Category: News

The Clown Car of Literary Awards

So, let me get this straight.

If the people administering an award are so incompetent that they can’t even manage to communicate effectively with each other, and mangle their own list of nominees, the only way to “preserve the integrity of the award and the judges’ work” is to ask the author you just screwed over to withdraw her book from contention?

First of all, it’s idiotic to “withdraw” a book once it’s already on the shortlist.

Second, withdrawing a book implies that something is wrong with the book — or that the author dislikes the award process for some reason — which is the opposite of the problem here.

Third — and, as a father, this is by far the most important lesson to me — if you make a mistake, you need to be the one to fix it. You don’t ask if the person you just injured can go away quietly so that it’s less trouble for you. You screw up; you fix it — that’s the rule.

Look, we all know that Shine would have no change of actually winning this award — the same set of judges that will make the final decision decided on the mangled shortlist — but demanding that Shine be removed entirely is the action of a petty, self-centered prick. You don’t fix thoughtless stupidity by being a prick; you fix it by being generous and apologetic. Someone at the NBA — maybe the administrators, maybe the judges, maybe both — hasn’t learned a lesson my ten-year-old already knows well.

Lauren Myracle is way too polite and understanding; the correct answer to the NBA’s insulting request could only be “fuck off.”

PIRATES, A PULP BOOKSTORE, AND RAVE REVIEWS! ALL FROM RADIO ARCHIVES

RadioArchives.com Newsletter

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October 21, 2011

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NEW Radio Set: Afloat with Henry Morgan, Volume 1

Pulse Pounding Pirate Adventure!
 
In 1947, a new serial sailed its way to the airwaves, one quite unlike anything to come before it. High seas intrigue. Colorful, exciting characters, both within the stories and behind the mike. Pulse pounding, pulpy tales of pirates and buccaneers. All of this and more can be found in fifteen-minute punches of action and adventure with Afloat with Henry Morgan, Volume 1.
 
A 52 episode Australian series, Afloat with Henry Morgan definitely has an all ages appeal. This is due primarily to the intense pacing of the stories themselves as well as the historical component, the fact that Henry Morgan, the buccaneer spotlighted in ‘Afloat’ was indeed a real person! Spending nearly his entire seafaring career in the Caribbean, wild tales of adventure swirl around the real life Morgan from 1655, his first noted appearance in the area, up until his death in 1688. Morgan’s legend as a carousing, hard fighting ambitious man lived far beyond his passing, providing fertile soil for Afloat with Henry Morgan to sprout from nearly 300 years later.
 
This classic program was produced by well-known Australian radio personality George Edwards. Edwards lent not only his production skills to Afloat, but shared his amazing vocal talents as well. Known as “The Man with a Thousand Voices,” Edwards parlayed his ability to sound like a young child, any male he wanted to, nearly any nationality necessary, and even older women into a legendary career as a radio actor. The skill to do sometimes twelve different voices in a single episode definitely fit the needs of Afloat with Henry Morgan, with it being a lower budget affair.
 
Written by Warren Berry, Afloat with Henry Morgan follows Morgan and his intrepid band of privateers through storms, swamps, deep into the hands of the enemy, and of course across the wide-open seas. Stories center around political conspiracies, pilfered Aztec necklaces, coups and swordplay, and of course the double crossing and conniving ways of good old-fashioned pirates!
 
The first 28 episodes of this cliffhanger non-stop serial are presented in Afloat with Henry Morgan, Volume 1. Restored to the finest sparkling quality possible by Radio Archives, this collection brings you seven hours of history, mystery, hard men, courageous women, and sea battles galore! Thrill as Morgan becomes involved in the theft of an Aztec artifact, plots are hatched and betrayed, raids are planned and double crossed, and a plethora of characters, many voiced by George Edwards, all come together to take you Afloat with Henry Morgan in this first volume of this classic show brought to you by RadioArchives.com.
 
Order your Seven Hour CD set today for only $20.98 or Download the entire volume for $13.98! Only from RadioArchives.com.
 
 
by Tommy Hancock
 

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When one ponders words and phrases like ‘hard boiled,’ ‘gritty,’ ‘pulp,’ or ‘noir,’ most usually get images of a rugged fedora wearing gun toting Private Eye or Gangster skulking in a dark alley, waiting to either fire the next bullet or take the next one between the eyes. Not often do those descriptors bring to mind a solitary reporter working the streets of Chicago after the sun goes down, looking for the horror and humanity that his readers will wake up to over coffee.
 
Listen to Nightbeat, Volume 1 and I bet the next time you hear those words, you’ll think of Randy Stone and his nightly sojourn into the underbelly of Chicago.
 
Following the popular trend in films, literature, and radio of focusing on the darker aspects of people and the lives they led, Nightbeat was a program that debuted in 1950. The pilot episode, ‘The Elevator’ details an adventure in the life of one Lucky Stone, reporter for the Chicago Examiner, voiced by character actor Frank Lovejoy. The frantic, frenetic approach Lovejoy used in voicing a man walking the line between getting a story for his newspaper and taking vengeance for a departed friend combined with a memorable opening theme and a moody soundtrack definitely shows why NBC added Nightbeat to its schedule for the next two years.
 
Debuting February 6, 1950, Nightbeat came to the listening public a bit different than its previous incarnation. Lucky had given way to Randy Stone, now a reporter for The Chicago Star. There was also a subtle, but distinct difference between Lovejoy’s portrayal of Stone in the pilot and from the first show forward. More confident and harder boiled in many ways than Lucky, Randy Stone found his way into one adventure after another, dealing with plotlines that twisted and turned along the way.
 
The simple premise made wonderfully intricate stories full of layered characters and fleshed out nuances come to life quickly for listeners. Randy Stone was just a guy doing his job and, when confronted with decisions and situations, he worked to do the right thing, even if it meant slapping someone around or putting his life on the line. This ‘Good American’ mentality combined with the seedier side of life, Stone often confronted, were strong reasons it was popular both amongst listeners who heard its original two-year run and fans and enthusiasts today.
 
This twenty episode collection features ‘special rebroadcasts’ of previous Nightbeat episodes. These shows played on Sunday nights instead of Mondays to bring listeners to the show on its regular night. It’s actually really neat to hear these programs because they’re not actually rebroadcasts. In at least one of them, the only voice that appeared in the first version was Lovejoy’s, so there’s an opportunity to hear how different actors played the same roles.
 
The twenty episodes in this collection take Randy all over Chicago and the human experience. Frank Lovejoy’s fantastic voice talent and the terse, rapid fire pacing of each tale makes Nightbeat, Volume 1 a collection not to be missed for fans of hard boiled pulp radio or the drama of humanity. Only $29.98 for the Ten Hour CD set or $13.98 for the Digital Download version.
 
 
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A criminal army is attacking the financial centers of New York.  They are led by a mysterious mastermind so clever and so ruthless, that only one man can possibly stop him.  And that man has been targeted for death by the gang’s leader.  Can Richard Wentworth, the infamous Spider, match wits with The Fly and save the lives and fortunes of the people of New York?
 
RadioArchives.com’s newest audiobook, Prince of the Red Looters, the first audio adventure of The Spider, packs mile-a-minute thrills as Richard Wentworth races to discover the identity of The Fly, one of the Spider’s most fiendish foes.  A master of the blade, who can anticipate The Spider’s every move, The Fly is bent on The Spider’s destruction, leaving The Fly’s criminal organization free to loot, maim, and kill.
 
Prince of the Red Looters, available now in both a deluxe six-CD set and MP3 digital download, is the first in RadioArchives.com series of Will Murray’s Pulp Classics.  Each entry in the series is a classic pulp adventure personally chosen by Will Murray, one of the country’s foremost experts on all things pulp.
 
Producer/Director Roger Rittner says, “Prince of the Red Looters is an astounding accomplishment, wedding dynamic narration from two unique stars of stage and screen, specially selected sound effects, and a complete period music score.”
 
This action-packed story features Nick Santa Maria and Robin Riker narrating and voicing the character parts.  “They’ve done outstanding work in this exciting novel-length adventure of the classic pulp hero, The Spider,” Roger says.
 
Early listeners say:
  “It looks terrific and sounds even better.”
  “It’s excellent.  Really held my attention.”
  “The results are amazing.”
 
 
Prince of the Red Looters is available now in a six-CD set, priced at $19.98, with original cover art and a special bonus audio feature of Will Murray explaining the genesis of The Spider.  The audiobook is also available as an MP3 Digital Download, including the special bonus feature, at just $13.98.
 
“Prince of the Red Looters is a listening experience that will thrill every fan of audiobooks and pulp fiction,” Roger says.
 
Doc Savage Fans Continue to Praise Man of Bronze Audiobooks
 
RadioArchives.com first two Doc Savage audiobooks, Will Murray’s Python Isle and White Eyes – along with the full-cast NPR series The Adventures of Doc Savage –  continue to garner accolades from Doc fans as well as those just discovering the greatest adventure hero of the 1930s.
 
Richard Brunner writes,
“The production values are fantastic.  I missed the first one when it was on NPR.  I have listened to a number of audio books over the years, but the music and sound you have added to these two really make them come alive.  Both of the narrators are really pros.
 
RadioArchives.com customer Eugene Dungan says,
“I just wanted to let you know that I have really enjoyed your two Doc Savage audiobooks, Python Isle and White Eyes.  Keep up the great work.”
 
Python Isle, narrated by Michael McConnohie, White Eyes, narrated by Richard Epcar, and The Adventures of Doc Savage with a full Hollywood cast, are available in impressive CD sets and as digital downloads.  Python Isle and White Eyes are also available in special Signed Director’s Editions.
 
And coming soon: Will Murray’s monumental Doc Savage adventure, The Jade Ogre, in a deluxe 12-hour audiobook edition. 
 

Known for continually offering its customers the best in products and service, Radio Archives is proud to announce the opening of The Pulp Book Store. This innovative site will provide both Pulp enthusiasts and those who are simply curious a one-stop opportunity to browse and shop the best the Pulp market in all its many facets has to offer every single day!

 
Pulp Fiction, even though its heyday was in the early 20th Century, has been popular as long as it has existed and continues to excite readers today. Often fast paced, action packed, and full of fantastical ideas, over the top characters, and imaginative adventures, Pulp can be about cowboys, aliens, ancient gods, two-fisted detectives, bigger than life gangsters, femme fatales, and so many other sorts of characters as it reaches into nearly every genre imaginable.
 
In the last few years, Pulp has resurged. Some have called it a renaissance, others simply saying that due to current economic and societal situations, pulp literature is once again sought by the masses. Regardless of the view taken, the fact that so many companies are involved in either the reproduction of classic Pulp stories or creating brand new pulp stories written by modern writers proves that Pulp is still viable as a creative outlet. Add to that the rising prominence once again of such classic Pulp icons as Doc Savage, The Shadow, and The Spider, there can be no denying that Pulp strikes a chord with consumers and shows no signs of that changing.
 

Pulp is also all about variety. Not only are there classic and new pulp stories, but nearly every genre has stories within it that are clearly pulp. Be it science fiction, hard boiled crime, rootin’ tootin’ westerns and so many others, Pulp discriminates against no genre. This, along with the resurgence of Pulp publishers and its popularity, is why Radio Archives has established the Pulp Book Store.
 
The plan for the Book Store is simple, to become a central hub for all Pulp products. Although this may be a lofty goal, the vision behind it is basic. Instead of having to shop all over the internet and go from site to site to buy the Pulp that they want, consumers will have one location to browse a multitude of Publishers and Pulp Providers. Publishers will have a single location that will sell their products, a location that is set aside for Pulp type material only, so as customers come to view one item, every publisher gets a chance with their store to win new customers for their products.
 
This concept even works for the accidental browser, one who is slightly curious about Pulp or maybe knows nothing about it. In the Pulp Book Store, that person will find more than enough information and opportunities to sample this thing called Pulp.
 

If you’re interested in Pulp Classics, then the Pulp Book Store features the best in Pulp Reprint Publishers. Ride along with the well remembered classic Pulp heroes as they fight wrong and make right! Or, if your interest leans more toward more obscure characters, you’ll find those too in some of the great replicas and reprints produced by leading publishers in the Pulp world, all right here at The Pulp Book Store!
 
Looking for something new? Pulpy tales written by modern writers and using either original characters or simply new stories about existing characters, are growing in popularity. Pulp icons blaze new trails in original adventures, such as Will Murray’s all new Doc Savage novels. A pantheon of modern original heroes step front and center to keep up the good fight as well. New tales in a classic style keep Pulp Fiction current and alive and can be found here at the Pulp Book Store!
 
Pulp Publishers, your home can easily be here. The Pulp Book Store is a shared marketplace where you have your own store, your own identity, yet you’re in a market of like products, of companies that like you are interested in promoting Pulp. There is no better place to be to do that than amongst others doing it. Opportunity exists for all to succeed within the Pulp Book Store.
 
If you purchase several products from several publishers, everything is shipped to you in the same box. Our Flat Rate ground postage means that no matter how many companies you buy from, you pay only one small amount for postage and you pay for everything together. Possibly the best news, Place your order by 7:30pm Eastern Time and your order is mailed the same day. Unbelievable but true.
 
If Pulp is a part of your life, then browse the Pulp Book Store and enjoy. If you end up there out of curiosity or by accident, then please look around. We’re sure there is something offered by our many Publishers that will intrigue you. And if you’re a publisher and wish to be a part of this, send a message to Service@radioarchives.com. Regardless, Radio Archives recognizes Pulp is here to stay and wants the Pulp Book Store to be the one stop all encompassing site where it grows and thrives.
 
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Review of “Tower of Death” from The Shadow, Volume 22

By John Olsen
 

Tower Of Death was published in the May 1, 1934 issue of The Shadow Magazine. The tower of the story’s title is only a part of a fortlike mansion known as Montgard. The large looming old house sits on the country estate, with the tall tower in the center. The gigantic turret serves as a huge entry to the house. Inside on the round tower floor, a double circle of tile borders the circumference of the room, decorated by Egyptian hieroglyphics along with signs of the zodiac. A strange tower, indeed, it was built long ago by old Windrop Raleigh, an eccentric inventor.
 
Rumor has it that Windrop Raleigh left a treasure hidden in the old mansion when he died. Racketeers Mallet Haverly and “Speedy” Tyron have been in contact with Luskin, a former servant of Windrop Raleigh, and have been informed of the rumored millions. But there’s more than just a treasure to worry about. There’s the mysterious disappearances. Men have been known to enter the huge turret, to never be heard from again! Two half-brothers and a cousin. One by one they disappeared – always after paying visits to Windrop Raleigh. They entered Montgard, one by one, never to reappear! Let’s not also forget the strange terms of the will of recently deceased Windrop Raleigh.
 
There are many questions to be answered in this strange, sinister mystery. It will take The Shadow to find out the answers! The Shadow is aided by his agents Cliff Marsland and Harry Vincent in this story. They are dispatched to the town of Glenwood to assist The Shadow in his investigation of the sinister goings-on at Montgard. Investment broker Rutledge Mann, contact man Burbank and reporter Clyde Burke also make brief appearances. Detective Cardona appears at the beginning of the novel and again at the end. The Shadow, himself, appears twice as Lamont Cranston, but throughout most of the story appears attired in his black cloak and slouch hat.
 
It’s interesting to note that The Shadow climbs the stone walls of Montgard with his gloved hands. No use is made of those rubber suction cups which he would occasionally use to scale the outsides of buildings. In this story, he’s as a human fly. But wouldn’t it have been safer to remove the gloves?
 
Again in this story, The Shadow grabs the falling body of a wounded thug and uses it as a shield in his gun battle with a mob of gangsters. This has happened in many other Shadow novels, so it appears to be somewhat of a standard practice. And to think that when I saw that technique used in the Arnold Schwarzenegger movie “Total Recall” some years ago, I thought it was original. Nope, The Shadow was doing it fifty years earlier!
 
You’ll really enjoy this wonderfully moody story with its fading twilight, looming edifices, darkened turrets and forbidding walls. And it can be yours for $12.95 along with another great Shadow tale in The Shadow Volume 22 from Radio Archives!
 

 

Deal of the DayHigh quality Audio, Pulp, and Classic DVDs! And at a fantastic price! That’s the Radio Archives Deal of the Day! The Deal of the Day is actually several great deals at all times. No limits! Simply Great Products at Unbelievable Prices!

Look for the yellow ‘Deal Of The Day’ price tag on the right side of the home page and click it for a great deal every Single Day from RadioArchives.com!

 

 
Comments From Our Customers!
 
Greg Burton writes:
Fort Laramie is one of my favorite westerns, and I was so excited when I saw that you now had it available for download. In the past few years I had listened to the series 3 or 4 times, and was curious as to how much better it would sound from Radio Archives. The quality on my “old” copies is not bad, but the sound quality from Radio Archives is magnificent. There is such a dramatic difference that I almost did not recognize a couple of the voices. Bravo. Another job well done.
 
Erick Ingram writes:
Thank you for the free gifts you included with my order of the “The Unexpected” Volumes 1 and 2. They were a pleasant surprise. Again thanks. Satisfied customer.
 
Steve Sher writes:
Just started to listen today to Box Thirteen.  Wow!  Excellent addition to my drive time activities.  Any more in this series available?  Great also to hear Bob and Ray after many years.  They were great favorites of mine from the old “Omnibus” days of NBC.
 
Curtis Spencer writes:
Understanding that Doc Savage will soon be released. Will order as soon as it’s out. Thank you very much.
 
Gary Brown writes:
Any news on any New Doc Savage novels. I hear that Will Murray is writing some. I bet it is going to be great.
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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Why Is Marvel Laying Off So Many People?

Over the last two weeks, Marvel has laid off lots of people, from Bullpen staffers and editors to COO Jim Sokolowski. Heidi MacDonald may have tracked down the main culprit:

The budget slashing is the work of Marvel’s CEO, Isaac Perlmutter, an executive of legendary stinginess whose fanatical devotion to saving money —an increased interest in being hands on at Marvel — has led to the layoffs and other draconian measures inside the company.

Perlmutter and his then partner Avi Arad rode in to save Marvel from bankruptcy when they ran ToyBiz back in the late 90s. Keeping an eye on the bottom line was key to turning the company around. Bold moves like setting up their own $500 million movie studio took Marvel from penniless publishing company to a Wall Street darling with numerous stock splits. And of course, it led to Disney shelling out all that cash for a ready-made, boy-friendly franchise factory.

Although he no longer owns Marvel, Ike still runs it. And rather than sit back and enjoy his sunset years—he’s 68—with his $1.7 billion fortune, he’s chosen to keep a very active hand in running the company. In recent months he’s become even more active, showing up at the office daily. And it seems the only way he knows how to run a company is by increasing profits — not by investing in new businesses, but simply squeezing the bottom line for every last penny by any means.

If Ike thinks an expenditure is unnecessary, there’s no way around it, and anyone caught doing it is in danger of losing their job.

via Marvel Layoffs: The cheapskate is coming from inside the House of Ideas!  | The Beat.

From Ike’s point of view, why not? The single biggest financial contributors to Marvel’s bottom line are movies based on stories that are up to fifty years old at this point– seventy, if you count Captain America. Why should you bother creating anything new, when there’s so much to be squeezed from the old stuff?

Heidi also speculates that this may be to impress Disney and get Ike a seat on the board, now that he’s Disney’s single largest shareholder. What Ike doesn’t realize is that Disney already tried this tactic, squeezing every last drop out of their previously created works and riding on coattails. It was called “the seventies”. But Disney realized that it couldn’t go on forever, and that new properties had to be created, new stories had to be told. That required Disney to buy Pixar, which gave them access to some of the greatest visionairies on the planet, both the animators and Steve Jobs.

Jobs was an innovator. Perlmutter is an accountant.

It was Perlmutter’s tight grip on facts, figures, and accounting that got him control of the company from Ron Perelman and Carl Icahn, drag it out of bankruptcy, and build it to something that could be sold for four billion dollars. But really, you gotta spend money and get new fans sometime. DC’s new initiative and spike in sales should get Marvel worried.

It’s almost like you’re begging to be hassled by the 99%… or as we like to think of it, almost everybody else who works for Marvel.

Disney is generally pretty good about supporting the brands that support them, such as Pixar and ESPN. But if Perlmutter is keeping tight control and tighter purse strings, you have to wonder if Disney is getting the full news from the front line.

Happy 60th Birthday, CBS Eye!

On October 20, 1951, CBS unveiled its Eye Device logo, better known as the CBS Eye. It was created by William Golden, theoretically based on a Pennsylvania Dutch hex sign as well as a Shaker drawing. The following season, as Golden prepared a new “ident”, CBS President Frank Stanton insisted on keeping the Eye device and using it as much as possible… and an American eye-con (sorry) was born. While the symbol’s settings have changed over the years, the Eyemark itself has not been redesigned in its entire history.

But for many of us, this is what we’ll think of when we think of CBS, and it doesn’t have that logo…

New TinTin One Sheet and Trailer

TinTin doesn’t open here until December but it begins to play around the world within the next few weeks. The early reviews have gone live and the general opinion is that Peter Jackson and Steven Spielberg have created an energetic film based on the graphic novels from Herge, Beligum’s premiere creator.

The movie blends live-action and CGI motion-capture work with kudos going once more to Andy Serkis, who this time portrays Captain Haddock. Of the actors working today, none have done more work with motion capture than Serkis, known best as Gollum and more recently as Ceasar in the latest Planet of the Apes movie.

Paramount has released a new trailer for American audiences.

And the production team has offered up a brand new featurette entitled Fanboys.

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Will Batman Occupy Wall Street?

thedarkknightrises_teaserposter-600x887-300x4435-5216796You’d think that billionaire Bruce Wayne wouldn’t get along well with the Occupy Wall Street protesters in New York, and the Hathaway most associated with Wall Street is Berkshire. And yet, it looks like Batman could be there by the end of the month:

The Dark Knight Rises,” Christopher Nolan’s third film in the Batman trilogy, has been shooting in Los Angeles in recent weeks. But the Christian Bale-led production is now set to make a trip to New York and could be heading to a fraught locale: the Occupy Wall Street protests.

Under its code name “Magnus Rex,” the Warner Bros./Legendary Pictures production will arrive in the nation’s biggest city for 14 days starting Oct. 29, according to a casting notice recently issued by producers. And, according to a person briefed on actors’ schedules who requested anonymity because production details were being kept confidential, cast members have been told the shoot could include scenes shot at the Occupy Wall Street protests.

via Will Nolan’s ‘Dark Knight Rises’ occupy Wall Street? – latimes.com.

The Dark Knight Rises just won Most Anticipated Movie of 2012 in the Scream Awards. The film will start Christian Bale, Anne Hathaway, Gary Oldman, Michael Caine, and Tom Hardy.

“Justice League: Doom” Trailer Unveiled

Warner Home Video has released the official trailer for Justice League: Doom, an all-new entry in the popular series of DC Universe Animated Original Movies due in early 2012 on Blu-ray, DVD, OnDemand and for Download.

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid and Howard Porter’s much-heraldedJLA: Tower of Babel.

Primetime television stars Nathan Fillion (Castle) and Tim Daly (Private Practice), the reigning voices of Green Lantern and Superman, respectively, join a group of eight actors reprising their famed cartoon roles, including Kevin Conroy (Batman: The Animated Series) as Batman, Michael Rosenbaum (Smallville, Breaking In) as Flash, Susan Eisenberg (Superman/Batman: Apocalypse) as Wonder Woman and Carl Lumbly (Alias) as J’onn J’onzz/Martian Manhunter. Also returning to their Justice League animated series roles are the villainous voices of Phil Morris (Smallville, Seinfeld) as Vandal Savage, Olivia d’Abo (The Wonder Years) as Star Sapphire, and Alexis Denisof (Angel) as Mirror Master. David Kaufman (Danny Phantom) also reprises his Justice League role of Jimmy Olsen.

The film is executive produced by Bruce Timm (Batman: Year One), and directed by Lauren Montgomery (Batman: Year One), who is also credited as producer alongside Alan Burnett (Batman: The Animated Series). Justice League: Doom is the final script from the late Dwayne McDuffie (All-Star Superman, Justice League: Crisis on Two Earths). Casting and dialogue direction is once again in the capable hands of Andrea Romano (Batman: Year One, SpongeBob SquarePants).

New Pulp’s Table Talk – Which Side of The Control Fence Are You On?

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Table Talk Returns at New Pulp! Table Talk is a weekly column where three authors heavily steeped in New Pulp discuss all sorts of random topics (not always) relating to New Pulp. This week Bobby Nash, Mike Bullock, and Barry Reese discuss the pros and cons of self-publishing versus working with traditional publishers and then dig into the two sides of the work-for-hire/creator-owned treasure trove.

New Pulp’s Table Talk – Which Side of The Control Fence Are You On? is now available at http://www.newpulpfiction.com/ or click the title above for a direct link.

Join the conversation. Leave us a blog comment at http://www.newpulpfiction.com/2011/10/table-talk-which-side-of-control-fence.html and let us know your thoughts on this topic.



New York Comic Con’s Pulp Panel

New Pulp Author W. Peter Miller was part of the pulp programming at last weekend’s New York Comic Con.
Reposted from his blog, http://docsavagetales.blogspot.com/2011/10/new-york-comic-con-part-1-pulp-panel.html with permission.

New York Comic Con – Part 1 – Pulp Panel

Note – It seems I have misidentified some people in the pictures…
This past weekend I joined the masses at the New York Comic Con. Sunday afternoon was the occasion of the Pulp Fiction – Now With Even More Pulp panel that featured a huge all-star panel that included authors Adam Garcia, Mark Halegua, Jim Beard, and Will Murray, artist Tom Gianni, publishers Greg Goldstein (COO of IDW), Joe Rybrant (Dynamite Comics), and Anthony Tollin (Nostalgia Ventures). Ed Catto was the moderator.
With this many panelists and the volume of pulp material being published, the hour flew by quickly and a bunch of fans got to take home some freebies. The panel was introduced and the current and upcoming projects of the panelists discussed. Disappointingly, there was not nearly enough time for a  discussion on the state of pulp fiction today. I think that there is a lot to be discussed about New Pulp and the term didn’t even come up.
 The panel from r-l: Ed Catto, Greg Goldstein?, Will Murray, Anthony Tollin, Tom Gianni, Adam Garcia
The panel cont. r-l: Joe Rybrant, Jim Beard, Mark Halegua
Some of the upcoming projects mentioned were quite exciting. Here are some highlights, or at least what I remember…
Greg Goldstein said that IDW is doing another anthology series with the Rocketeer, featuring new creators and a few returning creators from the first series. That is great news, because those were good stories. The major publishers can’t even get one story in a comic and the Rocketeer Adventures had 3 or 4! I would also like to see a longer adventure featuring Cliff Secord and Betty.
Will Murray wrote the first new official Doc Savage novel released in almost 20 years, The Desert Demons, written from Lester Dent’s notes. That came out this summer, but the next one, Horror in Gold is coming out soon! Audio books of Will’s first 2 Doc novels are out from Radio Archives. Will is also overseeing a line of of pulp audio books with them as well, starting with The Spider.
Anthony Tollin has many things coming including a Shadow movie serial script and a behind the scenes look at the serial and interviews with crew members. The Shadow Scrapbook will be expanded and reprinted, including a 1934 radio script by Walter Gibson.
Tom Gianni has painted a cover for Moonstone’s Avenger Chronicles and is working a Graphic novel of his own called, “Mechanic Anna”, which is hoping to have out next summer. Tom’s beautiful art, can be seen here.
Adam Garcia is making a name for himself with his new Green Lama stories which span the media. His new Green Lama novel, The Crimson Circle should be out early next year, and there will be Green Lama comics and an audio drama, too. Exciting stuff!
Dynamite has a lot going on and Joe Rybrant clearly loves pulp and talked about an upcoming Flash Gordon / Phantom cross over featuring another unnamed pulp character that may be Mandrake of possibly the Green Lama… Dynamite also has another big pulp character coming that will be announced soon.
Mark Halegua has his first story out in Mystery Men & Women Vol 2 from Airship 27. It features his original character, the Red Badge.
With this many creators and this many new books to talk about there wasn’t much talk about the future of pulp, or the New Pulp movement, except for when Adam Garcia talked about bringing more to the table by leaning in a slightly more literary / post-modern vein that some pulp fans don’t seem to care for. I think that there is plenty of room for that and the mainstream publishers are publishing that under the guise of ‘steampunk’ and other names…

 

 

 

The fans swarm the panel for free goodies

 

 

Adam Garcia and fellow Green Lama writer W. Peter Miller
Also, New Pulp Author and pulp panelist, Adam Garcia posted two videos of the panel on YourTube for your enjoyment.