Category: News

The Point Radio: SMALLVILLE Season 9 Blasts Off

SMALLVILLE Season 9 premieres tonight on The CW and before you tune in, hear just where the year will take us direct from writer/producers Kelly Souders and Brain Peterson and Erica Durance shares her plans for Lois and how she got the “seal of approval” from a former Ms Lane. Plus there are details on DC’s direct to DVD plans and the real “secret origin” of the quintessential Batman, Kevin Conroy.

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Venezuela to fine networks that air ‘Family Guy’

Just in from the AP:

CARACAS, Venezuela – Venezuelan authorities plan to impose fines on cable television companies that refuse to stop airing the animated television series “Family Guy.”

Justice Minister Tareck El Aissami says the program should be pulled from the airwaves because it promotes the use of marijuana.

He said Thursday that cable networks that broadcast “Family Guy” would be fined by Venezuela’s telecommunications regulator if they refuse to dump the program.

And you all know what the folks at Family Guy think about that sort of thing, right?

You don’t? Maestro, take it away…

If you haven’t seen it, here’s the episode in question.

Paul Kirk, Manhunter– er, Senator?

Jesse Ventura was elected governor, so why couldn’t a costumed mystery man serve in the U.S. Senate?

Paul Kirk, the late Senator Ted Kennedy’s temporary replacement, shares a name but (probably) not the predilection for vigilante crime-fighting, with Manhunter, a DC character with an interesting history. 

In the comics, Paul Kirk used decides to become a crimefighter when his friend, Empire City
police inspector Donovan, was murdered by the supervillain known as the
Buzzard. He wore a superhero-like red costume with a blue mask. While
he had no superpowers, he was an above average athlete and possessed
superior tracking skills. Later, he went off to become a big-game hunter, but was killed by an elephant, then brought back to life by a secret society intent on ruling the world (insert obligatory Obama/ACORN reference here) and set up to lead an army of clones of him, but he rebelled and brought down the Council in a story chronicled by Archie Goodwin and Walt Simonson.

That doesn’t seem to describe the real-world Paul Kirk, but who knows? He could be a man of hidden talents.

Or it could be yet another one of those Paul Kirk clones running around…

ComicMix Quick Picks (in Six) for September 24, 2009

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There was a lot going on today, so let’s see if we can get these Quick Picks done in ComicMix Six words or less.

What was missed? Comments are open.

Old-School Comics Art Gets A Lot Older

Remember Howard Chaykin’s American Flagg? Roy Crane’s Buz
Sawyer
and Captain Easy? Alex
Toth? How about much of that beautiful black and white art in Warren’s
magazines Creepy, Eerie and Blazing Combat?

The one thing they all had in common – along with a hell
of a lot of other great art – is the fact that they were drawn on Duoshade
boards. That’s a certain rather expensive type of paper that allowed an artist
to brush a developer solution over an inked drawing creating different types of
horizontal lines for shading. Originally, they boards replaced the painstaking
task of cutting and pasting the effect onto the original art. It allowed certain
types of dramatic shading and feathering techniques (that’s a line that
consists of teensy tiny lines, giving a softer edge to that line).

Note my use of the past tense.

Now Graphix, the company that makes Duoshade boards (as
well as the Unishade boards, which is a similar type of stuff) has discontinued
production because production has grown more difficult and costly to produce
and demand as declined over the years. Younger artists use their computers –
not necessarily a complete substitute – and many are unaware of the existence
of the product.

Sadly, this comes at a time when the reproduction of comic
art in America has never been better. In the past, some of these types of
effects would close up or turn to mud. With better printing and better paper,
Duoshade – when properly used – gave us some beautiful artwork.

Mark Millar To Rescue Superman After All?

It’s no secret that top comics writer Mark Millar wants to write the next Superman movie. He’s given lots of interviews, and ComicMix has run a whole bunch of news items about this going back over two years. The story stalled when it appeared such a move was not going to happen.

Now, maybe, yes.

It turns out Mark was misunderstood when it was reported Warner Bros. could not afford him. That seems logical for two reasons: 1) Warner Bros. can afford damn near anything, and 2) with the clock ticking loudly on their Superman movie rights and their miserable track record with this movie franchise, meeting the Wanted co-creator’s financial demands just might inure to everybody’s benefit.

Might. It’s Hollywood. No guarantees. According to Mark’s
board: “I don’t think I said they couldn’t afford me now. If I did I was joking
because writing Superman would be a massive payday so if I said that I was
obviously laughing at the time. It’s possible though as I like being glib.”

Mark had also stated “a very well-known American action director heard about my love of Superman, approached me and asked me to team-up with he (sic) and his producer to make a pitch.” Hmmm… I’m sure Warner Bros. appreciates the consideration.

Of course, there’s no word either way as to Warners’ feeling about the matter. We should know soon. In the Siegel estate fight, the courts mandated Warner Bros. produce a new Superman movie by 2011 or lose their rights to one of their brightest corporate jewels.

Stay tuned.

What about Jack? Kirby estate files notice of copyright reversion aainst Marvel, Disney, Sony, Universal, Paramount…

And now, the other shoe drops.

Jeff Trexler points to this New York Times piece saying that the Jack Kirby estate sent notice of copyright termination to Marvel, Disney, Sony
Pictures, Universal Pictures, 20th Century Fox, Paramount Pictures and
others who have been making films and other forms of entertainment
based on the characters Jack created or co-created for Marvel.

The Kirby estate lawyer is Marc Toberoff, the man representing the Siegel estate in the Superman copyright case, who has already done an excellent job of raking DC and Warner Brothers over the coals. Toberoff has an impressive winning tally; Nikki Finke reminds us that Toberoff has also won or settled lawsuits on Lassie, Get Smart, The Dukes of Hazzard, and The Wild Wild West.

Kirby battled Marvel for years over the return of the physical artwork to his comics,
and was asked to sign documents that would have irrevocable and
specifically signed away rights to the characters, something he refused
to do. This led to heavy coverage in the industry, including the ad at right from 1986.

Two immediate questions come to mind:

  1. Does this potentially sour the Disney-Marvel deal? Disney said in a statement, “The notices involved are an attempt to
    terminate rights seven to 10 years from now, and involve claims that
    were fully considered in the acquisition.” Really? You think Disney shareholders are ready to spend four billion dollars on intellectual properties they’re prepared to lose in seven years? Related: there’s a $140 million dollar kill fee Marvel has to pay if the deal doesn’t go through. Does this mean that Marvel has an extra 140 million reasons to settle with Jack’s kids?

  2. If the copyright reversion is settled with Marvel and/or Disney, does this give them additional leverage in breaking existing contracts with other movie studios? In other words, does that “right to make X-Men movies in perpetuity” hold up if they don’t control the rights to the underlying characters?

One more for the holiday…

…because when else will I get to run it?

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p class=”text”>The Devil Ate My Blintzes, an illustrated poem,
tells the story of Goldie and Gus, who live in Dogpatch-like bliss and
sell “blintzes and wheel alignment” as well as “chicken soup and
transmission fluid.” The trouble (and fun) starts when the Devil finds
out about Goldie’s delicious blintzes and all hell breaks loose.

Do the forces of Evil and Destruction triumph over the forces of Goodness and Pot Cheese Filling?

Guess what today be, matey… aye, ’tis Talk Like A Pirate Day!

Yep, it’s that time of year again, it’s International Talk Like A Pirate Day, an important holiday in the Church Of The Flying Spaghetti Monster. Extra points if you conduct your Rosh Hashanah services while talking like a pirate.

If you need pointers, watch this:

In honor of this sacred day, I’m curling up with a bottle of rum.