Category: News
Paula Garcés Brings Comic Book Character To Video Game
Independent game maker S2 Games is joining up with actress and producer Paula Garcés to add a brand new main character, Aluna, to the session-based, multiplayer, action-RPG Heroes of Newerth (HoN). Seen in Clockstoppers, the Harold and Kumar film franchise, and Warehouse 13, Garcés adds her attractiveness and ability to HoN as the personality and voicepowering the Legion hero Aluna, the character made for Aluna Comics. To watch Aluna come alive fans can visit the Nvidia booth at the Game Developers Conference in San Francisco where Garcés is going to be appearing to sign autographs on March 2nd and 3rd.
Aluna blurs the lines of the entertainment and gaming fields by delivering the look of a Maxim Hot 100 model with the powers of a Latina superhero to life in Newerth. “I wanted to bring the Aluna character to new mediums and HoN is a perfect fit,” said Garcés. “The HoNfans will appreciate Aluna’s unique story and welcome her as a hero inthe game.” Stunning and spirited, Aluna bears within her the essence of Earth itself – the old Earth long since lost to the decay of ages. Carrying the power of the moon within a magical gem, Aluna attacks her daemonic enemies with lethal swiftness. Because of her expertise in battle, she’s expected to be a star among the heroes of Newerth, resembling the life of the celebrity behind the hero.
Paula Garcés is known for her part as “Officer Tina Halon” on the FX series The Shield, where the role earned Paula a 2008 Alma Award nomination for Best Supporting Actress. Her tv credits include repeat roles on Law and Order: SVU, CSI Miami, and SyFy’s hit show Warehouse 13. Paula most recently finished her notorious role as “Maria” for the third installment of the Harold and Kumar film franchise, expected to launch Christmas Day 2011. Paula also just announced the season two premiere date for The Look, a style magazine show she co-created and executive produced. It airs Saturday, March 5th, 2011 at 3 p.m. on mun2 network.
ALL PULP NEWSSTAND 2/27/11
Named after Frank A. Munsey, the man who published the first all-fiction pulp magazine, the Munsey is presented annually to a deserving person who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps, publishing, or through
other efforts to preserve and to foster interest in the pulp magazines we all love and enjoy. All members of the pulp community, excepting past winners of the Munsey or Lamont awards, are eligible for this prestigious
prize.
For further details, please visit www.pulpfest.com and make your nomination.
Â
Chicago’s new mayor isn’t the fake one we actually wanted.
Listen up, you mutha-cluckers… Chicago has a new boss in town. Why does this matter to you? Because I said so. Why did I say so? Because the Second City is known for a few big things: The Chicago Style Hot Dog, Deep Dish Pizza, Da ’85 Bears, and maybe just an eensy-bit of good old fashioned corruption. But now it can be known for one more big thing. Our new mayor? Former White House chief-of-staff Rahm “The R-Bomb” Emanuel. When our current boss mayor, Richard Daley announced he’d retire this year from his post… Emanuel left his job in Washington to take his home city by the horns. But it’s been a long journey to get there. He took 54% of the vote, despite having his Chicago residency being challenged. He beat out the former city chief of staff, the former city clerk, and a former U.S. Senator for the title. But if you ask me? He didn’t beat one important candidate, his psuedo-self. In a paradoxical sub-dimension high atop City Hall, in a secret greenhouse known only to our beloved Mayor Daley… and @MayorEmanuel, the dimensional doppelganger of Chicago.
What’s that you say? You’ve not heard? @MayorEmanuel is the twitterverse’s Rahm Emanuel clone. The account started shortly after the “real” Rahm declared his intention to run. And boy did things escalate from there. @MayorEmanuel’s story unfolded over the months, and became an epic yarn with a full cast of characters. It began as a string of foul-mouthery perhaps poking a jovial jab towards the obvious; Rahm is known for his temper, his drive, and his competitive nature. He raised 11 million dollars to take his campaign to the streets of Chicago. He shook hands and kissed babies. We can only assume he attended secret cabal meetings, and struck backroom deals that we kindly city-folk won’t find out until they hit the nightly news a few years after his mayoral run ends… if it ends. His twitter counterpart followed the whole ride, as only a comedic four-letter-word-dropping twitter clone could do. And as the race for mayor drew closer to the vote, so did the drama.
Twitter to many is just that little corner of the interwebs where we drop a snarky one liner, or tell people where we are at. It might be a place for celebrities to tell us how normal they are, shopping for soup and whatnot, or how not-normal they are, like other Chicago Celebutaunt Kanye West. @MayorEmanuel used twitter to create a piece of short fiction (OR IS IT!?) that was truly original. A few bloggers followed the best of the posts and relayed just how awe-inspiring they were. And important people took notice. The “real” Rahm made and attempt to bribe his twitter-sibling with a donation to charity, to “out” himself. Smartly the anonymous fingers behind the 140 character-at-a-time hasn’t shown his face. Perhaps he escaped down the aforementioned time well in his tweets.
Give a gander at the saga, and kick yourself for not living here (that is, if you don’t…) and living through this live alt-meta-super fiction happening. In the mean time, the real Rahm is prepping his mayoral suit, and perhaps, setting aside a bit of our future city tax dollars towards a special “find @MayorEmanuel and break his hands” task force. I think I’ve said too much. All Hail Rahm! All Hail Rahm!
FX producing ‘Powers’ pilot
FX has ordered a pilot episode for a series based on Powers, the comic series from Brian Michael Bendis and Michael Avon Oeming.
The network’s SVP of public relations made the announcement yesterday on Twitter. Bendis himself twittered:
Powers pilot was just greenlit by FX! it’s official! your window of reading Powers while it was still cool is running out :)
The potential series is a co-production between FX Productions and Sony, and the pilot episode will be scripted by Charles Eglee, who has bonafides in both mysteries and cop shows (executive producer of The Shield and Dexter and the creator of Murder One) and comics and SF (exec producer of The Walking Dead and creator of Dark Angel).
Powers follows a pair of detectives as they investigate a number of murders in a superpowered world. The creator-owned series was launched by Image Comics in 2000, before moving over to Marvel’s Icon imprint in 2004. A television series has been rumored for years, and was known to be Eglee’s next project after leaving The Walking Dead months ago.
Bendis writes too much stuff for Marvel to list, while Oeming is known for Hammer Of The Gods with Mark Wheatley for ComicMix, as well as Mice Templar, Thor, Alpha Flight, Bluntman and Chronic,Hellboy, Catwoman, and Quixote. Congrats to both of them.
ALL PULP NEWSSTAND BULLDOG EDITION 2/25/11
This week on the Book Cave-Win Eckert is back and we find out about Crossovers and more.
Win Scott Eckert
Home page: http://www.winscotteckert.com
Amazon: http://www.amazon.com/Win-Scott-Eckert/e/B002BM6T3W/
Crossovers: A Secret Chronology of the World 1 & 2 (Black Coat Press)
http://www.blackcoatpress.com/crossovers.htm
Tales of the Shadowmen series (Black Coat Press)
http://www.blackcoatpress.com/talesshadowmen.htm
Sherlock Holmes: The Crossovers Casebook (Moonstone Books)
Amazon: http://tinyurl.com/4uyylet
Meteor House (publisher of The Worlds of Philip José Farmer series)
http://meteorhousepress.com/books/
Moi, Tarzan
A French documentary about the origin and history of Tarzan, with three Tarzan experts. Made for French television, it was shown on the TV channel Arte in 1996 and 2007. Features Philip José Farmer discussing Tarzan as a real person. Video-on-demand: Online at http://www.documen.tv/asset/Tarzan.html – in English, for $4.99 [Full-screen on your computer. The French is subtitled in English.]
RJCroxton1@yahoo.com
Store: http://www.cafepress.com/thebookcave
PayPal: RJCroxton1@yahoo.com
Coming Attractions – http://members.cox.net/comingattractions/index.html
All Pulp – http://allpulp.blogspot.com/
LAST WEEK ON THE BOOK CAVE-
Barry Reese – http://www.barryreese.net
RJCroxton1@yahoo.com
Store: http://www.cafepress.com/thebookcave
PayPal: RJCroxton1@yahoo.com
Coming Attractions – http://members.cox.net/comingattractions/index.html
All Pulp – http://allpulp.blogspot.com/
AND STILL MORE ON THE BOOK CAVE-
Ron Fortier –
Airship27.com
Mr.Jigsaw
GoPulpsInfo
Airship27Hangar.com
Rob Davis –
The pdf store is: airship27hangar.com.
The Print on Demand store with the 25% discount off retail is: gopulp.info.
robmdavis@mac.com
website: http://homepage.mac.com/robmdavis/
blog: http://homepage.mac.com/robmdavis/iblog/index.2.html
RJCroxton1@yahoo.com
Store: http://www.cafepress.com/thebookcave
PayPal: RJCroxton1@yahoo.com
Coming Attractions – http://members.cox.net/comingattractions/index.html
All Pulp – http://allpulp.blogspot.com/
ALL PULP PANEL-WHY THE FIRST WAVE ENDED??
Here’s a Panel Topic everyone should sound off on. We all know that DC announced this week that its FIRST WAVE line, the one that combined Batman, Doc Savage, the Spirit, and other Golden Age pulp and comic characters into one sort of ‘timeless’ universe where dirigibles and cell phones coexisted, is being cancelled. This extremely controversial line of comics, made so by the fact that many pulp fans saw the portrayals of their favorite characters as mishandled at best, blasphemous at worse, has definitely stirred up a lot of talk. Here’s the panel topic-Was DC’s First Wave as bad as all that? If so, why? What does the cancelling of this line mean for the future of pulp centered comics, if anything? Email your panel responses to allpulp@yahoo.com and they’ll be posted here!
*****
From Teel James Glenn, writer in the pulp tradition….
Why did the First Wave fail? the art wasn’t bad and even some of the ideas were interesting, but the basic premise seemed to be that even though pulp chracters have endured in their original form for 70 years the writers at DC knew how to ‘fix’ them. Why fix what isn’t broken? I doubt any of the writers actually read any of the books they were ‘improving’ by changing basic premises and characters. It is the same problem most movie adaptations have; everyone thinks they can violate the very core of the creations they SAY they are ‘reimagining. Bullflock!
Uncreative people feed off other people’s creations and bring the level down. You have to honor the work of those who came before and then you can prehaps–prehaps- move forward with new creations that can interact with them. Always look at the ‘character/series’ bible and honor it as if it was gospel–because it is.
If DC wanted to do pulps right they should have hired pulp writers not guys who said in interviews “I never read the books”–arrogance like that deserves to be discarded…
From Barry Reese, Member of the Spectacled Seven….
Where do I start? DC mismanaged the entire line, starting with a series of interviews from creators that alienated the hardcore fans and made newer fans wonder why they should try a bunch of characters that even the main writer talked about with disdain. Then go on to the launch miniseries, which still hasn’t finished… Here’s a clue: don’t launch a new line of books with a book that’s supposed to set up the whole thing but doesn’t come out on time. Makes the entire affair look half-assed and poorly planned. Then you have a book (Doc Savage) that after a mediocre beginning slides into outright crapitude with shifting writers and artists. And don’t get me started on The Avenger stuff, which was such an insult to the original characters that I wish DC had just renamed it.
They shouldn’t have solicited the kickoff mini until it was completed. They should have hired people who not only understood the characters but who genuinely loved them — you can update the characters and still maintain their core… but you have to *want* to do that. And why include Batman in this universe if his only appearances would be in a one-shot special and the mini? They should have had a Bat-Man series set in this universe that the other books could have orbited around — the Bat guy sells, you know.
Mishandled and poor creative decisions. I’m surprised it lasted as long as it did.
*********
From Tommy Hancock, another of the Spectacled Seven
Mine will be short. It will be short because I didn’t read anything but the first issue of the FIRST WAVE mini series and the first three issues of DOC SAVAGE. Well, I say the first three issues, I actually only read the full first issue because I couldn’t stomach anymore of what they jokingly referred to as THE AVENGER.
I am not a purist. I am also not a ‘we have to make changes to everything’ sort either. I like what I like and I like companies and writers to produce things I like. It helps when they are producing stuff I like based on other stuff I already like. What didn’t work in this regard is DC not only didn’t produce stuff that I liked based on characters I adore, but they ignored me. I didn’t want DC to ask me my opinion, well, maybe I wanted them to, but didn’t expect it. But I, being a pretty big pulp fan, was simply left out of the equation when DC got their hands on these great characters. My opinion, my interests, my desire to see these characters live again…didn’t matter at all. The bad part for DC was that these new readers I guess they were trying to appeal to…didn’t have any buy in at all to these concepts and saw them for what they were…poorly handled editorially misdirected imitations at best, toilet paper with pictures on it at worst. And me, my buy in…it went to Moonstone, Doc Savage reprints, and new pulp…
Just sayin’…
***********
From Derrick Ferguson, yet another of the Spectacled Seven
************
From Adam Garcia, Scribe of the Green Lama
FORTIER’S ALL PULP REVIEWS GETS WESTERN AND MYSTICAL!
Johnny Depp and the Marvel Universe
Did you ever wonder who might be Johnny Depp’s favorite super-hero? Probably not, but I’ll bet you can figure it out.
Yep. You guessed it. Johnny Depp’s favorite super-hero is Prince Namor, the Sub-Mariner. Of course, Namor isn’t quite a super-hero, having been bridging the gap between hero and menace for 71 years. Which is why I’m not surprised he’s Depp’s favorite.
Now, let’s not go nuts here. Depp is not suggesting he’s going to play Namor in the Avengers movie or some other place, and he’s not even suggesting wants to play the part. Right now he’s in the middle of at least four movies, including the fourth Pirates of the Caribbean and the new Dark Shadows movie, where he plays Barnabas Collins.
Depp was a real Marvel Comics fan, showing preference for both Spider-Man and the Fantastic Four… although he didn’t care for Captain America, and this was long before we ever heard of Al Qaeda. Depp also liked Sgt. Rock. Depp told Hero Complex “The Sub-Mariner was the alternative one. The alt-superhero. He was the sort of Bohemian comic book. I like that.”
I know I said there was no movie involved, but if Depp were to give Subbie a go, maybe they could get Joaquin Phoenix to play the Human Torch.










