Category: News

Police in Massillon, OH say Donald
Duck repeatedly backed-up and struck the car in front of him
while waiting at a drive-through pizza line.

Officers say when they arrived on the scene, Duck, 51, reeked
of alcohol and when he opened the car door a bag of pot fell out of the
front seat. Duck was booked into the Stark County Jail on a felony charge of
operating a vehicle while impaired, and misdemeanor counts of both drug
possession and the possession of drug paraphernalia.

On the other hand, at least he was wearing pants. So he’s one up on the other guy.

No word if a rich uncle posted bail for him.

Jason Isaacs, renowned for his villainous turn as Lucius Malfoy in the Harry Potter films, assumes another dark iconic role as the voice of Ra’s al Ghul in Batman: Under the Red Hood, the latest entry in the ongoing series of DC Universe Animated Original PG-13 Movies coming July 27, 2010 to Blu-ray, DVD, OnDemand and for Download.

Isaacs, who portrays Malfoy in five Harry Potter films, is well known for his lead role on the Showtime series Brotherhood, as well as starring opposite Mel Gibson in the revolutionary war adventure, The Patriot. The British actor has also racked up credits in films like Armageddon, Black Hawk Down, Peter Pan, Grindhouse, DragonHeart and Green Zone; TV series including The West Wing, Entourage and The State Within (for which he received a Golden Globe nomination); and in the voiceover realm in everything from documentary narration and commercial advertisements to video games and the popular animated series Avatar: The Last Airbender,

In Batman: Under the Red Hood, Isaacs gives Batman’s nemesis Ra’s al Ghul a sympathetic twist as the villain attempts to right his own wrongs and help Batman in his efforts against both Red Hood and the Joker. Isaacs is an integral part of an all-star cast that includes Bruce Greenwood (Star Trek), Jensen Ackles (Supernatural), Neil Patrick Harris (How I Met Your Mother) and John DiMaggio (Futurama).

Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, Batman: Under the Red Hood will be distributed by Warner Home Video as a Special Edition version on Blu-Ray™ and 2-disc DVD, as well as being available on single disc DVD, On Demand and for Download.

Isaacs splits his time between the UK and the US, but still found a few moments to chat about his latest animation voiceover role, his yearning for an actual super power, and his childhood addiction to comic books.

QUESTION: This isn’t really the Ra’s al Ghul we’re accustomed to seeing – what’s the nutshell synopsis of his part in Batman: Under the Red Hood?

JASON ISAACS: This role is a bit unusual for Ra’s al Ghul as he’s been Batman’s nemesis a lot in the past.  But this time he is actually full of regret for a mistake that he has made, and his inability to control the Joker.  A lot of what happens for Ra’s in this story is him explaining to Batman how things went so badly awry, and how Robin ended up quite so dead. (more…)

Classic Comics Press is the little engine that could, a small operation that has produced lovely editions of many series, including The Heart of Juliet Jones and Mary Perkins On Stage. Publisher Charles Pelto and collections editor James Gauthier yesterday talked about those books and today, we continue to examine their plans. 

ComicMix: Irwin Hasen’s Dondi is quite unlike the others and is a forgotten gem. What’s the appeal for you?

Charles Pelto: I did it because of Irwin Hasen. Roy Thomas suggested I talk to Irwin and we instantly hit it off. Irwin is a hell-of-a-guy and after meeting him I wanted to do it for no other reason than to honor Irwin’s work. I would have liked to continue past Volume 2 but the sales just don’t justify it. But I was able to do two volumes, people seemed to enjoy it. And it’s too bad; the storylines in what would have been the third volume are some of Irwin’s best work.

James Gauthier: I remember growing up and reading it in the New York Daily News. Dondi was always a favorite. Since it has never been reprinted before I never had the opportunity to see the early strips from the 1950’s and so putting the books together helped answer many questions that I had. I always wondered how Dondi got to this country, how he came to be adopted and what his relationship was with Mrs. McGowan.

CMix: Irwin’s a terrific guy and quite the character. What’s his take on seeing these in print?

Pelto:  Irwin loves it. I happened to be there when Irwin saw the first copy and the look on his face was well worth the price of admission.

Gauthier: He was thrilled that people are able to experience the strip again, and it was great to be able to reprint the strip and see his reaction to it. So many of the great comic strip artists have passed away before they could see their work reprinted and preserved for future generations to enjoy. It’s nice that Irwin is still around to see them get reprinted. (more…)

Although some of the more familiar comic strips have garnered tremendous press as a part of IDW’s Library of Comics, some of the best strips being collected have been overlooked. For the last several years, Classic Comics Press has been re-presenting Leonard Starr’s Mary Perkins and Stan Drake’s The Heart of Juliet Jones and these are just as deserving of readers’ time and attention.

Publisher Charles Pelto has turned a labor of love into a business that is surviving despite tough economic times. Along with James Gauthier, he has been slowly growing his operation, adding two new series this year. ComicMix had to the chance to chat with the two and in part one, we look at CCP’s origins and why these two strips launched the line.

ComicMix: Charles, how long have you been interested in comic strips?

Charles Pelto: I learned how to read from the daily and Sunday funnies. In the early 50’s there were a lot more papers available in Detroit, where I grew up. I delivered the Detroit Free Press (with Mary Perkins), but also regularly read The Detroit News, and a number of suburban papers. Around the age of 15 to 17 I used to ride my bike to a newspaper in Utica, MI that printed Secret Agent Corrigan. The paste-up guy used to save me the proofs and I’d ride my bike up there every other week or so to pick them up. For a while I was a bit fanatical, I started receiving papers from all over the country just to get a particular strip. It drove my father crazy.

CMix: And what led you to form Classic Comics Press? When was this?

Pelto: I left comics for a long time, sometime around my early 30s. For some reason my interest in comic art was rekindled about eight years ago and I started buying stuff off of eBay. For a while there I was buying lots of comics but to be honest they were boring the hell out of me. Things like Local Heroes, Preacher, 100 Bullets, Criminal and the like really turned me on, but the normal, run of the mill comic book just didn’t grab me. I still enjoy a good Batman story and I like what they’ve been doing with Superman off and on, but for the most part I still don’t buy comics. After a while, I just naturally gravitated towards the comic strips I’d read as a kid.

CMix:  How did you decide on which strips to pursue? Right now there’s a lot of competition between IDW’s Library, and efforts from NBM, Fantagraphics, and Hermes Press.

Pelto: At first it was only On Stage. I was buying all the various reprints out there, as well as Sundays, and what dailies appeared. I stumbled across Jim’s email address on the Rules of Attraction website and contacted him. Jim happens to have become Leonard’s archivist and he started sending me binders containing a year’s worth of On Stage from the beginning.

As I continued to read through the years I could not believe that no one had taken a serious interest in reprinting the strip from the beginning. So being the impetuous fool that I am, I contacted the offices of Tribune Media Services and asked if the rights were available. From that point it took about a year and a half to actually get a contract.

With Juliet Jones, it was a natural compliment to On Stage. (more…)

On August 26, 2006, Green Glass Films began production on ALGENY: The Genetic Factor. Written and directed by Andrew Burroughs, this movie was inspired by Jeremy Rifkin’s book The Biotech Century . In that book, Rifkin coined the term “algeny”, when an organism upgrades its biology.

This led to the movie’s story about a young man named Justin (played by Alfred E. Rutherford), an orphan who is about to propose to his girlfriend and who has been getting shots for several years due to an illness he doesn’t understand. But Justin’s life changes when he realizes a man is following him one day. Very quickly, he discovers that he has never been ill, that his blood, in fact, has a perfect defense system that shields him from any disease. And unfortunately for him, a major pharmaceutical company knows about him and wants him dead before any number of cures and vaccines can be developed from his blood samples.

The movie has been screed at several film festivals since its completion and has won several awards. It was the winner for “HBO Best Feature Film” at the Martha’s Vineyard African-American Film Festival and winner of the Paul Robeson Award at the Newark Black Film Festival. It was the official selection at Berlin/Germany Black International Cinema and the American Black Film Festival.

So how was it? (more…)