Category: News

If you ever went to an art school, chances are you knew examples of these twenty kinds of art students, categorized by Chuck Dillon during his time teaching at the Hussian School of Art in Philadelphia. And if you’re reading this blog, there’s a pretty good chance you might have been the one we’re showing here at right.C’mon. We’re all friends here. ‘Fess up. If you weren’t the comic book student, which one were you?

Fans who want to sample the action, grit and intrigue of Lone Justice on the printed page for the
first time will be able to find it in the form of a limited edition,
full-color ashcan available exclusively at the Insight Studios Group booth at
Comic-Con International: San Diego, Wednesday, July 22 through Sunday, July 26,
2009.

With a print of just 200 copies, the full-color, limited
edition contains the first 24 pages of Lone
Justice: Crash!, setting the stage for the epic adventure through the
action and turmoil that follow. With a cover price of $10, it is signed and
numbered by writer-artist Mark Wheatley, who will be at the Insight Studios Group booth at the
convention. Copies will be sold on a first come, first served basis at booth
#2308 in the Independent Press Pavilion.

“We’ve received tremendous fan feedback from the online
incarnation of Lone Justice: Crash,
and I really enjoy the immediacy of it,” Wheatley said. “This ashcan is the
first time any of this material will see print, and that brings an excitement
all its own.”

Lone Justice: Crash!
is the second time Wheatley and Tinnell have teamed up for a ComicMix
serialization. Their first effort, EZ
Street, the tale of two creative brothers, was nominated for a Harvey
Award. It also contained a comic-within-a-comic aspect, as it featured Lone
Justice as one creation of its central characters. Despite the obvious
connection between the tales, however, both graphic novels can be enjoyed
entirely independently from the other.

Being a superhero isn’t just dangerous work, it’s also very expensive. Imagine a recession-era
Batman without Bruce Wayne’s fortune or Iron Man without Tony’s Stark’s
billions. Their respective crime-fighting enterprises would be very different –
or perhaps all together grind to a halt – if their money was to simply
disappear. Just like many Americans in the past year, that’s exactly
what has happened to Lone Justice, the pulp-style action-adventure hero created
by Wheatley (Breathtaker,
Mars) and writer Robert Tinnell (Feast of the Seven Fishes, Sight Unseen). Our hero experienced the devastating financial loss of
the Great Depression, but he didn’t lose his drive to keep fighting
crime…regardless of the consequences.

“Given
our title, Lone Justice: Crash!, it was difficult to resist calling this the Lone Justice: Crashcan, but life is
confusing enough as it is,” Wheatley laughed. “So, c’mon by the booth at
Comic-Con and pick up of the Lone
Justice: Crash! Ashcan!”

Transformers… more than meets the eye. This, we know. But what happens when the mighty all-spark malfunctions and sends the Michael Bay Monstrosities to wage war against the Autobots and Decepticons of our shared youth? We’ve got a few battles in our back pocket ComicMixers… let’s let ’em duke it out, shall we?

Round Four: The BFF Brawl for it all!

Without the backdrop of Earth, would the battle between the Autobots and Decepticons be awesome? Yes. But because it is on our little blue orb in the cosmos, it’s that much cooler. Even cooler than that though, the heroic Autobots befriended one of our very own. Spike Witwicky was a plucky 14 year old hard hat wearing son of oil rig worker Sparkplug. When Sparky’s rig became a set piece for the war between those who were “more than meets the eye” Spike and his dad offered their friendship to the Autobots… to help them acclimate to our hip and trendy world. Optimus and his crew accepted, and soon, Spike was in our living room, capturing our heart. Sure Spike made some mistakes… he unwittingly brought Soundwave into Autobot headquarters. He later got captured and brainwashed… but hey, he was just a kid. To counter point it, he introduced the good guys to the concept of Dinosaurs, as well as provide companionship on the many adventures to Cybertron, Dinobot Island, etc. It was this companionship that most could argue that made Optimus the human-loving leader he is today. And without him, who would Bumblebee quip to? No one, that’s who.

In the movies, Sam Witwicky is this generation’s “Marty McFly” (according to TF 1 writer Roberto Orci). Sporting a crude ‘tude in the first movie, Sam was our POV man, quick with the wits, and quicker with the “run for your life” skill. This skill of course allows Sam, who is a marginally unathletic kid, the superhuman ability to outrun battle-trained transformers in an unending loop of flying debris and explosions. While he doesn’t sport a curly red mop and hardhat, he does sport todays hip equivalent: two tee-shirts on at once, cargo pants, and a bit of the life-giving all spark. Hell of a keychain kid.

So folks, let’s say a rift in celluloid occurs, and these Wikwickys are made to do battle. Sam has the age advantage, but Spike is wearing a hardhat. Sam has the all-spark… but, to make things fair, Spike has his brain placed into that cool Autobot X. That out to make it nice and even right? Only one way to find out… COMMENT!

… And don’t forget to vote in the previous rounds, for the Amalgamated-Assemblage of alloy…Devastator! Or for the Buzz-worthy Bumblebee! Or your favorite Vocoder-voiced-villain, Soundwave!

In this week’s installment of Lone Justice:Scion’s explosive return! This is a job for our favorite Pulp Hero – Octavius Brown?!

Brought to you by Robert Tinnell and Mark Wheatley!

Start reading now! Or start from the beginning!

Kids aren’t just short adults; if you spend any time around them, you’ll learn that quickly. (This is also the reason why many people choose not to spend much time around children.) And, similarly, books for children aren’t the same as books for adults, nor are they adult books simplified or dumbed down.

This week, I’ve got five books – parts of three series – all of which are for kids in some way or another. I’ve got two books that are for “all ages” – and I’ll see what that actually means in this case – two that are solidly aimed at tweens, and one that’s for…well, a very particular audience, as far as I can tell, and I’ll get to that.

Dungeon: Zenith, Vol. 3: Back in Style
Written by Joann Sfar and Lewis Trondheim; Art by Boulet
NBM, May 2008, $12.95

Dungeon Monstres, Vol. 2: The Dark LordWritten by Joann Sfar and Lewis Trondheim; Art by Andreas and Stephane Blanquet
NBM, October 2008, $12.95

I don’t know how the books of the sprawling [[[Dungeon]]] saga are categorized or considered in their native France, but, over here, they get the not-always-helpful “all ages” label. The librarians I’ve talked to hate that label, since it’s inaccurate – no book is for all ages, and saying so usually means the person categorizing it is too lazy, greedy or ill-informed to make a more solid determination. As far as I can tell, the audience for these books is 10-up, or possibly 12-up if I’m being conservative. (Though I am not a librarian, particularly not a children/teen librarian, and those would be the experts in this case.)

The Dungeon series has proliferated into six subseries by this point – “The Early Years” is self-explanatory, “Zenith” has adventures of the duck Herbert at the height of the dungeon’s powers, “Twilight” tells of the downfall of the dungeon, “Monsters” is “great adventures of secondary characters,” “Parade” is set between the first two volumes of Zenith and has funny stories, and “Bonus” is so far unpublished over here – and I have examples of two of them here. (For further examples, see my reviews of Monstres Vol. 1: The Crying Giant and Zenith, Vol. 1: Duck Heart.)

And both of these are solid pieces of middle, with the humorously bittersweet, almost world-weary tone that’s characteristic of the Dungeon books and of nothing else I know for this audience. (The Dungeon books take place in a world that could have been written by Jack Vance – lots of adventure and jokes, against a dark and unforgiving background that implies an inevitable tragedy.) Back in Style starts with Herbert’s love, Isis, about to marry the dungeon’s Keeper – or supposedly about to do so, since it later becomes apparent that it’s all a plot to trick her father. But plots rarely go well for the heroes of Dungeon, and Herbert and his friends soon are heading for the dubious safety of Craftiwich, the duchy where he would be the heir, if he weren’t under an instant sentence of death if he reappears. And things get even more dangerous and difficult by the end – which is, again, more of a stopping point for a volume than an actual ending; none of the crises have been really resolved.

The [[[Monstres]]] volume, [[[The Dark Lord]]], is deliberately a sidebar to the main Twilight story – which I have to admit that I haven’t read yet – so it’s set many years later. The apparent villain and title character is the Grand Khan, an aged duck who looks very familiar and has a son who is the Duke of Craftiwich, but the hero of the first story is Marvin the Red, a bunny in a full-body powered suit of armor. He’s escorting a village of women to safety when the world stops spinning and breaks into thousands of islets floating in lava – and then he gets sidetracked by a beautiful cat-woman, who is the Grand Khan’s daughter. The second story here is from the Grand Khan’s point of view, and we learn that he’s a prisoner of the Dark Entity within him – until he briefly dies to set it free. And then things get much worse for him, as the various evil minions and forces that he’s been controlling begin to battle with each other and him for control of the pieces of the shattered planet. Again, there’s not a whole lot of ending – and doubly so, since each of these stories is a sidebar to Zenith where, presumably, the main action will take place.

Both of these books have a strong dose of adventure, in their very European fatalistic style. (Knowing what will happen to Herbert later in his life certainly makes his youthful adventures less enthralling.) The art is by various hands, though all in the same vein – Blanquet is the cartooniest and Boulet the most energetic, but they’re all similar to the look established by writer-artists Sfar and Trondheim in the earlier volumes. I wouldn’t suggest starting here, though – the best bet, I think, is to begin at the beginning of [[[Zenith]]] and work out from there.

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