Category: News

HANCOCK TIPS HIS HAT WOLD NEWTON STYLE!!

TIPPIN’ HANCOCK’S HAT-Reviews by Tommy Hancock
CROSSOVERS: A SECRET CHRONOLOGY OF THE WORLD VOLS. 1 & 2Writer-Win Scott Eckert
Covers by Mark Maddox

I need to explain some things.

First, this is a review of one title, CROSSOVERS, that is made up of two volumes.  The review will address the entire body of work.

Secondly, I am an information junkie.  A fact finder.  A minutiae monster.   And, probably most of all, a crossover collector and connection maker.  This fact is important to explain why I have the opinion of these books I do as well as just who these books are written for, in my opinion.

Win Scott Eckert, accomplished writer as well as pulp and fiction scholar, tackled what would to most anyone else not just be a daunting difficulty, but an impossible mission.  Essentially Eckert’s premise for CROSSOVERS relates to the Wold Newton Family/Universe concept.  Wold Newton refers to an idea that all sorts of fictional characters from every medium from movies, television, pulp magazines, comic books, radio, etc.  are intertwined, many of them being descendants of people who were present at a meteor strike in England near the village of Wold Newton.  This idea, originally posited by noted writer and icon Philip Jose Farmer, has been adapted, adopted, researched, and written both about academically and used in stories as well by a host of writers over the years, Eckert leading among them.

What are these two volumes about?  The history of an universe where Holmes and Tarzan meet and are related, where aliens landed millions of years hence, where H. G. Wells’ Time Traveler left his mark on more than the future, and where pulp heroes (as well as all other sorts of good and bad guys and gals) hung out, fought together, and had connections beyond just being fictional characters. 

Done chronologically, CROSSOVERS tells a grand epic.  Actually, it encompasses multiple epics, hundreds and hundreds of story arcs, and thousands of scenes between characters that never met in their original incarnations possibly, but should have been tied together from the very beginning, and in some instances, were linked, even if it were accidental.  Starting six million years before Christ and going into the far flung future, Eckert lays out a geneaology, not simply of families present at Wold Newton, but a geneaology of an entire universe, where it started, where it went, and of multiple possible ways it would end. 

The amount of information Eckert squeezes into these pages is outstanding.  Not only are there hundreds of characters, both well known and barely remembered, mentioned, but Eckert goes to great detail in his notations to make sure the reader is aware of the source of each character, from whence they sprang, as well as the ways each character’s history has been augmented, changed, or revised.   This appeals so much to the information junkie in me because I now have not only tons of characters that I can work with, draw inspiration from, and include in my ideas and such, but I also have a guidebook to use to track down reams and reams of stories that I never knew existed, much less read.  

These books are meant for people who enjoy literature as well as the debate of literature, that being did Holmes live well past his creator and could The Shadow and The Spider have really been brothers and just who is Judex, and on and on ad infinitum.   Writers and artists seeking ideas and inspiration must have CROSSOVERS.  Fans of pulp and probably any other literary genre should seriously consider picking up this book.  If you’re trying to introduce a reader, though, to a new genre, like turning someone on to pulp, this isnt the collection for them.  It requires a taste for the characters and doesn’t provide much introduction material for a ‘non fan’.  Also, the entries are sometimes long and cumbersome to read, which requires the reader to want to have the information, to work their way through it.  This is not Eckert’s fault, but moreso simply a weakness of any such work that dares to not only encompass so much information, but also make sure the reader has that information. 

The cover art by Mark Maddox sets off these books wonderfully.  When you pick one up, you not only know what you are getting, but the joy and wonder of seeing your first Holmes or Flash Gordon cover happens all over again.  Maddox truly captures on the outside what Eckert performs on the inside.

CROSSOVERS will always be near to hand for me as a writer and open and ready to help me as a reader find what wonders I have missed.   This is not only a great effort by Eckert, but a true accomplishment.

Four out of Five Tips of Hancock’s Hat (usually reserved for heads of state, arresting officers, and little old ladies, which is pretty darn good.)

io9-logo-1569081

IO9, Gizmodo, Kotaku, Gawker User IDs and Passwords Compromised– Change Yours NOW!

io9-logo-9316913See that patch on the head? Somebody opened it and scooped out a lot of information, including information about you.

There was an extremely large disclosure of usernames, e-mail addresses,
and lightly-encrypted passwords from Gawker
over the weekend, part of an ongoing war between Gawker and 4chan.

If you ever created an
account at Gawker, Gizmodo, Jalopnik, Jezebel, Kotaku, Lifehacker, Deadspin,
io9, or Fleshbot– say, to comment on a story– your information was probably released (over half a million
unique e-mail addresses and hashed passwords were released, including one of mine). There are active
exploits of this information in the wild, including a lot of spam on Twitter coming from compromised accounts. Protect
yourself by changing your password everywhere except the compromised sites.

You can find out if one of your IDs was compromised by going to GawkerCheck.com and following the instructions. Do it right now, before you find yourself hawking Acai Berry juice to all your friends, family, and followers.

WOLD NEWTON MUSIC!!!!!

Many writers and creators have been inspired by Wold Newton in many ways.  John Allen Small has carried that inspiration one step further, composing a piece of Wold Newton inspired music!!  Follow or paste the link below to hear Small’s  “Carriage Ride at Wold Newton”!

http://www.badongo.com/file/24810668

John Allen Small – Biographical Information
I was born in 1963 in Oklahoma City, Oklahoma and grew up in the Bradley-Kankakee-Bourbonnais area of Illinois (about an hour south of Chicago); Bradley was my dad’s home town and we moved there after he was discharged from the Air Force when I was a baby. I graduated from Bradley-Bourbonnais Community High School in 1981, over the next few years I worked a number of odd jobs and lived for brief periods of time in Texas and Athens, Greece, before coming home in the summer of 1985. I married my high school sweetheart Melissa in April of 1986, then finally started going to college full time the following year to obtain my journalism degree. I graduated from Olivet Nazarene University in May of 1991; our first son Joshua was born in June of that year, and in July we moved to Tishomingo where I took the job as reporter and columnist at the Johnston County Capital-Democrat, where I still work today as News Editor and still write a weekly column. Our younger son William was born here in 1996.
Thanks to my parents – both avid readers themselves – I learned to read at an earlier age than most of the kids I went to school with. Dad introduced me to his Edgar Rice Burroughs collection when I was in the third grade, and by the time I finished the fourth grade I’d read his entire collection. I was introduced to the character of Doc Savage shortly before my 12th birthday, and that led directly into my discovery of Phil Farmer when I found a copy of “Doc Savage: His Apocalyptic Life” shortly after my 12th birthday. Over the years I picked up all of Phil’s books I could get my hands on, and because of my love of the ERB and Doc books was especially enamored of the Wold Newton concepts. I think it was back in the late 1990s when I first became aware of Win Eckert’s WNU website and struck up a friendship with Win, which in turn led to my being invited to join his New Wold Newton Meteorics Society and having one of my essays included in Win’s book “Myths For The Modern Age.” My participation in that project enabled me to take part in a discussion of the book at the 2006 San Diego Comic-Con, and to take part in the FarmerCon events in 2007, 2008 and 2010.
I also sneaked in a few WNU references in my own collection of Western short stories, “Days Gone By: Legends And Tales Of Sipokni West,” which was first published in 2007 and can still be ordered through Amazon.com. I’ve also had several WNU and ERB-related essays and articles published at such websites as ERB-Zine, and contributed an essay about Doc Savage that was published in the 2008 San Diego Comic-Con program. I’ve also written and published articles and essays focusing on other aspects of pop culture, ranging from comic books and movies to music, and at some point plan to work on a book with the working title “An Opinionated Fan’s Guide To Science Fiction Cinema.”

INTERVIEW WITH PJF EDITOR/PROMOTER/WEBSITE GURU MIKE CROTEAU!

AP: Mike, thanks for sitting down with ALL PULP today and especially for taking part in Wold Newton Days! Before we get started, how about telling us about yourself?

Mike Croteau (left) at the Wold Newton Memorial

MC: Let’s see if I can sketch a quick picture. I was raised by a single mom  who loved to read, and luckily for me she loved science fiction. Sadly I  didn’t take advantage of this as much as I could have. I mostly read her Doonesbury books unless I had to do a book report. I read a few Farmer’s in high school but it wasn’t until college, in the late 1980s, that I really got into him. After I moved out, she got a smaller place and didn’t have  room for all her books, so I ended up with all of her science fiction;  hundreds of paperbacks and book club editions, but more Farmer than any  other author.

I never collected anything as a kid, so it’s my wife’s fault I became a book collector. She had just finished reading a Marion Zimmer Bradley Darkover novel, and said she wouldn’t mind having the whole series. I went on AOL (this was the early 1990s) found a list of the titles in the series, and then started hitting all the local bookstores trying to complete the collection in time for her birthday. By the time if was over, going to the bookstores had become such a habit that I didn’t want to stop. So I shifted my focus to Farmer and hunted for any books of his I didn’t have. Things just sort of snowballed from there.

AP: What about the work of Philip Jose Farmer appeals to you so much that you invest your life into it? What did he bring to literature and to the world that made him and his work stand out?

MC: The first thing that struck me about Phil was his imagination. Again, I wasn’t all that well read back then, but he was first author to really blow me away. When reading most books I would either think: “that’s been done before,” or “why didn’t I think of that?” With Farmer, my response was often, “I would have never thought of that in a million years.” The second thing that struck me was that he seemed to know about so many different things, especially in literature; how he would take all these different things and mix them into his stories.

But what really got me so invested in him, was meeting him in person. I went to one book signing of his, in Louisville in 1995. Then I started doing a website about him, mostly because there wasn’t one out there. At the time I really didn’t know that much about him, there were even novels he had written I had never heard of, not to mention all the short stories, articles, interviews, etc. I didn’t learn about those until I bought the
bibliography by Phil Stephensen-Payne and Gordon Benson Jr. Armed with that information the website grew quickly, although for years many entries just listed a title of a story or article because I didn’t know anything else about it. It took years to track it all down.

Then I decided to interview him for this fledgling website. Another fan, Craig Kimber, and I drove to Peoria and interviewed him in his home. I never looked back from that moment. He was very friendly and gracious and only became more so on subsequent visits to Peoria. In fact the following year he and his wife Bette invited me to stay at their house. In 2001 Phil won the Nebula Grand Master Award and the Peoria Public Library had a celebration in honor of it. Bette especially, enjoyed it so much she wanted to come up with a reason to do it again the following year. We used the 50th Anniversary of “The Lovers” as an excuse to have another event, and that eventually led us to hosting FarmerCons in Peoria every summer.

AP: You are a key player in the furtherance of the works of Philip Jose Farmer, including all the work related to Wold Newton. Can you share what your various roles are in these efforts?

MC: Apparently my fannish enthusiasm struck something with Phil and he was willing to let me go through his files looking at material he had never published! As much as I loved to read these stories, I knew other fans would too, so we started selling photocopies of these unpublished stories for pretty steep prices. When I found another batch of stories, I suggested publishing them in a fanzine all about Phil. He and I both enjoyed this outlet much more than selling photocopies and even though we didn’t print more than a few hundred copies of each issue, I still feel that Farmerphile was a huge success, I’m very proud of it. Farmerphile ran out of steam in 2009, but shortly after, due to both Phil and Bette passing away, I became the temporary custodian of Phil’s “Magic Filing Cabinet.” So called because every time we go through the files, we find something we somehow missed the last dozen times we went through them. This naturally led to the anthology The Worlds of Philip Jose Farmer 1: Protean Dimension, the first in a hopefully annual series. Each volume will contain material written by Phil that has never been published before as well as speeches,
interviews and other material that may or may not have been published. We’re also looking to reprint articles about Phil to help preserve his history. Finally we’re also looking for new stories based on his characters and worlds by writers that he has influenced. I wish I could mention some names that are lined up for volume 2, but it’s a little early for that.

Outside of my own Farmerian projects, in running Phil’s website I do act as somewhat of a gateway to his agent. I’ve also had dealings in one capacity or another with most of the small presses that have published Phil in the last decade. A few novels Phil started years ago have been completed recently by other writers, I like to think I’ve helped each of them a little bit. Hopefully I’m seen as someone who is knowledgeable about Phil and willing to help with any projects his work might be involved in.

AP: Let’s talk about Wold Newton a bit. How would you describe the Wold Newton concept and why is it important that people be aware of this grand idea that Farmer developed and you and others are working to popularize and continue?

MC: Of course I think Phil’s idea of taking an historical event and creating a vast “family” surrounding it was brilliant. And it is exciting to see it’s lasting impact as more and more writers play with the concept each year. But I haven’t been as involved in Wold Newton specifically, as many others have.

The two main reasons for this are that I don’t seem to have the attention to detail and memory that Win, Dennis, Art, John, Frank, and so many others have. Also, I am no where near the writer they are. I struggled with subjects like spelling, English and grammar in high school and I squandered my late teens and early twenties getting an engineering degree. So writing doesn’t come easy to me. I have been chided by many that this is no excuse, that I could write Wold Newtonian articles and stories if I put my mind to it. But I prefer to stay in the background, let others do the writing, while I perhaps do the publishing and promoting.

AP: You are the guru behind the PJF website and newsletter. What is yourgoal with these projects?

MC: For years the website was a mirror of my collection. For example, if I purchased a British paperback edition of Two Hawks from Earth, a scan of it went on the website and it’s addition was “news.” Finally acquiring a rare fanzine with an essay by Phil was always fun, and finding one that I had not known even existed, was Big News. Of course the site also talked about any real news, such as books being reprinted, Phil doing a book signing, the pilot for the Riverworld series finally being aired, etc., but adding to my
collection, or at least my knowledge, was the main function of the site. These days the news is mostly promoting new Farmer books, or even just books that I think Farmer fans might be interested in.

AP: What is coming in the future from you and your various endeavors concerning PJF and Wold Newton? Any publications, stories, projects you want to plug and discuss?

MC: As I’ve mentioned briefly already, we’re working on Worlds of Philip Jose Farmer 2. We have some great new stories by some excellent writers, an unpublished short story by Phil, a speech or two, possibly an interview, and more material by him. I think we have more non-fiction than in volume 1, with several really interesting articles by widely varied contributors. That is the big project right now. I’m also selling off many of the books from Phil’s estate. This is a bittersweet job for me, I wish I could buy them all for myself. Now that they are on sale for as much as 50% off, I’m tempted to try…

AP: If you had to pick out one reason..just one sentence as to why writers and artists of pulp today need to be aware of and maybe involved in Wold Newton, what would that be?

MC: Philip Jose Farmer was the smartest person in the room, everything he wrote had many levels to it; Tarzan Alive, and the Wold Newton Family are an intriguing example of this.

AP: Thanks for your time, Mike!

MC: Thank you for the Wold Newton Days, it’s been a blast!

AP: Mike, thanks for sitting down with ALL PULP today and especially for
taking part in Wold Newton Days! Before we get started, how about telling
us about yourself?

MC: Let’s see if I can sketch a quick picture. I was raised by a single mom
who loved to read, and luckily for me she loved science fiction. Sadly I
didn’t take advantage of this as much as I could have. I mostly read her
Doonesbury books unless I had to do a book report. I read a few Farmer’s in
high school but it wasn’t until college, in the late 1980s, that I really
got into him. After I moved out, she got a smaller place and didn’t have
room for all her books, so I ended up with all of her science fiction;
hundreds of paperbacks and book club editions, but more Farmer than any
other author.
I never collected anything as a kid, so it’s my wife’s fault I became a
book collector. She had just finished reading a Marion Zimmer Bradley
Darkover novel, and said she wouldn’t mind having the whole series. I went
on AOL (this was the early 1990s) found a list of the titles in the series,
and then started hitting all the local bookstores trying to complete the
collection in time for her birthday. By the time if was over, going to the
bookstores had become such a habit that I didn’t want to stop. So I shifted
my focus to Farmer and hunted for any books of his I didn’t have. Things
just sort of snowballed from there.

AP: What about the work of Philip Jose Farmer appeals to you so much that
you invest your life into it? What did he bring to literature and to the
world that made him and his work stand out?

MC: The first thing that struck me about Phil was his imagination. Again, I
wasn’t all that well read back then, but he was first author to really blow
me away. When reading most books I would either think: “that’s been done
before,” or “why didn’t I think of that?” With Farmer, my response was
often, “I would have never thought of that in a million years.” The second
thing that struck me was that he seemed to know about so many different
things, especially in literature; how he would take all these different
things and mix them into his stories.
But what really got me so invested in him, was meeting him in person. I
went to one book signing of his, in Louisville in 1995. Then I started doing
a website about him, mostly because there wasn’t one out there. At the time
I really didn’t know that much about him, there were even novels he had
written I had never heard of, not to mention all the short stories,
articles, interviews, etc. I didn’t learn about those until I bought the
bibliography by Phil Stephensen-Payne and Gordon Benson Jr. Armed with that
information the website grew quickly, although for years many entries just
listed a title of a story or article because I didn’t know anything else
about it. It took years to track it all down.
Then I decided to interview him for this fledgling website. Another fan,
Craig Kimber, and I drove to Peoria and interviewed him in his home. I never
looked back from that moment. He was very friendly and gracious and only
became more so on subsequent visits to Peoria. In fact the following year he
and his wife Bette invited me to stay at their house. In 2001 Phil won the
Nebula Grand Master Award and the Peoria Public Library had a celebration in
honor of it. Bette especially, enjoyed it so much she wanted to come up with
a reason to do it again the following year. We used the 50th Anniversary of
“The Lovers” as an excuse to have another event, and that eventually led us
to hosting FarmerCons in Peoria every summer.

AP: You are a key player in the furtherance of the works of Philip Jose
Farmer, including all the work related to Wold Newton. Can you share what
your various roles are in these efforts?

MC: Apparently my fannish enthusiasm struck something with Phil and he was
willing to let me go through his files looking at material he had never
published! As much as I loved to read these stories, I knew other fans would
too, so we started selling photocopies of these unpublished stories for
pretty steep prices. When I found another batch of stories, I suggested
publishing them in a fanzine all about Phil. He and I both enjoyed this
outlet much more than selling photocopies and even though we didn’t print
more than a few hundred copies of each issue, I still feel that Farmerphile
was a huge success, I’m very proud of it. Farmerphile ran out of steam in
2009, but shortly after, due to both Phil and Bette passing away, I became
the temporary custodian of Phil’s “Magic Filing Cabinet.” So called because
every time we go through the files, we find something we somehow missed the
last dozen times we went through them. This naturally led to the anthology
The Worlds of Philip Jose Farmer 1: Protean Dimension, the first in a
hopefully annual series. Each volume will contain material written by Phil
that has never been published before as well as speeches, interviews and
other material that may or may not have been published. We’re also looking
to reprint articles about Phil to help preserve his history. Finally we’re
also looking for new stories based on his characters and worlds by writers
that he has influenced. I wish I could mention some names that are lined up
for volume 2, but it’s a little early for that.
Outside of my own Farmerian projects, in running Phil’s website I do act
as somewhat of a gateway to his agent. I’ve also had dealings in one
capacity or another with most of the small presses that have published Phil
in the last decade. A few novels Phil started years ago have been completed
recently by other writers, I like to think I’ve helped each of them a little
bit. Hopefully I’m seen as someone who is knowledgeable about Phil and
willing to help with any projects his work might be involved in.

AP: Let’s talk about Wold Newton a bit. How would you describe the Wold
Newton concept and why is it important that people be aware of this grand
idea that Farmer developed and you and others are working to popularize and
continue?

MC: Of course I think Phil’s idea of taking an historical event and creating
a vast “family” surrounding it was brilliant. And it is exciting to see it’s
lasting impact as more and more writers play with the concept each year. But
I haven’t been as involved in Wold Newton specifically, as many others have.
The two main reasons for this are that I don’t seem to have the attention to
detail and memory that Win, Dennis, Art, John, Frank, and so many others
have. Also, I am no where near the writer they are. I struggled with
subjects like spelling, English and grammar in high school and I squandered
my late teens and early twenties getting an engineering degree. So writing
doesn’t come easy to me. I have been chided by many that this is no excuse,
that I could write Wold Newtonian articles and stories if I put my mind to
it. But I prefer to stay in the background, let others do the writing, while
I perhaps do the publishing and promoting.

AP: You are the guru between the PJF website and newsletter. What is your
goal with these projects?

MC: For years the website was a mirror of my collection. For example, if I
purchased a British paperback edition of Two Hawks from Earth, a scan of it
went on the website and it’s addition was “news.” Finally acquiring a rare
fanzine with an essay by Phil was always fun, and finding one that I had not
known even existed, was Big News. Of course the site also talked about any
real news, such as books being reprinted, Phil doing a book signing, the
pilot for the Riverworld series finally being aired, etc., but adding to my
collection, or at least my knowledge, was the main function of the site.
These days the news is mostly promoting new Farmer books, or even just books
that I think Farmer fans might be interested in.

AP: What is coming in the future from you and your various endeavors
concerning PJF and Wold Newton? Any publications, stories, projects you
want to plug and discuss?

MC: As I’ve mentioned briefly already, we’re working on Worlds of Philip
Jose Farmer 2. We have some great new stories by some excellent writers, an
unpublished short story by Phil, a speech or two, possibly an interview, and
more material by him. I think we have more non-fiction than in volume 1,
with several really interesting articles by widely varied contributors. That
is the big project right now. I’m also selling off many of the books from
Phil’s estate. This is a bittersweet job for me, I wish I could buy them all
for myself. Now that they are on sale for as much as 50% off, I’m tempted to
try…

AP: If you had to pick out one reason..just one sentence as to why writers
and artists of pulp today need to be aware of and maybe involved in Wold
Newton, what would that be?

MC: Philip Jose Farmer was the smartest person in the room, everything he
wrote had many levels to it; Tarzan Alive, and the Wold Newton Family are an
intriguing example of this.

AP: Thanks for your time, Mike!

MC: Thank you for the Wold Newton Days, it’s been a blast!

AP:  Mike, thanks for sitting down with ALL PULP today and especially for taking part in Wold Newton Days!  Before we get started, how about telling us about yourself?

MC: Let’s see if I can sketch a quick picture. I was raised by a single mom who loved to read, and luckily for me she loved science fiction. Sadly I didn’t take advantage of this as much as I could have. I mostly read her  Doonesbury books unless I had to do a book report. I read a few Farmer’s in  high school but it wasn’t until college, in the late 1980s, that I really  got into him. After I moved out, she got a smaller place and didn’t have room for all her books, so I ended up with all of her science fiction;
hundreds of paperbacks and book club editions, but more Farmer than any
other author.
    I never collected anything as a kid, so it’s my wife’s fault I became a
book collector. She had just finished reading a Marion Zimmer Bradley
Darkover novel, and said she wouldn’t mind having the whole series. I went
on AOL (this was the early 1990s) found a list of the titles in the series,
and then started hitting all the local bookstores trying to complete the
collection in time for her birthday. By the time if was over, going to the
bookstores had become such a habit that I didn’t want to stop. So I shifted
my focus to Farmer and hunted for any books of his I didn’t have. Things
just sort of snowballed from there.

AP:  What about the work of Philip Jose Farmer appeals to you so much that
you invest your life into it?  What did he bring to literature and to the
world that made him and his work stand out?

MC: The first thing that struck me about Phil was his imagination. Again, I
wasn’t all that well read back then, but he was first author to really blow
me away. When reading most books I would either think: “that’s been done
before,” or “why didn’t I think of that?” With Farmer, my response was
often, “I would have never thought of that in a million years.” The second
thing that struck me was that he seemed to know about so many different
things, especially in literature; how he would take all these different
things and mix them into his stories.
    But what really got me so invested in him, was meeting him in person. I
went to one book signing of his, in Louisville in 1995. Then I started doing
a website about him, mostly because there wasn’t one out there. At the time
I really didn’t know that much about him, there were even novels he had
written I had never heard of, not to mention all the short stories,
articles, interviews, etc. I didn’t learn about those until I bought the
bibliography by Phil Stephensen-Payne and Gordon Benson Jr. Armed with that
information the website grew quickly, although for years many entries just
listed a title of a story or article because I didn’t know anything else
about it. It took years to track it all down.
    Then I decided to interview him for this fledgling website. Another fan,
Craig Kimber, and I drove to Peoria and interviewed him in his home. I never
looked back from that moment. He was very friendly and gracious and only
became more so on subsequent visits to Peoria. In fact the following year he
and his wife Bette invited me to stay at their house. In 2001 Phil won the
Nebula Grand Master Award and the Peoria Public Library had a celebration in
honor of it. Bette especially, enjoyed it so much she wanted to come up with
a reason to do it again the following year. We used the 50th Anniversary of
“The Lovers” as an excuse to have another event, and that eventually led us
to hosting FarmerCons in Peoria every summer.

AP:  You are a key player in the furtherance of the works of Philip Jose
Farmer, including all the work related to Wold Newton.  Can you share what
your various roles are in these efforts?

MC: Apparently my fannish enthusiasm struck something with Phil and he was
willing to let me go through his files looking at material he had never
published! As much as I loved to read these stories, I knew other fans would
too, so we started selling photocopies of these unpublished stories for
pretty steep prices. When I found another batch of stories, I suggested
publishing them in a fanzine all about Phil. He and I both enjoyed this
outlet much more than selling photocopies and even though we didn’t print
more than a few hundred copies of each issue, I still feel that Farmerphile
was a huge success, I’m very proud of it. Farmerphile ran out of steam in
2009, but shortly after, due to both Phil and Bette passing away, I became
the temporary custodian of Phil’s “Magic Filing Cabinet.” So called because
every time we go through the files, we find something we somehow missed the
last dozen times we went through them. This naturally led to the anthology
The Worlds of Philip Jose Farmer 1: Protean Dimension, the first in a
hopefully annual series.  Each volume will contain material written by Phil
that has never been published before as well as speeches, interviews and
other material that may or may not have been published. We’re also looking
to reprint articles about Phil to help preserve his history. Finally we’re
also looking for new stories based on his characters and worlds by writers
that he has influenced. I wish I could mention some names that are lined up
for volume 2, but it’s a little early for that.
    Outside of my own Farmerian projects, in running Phil’s website I do act
as somewhat of a gateway to his agent. I’ve also had dealings in one
capacity or another with most of the small presses that have published Phil
in the last decade. A few novels Phil started years ago have been completed
recently by other writers, I like to think I’ve helped each of them a little
bit. Hopefully I’m seen as someone who is knowledgeable about Phil and
willing to help with any projects his work might be involved in.

AP:  Let’s talk about Wold Newton a bit.  How would you describe the Wold
Newton concept and why is it important that people be aware of this grand
idea that Farmer developed and you and others are working to popularize and
continue?

MC: Of course I think Phil’s idea of taking an historical event and creating
a vast “family” surrounding it was brilliant. And it is exciting to see it’s
lasting impact as more and more writers play with the concept each year. But
I haven’t been as involved in Wold Newton specifically, as many others have.
The two main reasons for this are that I don’t seem to have the attention to
detail and memory that Win, Dennis, Art, John, Frank, and so many others
have. Also, I am no where near the writer they are. I struggled with
subjects like spelling, English and grammar in high school and I squandered
my late teens and early twenties getting an engineering degree. So writing
doesn’t come easy to me. I have been chided by many that this is no excuse,
that I could write Wold Newtonian articles and stories if I put my mind to
it. But I prefer to stay in the background, let others do the writing, while
I perhaps do the publishing and promoting.

AP:  You are the guru between the PJF website and newsletter.  What is your
goal with these projects?

MC:  For years the website was a mirror of my collection. For example, if I
purchased a British paperback edition of Two Hawks from Earth, a scan of it
went on the website and it’s addition was “news.” Finally acquiring a rare
fanzine with an essay by Phil was always fun, and finding one that I had not
known even existed, was Big News. Of course the site also talked about any
real news, such as books being reprinted, Phil doing a book signing, the
pilot for the Riverworld series finally being aired, etc., but adding to my
collection, or at least my knowledge, was the main function of the site.
These days the news is mostly promoting new Farmer books, or even just books
that I think Farmer fans might be interested in.

AP:  What is coming in the future from you and your various endeavors
concerning PJF and Wold Newton?  Any publications, stories, projects you
want to plug and discuss?

MC: As I’ve mentioned briefly already, we’re working on Worlds of Philip
Jose Farmer 2. We have some great new stories by some excellent writers, an
unpublished short story by Phil, a speech or two, possibly an interview, and
more material by him. I think we have more non-fiction than in volume 1,
with several really interesting articles by widely varied contributors. That
is the big project right now. I’m also selling off many of the books from
Phil’s estate. This is a bittersweet job for me, I wish I could buy them all
for myself. Now that they are on sale for as much as 50% off, I’m tempted to
try…

AP:  If you had to pick out one reason..just one sentence as to why writers
and artists of pulp today need to be aware of and maybe involved in Wold
Newton, what would that be?

MC: Philip Jose Farmer was the smartest person in the room, everything he
wrote had many levels to it; Tarzan Alive, and the Wold Newton Family are an
intriguing example of this.

AP:  Thanks for your time, Mike!

MC: Thank you for the Wold Newton Days, it’s been a blast!

WIN SCOTT ECKERT CLIMBS THE WOLD NEWTON FAMILY TREE!

Win Scott Eckert © 2008-2010
Farmerphile no. 11
Paul Spiteri and Win Scott Eckert, eds., Michael Croteau, publisher, January 2008

Trunks and Branches: The Wold Newton Family
by Win Scott Eckert

Long time Farmerphile readers will recall the first issue in which I reviewed the origins of Philip José Farmer’s Wold Newton Family, covered the Wold Newton meteor strike in 1795 which exposed nearby coach passengers to ionized radiation, and discussed Phil’s genealogical researches into the amazing descendents of those coach passengers, a group of supermen and superwomen known collectively as the “Wold Newton Family” (“A Nova of Genetic Splendor,” Farmerphile no. 1, July 2005).

win-8823939

Phil also included extraordinary characters who pre-date the meteor strike under the umbrella of the Wold Newton Family, adding them as antecedents of the coach passengers. One such is Robert E. Howard’s Solomon Kane. Another character who Phil included in the extended Family, but is not directly descended from the coach passengers, is H. Rider Haggard’s famous hunter, Allan Quatermain.

Some better-known characters in Phil’s Wold Newton Family, as outlined in Tarzan Alive and Doc Savage: His Apocalyptic Life, include Captain Blood (another pre-meteor strike ancestor); The Scarlet Pimpernel (present at meteor strike); Fitzwilliam Darcy and his wife, Elizabeth Bennet (present at meteor strike); Harry Flashman; Sherlock Holmes and his nemesis Professor Moriarty (aka Captain Nemo); Phileas Fogg; The Time Traveler; A.J. Raffles; Professor Challenger; Arsène Lupin; Richard Hannay; Bulldog Drummond; the evil Fu Manchu and his adversary, Sir Denis Nayland Smith; G-8; The Shadow; Sam Spade; The Spider; Nero Wolfe; Mr. Moto; The Avenger; Philip Marlowe; James Bond; Lew Archer; and Travis McGee.
Adding characters to the Wold Newton Family is an entertaining exercise. It is also a messy and creative process; the criteria are not nearly as clear-cut as when determining whether a crossover story is valid for purposes of Wold Newton Universe continuity.

First and foremost, one must ensure that the addition to the Family is directly descended from at least one carriage passenger Phil identified as being present at the meteor strike. For me, more often than not, this means making a graphic family tree to ensure I’m not missing anything.

Also pay attention to the timelines of the characters, ensuring that it makes chronological sense to hook them together as parents and children. One should look for genetic traits in common, such as many of the Family members’ trademark gray eyes, and yet not fall into the  trap of only including characters with gray eyes, or hanging the entire genealogical connection on gray eyes.

For instance, Chuck Loridans identified one of The Avenger’s aides, Nellie Gray, as a daughter of Tarzan (“The Daughters of Greystoke,” Myths for the Modern Age: Philip José Farmer’s Wold Newton Universe, MonkeyBrain Books, 2005). He was careful to make his identification on a variety of factors: Nellie’s gray eyes; her physical prowess, such as the ability to swing through the jungle from tree to tree; and Phil’s theory that characters’ biographers use code names as subtle clues to character’s real identities. In this case, the last name Gray was a clue connecting Nellie to the Greystokes. While Loridans was careful, a critique of his theory was not, attempting to debunk it because Nellie was described as having blue eyes. In Nellie’s first appearances in the Avenger pulps, she was described as having gray eyes. Only later did they change to blue. Loridans did his homework in expanding the Wold Newton Family.

Another guideline in adding members to the Family is avoiding oversimplification. For instance, William S. Baring-Gould theorized that Nero Wolfe was the son of Sherlock Holmes (Sherlock Holmes of Baker Street and Nero Wolfe of West 35th Street). This theory has been criticized on the basis that Wolfe must, instead, be the son of Sherlock Holmes’ brother, Mycroft, since both Nero Wolfe and Mycroft Holmes are fat. In this oversimplification, fat characters can only be the children of other fat characters. The logical conclusion is that Sherlock and Mycroft Holmes cannot be brothers. But they are—that relationship comes from the original stories by Sir Arthur Conan Doyle. The lesson here is that different phenotypes—tall and lanky,
stocky and fat, etc.—are certainly possible, and should not be the sole basis for disqualifying a candidate from membership in the Family or in a particular line.

Perhaps the grossest oversimplification when adding Family members is placing all characters with the same last name in the same branch of the Family, without regard to any other qualifying characteristics. One can imagine this trap is magnified a thousand-fold with very common last names, such as Smith. I faced this dilemma when expanding on the relatives of Sir Denis Nayland Smith (the hero of Sax Rohmer’s Fu Manchu series), who Phil originally identified as a nephew of Sherlock Holmes.

In “Who’s Going to Take Over the World When I’m Gone?” (Myths), I addressed the conundrum by adding other Smiths from the works by Conan Doyle, thus expanding the thematic connection Phil began. I also chose Smith characters who were detectives or secret agents (like Nayland Smith), or had connections to Egyptology and archaeology, common themes in the Fu Manchu books. Some of Nayland Smith’s more prominent relatives include Dashiell Hammett’s hardboiled detective, the Continental Op; Algernon Heathcote “Smitty” Smith from the Avenger pulps; and Professor Horatio Smith, from the 1941 Leslie Howard film Pimpernel Smith. In my expansion of the Family tree, and as implied by the film’s title, Horatio
Smith is also descended from Sir Percy Blakeney, The Scarlet Pimpernel, whom Phil identified as one of the carriage passengers at the Wold Newton meteor strike.

With some of this background in mind, what follows is an overview of other character additions to the Wold Newton Family, focusing on descendents of those irradiated at the meteor strike, without going into exacting detail on the precise line of descent.

Dennis E. Power can claim the first genealogical post-Farmerian speculation on the internet. He added the famous detective Charlie Chan to the Family as the son of Fu Manchu, who was, according to Phil, the son of the prolific Sir William Clayton. William Clayton was the son of one of those irradiated at Wold Newton. Chan fits in well in the Family by balancing out the yellow peril stereotype perpetuated by his father. The essay incorporating Chan was revised for publication in Myths for the Modern Age as “Asian Detectives in the Wold Newton Family.”

Power also added John Henry as the son of Sir William Clayton and Bafia, a female Waziri slave who accompanied Clayton on his African expedition. Here, Power blended the Wold Newton Family with American folklore and provided a basis for incorporating African-American characters such as Jim from Tom Sawyer. This addition also linked the Caucasian descendents of Long John Silver, as described in Phil’s Greatheart Silver, with those descended from Long John Silver’s wife, whom Robert Louis Stevenson described as an old woman of African descent. Power’s article on this branch of the Family, “The Wold Wold West: Hammer of Freedom—The Henrys,” is at his website, The Wold Newton Universe: A Secret History http://www.pjfarmer.com/secret/secret.htm.

In addition, Power added Rudyard Kipling’s Mowgli as a half-brother to Tarzan, in an essay adroitly reconciling Phil’s novels The Adventure of the Peerless Peer and The Adventure of the Three Madmen (“Jungle Brothers, or, Secrets of the Jungle Lords,” Myths). He also proposed, on his website, that Leslie Charteris’ modern Robin Hood, The Saint (Simon Templar), is the son of E.W. Hornung’s gentleman thief, A.J. Raffles, and thus is part of the Wold Newton Family.

Rick Lai added John Buchan’s Andrew Lumley (The Power-House) and Dominick Medina (The Three Hostages) as members of Professor Moriarty’s family. Lai was also first to propose an additional person at the Wold Newton meteor event, a young medical student named Sebastian Noel. Noel went on to father Dr. James Noel, a master criminal seen in “The Suicide Club” from R.L. Stevenson’s New Arabian Nights. Lai also related Dr. Noel to the Moriartys. All of these additions to the Family are in Lai’s essay “The Secret History of Captain Nemo” (Myths).

In addition to Nellie Gray, Chuck Loridans’ identified another daughter of Tarzan. Nellie’s mother was the love of Tarzan’s life, Jane Porter, but during one of Tarzan’s infamous amnesiac blackouts, he succumbed to the wiles of La of Opar. Their daughter was orphaned, and eventually became the criminal-turned-secret agent Modesty Blaise (“The Daughters of Greystoke,” Myths).

Brad Mengel’s favorite contribution to the Wold Newton Family is Detective Robert Goren from the television series Law and Order: Criminal Intent. Mengel proposes that Goren is the great-grandson of Sherlock Holmes (“Watching the Detectives, or, The Sherlock Holmes Family Tree,” Myths). Mengel has also proposed that Robert B. Parker’s Boston P.I., Spenser, is the nephew of Raymond Chandler’s Philip Marlowe (“The Land Family,” The Wold Newton Chronicles website http://www.pjfarmer.com/chronicles/index.htm).

One of Wold Newton researcher Matthew Baugh’s favorite characters is Myra Reldon, an agent of The Shadow who often poses as a Chinese woman named Ming Dwan. I included her as a granddaughter of Fu Manchu in “Who’s Going to Take Over the World When I’m Gone?” (Myths). In the same essay I postulated that two of James Bond’s adversaries, Dr. No and Ernst Stavro Blofeld, were Wold Newton Family members. Dr. No was the grandson of the aforementioned Dr. James Noel. Dr. No’s maternal grandfather was Fo-Hi, from Sax Rohmer’s The Golden Scorpion. Blofeld was the great-great grandson of Sir William Clayton.

Cheryl Huttner built upon a small clue in Phil’s family tree to add occult detective Jules de Grandin, and while she was at it also managed to include Agatha Christie’s famous Belgian sleuth Hercule Poirot (“Name of a Thousand Blue Demons,” Myths).

Mark Brown, in a short piece in Myths, added a notable female detective to the Family, Sue Grafton’s Kinsey Millhone, as a daughter of Ross MacDonald’s Lew Archer (“D is for Daughter, F is for Father,” Myths). Additionally, Brown’s “A Look at the Wimsey Family” (The Wold Newton Universe website ) adds Mack Bolan to the Family as a son of the pulp hero The Spider (Richard Wentworth) and Nita Van Sloan.

Expansions of the Wold Newton Family are not restricted to non-fiction articles. Chris Roberson’s story “Penumbra” (Tales of the Shadowmen, Volume 1: The Modern Babylon, Black Coat Press, 2005), expertly hinted that The Batman might be The Shadow’s son. Another story in Tales of the Shadowmen, Volume 1, my own “The Vanishing Devil,” added martial arts expert Shang Chi as a grandson of Doc Ardan (Doc Savage), albeit in an unusual way. The original Marvel Comics Shang Chi stories had already established him as Fu Manchu’s son. Jean-Marc Lofficier, noted French SF and comics writer, and editor of the Tales of the
Shadowmen series, also maintains the French Wold Newton Universe website http://www.coolfrenchcomics.com/wnu1.htm,  which adds innumerable French characters to the Wold Newton Family tree. It expands the family trees of gentleman thief Arsène Lupin and detective M. Lecoq (both of whom Phil included in the Family, at least by implication), and adds other popular French characters such as the arch-villain Fantômas and the detective Jules Maigret.
Without a doubt, the greatest challenge facing Wold Newton researchers is determining Philip José Farmer’s exact place in the Wold Newton Family. In fact, Phil, in his Myths back cover quote, extended this proposal: “I’m just waiting for them to prove that I am also part of the extended family.”

I believe we will be taking him up on his friendly invitation soon.

Win Scott Eckert © 2008-2010

Farmerphile no. 11

Paul Spiteri and Win Scott Eckert, eds., Michael Croteau, publisher, January 2008

Trunks and Branches: The Wold Newton Family

by Win Scott Eckert

Long time Farmerphile readers will recall the first issue in which I reviewed the origins

of Philip José Farmer’s Wold Newton Family, covered the Wold Newton meteor strike in 1795

which exposed nearby coach passengers to ionized radiation, and discussed Phil’s genealogical

researches into the amazing descendents of those coach passengers, a group of supermen and

superwomen known collectively as the “Wold Newton Family” (“A Nova of Genetic Splendor,”

Farmerphile no. 1, July 2005).

Phil also included extraordinary characters who pre-date the meteor strike under the

umbrella of the Wold Newton Family, adding them as antecedents of the coach passengers. One

such is Robert E. Howard’s Solomon Kane. Another character who Phil included in the extended

Family, but is not directly descended from the coach passengers, is H. Rider Haggard’s famous

hunter, Allan Quatermain.

Some better-known characters in Phil’s Wold Newton Family, as outlined in Tarzan

Alive and Doc Savage: His Apocalyptic Life, include Captain Blood (another pre-meteor strike

ancestor); The Scarlet Pimpernel (present at meteor strike); Fitzwilliam Darcy and his wife,

Elizabeth Bennet (present at meteor strike); Harry Flashman; Sherlock Holmes and his nemesis

Professor Moriarty (aka Captain Nemo); Phileas Fogg; The Time Traveler; A.J. Raffles;

Professor Challenger; Arsène Lupin; Richard Hannay; Bulldog Drummond; the evil Fu Manchu

and his adversary, Sir Denis Nayland Smith; G-8; The Shadow; Sam Spade; The Spider; Nero

Wolfe; Mr. Moto; The Avenger; Philip Marlowe; James Bond; Lew Archer; and Travis McGee.

Adding characters to the Wold Newton Family is an entertaining exercise. It is also a

messy and creative process; the criteria are not nearly as clear-cut as when determining whether

a crossover story is valid for purposes of Wold Newton Universe continuity.

First and foremost, one must ensure that the addition to the Family is directly descended

from at least one carriage passenger Phil identified as being present at the meteor strike. For me,

more often than not, this means making a graphic family tree to ensure I’m not missing anything.

Also pay attention to the timelines of the characters, ensuring that it makes chronological

sense to hook them together as parents and children. One should look for genetic traits in

common, such as many of the Family members’ trademark gray eyes, and yet not fall into the

trap of only including characters with gray eyes, or hanging the entire genealogical connection

on gray eyes.

For instance, Chuck Loridans identified one of The Avenger’s aides, Nellie Gray, as a

daughter of Tarzan (“The Daughters of Greystoke,” Myths for the Modern Age: Philip José

Farmer’s Wold Newton Universe, MonkeyBrain Books, 2005). He was careful to make his

identification on a variety of factors: Nellie’s gray eyes; her physical prowess, such as the ability

to swing through the jungle from tree to tree; and Phil’s theory that characters’ biographers use

code names as subtle clues to character’s real identities. In this case, the last name Gray was a

clue connecting Nellie to the Greystokes. While Loridans was careful, a critique of his theory

was not, attempting to debunk it because Nellie was described as having blue eyes. In Nellie’s

first appearances in the Avenger pulps, she was described as having gray eyes. Only later did

they change to blue. Loridans did his homework in expanding the Wold Newton Family.

Another guideline in adding members to the Family is avoiding oversimplification. For

instance, William S. Baring-Gould theorized that Nero Wolfe was the son of Sherlock Holmes

(Sherlock Holmes of Baker Street and Nero Wolfe of West 35th Street). This theory has been

criticized on the basis that Wolfe must, instead, be the son of Sherlock Holmes’ brother,

Mycroft, since both Nero Wolfe and Mycroft Holmes are fat. In this oversimplification, fat

characters can only be the children of other fat characters. The logical conclusion is that Sherlock

and Mycroft Holmes cannot be brothers. But they are—that relationship comes from the original

stories by Sir Arthur Conan Doyle. The lesson here is that different phenotypes—tall and lanky,

stocky and fat, etc.—are certainly possible, and should not be the sole basis for disqualifying a

candidate from membership in the Family or in a particular line.

Perhaps the grossest oversimplification when adding Family members is placing all

characters with the same last name in the same branch of the Family, without regard to any other

qualifying characteristics. One can imagine this trap is magnified a thousand-fold with very

common last names, such as Smith. I faced this dilemma when expanding on the relatives of Sir

Denis Nayland Smith (the hero of Sax Rohmer’s Fu Manchu series), who Phil originally

identified as a nephew of Sherlock Holmes.

In “Who’s Going to Take Over the World When I’m Gone?” (Myths), I addressed the

conundrum by adding other Smiths from the works by Conan Doyle, thus expanding the

thematic connection Phil began. I also chose Smith characters who were detectives or secret

agents (like Nayland Smith), or had connections to Egyptology and archaeology, common

themes in the Fu Manchu books. Some of Nayland Smith’s more prominent relatives include

Dashiell Hammett’s hardboiled detective, the Continental Op; Algernon Heathcote “Smitty”

Smith from the Avenger pulps; and Professor Horatio Smith, from the 1941 Leslie Howard film

Pimpernel Smith. In my expansion of the Family tree, and as implied by the film’s title, Horatio

Smith is also descended from Sir Percy Blakeney, The Scarlet Pimpernel, whom Phil identified

as one of the carriage passengers at the Wold Newton meteor strike.

With some of this background in mind, what follows is an overview of other character

additions to the Wold Newton Family, focusing on descendents of those irradiated at the meteor

strike, without going into exacting detail on the precise line of descent.

Dennis E. Power can claim the first genealogical post-Farmerian speculation on the

internet. He added the famous detective Charlie Chan to the Family as the son of Fu Manchu,

who was, according to Phil, the son of the prolific Sir William Clayton. William Clayton was the

son of one of those irradiated at Wold Newton. Chan fits in well in the Family by balancing out

the yellow peril stereotype perpetuated by his father. The essay incorporating Chan was revised

for publication in Myths for the Modern Age as “Asian Detectives in the Wold Newton Family.”

Power also added John Henry as the son of Sir William Clayton and Bafia, a female

Waziri slave who accompanied Clayton on his African expedition. Here, Power blended the

Wold Newton Family with American folklore and provided a basis for incorporating African-

American characters such as Jim from Tom Sawyer. This addition also linked the Caucasian

descendents of Long John Silver, as described in Phil’s Greatheart Silver, with those descended

from Long John Silver’s wife, whom Robert Louis Stevenson described as an old woman of

African descent. Power’s article on this branch of the Family, “The Wold Wold West: Hammer

of Freedom—The Henrys,” is at his website, The Wold Newton Universe: A Secret History < http://www.pjfarmer.com/secret/secret.htm>.

In addition, Power added Rudyard Kipling’s Mowgli as a half-brother to Tarzan, in an

essay adroitly reconciling Phil’s novels The Adventure of the Peerless Peer and The Adventure of

the Three Madmen (“Jungle Brothers, or, Secrets of the Jungle Lords,” Myths). He also

proposed, on his website, that Leslie Charteris’ modern Robin Hood, The Saint (Simon

Templar), is the son of E.W. Hornung’s gentleman thief, A.J. Raffles, and thus is part of the

Wold Newton Family.

Rick Lai added John Buchan’s Andrew Lumley (The Power-House) and Dominick

Medina (The Three Hostages) as members of Professor Moriarty’s family. Lai was also first to

propose an additional person at the Wold Newton meteor event, a young medical student named

Sebastian Noel. Noel went on to father Dr. James Noel, a master criminal seen in “The Suicide

Club” from R.L. Stevenson’s New Arabian Nights. Lai also related Dr. Noel to the Moriartys. All

of these additions to the Family are in Lai’s essay “The Secret History of Captain Nemo”

(Myths).

In addition to Nellie Gray, Chuck Loridans’ identified another daughter of Tarzan.

Nellie’s mother was the love of Tarzan’s life, Jane Porter, but during one of Tarzan’s infamous

amnesiac blackouts, he succumbed to the wiles of La of Opar. Their daughter was orphaned, and

eventually became the criminal-turned-secret agent Modesty Blaise (“The Daughters of

Greystoke,” Myths).

Brad Mengel’s favorite contribution to the Wold Newton Family is Detective Robert

Goren from the television series Law and Order: Criminal Intent. Mengel proposes that Goren is

the great-grandson of Sherlock Holmes (“Watching the Detectives, or, The Sherlock Holmes

Family Tree,” Myths). Mengel has also proposed that Robert B. Parker’s Boston P.I., Spenser, is

the nephew of Raymond Chandler’s Philip Marlowe (“The Land Family,” The Wold Newton

Chronicles website < http://www.pjfarmer.com/chronicles/index.htm>).

One of Wold Newton researcher Matthew Baugh’s favorite characters is Myra Reldon, an

agent of The Shadow who often poses as a Chinese woman named Ming Dwan. I included her as

a granddaughter of Fu Manchu in “Who’s Going to Take Over the World When I’m Gone?”

(Myths). In the same essay I postulated that two of James Bond’s adversaries, Dr. No and Ernst

Stavro Blofeld, were Wold Newton Family members. Dr. No was the grandson of the

aforementioned Dr. James Noel. Dr. No’s maternal grandfather was Fo-Hi, from Sax Rohmer’s

The Golden Scorpion. Blofeld was the great-great grandson of Sir William Clayton.

Cheryl Huttner built upon a small clue in Phil’s family tree to add occult detective Jules

de Grandin, and while she was at it also managed to include Agatha Christie’s famous Belgian

sleuth Hercule Poirot (“Name of a Thousand Blue Demons,” Myths).

Mark Brown, in a short piece in Myths, added a notable female detective to the Family,

Sue Grafton’s Kinsey Millhone, as a daughter of Ross MacDonald’s Lew Archer (“D is for

Daughter, F is for Father,” Myths). Additionally, Brown’s “A Look at the Wimsey Family” (The

Wold Newton Universe website ) adds Mack

Bolan to the Family as a son of the pulp hero The Spider (Richard Wentworth) and Nita Van

Sloan.

Expansions of the Wold Newton Family are not restricted to non-fiction articles. Chris

Roberson’s story “Penumbra” (Tales of the Shadowmen, Volume 1: The Modern Babylon, Black

Coat Press, 2005), expertly hinted that The Batman might be The Shadow’s son. Another story in

Tales of the Shadowmen, Volume 1, my own “The Vanishing Devil,” added martial arts expert

Shang Chi as a grandson of Doc Ardan (Doc Savage), albeit in an unusual way. The original

Marvel Comics Shang Chi stories had already established him as Fu Manchu’s son.

Jean-Marc Lofficier, noted French SF and comics writer, and editor of the Tales of the

Shadowmen series, also maintains the French Wold Newton Universe website < http://www.coolfrenchcomics.com/wnu1.htm>, which adds innumerable French characters to the

Wold Newton Family tree. It expands the family trees of gentleman thief Arsène Lupin and

detective M. Lecoq (both of whom Phil included in the Family, at least by implication), and adds

other popular French characters such as the arch-villain Fantômas and the detective Jules

Maigret.

Without a doubt, the greatest challenge facing Wold Newton researchers is determining

Philip José Farmer’s exact place in the Wold Newton Family. In fact, Phil, in his Myths back

cover quote, extended this proposal: “I’m just waiting for them to prove that I am also part of the

extended family.”

I believe we will be taking him up on his friendly invitation soon.

WOLD NEWTON WRITERS/SCHOLARS AT THE METEOR SITE!!

Per Win Scott Eckert-

Here is a pic of me (left), Paul Spiteri (middle) and Mike Croteau (right) at the Wold Newton monument erected by Edward Topham in 1799 (the monument that has the inscription which was in the first article of mine you posted today). This is the exact spot where the meteor struck. Topham’s country house, the Wold Cottage, is about half a mile away. The Wold Cottage is now a Bed & Breakfast, and we (Lisa and I) stayed there overnight with the Spiteris and the Croteaus during a two-week England/France vacation. The pic was taken in July 2009.
 
Here also is a pic of the monument by itself.