Category: News

Derrick Ferguson Hires HUGH MONN, PRIVATE DETECTIVE

Publication Date: Oct 27 2011
ISBN/EAN13: 1466481900 / 9781466481909
Page Count: 184
Binding Type: US Trade Paper
Trim Size: 6″ x 9″
Language: English
Color: Black and White
Related Categories: Fiction / Mystery & Detective / Short Stories
The hard-boiled private eye genre is one I dearly love.  The trench-coated shamus with a cigarette dangling from his lip, .45 automatic or .38 revolver in a well-worn shoulder holster, fedora pulled down low over his forehead, the faithful gum-chewing secretary and even more faithful fifth of scotch in the desk drawer…it’s a genre I never get enough of.  And since television and movies have apparently abandoned the P.I. it’s up to writers like Lee Houston, Jr. and books like HUGH MONN, PRIVATE DETECTIVE to give me my fix.
Let me explain; even though Hugh Monn lives and works on the far distant planet of Frontera interacting with many different species and using advanced technology, the tone and feel of the character and the eight stories in the book are pure 1950’s.  Lee drops in a mention here and there of some bit of sci-fi such as a character having green or purple skin or Hugh’s weapon of choice being a Nuke 653 Rechargeable but that’s just throwaways Lee lobs at us once in a while to remind us that we’re not on Earth.  But he doesn’t go into any real detail as to how this future civilization operates or how the technology works.  When the subject of detective stories crossed with science fiction comes up, I usually mention Larry Niven’s stories and novels about Gil The Arm or Roger Zelazny’s “My Name Is Legion” since in those stories, the science fiction is integral to the story.  Take out the science fiction and you wouldn’t have a story.  Not so with Lee’s Hugh Monn stories.  They could easily have been set in 1950’s Los Angeles or New York with a little rewriting.  But I digress…let’s take HUGH MONN, PRIVATE DETECTIVE for what it is, not for what it isn’t.
Hugh Monn is a Human and yes, he freely admits to his clients that his name is a gag.  But one he prefers to use as he’s got some pretty big secrets in his past he’d prefer to keep to himself.  As a detective, Hugh is capable, sharp, principled and dogged in his determination to solve his cases and get to the truth.  Hugh isn’t a pain-in-the-ass who rebels against authority and isn’t a lone wolf who doesn’t play by the rules.  Matter of fact, Hugh conducts himself as a total professional.  He doesn’t shoot when he doesn’t have to, he’s polite to everybody he meets and he co-operates with the authorities.  In particular, Lawbot 714 who he runs into in a couple of stories and who I wouldn’t mind seeing become a regular if Lee gives us more Hugh Monn cases.  He doesn’t smoke, doesn’t drink, he likes kids; he holds open the doors for old ladies.  I think you can tell where I’m going with this.  Hugh’s a fine detective but as a character I found myself wishing that once in a while he’d haul off and slug a suspect for no good reason other than he doesn’t like the fact the guy has eight eyes.  Hugh could stand to be a little rougher and not so polite.
The story “Shortages” is a good example of how Hugh Monn solves a case using his understanding of both humans and aliens and his powers of observation.  It also introduces the character of Big Louie, a Primoid.  Big Louie is the main suspect in a series of thefts being committed at a high security pier.  It’s a pretty good locked room mystery and the relationship between Hugh and Big Louie is the primary attraction in this story, as in “At What Price Gloria?”  Hugh and Big Louie have to rescue Big Louie’s wife Gloria and stop an assassination attempt.  I only wish more of the stories had been as suspenseful as this one.  In some of them, the mystery really isn’t that hard to figure out as there’s a lack of suspects so the solution comes down to either being this one or that one.  And I never got a sense of Hugh being in any real danger in any of these stories.  But Lee should be commended for trying different types of stories such as “For The Benefit of Master Tyke” which hinges more on the healing of a family than the solving of any real crime.  I picked up halfway through “Where Can I Get A Witness?” is intended as a homage to the 1944 film noir “Laura” and I enjoyed it until the very last paragraph where it felt to me as if the writer had stepped in to give his opinion of his own story and didn’t allow his character to do so.
So should you read HUGH MONN, PRIVATE DETECTIVE?  As a first book from a new writer, I’m inclined to give Lee a pat on the back.  There’s a lot to like in his writing style.  He does know how to keep a story moving but he shouldn’t shy away from rolling in the dirt and giving his characters some sharp edges.  I wouldn’t mind seeing Hugh Monn tackle some more cases but I also wouldn’t mind seeing Lee Houston, Jr. strip away the political correctness and explore the real darkness of Frontera.

Interview: Will Meugniot on “N.E.D.O.R. Agents”

n-e-d-o-r-agents-4201848With a resume that could best be described as the very definition of awesometasticness, Will Meugniot is a working legend. Given the opportunity to sit down with him–if only through these odd and twisted halls of the interwebs and Skype–I was tempted to simply pelt him with geeky question after geeky question. Allow me a quick explantion: Reading through his resume, Will Meugniot has worked on an amazing array of projects anyone in Generation X or before would swoon over. As a storyboard artist, writer, producer, and director for (amongst other things) Captain Planet, EXOsquad (aka EXO-Force as you’ll see in our next installment), Jem, Slimer and the Real Ghostbusters, and comics like Tigra, The DNAgents, and Vanity… suffice to say I had a hard time not grilling the poor man for several days.

As we mentioned previously, Will is writing and drawing a brand new comic with an old school feel. The N.E.D.O.R. Agents will be hitting your local comic shop shelves, today (November 9th, 2011), and Will was nice enough to sit down with me to give all you ComicMixers the 411. And don’t worry, we totally dish on his work in animation, later this week. Read on!

COMICMIX: Before we get ahead of ourselves, could you tell me, and all of those butchering your name from above how we pronounce your last name?

WILL MEUGNIOT: It’s pronounced Min-Ee-Oh. I think many people have [butchered my name] in the past. Mark Evanier and I used to dub ourselves “The most unpronounceable team in comics!”

CMIX: First and foremost, let’s talk about what brings you here today… the N.E.D.O.R. Agents… Give the ComicMix readers the ‘elevator pitch’ of the project.

MEUGNIOT: First and foremost, it’s a piece I myself would want to be reading right now. N.E.D.O.R. Agents is a period piece; taking these characters from the 40s and reviving them into 1965. I’m treating them the same way other publishers treated revival characters like Captain America, Green Lantern, Flash, and characters of the period were. This is an update for the atomic age. It places these classic characters of the 1940’s in the world of 1965, and the race to space. Of course the race is interrupted by aliens who are already invading Earth!

CMIX: And are the characters being “retconned” here into starting their careers in 1965, or have they simply been elsewhere?

MEUGNIOT: Well, actually the reason these characters haven’t been seen since the 40’s (as you’ll find within the story) is because they have been secretly forming a covert team of superpowered individuals to fight an impending invasion. Now 20 years after the creation of that agency, we’re catching up with them and their super kids!

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Julie Taymor Suing ‘Spider-Man: Turn Off The Dark’ Producers

Meanwhile, Spider-Man co-creator Steve Ditko still doesn’t see a single dime from the show. Or the movies. Or the comics. Or any of a thousand different licenses of the character he co-created. So if we’re going to start talking about copyright infringement, let’s go back a bit, hmmm?

NEW YORK (AP) — Director Julie Taymor sued the producers of “Spider-Man: Turn off the Dark” Tuesday, saying they violated her creative rights and haven’t compensated her for the work she put into Broadway’s most expensive musical.

Charles Spada, an attorney who filed the suit on behalf of the Tony Award-winning director, said Tuesday in a statement that “the producers’ actions have left her no choice but to resort to legal recourse to protect her rights.”

Rick Miramontez, the show’s spokesman, was not immediately aware of the copyright infringement lawsuit, filed in U.S. District Court in Manhattan. Taymor was not available to comment.

The lawsuit seeks half of all profits, gains and advantages derived from the sale, license, transfer or lease of any rights in the original Spiderman book along with a permanent ban of the use of Taymor’s name or likeness in connection with a promotional film without her written consent. It also seeks a jury trial to determine her share of profits from the unauthorized use of her book, which the lawsuit said was believed to be in excess of $1 million.

via Julie Taymor sues ‘Spider-Man’ producers – Yahoo! News.

The Point Radio: HAROLD & KUMAR Do Christmas Wrong


Here’s an interesting holiday recipe – take a popular stoner comedy franchise, toss in some claymation and even a musical number. It’s A VERY HAROLD & KUMAR 3-D CHRISTMAS, destined to burn up DVD shelves after it escapes theaters. We talk to John Cho & Kal Penn about how they’ve changed even if their movie counterparts haven’t. Plus more with Ed GHelms on how THE OFFICE still owes so much to Steve Carrel, and DC breaks even bigger comic sales records in October.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebookright here & toss us a “like” or follow us on Twitter @ThePointRadio.

NOMINATIONS NOW OPEN FOR PULP ARK 2012 AWARDS!

Nominations for the PULP ARK Awards are now open and will close January 15th, 2012. The awards are given in conjunction with Pulp Ark, the convention/creators’ conference and the official New Pulp Convention to be held in Batesville, AR, April 20-22, 2012!  The Awards are given for excellence in the field of Pulp, including books, stories, comic books, magazines, and characters as well as creators. 
To determine if a work or creator qualifies for these awards the definition for works that qualify is as follows-New Pulp is fast-paced, plot-oriented storytelling of a linear nature with clearly defined, larger than life protagonists and antagonists, creative descriptions, clever use of turns of phrase and other aspects of writing that add to the intensity and pacing of the story.
Tommy Hancock, Coordinator of Pulp Ark explains additions to the Awards this year.  “We have,” Hancock stated, “added two awards, both by popular requests and thanks to our donor who supports and provides the awards.  Best Book has now been broken into two separate awards-Best Novel and Best Collection/Anthology.  Also, there is now a category for Best New Character.  This can include any New Pulp character created in 2011.”
Hancock also states, “We will also give a Lifetime Achievement Award again this year as well.  A Ten Person committee selected from well-known Creators in New Pulp currently will decide the recipient of this award.  This award is given to someone who has contributed to Pulp, not simply New Pulp, but to the continuation of the interest and promotion of Pulp in all its forms.” Last year’s winners of the first Pulp Ark Lifetime Achievement Award were Tom and Ginger Johnson.
The only works eligible for the Pulp Ark 2012 Awards are those produced between January 1, 2011 and December 31, 2011. Anyone can make a nomination and anyone that makes a nomination will receive a ballot. The only people voting in these eleven awards will be those who made a minimum of one nomination. Also, each individual is allowed only ONE NOMINATION PER CATEGORY. A person may nominate someone in all nine categories, but may only nominate once in each category. All nominations are confidential and sources of nominations will not be revealed. All nominations should be mailed to Tommy Hancock at proseproductions@earthlink.net.The categories open for nomination are (in no particular order and this can be cut and pasted for your nominations ballot):
1. Best Novel (This includes E-books as well as print books)
2. Best Collection/Anthology (This includes single author story collections and multi author anthologies.  This includes E-publications as well as print books)
3. Best short story (this includes stories that appear in short story collections, anthologies, magazines, and e magazines. If from an e-mag, the story must appear on a site identified as an e-magazine, not simply be posted on a site or blog. It includes e-publications as well as traditionally printed works.
4. Best Cover Art (This is restricted to prose book publications, including e-books)
5. Best Interior Art (This is restricted to prose book publications, including e-books)
6. Best Pulp Related Comic (This refers to a series, complete run, one shot, etc. This award is for art, writing, and all other work associated with the nominated comics and the winner. This includes e-publications as well. )
7. Best Pulp Magazine (This award is for art, writing, and all other work associated with the nominated comics and the winner. This includes e-publications as well, but the e-publication must be identified as an e-magazine on the site supporting it. )
8. Best Pulp Revival (The Revival nominated must be published within the calendar year of 2010. This includes epublications as well.)
9.  Best New Character (This must be a character that debuts in a New Pulp work published in 2011.  This included e-publications as well)
10. Best Author (This reward refers to the author and any published author is eligible, including novels, short stories, etc. This includes e-publications as well).
11. Best New Writer (To be nominated, a writer must have been published for the first time in the pulp field in the calendar year of 2011. This includes e-publications as well).

Win a Copy of “Griff the Invisible”

Back in August, I told you about Griff the Invisible, a small indie film about a would-be super-hero feature the terrific Ryan Kwanten. The movie opened and closed in the blink of an eye, probably while you were on line to see Rise of the Planet of the Apes, and you missed out.

Vivendi Entertainment is releasing the film on Blu-ray and DVD on November 15 so you get a second chance at catching this charming film.

Better, we have been given three DVDs to give away. Here’s what you need to do in order to win:

By 11:59 p.m., Saturday November 12, tell us what super-power you most desire and how you would use it to fight for truth and justice. The final decision of the ComicMix judges will be final.

In case you missed it, here’s the trailer.

Synopsis

Griff (Kwanten), a shy and awkward office worker by day, finds escape from his ordinary life by assuming the identity of a fantastic superhero each night. Griff’s secret is jeopardized when he meets Melody (Dermody), a cute but unconventional daydreamer. She quickly becomes fascinated by his idiosyncrasies, which are equal only to her own. In the face of mounting pressure to live in the “real world,” it’s up to Melody to rescue GRIFF THE INVISIBLE for the sake of herself, Griff and their newfound love for each other.

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Barnes & Noble Announce Nook Tablet; Launching With Marvel (and ComicMix) Graphic Novels

And the other shoe drops. Marvel Entertainment announced today that the long-anticipated Nook Tablet from Barnes & Noble will offer readers access to  a digital library of Marvel graphic novels.

“This is a huge opportunity for Marvel—and the entire comics medium—to reach a wider audience than ever before thanks to Barnes & Noble’s exciting new NOOK Tablet,” said Peter Phillips, Senior Vice President & General Manager, Marvel Digital Media Group. “Barnes & Noble is committed to offering customers a broad array of Marvel graphic novels, both digitally and through their massive in-store selection, which can only help bring fans into our exciting world of Super Heroes and unparalleled storytelling.”

Users can purchase digital copies of their favorite Marvel graphic novels through NOOK Bookstore™, with a selection including such hits as Civil War, Invincible Iron Man, Captain America, Thor by JMS, Astonishing X-Men, New Avengers, Marvels and more! These graphic novels will also be available on the highly-acclaimed NOOK Color™.

“We’re excited to bring NOOK customers the largest available digital collection of graphic novels from Marvel Entertainment,” said Theresa Horner, Barnes & Noble’s Vice President of Digital Content. “The high resolution of our VividView color touchscreen makes the action virtually jump off the page, and takes graphic novels to a whole new level of entertainment.”

This is as good a time as any to note that ComicMix also has graphic novels available for the Nook platform, starting with the Harvey Award nominated EZ Street by Robert Tinnell and Mark Wheatley. More titles will be announced shortly.

Tales of the Rook

PRESS RELEASE

Pro Se Press and Reese Unlimited are proud to announce TALES OF THE ROOK, a special anthology project that will bring together many of New Pulp’s finest! The Rook has become one of New Pulp’s most popular characters and has starred in six volumes so far, with more on the way. Tales of the Rook will allow other writers to tackle the character and his world, many of whom will be doing so for the very first time. Confirmed for the book are:

* Mike Bullock
* Perry Constantine
* Michael Edwards
* Ron Fortier
* Tommy Hancock
* Bobby Nash

In addition, Rook creator Barry Reese will also be contributing a brand new tale!

All stories will be set in the official Rook canon and several stories will feature cameo appearances by other New Pulp heroes.

“I’m both amazed and honored to have creators of this caliber doing stories featuring The Rook. I can easily predict that a wonderful time will be had by all who read this book,” Reese said.

TALES OF THE ROOK is expected to take flight in 2012.

Realms of Fantasy is Dead Again

My only current paying freelance gig has been shot out from under me yet again; Realms of Fantasy magazine is being shut down for the third (I think) time in as many years.

SF Scope has the full story. Thanks to all of the owners of RoF for pouring money into it, even though that didn’t work out the way any of us had hoped, and to everyone else who worked on the magazine. I came in very late in its life, but I’m pretty sure hiring me didn’t directly lead to any of its many deaths.

And, if there’s anyone out there looking for someone snarky to review books in that vast realm between comics and skiffy, I am your man.

TALES OF YESTERYEAR DEBUTS AT IPULPFICTION.COM! FIRST STORY FREE!

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Pro Se Productions and Tommy Hancock announce today that the first story in Hancock’s iPulpFiction.com series ‘Tales of YesterYear’, drawn from the same set of characters spotlighted in Hancock’s debut novel ‘YesterYear’, is now available at iPulpFiction.com.  The first story, THE FIRST YESTERDAY, spotlighting an overview of the universe of the story as well as the origin of the first Hero, is available for absolutely FREE! Go to www.iPulpFiction.com and log in or register for a free account and then browse the shelves for the Tales of YesterYear cover and click the image!  Download THE FIRST YESTERDAY for free from Tommy Hancock and Pro Se Productions!