Category: News

THE WHOLE WIDE WORLD-Now playing at Derrick Ferguson’s LONG MATINEE!!

 

THE LONG MATINEE-Movie Reviews by Derrick Ferguson

 

THE WHOLE WIDE WORLD

1996
Cineville, Inc./Sony Pictures
Directed by Dan Ireland
Screenplay by Michael Scott Myers
Based on “One Who Walked Alone” by Novalyne Price Ellis
Here’s a wonderful romance movie that I think is wonderful for a couple to watch but it’s not exactly the first movie that would come to mind when you and your sweetie hit the Netflix for something cuddle up with.  But you really should give THE WHOLE WIDE WORLD a try.  Let’s face it; aren’t you guys tired of seeing “Ghost” over and over and over?
            In 1933, Novalyne Price (Renee Zellweger) is an independently minded young woman living in rural West Texas who dreams of going off to college and maybe becoming a teacher.  She really aspires to be a writer.  She has these huge diaries she writes her daily activities in and has been sending off stories to the confession/romance pulp magazines with little success.  She desperately longs for someone to talk to about her ideas and stories and one day while sitting on her porch drinking lemonade, a friend of her drives up and asks her would she like to walk over to his car and meet the greatest pulp writer in the whole wide world: Robert E. Howard (Vincent D’Onofrio)
            Robert E. Howard grew up and lived most of his painfully short life in Cross Plains, Texas and created what is probably the most famous pulp adventure character of all: Conan The Barbarian, the hero of short stories, novels, comic books and movies.  But Robert E. Howard created many more characters than that and wrote so prolifically that whole issues of ‘Weird Tales’ magazines were filled with his stories, written under half a dozen pen names.  Even today nobody is sure exactly how many names Robert E. Howard used or how many stories he wrote.  For me, when it comes to writing, Robert E. Howard has few equals when it comes to sheer storytelling power.  He wrote stories about lusty adventurers who spent their days hunting for treasure, fighting demons and roaming uncharted lands and spent their nights wenching, drinking and gambling.  There’s nothing but total testosterone in a Robert E. Howard story and it’s easy for me to understand why they were so popular during The Depression Era when so many men felt impotent and powerless.  After a hard day of trying your best to feed your family and keep a roof over their heads, for a man in the 30’s, picking up a copy of ‘Weird Tales’ and reading a Conan story where he kills a mad god and makes off with his priceless giant diamond is the equivalent to a modern day Joe Punchclock coming home from work and watching ‘24’ to cheer Jack Bauer kick terrorist scum ass and save The President from being blown up by a neutron bomb in his shower.
            Novalyne is totally astonished at meeting someone who actually makes a living by writing and they begin a friendship that develops into a rocky romance.  Novalyne has a mind of her own and is ambitious with an independent spirit.  In that respect she’s somewhat more progressive than most of the other young ladies in the town but she’s never met anybody like Robert Howard who is socially inept and extremely close to his mother, who is in poor health.  When they go out on dates, Bob Howard prefers to take Novalyne on long drives where they can talk about the dreams and aspirations they have as writers.  As much as Novalyne grows to love Bob, she soon realizes that he’s not husband material.  Robert E. Howard is a wonderful man but he lives too much inside of his own head.  And while his incredible imaginative power and lust for life draws her to him, his emotional insensitivity and manic depressive moods drive her away.  They maintain their romantic relationship in a sort of on-and-off again basis but the real romance is between their imaginative minds and the love they both have of writing.
            I really love THE WHOLE WIDE WORLD for number of reasons: first of all, while it’s not a straightforward biography of Robert E. Howard, we do get to see some very important moments in his life filtered through the eyes of Novalyne.  And there are some moments between Howard and his mother (Ann Wedgeworth) that are really touching.  You may remember Ann Wedgeworth as the sexpot neighbor on ‘Three’s Company’.  She does a really good job of acting here as Howard’s possessive mother who obviously loves her son a little too much.
            The acting by Vincent D’Onofrio is first rate and convinced me that I was looking at Robert E. Howard in the scenes where he’s writing a Conan story and he’s speaking the dialog out loud.  There’s another scene where’s he’s walking down the main street of his home town, shadowboxing an imaginary enemy and mumbling descriptions of the fight that’s taking place as he works out a story in his head.  It’s made clear in the movie that Howard’s neighbors and friends think it’s pretty damn odd for a big grown strapping man such as himself to be making a living writing stories and talking to imaginary people in his head but D’Onofrio plays Howard with such an ‘I-Don’t-Give-A Damn-‘ charm he sells the performance.  Renee Zellweger is simply wonderful as Novalyne Price.  She understands Robert Howard.  She loves Robert Howard.  She thinks Robert Howard is the greatest writer in the whole wide world.  She just can’t allow herself to fall enough in love with him to marry him.  She’s smart enough to see that such a marriage would end in tragedy. 
  Novalyne Price went on to become a teacher and she wrote the book the movie THE WHOLE WIDE WORLD was based on after she grew angry at reading so many articles that she felt distorted the truth about what Robert E. Howard was like.
            The relationship between Robert E. Howard and Novalyne Price is handled with a great deal of romanticism and sensitivity.  Robert continually amazes Novalyne with the places he takes her to where they gaze upon beautiful sunrises and sunsets.  These scenes also give D’Onofrio a chance to show off the stare he learned from Stanley Kubrick when we worked on “Full Metal Jacket” as Howard tells Novalyne about his stories and in the background we can faintly hear swords crashing together, the curses and yells of men fighting and the sounds of war which get louder and louder until Novalyne says something to snap him out of it.  The thing that really comes across in the movie is that in a lot of ways, both Howard and Novalyne were born out of place and out of time and even though they were lucky enough to meet, they still could not connect on a lot of levels.  It’s a really classically bittersweet love story.
            It’s a great movie for lovers of the work of Robert E. Howard as I think it really gives fans of the man and his work a really good look at what his everyday life was like.  It also works as a movie about writers.  Movies about writers are really hard to do since most of the work takes place between their ears.  Fortunately, Robert E. Howard was as big as life as the heroes he wrote about and his life makes for an interesting movie.  I really enjoyed the movie just on that basis since I identify a lot with Robert E. Howard.  Like him, I have no illusions that my work is great art.  I just like telling a good story and Robert E. Howard was one of the best storytellers ever born.  Vincent D’Onofrio does an excellent job of showing Howard’s sheer exuberance and delight at just being able to tell a hell of a good story and I felt that deeply.
            So should you see THE WHOLE WIDE WORLD?  Absolutely.  It’s a movie that works as a biography of one of the most influential and popular writers of all time.  It also works as a movie about writers and their internal lives and how they connect, interact and deal with others who are not in tune with those wavelengths writers are in tune with.  And it most definitely works as a romantic film as the relationship between Robert E. Howard and Novalyne Price is touching, sad, funny, and poignant and I freely admit that the last scene of the movie is one that had my eyes watering.  This coming Valentine’s Day rent THE WHOLE WIDE WORLD and watch it with a writer you love.
111 minutes

Rated PG

HANCOCK TIPS HIS HAT ONE LAST TIME ON MOONSTONE MONDAY!!

TIPPIN’ HANCOCK’S HAT-Reviews by Tommy Hancock “IN THE DARK”
A TALE OF THE BLACK BAT!
Writer-Mike Bullock
Artist-Mike Metcalf

When reading about a character called THE BLACK BAT, I just naturally look for certain things. Fear and horror from someone in the story, and maybe a little from me as I read, a bad guy guilty of unforgivable trespasses, and the main character, THE BLACK BAT himself evoked in a way that is similar, yet different than all the ways I’ve seen him conjured before.

For the most part, that is all tangled up nicely in Bullock’s and Metcalf’s story “IN THE DARK.” Rendered in wide vision, this fast paced, pleasingly torturous tale is part of an upcoming pulp magazine release from Moonstone Books.

What Mike Bullock gives the reader in the text seems at first glance a typical plot-Bad guy goes on a job for a crime boss, trips across the vengeful Black Bat, and receives judgment quickly and harshly for his illegal livelihood. Indeed, all those elements are in there, but what Bullock pulls off is a steady build of suspense, even though the end is inevitable, and an extremely interesting, well done process of character building. I can’t say I actually felt sorry for the mug who literally walks into the Black Bat’s clutches, but I understood him, knew what made him tick, and it made the impact of the story that much more intense.

The accompanying wide vision art of Metcalf matches the  tone of Bullock’s story almost too well. A bit too black in some panels, it still manages to capture the depth of dark that permeates this story and the world of the Black Bat. Some of the images are difficult to decipher, but once you do, the effect they have on the reader, at least this one, is profound. No, wrong word, spooky.

Along with the  issues with the art, the turn of the phrase in this tale, while strong initially, gets a tad hit and miss in the middle. Once the Bat enters the scene, awkwardness sets in when the villain is sans Bat. But it does recover quite well with the ending. All in all, a neat peek into what has to be a nightly occurrence for a hero like The Black Bat.

Three out of Five Tips of Hancock’s Hat (Three tips are generally reserved for those tales that I enjoy and make for good pulp readin’.)

Hancock Tips His Hat to a SPIDER tale, Wide Vision style!

TIPPIN’ HANCOCK’S HAT-Reviews by Tommy Hancock
“THE CITY THAT COULDN’T SLEEP”
A STORY OF THE SPIDER, MASTER OF MEN!
Writer-Martin Powell
Artist-Pablo Marcos

To be effective, a story must stir something in the reader. It may be happiness, realization, or a burst of positive feeling. It can also be, however, sadness, frustration, or a prevailing sense of gloom and doom. When a pulp story chock full of over the top villains, extreme heroes, bloodlust, and slam bam action evoke all of the previously mentioned things, that is nothing except pretty cool.


THE CITY THAT COULDN’T SLEEP is a SPIDER story written in ‘wide vision’ that will be part of a pulp magazine produced by Moonstone Books in the near future! Wide vision basically means that the story is a combination of text and wide panel illustrations, evoking the feeling of an old pulp magazine on every single page. This story fits that description perfectly, the combination of Powell’s verbal descriptions and Marcos’ stark, startling imagery make this story more than just another ‘Vigilante hero saves desperate city from Evil Villain”.

The story opens, not with exposition, but right in the middle of a nightmare made real. For almost a month, the citizens of New York have been stricken with some strange ailment that makes them all insomniacs. No one, not even The Spider can sleep. Of course, this leads to raw nerves, hallucinations, angry mobs, zombie like citizens tearing each other apart, and The Spider trying to maintain peace and justice as well as his own sanity, more so than usual.

Behind all this is a mastermind known as The Dreamer. Recognizing he will have to deal with The Spider at some point, The Dreamer makes a dangerous move against one of Wentworth’s own. This of course leads to the inevitable clash between good and evil, but along the way a nice little two pronged mystery is also developed, explored, and solved. That aspect of this added a level of depth that isn’t found in most masked vigilante stories I’ve read written by modern authors, but Powell seamlessly blends elements of mystery with the savage battle The Spider fights against the Dreamer. Mix into that the horror of Marcos’ images of the stricken denizens of New York as well as The Spider himself, and the tale is gripping and doesn’t let go until the very end.

One issue the story has, however, is that it’s honestly too short. The premise is wonderful, the action and characterization is dead on, Marcos’ art is quite stunning, and Powell’s purple prose, except for a few awkward phrases near the end, paints a scene as vivid as any picture. What is lost, though, in the length is simply more. I wanted more expansion of The Dreamer’s motivations, more exploration of The Spider’s own issues, and just plain more zombie and gun type action. Had Powell been given the length of a novel, he might have just fit in all that was possible with this story. It is fantastic as it is, but the length does make it feel a bit too confined.

Four out of Five Tips of Hancock’s Hat (usually reserved for heads of state, arresting officers, and little old ladies, which is pretty darn good.)

MOONSTONE MONDAY-CHARACTER SPOTLIGHT ON THE SPIDER!!

AND MEANWHILE, OUR HERO…- Pulp Character Spotlights

Character currently written by and profile completed by MARTIN POWELL

1. The Spider’s secret identity is…?
Richard Wentworth
2.  In five sentences or less, The Spider’s origin is…? 
The Spider’s true “origin” currently remains unknown. 
3.  The Spider’s first appearance was…?
 The Spider, vol. 1, no. 1, “The Spider Strikes”, October 1933 
4.  The Spider’s most recent appearance was…?
The Spider is a part of the RETURN OF THE ORIGINALS comic line from Moonstone!
4.  The 5 most important people in the Spider’s life are…?
Nita Van Sloan, Ram Singh, Ronald Jackson, Commissioner Kirkpatrick, and Professor Brownlee
5.  The 3 top villains the Spider will face in the new series are…?
The Dreamer, The Thunder King, and the return of his classic pulp nemesis, The Fly. 
6.  The Spider’s greatest fear is…?
That he may be insane. 
7.  If the Spider couldn’t be there to save the day, the person he would pick to take his place would be…? 
The Spider knows that only he is capable of successfully fulfilling his mission.  There are others whom he relies on, but ultimately there is only one Master of Men.
8.  Links for more of The Spider include…?

MOONSTONE MONDAY-CHARACTER SPOTLIGHT ON DEATH ANGEL!!!

AND MEANWHILE, OUR HERO…- Pulp Character Spotlights
DEATH ANGEL created by MIKE BULLOCK and profile completed by Rebekah Killian
 
 1. Death Angel’s secret identity is…?
 She has no secret identity, she comes over me and takes control.
 
 2.  In five sentences or less, Death Angel’s origin is…?
It all happened that night- when the Reverend came into my room for the last time… he-he was supposed to protect us, look out for us. How could he… S-she came that night. And she punished the Reverend. Made sure he’ll never harm another child again.
 
 3.  Death Angel’s first appearance was…?
Isn’t that what I just told you? (Moonstone’s THE PHANTOM: Double Shot KGB Noir #1)
 
 4.  Death Angel’s most recent appearance was…?
Last night. (Moonstone’s BLACK BAT comic, available now!!!) 
 5.  The 5 (at most) most important people in Death Angel’s life are…?
 All I have is Walter. He was my grandfather’s right hand man. He kinda treats me like his own daughter. That’s nice…
 
 6.  The 3 (at most) top villains Death Angel has faced are…?
 None of them deserve the recognition. They’re scum and once she’s wiped them off the Earth, their names should never be uttered again.
 
 7.  Death Angel likes…

 Goodness, light and love.
 
 8.  Death Angel dislikes…

Evil. Those who would harm woman and children. Those who would use their strength to oppress the weak.
 
9.  Death Angel’s greatest fear is…?
 I don’t think she even knows what fear is…
 
 10.  Death Angel’s favorite food is…
She’s not like us. She doesn’t eat or drink, she just thirsts for vengeance… 
 11.  If Death Angel couldn’t be there to save the day, to take her place, she would pick…?
She would be there.
12. Links for more of Death Angel include…?
There are no links. A reporter got some pictures once, but she destroyed his camera. When he went to his editor with the story, they put him on a leave of absence for “mental stress”. (www.moonstonebooks.com!!)

MOONSTONE MONDAY…AND MEANWHILE, OUR HERO…- Pulp Character Spotlights

Character currently written by MIKE BULLOCK, Profile completed by Silk Kirby
 
 1. The Black Bat’s secret identity is…?
 In case you missed the operative word in the question, it’s a secret. That’s why they call it a “secret identity”, my good man. (ALL PULP has it on good authority that Anthony Quinn, former District Attorney, is highly suspected of being the Black Bat.  However, whatever proof that may have existed to prove this fact…no longer exists.) 

 2.  In five sentences or less, The Black Bat’s origin is…?
 He was a good man, who worked hard to bring justice to this lawless town. Then they assaulted him, took his sight and nearly broke his soul. But, he’s a fellow of indomitable will and instead of giving up as lesser men would, he re-made himself into a weapon – one made to take the war to their doorstep. Now he uses their own tactics against them – treachery, intimidation and terror. God help them…
 
 

3.  The Black Bat’s first appearance was…?
That night long ago, in that warehouse with Snate’s men. I’ll never forget it… and neither will
 they. (July, 1939, Black Book Detective)

 
 4.  The Black Bat’s most recent appearance is…?
 He should be dropping in on Viper’s men any time now. (Moonstone’s current BLACK BAT Comic, a part of Moonstone’s RETURN OF THE ORIGINALS line.)
 
 5.  The 5 (at most) most important people in the Black Bat’s life are…?
 Miss Baldwin, fer sure. And Butch O’Leary, Butch is a good egg. Then there’s that strange guy, Langston Rockwell – he kinda gives me the creeps. And, I guess I’m in there. Silk Kirby’s the name. I’m his right-hand man.
 
 6.  The 3 (at most) top villains the Black Bat has faced are…?



 “Top villains”? I guess they mighta thought they was at the top of the world, that is before the boss got to ‘em. Snate was one, fer sure. You might say that crooked cop, McGrath is one, too. And, Viper…
 
 7.  The Black Bat likes…?
Justice, Justice, and more Justice. 
 

8.  The Black Bat dislikes…?
Mobsters, murderers and crooks.
 
 9 Any existing characters the Black Bat has met/had a crossover with include…?
 There’re all characters when you think about it… 
 

10.  The Black Bat’s greatest fear is…?
The boss has no fear. I swear, never seen a guy with such little regard for his own safety. 

 11.  The Black Bat’s favorite food is…?
I know he’s partial to Italian food. 
 

12.  If the Black Bat couldn’t be there to save the day, the person he would pick to take his place would be…?
 No one. The Boss’ed never want anyone else in harm’s way.
 
 13 Free-for-all-Say anything, in ten sentences or less, you want about The Black Bat?
Well, I used to walk on the wrong side of the law. But, once the boss got hold of me, he gave me a chance, saw sumthin’ in me no one else ever did, not even my parents. He brought me back, taught me how to fight the good fight and always do what’s right. 
 

14. Links for more of the Black Bat include…?
 Links? Like chain? You sure do ask strange questions…(Start with www.moonstonebooks.com!)
nagranowrimo-6393652

National Graphic Novel Writing Month, Day #4: Script formats

nagranowrimo-8533922Day 4. Hopefully by now, you’ve gotten an idea that you might want to turn into a story. However, you may not know how to put it down on paper. What is the format for a graphic novel script?

The short answer is: it varies. There are different variations, based on how different people work and how they expect to collaborate. Remember that a graphic novel usually has other people working with you, and you have to communicate with them before you communicate with the rest of the world. This is why some comics scripts seem conversational in tone, because they’re sending notes to a single artist, maybe remembering that they’re also including the editor, and sometimes the inker, colorist, and letterer in the conversation as well.

There is no one “proper” way to write a script. There are some common formats, however.

Full Script: Pretty much what it sounds like. The script is a modified version of a screenplay, with what should happen in each panel spelled out, including who says exactly what.

Advantages: the writer gets more of what he wants in terms of story pacing, details, killer lines, etc. The editor can look at the script as a complete blueprint and make his comments there, which can be crucial if there are layers of approvals to go through.

Disadvantages: the artist can sometimes be constrained in what he’s doing, and sometimes the writer has not thought the visuals through, so a large chunk of dialogue can overwhelm a panel, and other problems of pacing can appear. And occasionally, the writer will get a bit detailed in his scripting– see any Alan Moore script, for example.

Plot First: This is occasionally referred to as “Marvel Style” because Stan Lee in the early days of Marvel did a lot of his stories this way: the writer would pitch a plot to the artist, hitting the major beats of the story and varying levels of detail, and then the artist would pencil the story. Once the penciled pages were back, the writer would then write dialogue based on what was in the art.

Advantages: It was often faster for one person to crank out a lot of plots and let the artist put in the details. It also freed up the artist to tell the story as he felt best, which often led to more dynamic action sequences and a more fluid style. It also meant the dialogue was fresher, because it was written a month or two closer to publication than full script.

Disadvantages: if the art is incomprehensible, a lot of covering dialogue and captions will have to be jammed in to make it clear. Also, for the purposes of NaGraNoWriMo, it relies on having an artist to draw it so you can come back and dialogue it, so it’s not good for the deadline. But this may work well for you.

comic-thumbnail-small-5549011Thumbnails: This is a rarer version, but some people swear by it. The writer not only writes the story, but also draws out thumbnails of the entire thing, to show how the people move, how the action happens, and how the shots and pages are composed. The artist then can follow both the script and the thumbnails. Depending on the circumstance, sometimes one person will do a plot and thumbnails, an artist will draw the story, then someone else will come in and dialogue based on the art and faces. (Often used by Keith Giffen, Kevin Maguire and J. Marc Dematties, for example.)

Advantages: The writer is very clear in what he wants. He also can see how his story plays out, whether the dialogue dominates the page, and sometimes resolve other problems.

Disadvantages: Time. Now you have to draw out the story. And you’re also assuming the writer has visual storytelling skills. (Giffen is incredibly fast, he thumbnailed all of 52— a comic a week for a year– and cranked out full pencils for the last 40 pages of Invasion! #2 in something like two weeks, on top of the schedule he already had at the time.) In some cases, it can also reduce the contribution of the artist (although in 52, this was intentional to keep storytelling continuity between the different artists).

Hat tip to Allyn Gibson for pushing this post to the front of the queue. And remember: you can follow all the NaGraNoWriMo posts here!

AND MEANWHILE, OUR HERO…- Pulp Character Spotlights

AND MEANWHILE, OUR HERO…- Pulp Character Spotlights

Character currently written by and profile completed by AARON M. SHAPS

1. The Phantom Detective’s secret identity is…?
Richard Curtis Van Loan, wealthy New York socialite and philanthropist.

 2.  In five sentences or less, The Phantom Detective’s origin is…? 
Van Loan’s parents died when he was very young, leaving him heir to a vast fortune. He led a life largely devoid of direction until a dear friend suggested he help the police with a grisly murder case they were having difficulty solving. He found that he had a natural propensity for sleuthing, and thus the Phantom Detective was born.

 3.  The Phantom Detective’s first appearance was..?
“The Emperor of Death” by D.L. Champion, 1933. 

4.  The Phantom Detective’s most recent appearance is…?
 I could be wrong about this, but I don’t think there have been any Phantom Detective adventures since the end of the original run of the pulp stories back in 1953…I believe the final novel was “Murder’s Agent,” written by Norman A. Daniels. 

 5.  The 4 most important people in the Phantom Detective’s life are…?
 Frank Havens, publishing tycoon, and a mentor of sorts to Van Loan, he was best friends with Van Loan’s father; Muriel Havens, Frank’s daughter, and the love of Van Loan’s life; Steve Huston, a young, hungry, and fearless crime reporter working for Havens’ primary publication, the New York Clarion newspaper; Inspector David Denham, a grizzled, hard-boiled NYPD homicide detective who often works hand-in-hand with the Phantom Detective.   

6.  The 3 top villains the Phantom Detective has faced are…?
 In the original run of Phantom Detective pulps, the Phantom had only one recurring villain: Clifford Boniface. Boniface will be returning to menace the Phantom in the new series as well, and he’ll be joined by a number of new villains of my own creation, including a nefarious illusionist known only as The Diabolist, and a mad scientist named Dr. Andrew Darke.

 7.  The Phantom Detective likes…
 A challenge, both physical and mental; driving a racecar; enjoying an Old Fashioned while playing pool with Frank Haven’s in his Clarion office.  

 8.  The Phantom Detective dislikes…
Criminals, feeling listless, and leaving a case unsolved. 

 9. Existing characters the Rook has met/had a crossover with include…?
The Phantom Detective has never had a crossover to date, but there are several planned. First up is a prose adventure with the Spider. 

10.  The Phantom Detective’s greatest fear is…?
Becoming obsolete.

 11.  The Phantom Detective’s favorite food is…?
Ballpark hot dog at Ebbets Field, home of the Brooklyn Dodgers.  

 12.  If the Phantom Detective couldn’t be there to save the day, the person he’d pick to takle his place is…?
The Spider, one of the few other “mystery men” whom the Phantom trusts. 

13 Free-for-all-Say anything, in ten sentences or less, you want about your character.  That would be…?
 The Phantom Detective is one of the all-time great pulp heroes, and a character that helped to inspire many others in a number of other media, most notably comic books. It is a great honor and privilege to re-introduce him to modern audiences in both comics and prose, and to help the character to evolve and remain relevant. My goal is to make the Phantom Detective into a modern, cutting edge pulp hero unlike any other.  

14. Links for more of the Phantom Detective include…
http://moonstonebooks.com/shop/category.aspx?catid=115
http://moonstonebooks.com/shop/category.aspx?catid=37

Monday Mix-Up: The Hero Your Hero Could Smell Like

Isaiah Mustafa, best know to the world as “The Man Your Man Could Smell Like” from the Old Spice commercials, is a big time comic fan and has made no secret of his desire to pay Luke Cage in the movies.

And now, Marvel has let him do exactly that.

Fantastic. Although, personally, I’d rather see him playing T’Challa.

Crazy Sexy Geeks: Superhero Psychology 2 – Robin!