Category: News

The Apple story that didn’t happen (yet) to make it a full-blown comics apocalypse

Apple didn’t announce this yesterday, as many people were expecting.

If it had been, the comics industry as we know it would be completely changed in less than two weeks.

On the other hand– Steve Jobs, Apple’s CEO, is also the largest shareholder of Disney. Which now owns Marvel. Which makes comics that would be perfect to display on any hypothetical Apple Tablet.

Hang on tight, folks. The ride does not get slower.

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‘Paul is dead’ and other reactions to the DC Comics restructuring

paul-levitz-dc-3615037It’s ironic that on a day that many people in the world are talking about the Beatles in one form or another, people in the comics industry are asking if Paul is dead.

Certainly, you don’t see this amount of coverage of a man’s life until his funeral. It reminds one of Twain: “They say such nice things at a man’s funeral that it’s a shame I’m going to miss mine by only a couple of days.” Paul Levitz has had many, many nice things said about him. Mark Evanier may have the best post placing Paul’s place in historical context so far:

DC and Marvel could not now interface with Time-Warner and — assuming the deal goes through — Disney if they had not evolved from hot dog joints into real businesses.

Many have taken credit for that evolution, including some who fought it until it became inevitable and a few who resisted even after that time. Among those who honestly do deserve great credit is Paul Levitz.

Kurt Busiek also sums up:

Paul has been at the forefront of just about every industry
development of the last couple of decades, and has been key to how the
industry’s shaped itself over those years. Shifting from a
periodicals-only business to a strong backlist-oriented business with
trade paperbacks and hardcovers, adding imprints like Vertigo, creating
new opportunities for creators and for creator ownership, seeing that
DC gave a fair (or at least fairer) deal to the creators who originated
the concepts that turned up in DC-based movies, from Arkham Asylum and
Lucius Fox to Robin’s motorcycles (yeah, because they called Chris
O’Donnell’s ride the “Redbird” in one of the movies, Paul Levitz saw to
it that Chuck Dixon got money) and more, Paul was an important part of
a huge number of changes that DC’s seen, and that the whole industry’s
seen. Some of them big changes everyone’s noticed, some of them
behind-the-scenes stuff few people know about.

Heidi MacDonald, another one of us who toiled in the vineyards under Paul, said: “Paul is one of the smartest, kindest people I’ve ever worked with. He changed comics for the better in such vast ways that it’s hard to imagine where the industry would be without his stewardship. I wish him all the best.”

Marv Wolfman said: For years now, Paul has talked about retiring someday soon and
returning to writing, his first love. For that reason alone I am so
happy for him because I know that’s what he deeply cares about and has
been wanting. As readers, we are in for some major treats. I
can also say, without fear of rebuttal by anyone who is in the know,
Paul is probably the best, the smartest, the most creative and the most
moral Publisher the business has ever seen. Most fans have no idea how
important Paul is, not only to DC, but to the entire industry. I have
often said, and mean, that without Paul there very well might not be a
comics industry today. I am not speaking in hyperbole. I am being
literal; I mean exactly what I wrote.

And I’m fond of Rich Johnston’s comment: I asked Keith Giffen what was up with Ambush Bug. He told me “He’s taking Paul’s job.”

One more thing that I’ve been told that I haven’t seen mentioned: Paul contributed tremendous numbers of comics to Len Wein when he lost his collection in the recent fire. Huge numbers.

So now what? Me, I’m just waiting for those great Legion stories… hey, and what is it with guys who write Legion going on to become head honchos at comics companies? Paul Levitz, Jim Shooter with Marvel, Valiant and Defiant, Mark Waid at BOOM!… what makes it such a prerequisite?

Warner Bros Gobbles Up DC; Levitz Out

In a not-unexpected move, Warner Bros. has taken complete control of DC Comics, renaming the company DC Entertainment and promising to integrate the publishing house’s work into its existing divisions. 

President and publisher Paul Levitz, an employee of the company for nearly four decades, is relinquishing those roles and will go back to writing comic books for the company. He will also be serving as both an editorial consultant and as a transition consultant for the new operation.

Rumors, of course, run rampant, the most persistent being DC’s possible move to Los Angeles. Levitz has had an “I don’t have to move west” clause in his employment contract, which adds fuel to this fire.

Unlike the Disney / Marvel situation, Warner Bros. is clearly moving DC’s various operations into its mainstream, so it is logical to expect that a great many changes lie ahead. When Disney announced its purchase of Marvel, they said they were leaving its management team in place.

Full details from Warner Bros’ official press release follows.

WARNER BROS. CREATES DC ENTERTAINMENT

Diane Nelson to Serve as President, DC Entertainment

Paul Levitz to Segue from President & Publisher of DC Comics
To Writer, Contributing Editor and Overall Consultant to DC Entertainment

(Dateline – Burbank, CA) Warner Bros. Entertainment Inc. (WBEI) has created DC Entertainment Inc., a new company founded to fully realize the power and value of the DC Comics brand and characters across all media and platforms, to be run by Diane Nelson, it was announced today by Barry Meyer, Chairman & CEO, and Alan Horn, President & COO, Warner Bros.

DC Entertainment, a separate division of WBEI, will be charged with strategically integrating the DC Comics business, brand and characters deeply into Warner Bros. Entertainment and all its content and distribution businesses. DC Entertainment, which will work with each of the Warner Bros. divisions, will also tap into the tremendous expertise the Studio has in building and sustaining franchises and prioritize DC properties as key titles and growth drivers across all of the Studio, including feature films, television, interactive entertainment, direct-to-consumer platforms and consumer products. The DC Comics publishing business will remain the cornerstone of DC Entertainment, releasing approximately 90 comic books through its various imprints and 30 graphic novels a month and continuing to build on its creative leadership in the comic book industry.

In her new role, Nelson will report to Jeff Robinov, President, Warner Bros. Pictures Group, in order to best capitalize on DC Entertainment’s theatrical development and production activities and their importance to drive its overall business with each of the divisions of Warner Bros.

Nelson will bring her expertise and more than 20 years’ experience in creative brand management, strategic marketing and content development and production to ensuring DC Entertainment’s dual mission of marshalling Warner Bros.’ resources to maximize the potential of the DC brand while remaining respectful of and collaborative with creators, talent, fans and source material. Additionally, Nelson will continue to oversee the franchise management of the Harry Potter property, which she has done since 2000, and also continue to represent the Studio’s interests with the author of the Harry Potter books, J.K. Rowling. Nelson will segue from her post as President, Warner Premiere but maintain oversight responsibilities of that division. (An executive succession plan for Warner Premiere will be announced shortly.)

Paul Levitz, who has served as President & Publisher of DC Comics since 2002, will segue from that role to return to his roots as a writer for DC and become a contributing editor and overall consultant to DCE. This transition will take place as expeditiously as possible without disrupting DC’s business operations.

In his new role, Levitz will be called upon for his deep knowledge and more than three-decade history with DC Comics, both as a comic creator and an executive. Besides serving as a writer on a number of DC Comics titles, he will be a contributing editor and consultant to DC Entertainment on projects in various media. Additionally, he will consult as needed on the transition and integration of the DC Comics organization into DC Entertainment and will utilize his unique experience, knowledge and relationships with the comics industry’s creative community to help achieve DC Entertainment’s goal of maximizing the value of DC properties. Further, Levitz will advise DC Entertainment on creative and rights-holder relationships, in particular regarding the legacy relationships that have been a part of DC Comics for decades.

Widely recognized and respected for his support of writers, artists and creators in the comics industry, Levitz is best known creatively for his work with DC Comics, having written most of the classic DC characters, including Batman, Wonder Woman and the Superman newspaper strip. At Comicon International in 2008, Levitz was awarded the Bob Clampett Humanitarian Award as part of the Will Eisner Comic Industry Awards, the only industry executive ever so honored.

“DC Comics and its super hero characters are truly touchstones of popular culture, and the formation of DC Entertainment is a major step in our company’s efforts to realize the full potential of this incredible wellspring of creative properties,” said Meyer. “Diane knows our studio as a creative executive, a marketer and a senior manager, and this varied background will help her effectively and creatively integrate the DC brand and properties across all our businesses. We’re also thrilled that Paul will remain involved with DC and we’ll be able to tap his expertise to help us reach our goals for this new business.”

“It’s no secret that DC has myriad rich and untapped possibilities from its deep library of iconic and lesser-known characters,” said Horn. “While we’ve had great success in films and television, the formation of DC Entertainment will help us to bring more DC properties across additional platforms to fans around the world, while maintaining brand integrit
y and authenticity. Diane is a terrific choice to lead DC Entertainment, and with Paul in his new role as a valued consultant and contributing editor, both our company and comic fans win.”

“Based on the great success we’ve had working with DC Comics to create some of the most popular and successful super hero films of all time, I’ve long believed that there was much more we could do across all of Warner Bros.’ businesses with this great body of characters and stories,” said Robinov. “The prioritization of DC and the creation of DC Entertainment is a great opportunity that reaches far beyond the film group. There are endless creative possibilities to build upon the many significant successes already achieved by my colleagues Kevin Tsujihara and the Home Entertainment Group in the videogame, home video and direct-to-platform arenas and Bruce Rosenblum and the Television Group in live-action, animated and digital series. Collectively, we have the ability to grow a body of properties highlighting the iconic characters and the diversity of the creative output of DC Comics.”

“The founding of DC Entertainment fully recognizes our desire to provide both the DC properties and fans the type of content that is only possible through a concerted cross-company, multi-platform effort,” said Nelson. “DC Entertainment will help us to formally take the great working relationships between DC Comics and various Warner Bros. businesses to the next level in order to maximize every opportunity to bring DC’s unrivalled collection of titles and characters to life.”

“After so many roles at DC, it’s exciting to look forward to focusing on my writing and being able to remain a part of the company I love as it grows into its next stage,” said Levitz. “It’s a new golden age for comics and DC’s great characters, and I hope my new position will allow me to contribute to that magic time.”

DC Comics will celebrate its 75th anniversary in 2010 (NEW FUN COMICS #1, the first DC comic, began publishing in 1935), at which time more explicit details regarding DC Entertainment’s corporate and management structure, film and content release slate, creative roster and business objectives will be unveiled at a multi-faceted anniversary celebration and press conference in the first quarter of the year.

Current DC properties in development and/or production at Warner Bros. Entertainment include:

– “Human Target” is being produced by Warner Bros. Television for a mid-season debut on Fox.

– “Midnight Mass” is in series development at Warner Bros. Television for consideration for the 2010-11 season.

– “Jonah Hex,” Warner Bros. Pictures’ supernatural Western starring Josh Brolin, Megan Fox and John Malkovich, recently wrapped production in Louisiana.

– “The Losers,” Dark Castle/Warner Bros. Pictures’ action-adventure drama starring Jeffrey Dean Morgan, Zoe Saldana and Chris Evans, began principal photography mid-July in Puerto Rico.

– “The Green Lantern,” Warner Bros. Pictures’ next big superhero tentpole release, recently cast Ryan Reynolds as the titular character. The film has a projected second quarter 2011 release date.

– “Lobo,” based on the DC Comics anti-hero, has Guy Ritchie attached as a director; Joel Silver, Akiva Goldsman and Andrew Rona are producing for Silver Pictures and Warner Bros. Pictures.

– Warner Premiere’s direct-to-platform DVD animated release of “Green Lantern: First Flight” debuted July 28.

– Warner Bros. Animation currently produces “Batman: The Brave and the Bold,” which airs on Cartoon Network.

– Warner Bros. Interactive Entertainment released “Batman: Arkham Asylum” on August 25, a dark, action packed videogame adventure for Xbox 360 videogame and entertainment system, PlayStation3 computer entertainment system and Games for Windows.

Prior to being named President, DC Entertainment, Nelson most recently served as President, Warner Premiere since its founding in 2006. Warner Premiere is a Studio-based production company which develops and produces high-quality, direct-to-DVD and short-form digital content, including the highly successful line of DC Universe animated DVD titles, and also pioneered the development of the motion comics category. Under Nelson’s leadership, Warner Premiere functions as a full-service production entity with its own resources and release schedule, furthering the Studio’s mandate of being a destination for both established and up-and-coming talent to create stand-alone properties as well as experiment in new media.

Before that, Nelson served as Executive Vice President, Global Brand Management, Warner Bros. Entertainment, with the primary responsibility of working cross-divisionally and throughout Time Warner to maximize and optimize all the various windows and outlets available to the Studio’s signature franchises, brands and event properties on a global basis. In this post, Nelson’s primary focus was the management of the Harry Potter brand, which she has overseen since the brand’s launch at the Studio in 1999. These efforts have helped drive the success of the brand to become the most successful film franchise of all time, as well as a respected consumer property that has generated billions of dollars for the Studio.

At Global Brand Management, Nelson and her team of more than 15 employees worked in all media and platforms to support a number of other key franchise properties, including “The Matrix Reloaded,” “The Matrix Revolutions,” “Batman Begins,” “The Dark Knight,” “Happy Feet,” “Polar Express” and “Charlie and the Chocolate Factory,” among others.

Prior to overseeing Global Brand Management, Nelson had
served as Executive Vice President, Domestic Marketing, Warner Bros. Pictures. Nelson rose quickly through the ranks, having also served as Senior Vice President, Domestic Marketing, Warner Bros. Pictures and prior to that, Senior Vice President, Family Entertainment, Warner Bros. Corporate Worldwide Marketing and Planning. She was also Vice President, Worldwide Corporate Promotions, a post to which she was promoted in March 1998, after joining the Studio in September 1996 as Director of Worldwide Corporate Promotions.

Nelson came to the Studio from Walt Disney Records, where she served as Director of National Promotions. She is a graduate of Syracuse University’s Newhouse School of Communications.

Richard Curtis (‘Blackadder’) writing ‘Doctor Who’ episode

Proving that everybody knows everybody in the British entertainment system, Richard Curtis, well known for writing Blackadder, Mr. Bean, Notting Hill, Love Actually, and the Bridget Jones screenplays, will be writing an episode of Doctor Who for the upcoming season, according to the BBC.

Considering Curtis’s long association with Rowan Atkinson, we feel we must show you Doctor Who: The Curse Of Fatal Death, starring Atkinson as the Doctor. Curtis didn’t write this, it was written by… new showrunner Steven Moffat. Hmmm…

‘GrimJack: The Manx Cat’ #2 in stores now

How backed up have things been here? I didn’t even get a chance to note that GrimJack: The Manx Cat #2 is already in stores. Silly me, I thought this was coming out this week.

Since new books aren’t shipping until Thursday this week, if you find yourself in a store on Wednesday, go pick this up along with issue #1. Ostrander and Truman at their bestest. IDW at their publishiest. And us, as always, at our busiest.

DragonCon Weekend!

Who said convention season was slowing down? Dragon*Con is this weekend in Atlanta, Pittsburgh is next weekend, Mid-Ohio, Baltimore, and Wizard Big Apple are next month… this is going to get exhausting.

Our favorite photo so far from the convention is from the lovely Felicia Day above: “Me and zombie Lincoln and zombie John Wilkes Booth at the zombie ball.”

Not sure how much news we’re going to get out of the convention, or whether this is just going to be a sultry summer con to wind down the season. Depends on what Marvney has to say…

Disney Kiddy Ride Fail

Since we haven’t picked on Disney in hours, and since we’ve heard people wondering if Disney is going to have trouble with potentially adult situations coming from Marvel, we’d just like to refresh people’s memory of the Disney character from the 90’s, Marsupalami…

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Don’t ask where the rest of his tail is, either.

Meanwhile, in ‘Superman’ movie news…

If you ever wonder why DC can’t catch a break in movies while Marvel’s going gangbusters, consider this piece from the New York Post about the producers of Superman:

MOVIE mogul Jon Peters has been ordered to stay 100 yards away from his “Superman: Man of Steel” co-producer, Brian Quintana — for allegedly threatening to kapow! him.

The battle between the producers flared up on Aug. 12 when Peters
was giving a deposition at a Los Angeles law office for a sexual
harassment lawsuit Quintana filed against him. According to a
transcript of the deposition, Peters shouted, “I am going to cross this
table and beat the [bleep]ing [bleep] out of you. I am going to kick
your ass.”

Quintana, 41, told Page Six that Peters lunged at him during the session, adding, “His lawyer had to hold him back.”

A police report Quintana filed Aug. 14 reads: “Mr. Peters
threatened to break my legs. I am afraid, nervous and anxious that Jon
Peters is going to hurt or kill me.”

Then, on Aug. 19, Quintana got a court order forbidding Peters from
threatening, assaulting or harassing him. A hearing is set for Sept. 9
to decide how long the order remains in effect.

Relations between the co-producers have been more charged than
kryptonite. As we first reported last year, Quintana filed a suit
claiming Peters sexually roughed him up and subjected him to
“continuous and pervasive sexual harassment,” including “multiple
instances where he was physically [and] sexually harassed by Peters.”

Peters’ lawyer, Joe Yanny, told us, “This
restraining order is ridiculous. Mr. Peters did not threaten Mr.
Quintana. He is trying to manipulate the system.” He said Peters “lost
his temper” at the deposition because Quintana was throwing kisses at
him. He also said Peters obtained a restraining order to prevent
Quintana from saying he was an “employee” of Peters.

Remember, if there isn’t a Superman theatrical movie in production by 2011, the Siegel estate gets millions. I wonder if DC can take it out of Peters’s scalp.

‘Lobo’ goes to Hollywood (really!)

Heidi has the goods:

Manly director Guy Ritchie is set to direct the LOBO movie… let’s start the campaign to cast defining artist Simon Bisley in a supporting role NOW! There’s gonna be so much bonus testosterone on this project that Megan Fox is gonna turn into a sprint champion. Warner Bros. has locked Guy Ritchie to direct “Lobo,” the live action adaptation of the DC Comics drama about an alien interstellar bounty hunter. Don Payne wrote the most recent script draft, and Joel Silver, Akiva Goldsman and Andrew Rona will produce.

In the meantime, expect a price bump in back issues of the book to the right.