Category: News

ALL PULP NEWSSTAND NIGHTHAWK EDITION 12/30/10

ALL PULP NEWSSTAND
NIGHTHAWK EDITION
12/30/10

THE RETURN OF RAVENWOOD!

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Airship 27 Productions & Cornerstone Book Publishers bring back another classic pulp hero from the 1930s in an all new collection of fast paced, macabre adventures of the supernatural. Meet Ravenwood – Stepson of Mystery!bring back another classic pulp hero from the 1930s in an all new collection of fast paced, macabre adventures of the supernatural. Meet Ravenwood – Stepson of Mystery!

He is an orphan raised by a Tibetan mystic known only as the Nameless One. As an Occult Detective he has no equal and is called upon by the authorities when they are challenged by supernatural mysteries. One of the more obscure pulp characters, Ravenwood – The Stepson of Mystery appeared as a back-up feature in the pages of Secret Agent X magazine. There were only five Ravenwood stories ever written, all by his creator, the prolific pulp veteran, Frederick C. Davis.

Now he returns in this brand new series of weird adventures, beginning with this volume in which he combats Sun Koh, a lost prince of Atlantis, battles with monstrous Yetis in Manhattan and deals with murderous ghosts and zombie assassins. Four of today’s finest pulp storytellers Frank Schildiner, B.C. Bell, Bill Gladman and Bobby Nash offer up a quartet of fast paced, bizarre thrillers that rekindle the excitement and wonder that were the pulps.

With a stunning cover by Bryan Fowler and dramatic interior illustrations by Charles Fetherolf, Ravenwood – Stepson of Mystery was designed by Rob Davis and edited by Ron Fortier. Once again Airship 27 Productions presents pulp fans with another one-of-kind quality pulp reading experience like no other on the market today.

AIRSHIP 27 PRODUCTIONS – Pulp fiction for a new generation!

ISBN: 1-934935-82-4

ISBN 13: 978-1-934935-82-8

Produced by Airship 27

Published by Cornerstone Book Publishers

Release date: 31 Dec. 2010

Retail Price: $24.95

Discounted at our on-line shop. (http://www.gopulp.info/)

FROM Russ Anderson, PULPWORK PRESS

OPEN CALL FOR SUBMISSIONS TO
HOW THE WEST WAS WEIRD 2
I am now taking pitches for stories to be published in How the West Was Weird, Vol. 2 in 2011.
What am I looking for?
I’m looking for stories that qualify as “weird westerns” – basically a western mixed with some other genre. This usually means a western with a horror or sci-fi twist, but feel free to play with the concept. I’ll consider anything that’s both a western and weird. The less obvious, the better. If you need some more coaching on what a weird western is, Wikipedia has a pretty good article on it here: http://en.wikipedia.org/wiki/Weird_western.
Stories should be between 1K and 8K words. I’ll consider stories up to 10K, but it really better be something special if you’re going that long. Shoot for 8K.
Your deadline for the completed story is March 31, 2011. However, some time before that I’m going to need a pitch. This is just a couple of sentences or paragraphs that gives me an idea of what your story is going to be about. This is so I don’t get three stories that have essentially the same plot (zombie cowboys vs. vampire indians, for example), and you don’t spend a couple months writing a story that I then have to pass on. There is no deadline to get me your pitch, but the earlier I get it, the more likely someone isn’t already doing that sort of story.
I have no problem with you using series characters that you’ve used in other stories or books, but there are a couple of rules with that. I want a story that hasn’t been published elsewhere yet, with a gentleman’s agreement that it won’t be republished until at least a year after our book’s publication. Also, the story has to be fully understandable outside the context of your character’s other stories. Even if I’ve never read the book you introduced Robo-Sheriff Z9 in, I shouldn’t have any problem following the story you write about him for HOW THE WEST WAS WEIRD.
What’s in it for you?
Unfortunately, I’m not offering any upfront pay. If the book breaks even, any profit it makes will be split evenly between the contributors on a quarterly basis, minus 10% for the publisher, Pulpwork Press. Please keep in mind that the last sentence contains a very big IF. How the West Was Weird, Vol. 1 has been out for 9 months now, and even though it continues to sell steadily every month, it hasn’t made its money back yet.
This isn’t to discourage you – I truly believe in the long-term lifespan of these books – but I don’t want anybody planning to go buy a car with the proceeds.
So with that pie in the sky stuff out of the way, what do you realistically get?
A nifty little book with your name on it, mostly. Unlike the last volume, I will also be providing a contributor copy for everybody this time around.
What else?
As with the last volume, Jim Rugg has signed on to create another cover for us. I’m really looking forward to seeing what he comes up with, and I’ll share it with the contributors as soon as I’ve got it.
For those of you who weren’t around for this last time, you can check out the first volume of HOW THE WEST WAS WEIRD at Amazon: http://www.amazon.com/How-West-Was-Weird-Tales/dp/1449580572/ref=sr_1_1?ie=UTF8&s=books&qid=1287249761&sr=8-1. You can also read Josh Reynolds’ contribution, Camazotz, for free at the Pulpwork Press site at http://www.pulpworkpress.com/pulpworkpresspresents.htm.
If you’re interested, or you’ve got questions not covered in this email, drop me a line at RussLee74@gmail.com and I’ll try to answer them.

ALL NEW BOOK CAVE-WRAPPING UP THE YEAR WITH RIC AND ART!

END OF THE YEAR WRAP UP ON THE BOOK CAVE

ALL PULP’S OFFICIAL PODCAST!!!!

12/30/10 ON THE BOOK CAVE!! The Book Cave Episode 107:The End of the Year
Check out ALL PULP’S official podcast, THE BOOK CAVE here-
http://thebookcave.libsyn.com/

Ric and Art review and wrap up 2010 with their thoughts, reviews, and comments on a year of THE BOOK CAVE!

Next week..and next year-The Book Cave goes to Mars!!

TIPPIN HANCOCK’S HAT-Tommy Reviews HARDLUCK HANNIGAN: THE SPEAR OF GOLIATH!

TIPPIN’ HANCOCK’S HAT-Pulp Reviews by Tommy Hancock
HARDLUCK HANNIGAN: THE SPEAR OF GOLIATH
Written by Bill Craig
Cover by Laura Givens
Published by Craig Enterprises
304 Pages

When I read pulp, I’m not simply reading as a reviewer. First and foremost, I’m a lifetime fan of the field and thoroughly enjoy pulp. Especially when that pulp centers around a well defined, multilayered, two fisted protagonist that I can get behind and want to stand alongside of.

Hardluck Hannigan is that type of hero.

SPEAR OF GOLIATH is the sixth adventure of Hardluck Hannigan written by Bill Craig. It is also the only novel I have read of the series, so bear that in mind. In this tale, Hannigan, just off of his most recent adventure and having turned away from two women in his life, finds himself in Africa and, after saving Musio, a Chinese woman who also owns a bar, Hannigan and a team of new and old allies end up racing to find the fabled Spear of Goliath, brought to Africa after the giant’s death. I say racing because there are several people pursuing Hannigan and/or the Spear, including Nazis, citizens of a lost city, and monster men from mineral mines! Yup, I said it.

This book is rich and vibrant with character. Hannigan is definitely cast in the pulp adventure mode as is most of the friends and enemies Craig sprinkles around him. He’s also complex, not simply relying on his fists or wild ideas to get through the day. He has worries, concerns, even self doubt and these play so well into his motivations, into what makes him a hero, that they aren’t weaknesses, but strengths of a different sort. Craig pours heart and soul into the lead as well as the cast around him.

Craig also paints the surroundings well. Whether or not its on the beach, in the bar, in a jeep, or in the opulent lost city, the reader feels as if they are there. Craig’s use of phrases and description make it very easy to imagine the ruins of the city being stalked by a lion or tribes of natives attacking Hannigan from one side with Nazis on the other. Craig’s handle on both his characters and his settings is top notch.  The fantastic cover by Laura Givens only adds to the level of beauty that Craig generates in his descriptions.

SPEAR OF GOLIATH starts off extremetly well. The introduction to Hannigan’s new situation, the way that characters are brought in and explained well, but not overdone, and the pacing of the action is all very tight and dead on. Unfortunately, that tightness, the control of plot and action and flow seems to almost disappear later in the book. I noticed this quite significantly when the plot concerning citizens of the lost city came into play. One instance concerned the origins of Goliath’s birth. Not wanting to spoil anything, Craig identified Goliath’s parentage and unless the timeline we understand from Biblical studies has been altered by Craig, his proposed heritage for Goliath doesn’t click. Also, it seems that Craig is trying to juggle too many dangling plotlines toward the end of the book and although issues are resolved, said resolutions are not as satisfying as they could have been if possibly less attention was paid to throwing in several mini plots and more was given to keeping the primary ones introduced early on flowing and tight. I was particularly intrigued by the build up of the Nazis and the mercenary for hire working for them, but was somewhat disappointed in how that particular line was tied up.

Even with that, HARDLUCK HANNIGAN: THE SPEAR OF GOLIATH is a fun read and totally engaged me with its descriptions and its exciting, colorful characters. I will definitely read the other books in the series simply to be able to ride along with Hannigan and crew a few more times.

THREE OUT OF FIVE TIPS OF HANCOCK’S HAT-An enjoyable read, one definitely worth adding to your collection.

ALL PULP NEWSSTAND BULLDOG EDITION 12/30/10

ALL PULP NEWSSTAND
BULLDOG EDITION
12/30/10
CALL FOR SUBMISSIONS FOR UPCOMING PROSE COLLECTION
From Mini-Komix (http://minikomix.blogspot.com/) based in Atlanta, Georgia
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We’re now taking submissions for our upcoming anthology, Golden Age Good Girls. This is a collection of short stories(text, not comics!)about “Good Girl” characters from the Golden Age of comics and pulp magazines. This includes superheroines, jungle girls, femme fatales, sexy sleuths, space vixens, & more. Only characters in the public domain are being accepted. Any writer wishing to contribute to the project needs to email us on which characters are available for them to use. The first edition is being planned for a Spring 2011 release.

ALL PULP NEWSSTAND NIGHTHAWK EDITION!

ALL PULP NEWSSTAND
NIGHTHAWK EDITION
12/28/10

Media Release – For Immediate Release

Canadian Audio Dramatists win international Podcast Award

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Dec 27th 2010 – When the dust settled and more than 4 million unique visitors had cast their votes for their favorite original online productions at www.podcastawards.com, Canadian audio drama production company Decoder Ring Theatre emerged with a win in the Culture/Arts category for their ongoing releases of adventure and mystery programs in the tradition of the Golden Age of Radio.

The Decoder Ring Theatre podcast took to the “air” in October of 2005, and has offered two new, full-length, full-cast audio drama programs each month to listeners worldwide ever since. Presenting the two-fisted pulp exploits of the masked protectors of 1930’s Toronto in The Red Panda Adventures, the hard-boiled private eye casebook of Black Jack Justice and some anthology programming, the shows have attracted a large, international audience, drawn nearly 2 million direct downloads and spawned a series of tie-in adventure novels written in the spirit of the “mystery man” pulp magazines like The Shadow and The Spider.

“Our audience is largely American,” says head writer Gregg Taylor “and it has always delighted me to have this passionate audience following the exploits of a Canadian superhero. The fact that they were driven to push us over the top in the voting for the Podcast Award means a great deal. It means a lot of exposure and that can only help. Besides, it was our third nomination and I was getting sick of having our hat handed to us by the This American Life podcast.”

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It has been a banner year for Decoder Ring Theatre, having also won the juried Parsec Award for Audio Drama in September. The Parsec Awards recognize excellence in Speculative Fiction Podcasting and are awarded annually at DragonCon in Atlanta, GA.

More information about Decoder Ring Theatre may be found at the company’s website, http://www.decoderringtheatre.com/

Media Contact / Information:

Gregg Taylor

info@decoderringtheatre.com

SUPERHERO NOVEL CONTEST ON RIC’S COMICS!!
Ric’s Comics Episode 45: Joe Sergi’s Sky Girl

Bruce Rosenberger, Tommy Hancock and Art Sippo join Ric Croxton of Book Cave fame and talk to Joe Sergi about his novel Sky Girl. Be sure and listen toward the end of the show when Joe offers his books in a contest. It’s simple, just send Ric (rjcroxton1@yahoo.com) your best superheroine name for a chance to win a book.  Joe and Ric will pick the best names and those winners will receive a copy of Joe’s SKYGIRL AND THE SUPER HEROIC LEGACY or another of Joe’s books.  Listen at http://thebookcave.libsyn.com/ric-s-comics-episode-45-joe-sergi-s-sky-girl for some pulpy comic goodness!

MYSTERY MEN (AND WOMEN) ON THE BOOK CAVE

ALL PULP’S OFFICIAL PODCAST!!!!

12/23/10 ON THE BOOK CAVE!! The Book Cave Episode 106: Mystery Men (and Women) Check out ALL PULP’S official podcast, THE BOOK CAVE here-
http://thebookcave.libsyn.com/

Ron Fortier and David Boop join Art and Ric to discuss their book, Mystery Men (and Women).
And Tune in this week for Ric’s and Art’s Year End Round Up on THE BOOK CAVE!

Reviews from the 86th Floor: Book Reviews by Barry Reese

weekinhell1-4425525A Week in Hell
Written by J. Walt Layne
ISBN 145647958X
113 pages

This was my introduction to the work of J. Walt Layne and it was an interesting experience. A Week in Hell is billed as the first book in the Champion City series and it stars a young cop named Dicke who quickly gets in over his head when he’s called out to the White Walls Tavern to investigate a bar brawl. He ends up getting involved with the saucy barmaid on duty and becomes the target for killers along the way. This is written in the hardboiled style, though the language is very contemporary and extremely adult.

The plot itself is fairly predictable fare but I’m okay with that — as a pulp fan, I understand the desire and need to incorporate certain tropes into the work. For me, it’s more about the presentation than the novelty. So how does this book fare in terms of presentation? Honestly, it’s a mixed bag. There are passages here that are absolutely wonderful, capturing the dirty, sweaty nature of the characters perfectly… but then there are phrases that fall past “hardboiled” and straight into “vulgar.”

Now, folks who know me are aware that I don’t mind extreme violence, profanity or sexual description (hell, I used all to the extremes in my slasher horror novel)… but there’s a way to do it that doesn’t descend into self-parody and there are times here when I feel the author goes a bit too far. For instance, this is how the female lead of the story is introduced to us:

“What’ll ya have,” she purred in a seductive voice that screamed p*$$y.

Note that I tried to avoid offending any sensibilities of the All Pulp crowd in the above sentence. I get what he was going for — he wanted us to know that she was seductive and maybe a little bit loose in her morals. But I think it could have been phrased in a way that would have been both “hardboiled” and not as crass. I read that sentence to my wife and she nearly went ballistic over it.

There are other examples that I could have used but that one was useful because it occurs on the second page of the story. It’s moments like that which stopped me cold as a reader and took me out of the narrative. Even though I’m a writer myself, I shouldn’t be constantly going over in my head different ways the author could have phrased things.

Despite that recurring problem with the book, I did find myself curious about what was happening and whether or not the two main characters would end up together. I won’t spoil the ending but it fits well with the hardboiled genre, though it wasn’t the ending I was hoping for.

Overall, I think that this author has tremendous talent and I am curious to see what comes next in the series. There is certainly room for growth, however, and I’m hopeful that Mr. Layne will take steps to improve on his weaknesses. From the news release I’ve seen, he has a previous novel to his credit (Frank Testimony) and I’m going to seek it out before passing final judgment on his ability.

3.0 stars out of 5.0

Holiday Video Game Buying Guide Part Two: The Apocalypse

Nothing says “Happy Holidays” like wandering through the deteriorated wasteland that used to be a familiar setting.  Decaying and destroyed memories of the past in a post-apocalyptic future.  It’s a cozying thought, really…well, if done in a video game and not actually having to live through it yourself, that is.  And the games we feature this time around are as good as they get for post-apocalyptic wasteland survival.  They may not be very ‘festive” but they sure are fun, and actually are front runner sfor some of the best games of the year (in my opinion, anyway).

Want to see what you should have asked for in your stocking?  Hit the jump to read on about these “after the end of the world” scenarios. (more…)

NINE FOR THE NEW-Interview with Ken Janssens!!

NINE FOR THE NEW (New Creator Spotlight)
KEN JANSSENS.-Writer/Creator
AP: Ken, welcome to ALL PULP! First, can you tell us about yourself, some personal background?
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KJ: Well, I’ve been writing for almost two decades in some capacity or another. Though I had a little success, I didn’t really start to break out until the last year or so. I’ve lived my whole life in Winnipeg, Manitoba, Canada and think it’s one of the best places on the planet… when it’s not February and in the middle of a minus thirty-five degree cold snap. But, hey, I’m a Canadian. We’re a hardy stock.
AP: As a writer, what influences have affected your style and interests the most over the years? Do you have a particular genre/type of story you prefer to write?
KJ: My influences come mostly from my childhood. For some reason, I became attached to the “noir” type fare that I came across and have been infatuated with that stuff since. In those days, it was the original Scooby Doo mysteries cartoon and the Three Investigators novels as well as Sherlock Holmes and Jack the Ripper. I love 1880s London and it has the biggest pull for me of any time period. So, from all that, one can gather that I love mysteries and down-to-earth horror stories (or at least stories of a cryptozoological bent).
AP: What about genres that make you uncomfortable? What areas within pulp are a little bit intimidating for you as an author?
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PECULIAR ADVENTURES,
Home of ‘THE CEREBUS CLAN’
KJ: I don’t know if any make me uncomfortable but I will say that I’m not much for space adventure stories. There are, of course, exceptions. I’m a fan of the original Star Wars trilogy and the first two Alien movies, but other than that, they aren’t really my thing. Now that I’ve said that, though, I am planning to write a moon-based story for Pro Se Presents. But like any story of a supernatural or sci-fi nature, I will bring it down to earth (no pun intended, honest). To tease it I’ll say it has to do with a road construction worker on the terra-formed moon who happens across a terrorist plot. I like when fantastic topics are provided as the spice of a story, not the stew.
AP: Are you a pulp fan? If so, how has that affected you as a writer of pulps. If you aren’t a longtime fan, then why pulp?
KJ: I am a pulp fan by proxy. I have been a fan of detective comic books my entire life, which would be nowhere without the pulps of the 1920s and 30s. I am tangentially aware of most of the popular pulp characters through my love of the history of all media and am a Philip Marlowe fan. If I was born a half-century earlier, I’m sure I would have been totally into the pulps since they are the embodiment of the “noir” and detective facets that I love.
AP: What do you think you bring to pulp fiction as a writer?
KJ: That’s a tough one. Besides my love of “noir” that I’ve referenced earlier, it would just be my sensibilities as a writer. The human element always comes first with me. I think that helps make my pulp stories relatable and hopefully somewhat absorbing reads.
AP: You’re a staff writer at Pro Se Productions and you may be the king of serial characters there. Tell us about Sherringford Bell.
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FANTASY AND FEAR
Home of ‘SHERRINGFORD BELL’
KJ: The Sherringford Bell stories are sort of my modern day take on Sherlock Holmes if he tracked down the demonically-possessed. Sherringford is an ex-FBI forensic psychologist who resides on the miserable and condescending side of life. Along with Nigerian priest Paul Anyogu, who acts as the Watson narrator type for the stories as well as the exorcist on their adventures, Sherringford uses his superior intellect and insight into the human mind in Washington D.C. to do what others can’t. The series often delves into government programs and the lives of political figures as its local dictates.
AP: Now, onto another series at Pro Se. Moving from the supernatural to the adventure serial. Who are the Cerberus Clan?
KJ: The Cerberus Clan is about a family in the 1930s who lose the patriarch of the family and decide to venture to the African Serengeti to learn about his roots. Once there, through some traumatic events, Kate and her two sons become the guardians of a long cave called the Gateway. Though they don’t know to where the cave leads, they do know one thing: their new job is to not let anyone in and not to let anything out. The “anything” of the previous statement seems to be what might be considered monsters. What I really like about the Cerberus Clan is each story appears to give the reader a vague answer to what is at the other end of the cave’s tunnel. The first tale hints that it is Hell but the second one gives a decidely different viewpoint. I know what the real story is behind the Gateway but, of course, that won’t be revealed for a few more stories. Yeah, I’m such an a$$.
AP: And lastly, but definitely not least, let’s talk about the character that was the first story most saw from you at Pro Se.  Tell us about the wonderfully crafted Aloha McCoy.



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MASKED GUN MYSTERY
Home of ‘ALOHA MCCOY’



KJ: Aloha McCoy is the closest character that I have to the old hardboiled crime detectives like Philip Marlowe and Sam Spade. She doesn’t like many people and never backs down from a confrontation, no matter how outmatched she is. Aloha is a Hawaiian/Irish ex-gymnast who now runs a youth recreation center. Because of financial difficulties and a twist of fate, she has started to take on private detective cases, even though she is not that good at the whole thing. It is more her perseverance and moxy that get her through the adventure. Aloha, along with her brother Kam—a sumo wrestler-sized party entertainer, lives in “The City” just outside “The Core”. The Core is an Irish-dominated neighborhood that they grew up in and is the most dangerous part of the city. Every case brings them back to this neighborhood to Kam’s dismay and Aloha’s gradual intrigue.
AP: ALL PULP assumes your series at Pro Se will continue, but are there any other projects you want to discuss?
KJ:  Also at Pro Se, my comic book mini-series (which I believe will be serialized in the pages of Pro Se Presents) titled “Caleb Elsewhere” will be out in the future. It is about a disgraced cop who is begrudgingly brought back to assist his son in recapturing a serial killer he had put away over twenty years ago. The obstacles that line up against him are his ex-partner, who hates him and is now the police chief, and his son’s belief in Caleb’s “abilities”.
Anyone that wants to read another of my pulp stories can find it in the anthology book “Pulp Empire, Volume 2” It’s a one-off about a petty criminal that has to make a choice while he is caught in a life-threatening scenario.
A few of my other ventures include a couple comic book proposals to companies as well as two television proposals, one to American television and one to Canadian television. Keep your fingers crossed for me, folks.
AP: Ken, thanks for stepping away from the computer for a few minutes to visit with ALL PULP!
KJ: Always a pleasure. Keep up the good work, All Pulp. We need a site like yours to spread the word about the great pulp fiction out there.

Happy 88th birthday, Stan Lee!

stan-lee-7613593Happy birthday to Stan the Man! (If you don’t know who he is, I can’t imagine why you’re even reading this website.)

Excelsior from all of us true believers! May you keep making cameos in Marvel films for decades to come…

…in fact, we have a few of them here.

ALL PULP NEWSSTAND-BULLDOG EDITION 12/28/10

ALL PULP NEWSSTAND
12/28/10
BULLDOG EDITION
Subterranean Press: Up the Bright River By Philip Jose Farmer
Completed at the printer!
Just waiting on enough clear space in the warehouse for delivery.

Subterranean Press is proud to present a new, roughly 120,000 word gathering of Philip Jose Farmer’s singular tales! This first posthumous collection of the short fiction of Philip Jose Farmer is a celebration of the impressive variety of his prodigious output, from the space adventures he published in the science fiction magazines of the 1950s through the 1970s, to his acerbic satires of religion and medicine, to his fictional biographies and memoirs, to his beloved Riverworld.

Appearing for the first time in a Philip Jose Farmer collection are his last three “Riverworld” stories—featuring characters from his own family history–as well as the “memoir” of Lord Greystoke which he claimed to have merely edited. Other highlights include “Attitudes,” the first of the Father Carmody stories; “The Two-Edged Gift,” which introduces the fictional science fiction writer Leo Queequeg Tincrowdor; “Toward the Beloved City” (about which its original editor said he had never before really understood the Book of Revelations); and “Father’s in the Basement,” a little-known Gothic horror tale which is also a satire of the writing profession.

Farmer created some of the most famous worlds in science fiction, but he also wrote in many worlds, and readers familiar only with his best-known classics may find a few surprises among these tales.
Edited by Gary K. Wolfe
Trade: 1500 fully cloth bound hardcover copies
– $40
ISBN: 978-1-59606-329-7
Length: 336 pages