humbled by his body of work. Everyone who loves comics owes Jerry a debt of gratitude for the rich legacy that he leaves behind.”—Jim Lee, DC Entertainment Co-Publisher and artist of BATMAN: HUSH

“Jerry Robinson was one of the greats. He continued to be a vibrant, creative force, with ideas and thoughts that continue to inspire. Jerry was a great advocate for creators. It was my pleasure to meet and work with him. He will be missed.”—Dan DiDio, Co-Publisher, DC Entertainment

“It’s impossible to work at DC Entertainment without feeling the impact of Jerry Robinson’s contributions to the industry. His influence continues to resonate today.”—Bob Harras, DC Entertainment Editor-in-Chief

“Jerry Robinson was an innovator, a pioneer in storytelling. His artwork was always astonishing, but his contributions to the Dark Knight mythology go far beyond art. The streets of Gotham City are a little lonelier today…Jerry will truly be missed.”—Mike Marts, BATMAN editor

GUEST REVIEW-DOC SAVAGE’S LATEST BOOK ‘HORROR IN GOLD’ BY WILL MURRAY

ALL PULP GUEST REVIEWS-
HORROR IN GOLD
The Newest in The Wild Adventures of Doc Savage
by Will Murray
Coming Soon from Altus Press!
Review by Jim Beard
Amazing Alchemical Adventure
“Horror in Gold” – A Review

horroringoldsm_cvr-1591510
HORROR IN GOLD, the new Doc Savage novel from Will Murray and Altus Press, opens with one of the best Doc first chapters ever. It’s a real humdinger. The rest of the book’s not too bad, either.
Once I really got into the story, that old comforting feeling of visiting with Doc and his amazing aides swept over me. That’s one of the highest compliments that I can pay Murray; it’s like coming home to read one of his modern Doc tales. As many of you well know, it’s almost impossible to divine where Lester Dent ends and Will Murray begins, or vice versa. HORROR IN GOLD is no exception, and I believe it will please even the most discriminating Doc enthusiasts.
When I was give the advance pdf of the book to read, one of the things I hoped lurked within its pages was one of the great super villains of old – and, lo and behold, I got it. Complete with a so-called “infernal device,” the book’s villain is larger-than-life, an improvement on the adversaries who populated THE DESERT DEMONS, Murray’s previous Doc tome.
Special notice should also be given to the author’s use of Long Tom here, not exactly the most popular of the aides; just wait until you check out the specialized use for Long Tom’s false teeth. It sounds goofy on the surface, but its just one of many fun bits that Murray includes. Monk and Ham are, of course, predominant in HORROR IN GOLD and just when I thought I had had just a bit too much of their incessant bickering – Murray almost never lets up on the gas on that score – the two men have one of the very best scenes in the book, an atypical moment that sticks with me long after I finished the story. And you can’t beat Monk being compared to Alley Oop, either.
Doc Savage here is the classic Doc of legend and gets right in to the thick of the troubles almost immediately. I also have to not that the while THE DESERT DEMONS plunked itself down squarely on the west coast, HORROR IN GOLD is very much a New York City adventure and Doc’s fabulous headquarters is put to very good use. It becomes almost a real place through Murray’s many scenes set therein. There’s also a fantastic section with the “go-devil” car, as Monk calls it, and a very, very unfortunate criminal. Top-notch stuff.
One of the things I love most about the original pulps is there use of the language of their times – slang, to be precise. Murray creates a reasonable facsimile of that here, especially with what spills out of Monk’s mouth. One phrase in particular that’s used as an exclamation – “I’ll tell a man!” – fascinates me, as I had never heard it before. And then, of course, there are the archaic spellings, like “to-day” and the book’s illusion of the 1930s is complete.
Alas, Pat Savage has something akin to a brief cameo, but I thoroughly enjoyed Murray’s use of Lea Aster, Monk’s secretary. In fact, after this, I would be very eager to see here again and again in this new Doc era.
Are there any caveats to my enthusiasm for HORROR IN GOLD? Perhaps only that it breaks away a little too abruptly towards the end to a completely new location and characters that don’t populate the bulk of the narrative. But, Will Murray rolls out the pulp action so smoothly and so in line with Lester Dent’s sensibilities that any gripes become minor quibbles when the entire package is looked at as a whole.
In all, HORROR IN GOLD whets my appetite for more – which is a good thing.

Table Talk – Questions from the Readers 1.0

As you may have seen, last week we opened up Table Talk to questions from the readers at the request of C. William Russette. While a few crickets chirped briefly, the questions did start rolling in. Now, Barry Reese, Bobby Nash and Mike Bullock have answered the first two reader questions, while discussing the merits of removing limbs from a certain New Pulp character the three of them know and love.
Recently, a reader of the Table Talk columns asked if Barry Reese, Bobby Nash, and Mike Bullock would answer questions from readers. Well, the guys liked the idea so much they’ve decided to open this up to all the fine readers of newpulpfiction.com. Today marked the first installment of the column with reader questions. Due to the positive feedback, we want to keep this going.

New Pulp’s Table Talk – Questions from the Readers 1.0 is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2011/12/table-talk-questions-from-readers-10.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the guys to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns ASAP.

Thanks!
New Pulp Fiction.com

“Star Wars Holiday Special” Will Be Resurrected On “Glee”

I feel a great disturbance in the Force– as if millions of viewers suddenly cried out in terror and  suddenly switched off their TVs. I fear something terrible has happened…

Glee will welcome Chewbacca for the Fox musical’s upcoming Christmas episode.

Series stars, including Harry Shum, tweeted pictures with Chewie last month. Last week, Matthew Morrison — who also directed the Christmas episode — revealed additional details. “We’re doing a Christmas special within the episode of Glee and it’s a throwback and a tribute to the Star Wars holiday special and the Judy Garland Christmas special,” Morrison said.

via Chewbacca To Take a Bite Out of Glee’s Christmas Episode – TVGuide.com.

But will Jane Lynch have the same raw sexuality of Bea Arth– oh, you don’t know what we’re warning you about? Okay, you asked for it… here’s The Star Wars Holiday Special:

HANCOCK TIPS HIS HAT TO THE BEST NEW PULP NOVEL EVER!

Tippin’ Hancock’s Hat-Reviews of All Things Pulp by Tommy Hancock

FUN & GAMES
by Duane Swierczynski
Mulholland Books
287 Pages
Published June 2011

The debate is settled.  The argument is over.   The conundrum has been solved.

There can be New Pulp that satisfies all sides of the ‘Classic Feel versus Modern Relevance’ discussion that some of us have been involved with for a tentful of Sundays.  Yes, the perfect expression of New Pulp does exist in between two covers, Virginia.

Duane Swierczynski, noted author and comic scribe, released “the first of three explosive Pulp thrillers” this past June under the title FUN & GAMES.  And I’ll tell you, it’s definitely both.   Swierczynski hits all the points that Pulp has to hit to be Pulp.  Even with that, though, he presents us not with a perfect hero, but one replete with flaws, weaknesses, and scars.   Charlie Hardie’s inherent goodness, however, is the perfect part of him, the piece that even when he himself doubts it, does not crumble and break away.  This gives him the steel and nerve he needs to be the perfect Pulp hero.

Hardie, as he’s introduced, is a Housesitter on his way to sit the house of a major player in the movie business.   A few years prior, he’d been a ‘consultant’ of sorts for the Philadelphia Police Department and used various skills to help his best friend end some of the crime and corruption in the city.   Tragically, Charlie’s best friend and family are killed when Charlie is basically set up to birddog them for the bad guys.  Nearly killed himself (he earns the nickname Unkillable Chuck because it seems like he’s almost impossible to kill.  He earns that nickname time and again in this book), Charlie makes sure his own wife and child are protected and dives headfirst into a bottle and the life of a housesitting gypsy, which is how he ends up in LA in FUN & GAMES.

The book opens with a B movie actress with quite a history of wild times and drug use racing in her car around the twisted back roads of LA, another car in hot pursuit.   She’s sure they are trying to kill her, but it simply might be coincidence.  Until she’s rear ended and someone approaches her and sticks a syringe in her arm.  She stumbles off the road and out of sight.

Hardie gets to his current assignment, has issues getting in as the key left for him is gone, and is stabbed almost immediately in the chest by a mike stand being projected at him from a somewhat high, beaten up, dirty but beautiful lady hiding in the house.  As she rambles about a group of people trying to kill her and make it look like an accident and how she barely escaped after they rear ended her and drugged her with something, Hardie has to decide rather quickly how to handle all of this.  Why?  Because the people who are trying to kill the actress are already outside the house and determined to get in.

Much of FUN & GAMES takes place IN the house.   It feels very much like a compact version of Die Hard as Hardie and his new charge fight with each other, then the baddies just to stay alive.  Once the action moves beyond the domicile, it amps up even more.  The pacing of this book is frenetic, but well focused and controlled.  Swierczynski knows each and every character inside and out and this allows him to inject them into this breakneck, high octane ride that he’s concocted around one of the coolest concepts I’ve seen in fiction lately.

That concept?  The bad guys.  Good Pulp needs Great Villains and Swierczynski gives Hardie the best.  An organization nicknamed ‘the Accident People’ by the actress they’re pursuing is actually a well peopled, extremely connected group that essentially deals with people, especially celebrities, when they become a problem for someone with enough funds to pay the Accident People.   Overdoses, suicides, car accidents, all the tragic things that befall people in the limelight are basically due to the manipulations and machinations of the Accident People.  Filled with mostly directors, actors, and others from the film industry, this group approaches each job like a movie, insuring the narrative goes the destructive way they want it to.  At every turn, Hardie finds victory only to get handed more defeat by the director of the narrative he fell into, a lady by the name of Mann.  The Accident People are clearly a great template for what Pulp Villains should be.

Equally, Hardie is a perfect example of a New Pulp Hero.  An angel by no means, Hardie wars with himself as much as he does the villains after him.  He’s definitely in a pit of despair and destruction and doesn’t really climb out of it before the book ends.  But he is clearly heroic.  He will not admit he’s an expert in anything, but he does have what he refers to as his ‘lizard brain’, something that he relies on when he simply cannot easily get out of a situation.   This innate primal instinct turns Charlie into a juggernaut of terror against any who stand in his way.

FUN & GAMES simply is the best example of New Pulp at its best I have ever read.  The beginning of the book will jar you, the ending will blow you away…and force you to go out and get the second one.

FIVE OUT OF FIVE TIPS OF THE HAT-Oh yeah.

Is Gareb Shamus Really Gone From Wizard World?

A terse SEC filing on Friday has led to headlines all over comics: Gareb Shamus has resigned as CEO, President and Director of Wizard World, Inc., the convention-running entity of the Wizard empire. Seeing as how Shamus is the owner and founder of the company it came as a shock. But what does it really mean? Has Shamus really been ousted from his own company — or is it just a filing to reflect some internal resource shuffling?

The latest iteration of the shrinking of the Wizard brand began about a year ago when Shamus announced that the magazine would return as a downloadable PDF. As we noted at the time, Shamus seemed almost eerily focused on this new outing, promising an audience of millions and the ability to break new comics. “We can make things cool,” he told us at the time, a perhaps distant echo of Wizard’s one time ability to actually make any new Image artist cool in their early 90s, pre-internet heyday.

The PDF continued to come out at irregular intervals, and with a declining posse of warm bodies to actually produce it, as long time staffers Mike Cotton and Justin Aclin gradually faded into the forest, leaving a skeleton staff of Shamus, brother Stephen and convention runner Peter Katz, along with new hire Kevin Kelly, who came on board as managing editor a few months ago.

Just recently, however, a couple of very strange things happened — both so quickly that we never even had a chance to write about them….

harlan-books-all-4-covers12-6164149

Harlan Ellison releases four new books

harlan-books-all-4-covers12-6164149Harlan Ellison, once called “the 20th century Lewis Carroll” by the Los Angeles Times, invites you to explore his 56-year career in four new books.

These four volumes, designed to bring Ellison’s writing to a new generation of readers while collecting rare works for his long-time fans, gather classic stories, entertaining essays, unpublished teleplays, and the author’s never-before-reprinted second novel from 1960.