Category: News

FERGUSON SUCKER PUNCHES ALL PULP!

THE LONG MATINEE-Movie Reviews by Derrick Ferguson
SUCKER PUNCH
2011
Warner Bros.
Directed by Zack Snyder
Produced by Deborah Snyder
Screenplay by Zack Snyder and Steve Shibuya
Based on a story by Zack Snyder
Zack Snyder has provided me with two of my favorite movie watching experiences of recent years.  “300” which I fell so in love with the first time I saw it, I wanted to marry it and take it home to meet my mother.  And “Watchman” which I thought was a brilliant adaptation of the graphic novel and actually improved upon it in certain areas, particularly the ending.  Upon hearing that his new movie SUCKER PUNCH was based on an original story by Zack Snyder I was really pumped to see it as I could imagine what his extraordinary visual style could do when applied to characters of his own creation. 
I should have listened more closely to my friend Jason who upon seeing the trailers opinioned that any movie with trailers that kick-ass couldn’t live up to the promise they were making.  Know what?  Jason was totally correct.  SUCKER PUNCH isn’t as kick-ass as those trailers promised.  But neither is it the complete and total disaster some would have you believe.  At most, it’s an interesting experiment by a still young filmmaker who I think was trying to tell a story too ambitious for his still growing talents.  But we’ll get back to that in a bit, okay?  Right now, the obligatory story synopsis…
Baby Doll’s (Emily Browning) life is about as bad as it can get.  Her mother has died, her sister killed in a tragic accident and her stepfather has had her committed to a mental asylum.  The stepfather has bribed the head orderly Blue Jones (Oscar Isacc) to arraign for Baby Doll to be lobotomized.  This way, he can keep control of the vast fortune left to Baby Doll by her mother and she will unable to tell anybody the true circumstances of the death of Baby Doll’s sister.
To cope with her horrific situation, Baby Doll’s mind creates an elaborate fantasy world where the asylum is now a strip club/brothel where Blue is the owner.  The asylum’s chief therapist Dr. Gorski (Carla Gugino) is now the madam.  Baby Doll becomes friends with the club’s top dancers; Amber (Jamie Chung) Blondie (Vaneesa Hudgens) Rocket (Jena Malone) and her older sister Sweet Pea (Abbie Cornish).  Baby Doll is informed that in five days she is to be given to ‘The High Roller’ which is paralleled in the real world by The Doctor (Jon Hamm) coming to give her a lobotomy.  Baby Doll plans to use those five days to escape and enlists the aid of the other dancers to do so.  This involves Baby Doll creating yet another fantasy world where she and her friends, guided by The Wise Man (Scott Glenn) have to collect five objects to aid in their escape. 
That sounds pretty simple and straightforward, right?  Well, it isn’t.  There’s an added dimension to this in that apparently Baby Doll can mesmerize everybody in a room when she dances.  We never see what the dance is but when she does, she and her friends are transported to the world where they have to gather the objects.  That’s at around the point you’ll probably start scratching your head.  I know I did.
Let’s get the good out of the way: I liked most of the performances.  Scott Glenn looks as if he’s having so much fun I was having fun watching him.  Jon Hamm is only in the movie for a few minutes but he really makes the most of his brief screen time to really bring an added note of horror and pathos to the movie’s bleakest moment.  And Carla Gugino is amazing as always.  Why this woman doesn’t have a bigger career infuriates me to no end.  Jena Malone I really liked in this one.  She’s got an 80’s Meg Ryan vibe going here I found appealing.  Abbie Cornish I don’t recall seeing in anything but I’m going to be looking for more from her. 
The best part of the movie?  Undoubtedly the absolutely incredible action sequences where Baby Doll and crew acquire the objects they need.  I especially loved the World War I sequence with automatic weapons, steampunk battle armor, great big honkin’ zepplins porcupined with weapons and clockwork German soldiers.  You see those sequences and you mightily wish that Zack Snyder had built a better story around them.  He’s got an astounding eye for detail that is truly gifted and visually, SUCKER PUNCH is a treat.
The bad?  There was one too many realities to deal with.  Unlike “Inception” which was painstakingly clear about the rules concerning dream worlds, SUCKER PUNCH isn’t.  I took the movie to be an homage to “The Wizard of Oz” more than anything else since it starts off with a very dull gray look to everything but once Baby Doll starts her fantasy in the brothel, the movie switches to vibrant, eye-popping color.
But once I realized that the action sequences were little more than glorified cut scenes from a videogame, I got bored.  Because I knew they weren’t going to last.  And what I wanted to see was a whole movie with these five fightin’ females boppin’ around these incredible worlds kicking every ass in sight.  And I was frustrated because I wasn’t getting it.  I did find it amusing that Baby Doll apparently has learned Jim Kelly’s trick of switching footwear in mid-fight and that kept me active looking for when she would switch from high heels to flats and back. 
So should you see SUCKER PUNCH?  See, that’s a tough one for me to call.  Let me put it to you from both sides of my movie persona:
The cheap-ass, misery, grinchy Derrick Ferguson says: If you don’t want your time or money wasted, wait until SUCKER PUNCH drops on DVD/Blu-Ray or Netflix.  I’m a Zack Snyder fan and there were parts where I was bored so if you’re not a fan, I can’t see where you’d want to see this.
On the other hand…
The artistic, compassionate, film nerd Derrick Ferguson says Zack Snyder has given us something interesting that isn’t a remake or a reboot or dragging out some moldy old franchise, slapping a new coat of paint on it and going “Ta-da!”  He’s done his best to give us something original and he’s to be commended for that.  He stretched himself and didn’t play it safe and I like that.  I’m willing to give him a Not Guilty for SUCKER PUNCH because this is only his fifth film and he’s still growing as a filmmaker.  This one got away from him because I don’t believe he’s built up enough directorial muscle to successfully pull off telling a story like this.  If SUCKER PUNCH is a failure it’s an honest one motivated by creativity and a desire to communicate with a unique storytelling style. 
109 minutes
Rated PG-13

IDEAS LIKE BULLETS FIRES ONE OFF AT YOU!

Designed by Ali

Ideas end up in my gun in many styles, many calibers, let’s say.   Some are fully formed, can’t wait to pull the trigger explosions of scene, pathos, action, adventure, beginning, middle, and end.  Others are skeletal, the primary characters are there, the macguffin, if there is one, is there, too, and there’s a general flow of where things will go.   But sometimes, not often, mind you, but sometimes there’s just one thing.   A name or an object someone would desire.  No bells and whistles, no grand plans unfolding in the always sold out movie theater of my mind.  Just one thing.

That’s what I’m armed with today.

I tried a contest sort of thing in this column a while back and no one bit.  But since it’s been a while and especially since ALL PULP’s had a major spike in hits lately, thought it might be a good time to do so again.  What I have in my head is a singular scene, an opening scene.  This short, pithy paragraph you will find below.   The contest is thus-Add to what I have, go as long as you want, but at least a page.  If you don’t write out a complete story, then make sure there’s a synopsis of where you think the idea would go.  The top five will be posted on ALL PULP and then in a manner I have yet to decide on a winner will be chosen from the top five.  That winner will be printed in one of Pro Se Press’s upcoming anthologies and will receive a percentage comparable to other writers in Pro Se’s anthologies.  So, yes, this is a contest for a (albeit paltry, trust me) paying writing gig.   All you have to do is make me love the story you tell starting off with this spark-

She walked into my office, moving like a song of forbidden jazz full of sultry horns, hellishly hot ivory licks, and a rolling drum beat with the cadence of exploding artillery every time she stepped.  A melody that haunts your soul,weakens your spirit, and teases your body in ways that are illegal in most states.


“I know it’s late.”  The melody out of her full, painted lips was as seductive as the accompaniment.  Dusky, but softly tender.  Like silk sheets on a cheap motel bed.  “But your door was open.”


“Never closed.”  I didn’t give her one inch, not moving from my reclined position at my desk, feet up on the corner by the half empty whiskey bottle, my battered fedora pulled down over my face, the shadow of the brim meeting the five o’clock one on my chin.  Didn’t move a bit.  Except for my eyes.


She was fully outfitted, not an ounce of meat and muscle where it shouldn’t be and enough there to be noticed.  Over and Over.  As she flowed across my floor, she seemed to shimmer and glow, caught in the ever changing kaleidoscope of the neon sign just outside my office window.  First red, giving each swish of her hip a devilish hint as if she were tugging a pointed tail behind her.  Then green, a soft green teasing that maybe, just maybe there was enough gentleness in that double barrel body to be nice to someone.  And finally a swirl of blue, turquoise melting into hints of ebony.   And that told the whole story.  Or I thought it did.


“I need someone,” she cooed, leaning across my desk, one hand teasing its scarred top, “to go somewhere for me.”


Still didn’t move.  “Surprised you don’t have a conga line of admirers, suitors, and gadflies behind you everywhere you go.”


“Oh, I do,” she laughed, rippling water running over dried bones, “but none of them will go as far as I want them to.  I need someone to go to-” her words caught, not for effect, but for a moment, the act slipped. “To go to The Epiphany.”


That name brought the shoes off the desk and forced me to push my hat back on my head.  This noirish fantasy just took a turn for the tricky and possibly terminal.  “That’s living that only the dead enjoy.”


“Yes,” her effervescent red lips parted, her tongue carressing the bottom one like a snake on a limb.  “And its where you really learn what androids dream of.”

There you go! send your entries to allpulp@yahoo.com!

Jeff Robinov

Lex Luthor On Plans For Justice League, Flash, Wonder Woman Movies In 2013

Jeff RobinovLex Luthor, evil genius and president of the DC Universe, spoke today on his plans for Batman, Wonder Woman, Green Lantern, Flash, the Justice League, and of course, Superman…

…our mistake. This is actually Jeff Robinov, evil genius and president of the Warner Bros. motion picture group, which owns the DC Universe, who spoke today with the Los Angeles Times on his plans for Batman, Wonder Woman, Green Lantern, Flash, the Justice League, and of course, Superman…

The first priority for the man with the ultimate say on what films get made at Warner Bros.: Finally getting the Justice League, DC’s team featuring all its top characters, on the big screen in 2013. The picture had been very close to production in late 2007 and early 2008, but was killed by the Writers Guild of America strike, tax credit issues in Australia, and concerns by some at Warner about presenting a competing (and conflicting) version of Batman while director Christopher Nolan’s films were breaking box office records.

But Robinov said a new Justice League script is in the works. Also being written for Warner are scripts featuring the Flash and Wonder Woman, who could be spun off into their own movies after Justice League.

We apologize for the confusion. And we suddenly understand why no one is talking about having Luthor in the next Superman film.

Review: ‘Tron’ and ‘Tron: Legacy’

Someone had to go first.

As computers were getting faster and significantly more sophisticated, some producer was going to be the first to have computers handle the special effects in a movie. As it turns out, Walt Disney, which pioneered feature-length animation, took the plunge in 1982 with [[[Tron]]]. The film, starring Jeff Bridges, Bruce Boxleitner, and David Warner, was visually stunning in its day as you felt immersed in the emerging video game world. The mediocre story took a backseat to the imaginative light cycle races and glowing disc battles. Audiences were intrigued, just enough to rake in $33 million at the box office for a $17 million production so it almost made money using the math of the time.

Flashfoward 28 years and as computers have taken control over special effects in all media, the time struck many as right to go back and revisit the world of Tron. Disney moved cautiously, wanting to retain the original look and feel then enhance it. When the test footage was shown at Comic-Con International in 2009, they knew there was a potential blockbuster on their hands. The green light was flashed and production began in earnest.

Disney is once more leading the way, releasing this week a five-disc combo package that contains not only the Blu-ray debut of Tron, but the 3-D Blu-ray release of [[[Tron: Legacy]]] plus offering the movie on Blu-ray, standard DVD, and also a digital copy. Five discs offering something for everyone.

(more…)

ALL PULP REVIEWS DARK VALENTINE!

Review of Dark Valentine Number 4, Spring 2011
http://darkvalentine.net/index.php/2011/03/rites-of-spring/
Review by ALL PULP Staff writer Suzanne Fuller

In a culture obsessed with vampires, werewolves, murder mysteries, apocalyptic predictions and in your face violence (these days in the literal sense, with 3D films fast becoming a popular trend), most of us are no longer afraid to admit we enjoy being scared senseless or at least forced to think about the dark, twisted world around us. Stories of such things have been around for thousands of centuries, maybe growing from paranoia because of unexplained illnesses at the time or tales of demons and the fiery pits of hell. The morbid fascination with such tales has been with us from the very start, and has now grown so large that there is no worry of it going up in a puff of smoke any time soon.
So what do we do when films and TV shows just aren’t hitting the right notes for us? When they don’t branch far enough or stretch the imagination to its full potential? Most turn to fiction, a world without limitations, strict time and explicit guidelines.
Dark Valentine is a literary magazine that releases an issue every season, sticking within the varied category of ‘dark fiction’. They accept short stories ranging from the, “Should I be laughing?” black humor to the brain melting slipstream of the conscious mind. If you, like many others around the world, enjoy the darker side of life, you are in for a mighty fine treat! The Spring issue is jam packed full of fantastic stories, all of which couldn’t be more different than the previous if they’d tried.
It begins with the fantasy story Swallow the Light, by Kristen Davis. A story that pulls you so deep into its mythological world that when it ends, daylight feels as though it may actually kill you and a thirst for knowledge and blood bubbles in the pit of your stomach. Next up is Tonia Brown’s Danny-Boy, a paranormal story set in modern times, written in modern text that if you were in bed would leave you scared and wide awake a lot longer than you’d planned to be, listening carefully for any sort of change in the air. So from the start, although both shares the same dark tone throughout, they are entirely different, therefore both stand firmly on their own two feet. And the rest certainly didn’t disappoint.
Those that stood out seemed to be chock full of detail and description, but not so much that you become bored, nodding off with your kindle or IPhone flat on your face. La Fée Verte, A Roman Dalton Investigation, by Paul D. Brazill, is a story about a retired detective sent on a mission by an exotic and beautiful woman, powered by the full moon and rage from within. It is beautifully descriptive in both forms and there is no shock ending because, frankly, it does not need one. The protagonist, Roman, is often seen inside a bar, and very much feels like the kind of place you’d walk into on the outskirts of any major U.S city, only inhabited by the occasional supernatural and a group of punks you don’t want to give lip to.
The Stalking Rail, by Alejandro Omidsalar is a gritty, urban-noir tale of a young man walking into a world, and even after reading the last word you’re still unsure if it’s fantasy or real, full of graphic violence and unknown purpose. This story is almost definitely split in two, with the start following Tomas through the dark gloomy streets of Los Angeles during a rain storm to meet his oldest friend and lover Enrique, to waiting for the Metro where the world you’d been reading about changes course entirely, throwing him into a situation he neither understands nor knows what to do. Although it is presented in third person you are as clueless as he is, keeping you on the edge of your seat even after it is finished.
Each story is beautifully illustrated with a single picture created solely for that tale. All of which capture the essence of how different each of them really are. The only complaint I have overall is sometimes the illustrations are posted a little early in the story, perhaps giving away any sort of plot point before you’ve read it. Not many people will be able to refrain from looking as our eyes are instantly attracted to the mix of colours, contrasting against the black lettering.
If such stories as The Raven and The Tell Tale Heart, from Edgar Allan Poe, The Tree, from H.P Lovecraft or even Trainspotting, by Irvine Welsh, or Fight Club from the transgressive icon Chuck Palahniuk stand confidently in your collection, then Dark Valentine can’t be recommended enough to you. Your eerie intrigue, your wish to escape to another world and rebel within will be entirely satisfied inside all ninety one pages of the Spring issue. And I for one cannot wait until I can dig my claws into the Summer issue.

Mix March Madness: Final Four! Erfworld vs. Questionable Content!

mix-march-madness-game-62-6893295

We’re down to the Final Four– and the second semi-final contest is down to the two giant sluggers, mano a mano

Erfworld vs. Questionable Content!

Vote now!

[poll id=”78″]

Polling closes at 11:59 Eastern Standard Time TONIGHT!

Click here to see all the webcomics and their standing in the tournament!

Mix March Madness: Final Four! Kawaii Not vs. Gronk!

mix-march-madness-game-61-9693655

We’re down to the Final Four! In surprise upsets, Penny Arcade and A Distant Soil got knocked out, so the first semi-final bout is…

Kawaii Not vs. Gronk!

Vote now!

[poll id=”77″]

Polling closes at 11:59 Eastern Standard Time TONIGHT!

Click here to see all the webcomics and their standing in the tournament!

Borders Executives Want $8.3 Million In Bonuses From Bankruptcy Court

Okay, now I’m pissed.

The Wall Street Journal reports that Borders executives want the bankruptcy court to approve more than $8 million in executive bonuses:

Seventeen top executives are covered by the largest program, which could add as much as $7.1 million to the pay packets of leaders who stick with the company in bankruptcy. Court papers say 70% of the group have been with the company less than 18 months, and many joined Borders less than a year ago.

Bear in mind that Borders owes hundreds of millions of dollars to publishers and distributors, including $4 million to Diamond. They just closed another 28 stores last week, adding to the 200 they’d already announced. Friends of ours have lost their jobs, and more are coming as it ripples through publishing. And the folks who put us into this mess want bonuses for this?

MOONSTONE MONDAY-CHICKS IN CAPE INTERVIEW-NANCY HOLDER!

AP: Nancy, first, congratulations for the release of CHICKS IN CAPES!   You have a story included in this fantastic volume that we will talk about, but first, can you tell us something about yourself?
NH:  I’m a native Californian who lives in California.  There are six or seven of us.  I was born in northern California but I’ve spent the majority of my life in southern California.  We call northern Californians “moss eaters” and they call us “bimbos.” It works for us.  I’m a New York Times bestselling author currently specializing (mostly) in young adult dark fantasy.  I have a writing partner named Debbie Viguié and we have three series–Wicked, Crusade, and The Wolf Springs Chronicles.  Crusade is coming out in trade paperback in May, and the next Crusade book, Damned, is coming out in August.  Writing alone, I have a young adult horror series titled Possessions.  The third book, The Screaming Season, just came out.  I watch a horror movie every morning when I write horror. Debbie has a story in CiC, too!
AP:  Your tale is titled BENEATH THE CAPE: A DOMINO LADY STORY.   What, without spoiling it, of course, is your story about?
NH: I’m fascinated by Aimee Semple McPherson, the world’s first mass media evangelist (1920’s and 1930’s.)  Have you seen Elmer Gantry?  That’s Sister Aimee.  She went missing in 1926.  I’ve been past her church up in L.A. and I have always been interested in religious showmanship (Marjoe Gortner is another such.)  She wound up in Mexico.  I live 40 minutes from the Mexican border and I knew a lot of movie stars used to go to the Rosarito Beach Hotel, where I’ve been a few times.  I’ve been to a bullfight in Tijuana (once is enough!)  So it all fell into place.  
AP: The Domino Lady is a character that has her origins in the heyday of pulp magazines.  What appealed to you about her enough to utilize her in your story?

NH: I’m the writer on the Domino Lady comic book for Moonstone, so Lori suggested I give DL a story in the anthology.  I was happy to do it.  I love writing about sassy adventuresses, and DL is about as sassy as they come.  She’s a lot like those “New Woman” heroines of the movies of the 30’s.  I love her to bits.  

AP:  Would you consider Domino Lady a fictional character that could also be a good role model?
NH:  Domino Lady is bold, brassy, and does what she wants.  Hells,  yeah!  She also has a softer side, deep compassion for the downtrodden.  There was an issue of the comic where she deals with the social justice issues surrounding migrant farming in the 1930’s.  Her father, Owen Patrick, was a politician who stood up for the weak and disenfranchised.  So she fights for the right (or the shiny and bright–she’s quite a jewel thief!)–and then she has a nice bubble bath and flirts with polo-playing big game hunters on the phone.
AP: Some might say  that super hero fiction is a man’s genre.  What would you say to that and what do you feel like female creators have to offer to the field?
NH:  I’d say that anyone who says that in 2011 is not reading superhero fiction.  That’s been said about every genre and format I’ve written in except for romance, and in every single case, we dames have proved the cavemen wrong.  I’d also say there’s a lot of joy coming from the female creators because we’re here and we’re loving every minute of it!  Mah bestie, Debbie Viguié, is debuting her creation, Glamour, in CiC and I’m so excited for her!
AP:  Any plans for the names Nancy Holder and Domino Lady to be connected again in the future?
NH:  Oh, yes!  I’m working on another comic book issue right now (I swear it, Lori!)  It’s the second of two parts so I’d better hustle!