Good news for big fans like myself of Jeff Smith’s Bone. Comic Book Resources just posted a press release from Scholastic promising four new graphic novels, the first new story in that universe since 2002’s Rose. Don’t take my word for it:
First to be published will be “BONE: Tall Tales,” coming in Summer 2010, written by Jeff Smith and Tom Sniegoski, and illustrated by Jeff Smith, featuring new art and stories with favorite BONE characters. In addition, Scholastic will publish a highly-anticipated expansion of the BONE world—the Quest for the Spark Trilogy. Overseen by Smith, the trilogy will be written by Tom Sniegoski and illustrated by Jeff Smith. “BONE Quest for the Spark: Book One” (Fall 2010), “BONE Quest for the Spark: Book Two” (Spring 2011), and “BONE Quest for the Spark: Book Three” (Summer 2011) represent the first time Smith has continued the adventures set in the valley since the publication of Rose, the prequel to the BONE series.
It seems a little odd that Smith won’t be writing the characters that propelled him to indie stardom, but if you’re anything like me, next summer now can’t come soon enough. Go check out the press release for the full story, including some interesting sales figures and a little more background on Bone newcomer Sniegoski: Press Release via CBR
This is the line outside Hall H to see Twilight previews and cast members– the estimates are about 1200 overnight campers, from what I hear. And like all vampires, they will be up late. Let’s see if they all sparkle first thing in the morning… (Photo hat tip: Vaneta Rogers.)
There are only so many hours one can devote to television watching so a show has to garner some excellent buzz in order to get sampled in my household. I was initially tempted by TNT’s Leverage last winter but something or other kept us from trying it but as it aired, people started chiming in about how cool it was. Thanks to Paramount Home Video, the first season was released last week and my wife and I blitzed through the 13 episodes to see what the buzz was all about.
There’s little original about the premise since it’s been heavily compared with the [[[Oceans]]] movie or television’s [[[A-Team]]]. The latter is more apt as is a comparison with [[[Mission: Impossible]]] without the federal angle. In fact, in watching Timothy Hutton’s Nate Ford, he really is a modern day George Peppard, blending his insurance investigator [[[Banacek]]] with his A-Team Hannibal Smith. Looking a little shaggier than Peppard, Hutton is a deeply flawed man and makes for an interesting series lead. He is struggling with his alcoholism at the same time as he copes with the grief of losing his son, denied insurance coverage for treatment by the firm he worked for. As a result, he comes to form a team of thieves who will now do good and pick up where the law leaves off.
The pilot episode cleverly introduces the quintet of characters while giving us the briefest of glimpses of why they were criminals and what drove them. Across the 13-episode first season, you watch them grow and bond with one another in unusual ways as each gains a family for the first time and they come to realize being good guys isn’t all that bad. Their cases are nicely varied and while the cons are a tad too slick and without true complications to be threatening, the show is engaging.
A series like this lives and dies by its cast and the ensemble put together shows a terrific eye from the production team led by co-creator (and former [[[Blue Beetle]]] writer) John Rogers and producer/director Dean Devlin. While Hutton is the most recognizable face, genre fans will welcome Gina Bellman ([[[Jekyll]]]) and Christian Kane ([[[Angel]]]) along with newer faces Beth Riesgraf ([[[Alvin and the Chipmunks]]]) and Aldis Hodge ([[[Friday Night Lights]]]). Across the episodes we learn interesting things about their characters, delighting in Hodge’s tech geek who uses [[[Doctor Who]]] actors as aliases and is One of Us. Kane’s brawler turns out to be an excellent chef and Bellman’s Sophie is a would-be actress but truly horrible on the stage.
The show has a slick look and in the hands of Devlin and fellow director Jonathan Frakes (who handled two shows) there’s a relaxed feel among the cast as they go up against crooked bankers, mobsters, senators and the like. Many of the stories have that ripped from the headlines feel, which keeps things feeling modern.
Guest stars enliven most episodes especially with the always welcome Mark A. Sheppard’s insurance company rival, who appeared in four shows and Kari Matchett ([[[Studio 60]]]) as Hutton’s ex-wife. Many other familiar faces turn up and are welcome.
The four disc set contains copious commentary throughout and a tremendous number of deleted scenes, many showcasing Hodge’s improvisational skills. Other featurettes include [[[Leverage]]]: Behind the Scenes, a nice look at the cast and crew; Anatomy of a Stunt Fight, a pretty standard feature with Kane; The Cameras of Leverage, a bizarre visual valentine; Leverage Gets Renewed, a fun peek as the cast learns the news; and, Beth Riesgraf’s Crazy Actress Spoof, which is amusing for the first half.
The series debuted its second season this past Wednesday and I have to say, it’s off to a strong start. There will be two sections, seven episodes now and another eight in the winter.
Here it comes, folks… hope you’re ready. We can already see some of what Marvel is going to be pushing hard this year, particularly with principal photography just finishing… (Hat tip: Ryan Penagos.)
The nice folks releasing the Coraline DVD today (based on the award winning book by Neil Gaiman, doncha know) have given us a free copy of the DVD to give to a ComicMix reader.
As we’re too dang busy between now and San Diego to grade essays on “why I should get the free DVD of Coraline“, we’ll just make it simple: Comment in this thread, using a real email address when you log in (because that’s how we’ll contact you if you win). Contest open only to people living in the United States. Don’t forget to check out the film’s current site.
In the meantime, here’s a little clip from the DVD extras…
I’ve enjoyed many a Jamba Juice so I was disappointed to learn that their current marketing campaign features a blatant ripoff of David Rees’s detournement classic Get Your War On.
Rees, of course, is appropriating free stock images but the Jamba Juice
campaign is not doing the same thing. They are appropriating what Rees does with those images,
right down to the way he renders his word balloons. I have no idea how
the case would hold up in intellectual property court and Rees says on his website he’s not interested in legal action (only a boycott). But it’s plain as day: Jamba Juice ripped him off.
Through the miracle of modern googling I learned that the marketing agency behind the Jamba Juice “Summer Bliss is Back” campaign is an LA shop called Neighbor. Their unintentionally hilarious website
positions themselves as paragons of crunchy, earthy, green, do-gooder,
one-world decency. According to their manifesto: “You get conscious,
inspired, ethical, engaged, genuine, positive and purpose-driven work
that grows your business and your people all the while making the world
a better place.” Ad man, heal thyself.
The worst part of it is that people are going to think that David Rees endorses this stuff.
No one can fault Warner Bros. for not giving their best marketing effort to get people to come find out for themselves why the fans and the mass media have been falling over themselves to hail Alan Moore & Dave Gibbons’ Watchmen as the greatest graphic novel of all time. Last summer they hooked the geekerati at Comic-Con International and spent the fall and winter making certain the rest of the world knew the film adaptation was coming. When the press reviews began hitting, the mixed commentary all talked about the difficulty of translating the dense, layered narrative into a film regardless of length. Some found it faithful and well-done while others couldn’t follow the story and thought it was too somber for its own good.
While the diehards attended more than once to sop up every nuance, the rest of America seemed not to care anywhere near as much. For those of us familiar with the language of comic books and graphic novels, we easily followed the movie while those less versed found it off-putting despite the brilliant 12-minute opening that set the stage. As a result, the film earned just $107,509,799 domestically and with additional $75,225,483 from international screens, it stands as a commercial disappointment.
As I said in my review last March, the film was not at all a creative disappointment. There are sharp performances, especially Jackie Earl Haley and Jeffrey Dean Morgan, and while there are favorite characters missing or diminished, the movie does a solid job condensing the story. Still, it feels constrained and probably would have worked better as either two films or an extended premium cable miniseries (although that would have been prohibitively expensive to mount). Now we have additional footage in [[[Watchmen Director’s Cut]]] being released tomorrow by Warner Home Video. It’s available in standard and Blu-ray editions, each packed with extras. Here’s a sample:
It’s that time of year again, the time when San Diego Comic-Con goers, grizzled veterans and fresh faced newbies alike, are reading Tom Spurgeon’s 100 tip list and seeing if they forgot anything. Tom’s list is long enough this year to qualify for a novella, but is either the most or second-most useful piece of reading for the con, right up there with the program schedule.
That said, Tom missed a few tips:
Keep your cell phone on vibrate. At all times. You may not be able to hear it ring on the main exhibit hall floor or any late night bars, and you will disrupt a panel if it rings there. Better: when possible, text a message instead of calling– again, because ambient sound levels where you are may be too high to hear anything or because they should be very low.
When asking a question at a panel, if it’s too long to put in a Twitter message, it may be too long to ask. Consider rephrasing.
And you have no excuse for not having a business card. No matter who you are. They’re cheap, easy and quick to get. You don’t have to go crazy on one, but you do have to have something. You never know when you’ll need one– buying a drink for a Playboy Playmate, for example. At worse, buy blank cards and prepare to write your name a lot– but write a few in advance, for speed’s sake.
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