Category: News

The Un-Ethics of Watchmen, Part 1: A Bird’s-Eye View

drmanhattan-8414138Editor’s note: With the imminent release of Watchmen, we thought we’d try and get a different perspective. So we asked Alexandra Honigsberg, a professional ethicist and genre author, to read the book for the first time and delve into the ethos of the world created by Alan Moore and Dave Gibbons.

If super-hero comics are the literature of ethics, then Watchmen is the literature of un-ethics. It is the template for what not to do and makes Batman look like a Boy Scout, even at his darkest Dark Knight. They make Dirty Harry look clean. There’s a new saying on the street that Bitch is the New Black, it Gets Things Done. Well, these guys and gals are certainly the biatch. But is there any way to redeem their actions so that the ends justify the means? Or, more importantly, that even the most inhumane or inhuman retains some sense of what it means to be human?

The study of ethics is the exploration of the good life and how to live it. Now by the “good life” I don’t mean the bling life. I mean a life that is honourable, virtuous and, on a profound level not shaken by the winds of change, happy. Happiness (or pleasure or joy or The Good). That’s the end, the ultimate goal, or what Aristotle calls “that at which all rational beings aim.” Ari makes a fine distinction between the acts of a man (animal, non-rational) and the acts of a human (rational) or what some of us might term the mensch (gender neutral). One of the biggest invectives that Laurie hurls at Dr. Manhattan/Jon Osterman is that, after working for so long in the lab and being so all-powerful (the man not only to end all wars, but end all worlds), he ceases to be human. Moore emphasizes this with quotes from Nietzsche, who claims that when we become evolved enough we will not need rules, we will have become extra-moral – the superman (not the Nazis’ bastardization thereof) who has no need of ethics as we now know them. But are we still human? Extreme means change the agent and therefore change the end (e.g., The Comedian’s total amorality). Can we still give a damn if we’re all god-like? Or in the midst of so much horror that no human could reasonably be expected to survive unscarred (think of the Holocaust), are we still human? What’s human? What’s life? What’s good and who decides? Who gives authority to whom and why?

 

(more…)

The latest on the Scans_Daily shutdown

Well, this has been an entertaining weekend.

To recap: on Friday, the LiveJournal community scans_daily has been suspended for posting copyrighted material without the permission of copyright holders, which is against LiveJournal’s ToS.

Many people, looking for a focus to blame, have taken out their venom on Peter David, bombarding his site with comments, some supportive, some abusive, and pretty much chewing up computer cycles. This has required moving up a planned migration and upgrade to the site, and there’s nothing like doing an upgrade while a comment storm is going on.

(Incidentally, this person is one of the more obnoxious pinheads I’ve come across in a while, whose argument seems to distill to "I was rude to someone I stole things from, so he took back what I’d rightfully stolen, I think, and this makes him a bad man". I suspect this person felt that the three bears had no right to chase Goldilocks away, let alone eat her– especially since she didn’t like two-thirds of the porridge that she ate.)

Further commentary has been brought up by Johanna Draper Carlson and Gail Simone on the "you’re shutting down a free comics site! Bad!" side, Kevin Church and Lisa Fortuner on the "About bloody time" side, and Digital Strips’ Brigid Alverson giving equal time to both.

As for the scans_daily moderators, the best summation seems to be from schmevil. Stubbleupdate has offered to answer questions in an interview; I’ve already sent a list.

 

Webcomics You Should Have Read: ‘Perry Bible Fellowship’

It started innocently enough, folks, I swear. I was patrolling my normal series of blogs, whence I came upon a startlingly funny little comic. Instantly I thought “Hey! Another opportunity to share with the masses an ongoing, intelligent, mildly offensive online comic! And again without fail, I find yet another online comic worthy of praise… that had already been deemed dead. But, my gentle readers (and my gentile readers too), I again choose to share with you a comic to be lifted on high and praised as “A Webcomic You Should Have Read!”. I give you The Perry Bible Fellowship. (Note: at this point henceforth when I declare things like this, you should quickly load up an MP3 of “O Fortuna Carmina Burana” and pour yourself a fine glass of Burgundy. If neither are available, a reasonable alternative would be a cassette single of "Step By Step" by NKOTB, and pour yourself a slop bucket full o’ Mountain Dew.)

I admit I find many things to be funny–religious zealots, explosions, bum fights, british curtness, farting, and my fiancé’s face when she’s asleep… and truly, this little strip seems to cover all those bases well, and then some*. A brief history tells us:

The Perry Bible Fellowship (or PBF) is a newspaper comic strip and webcomic by Nicholas Gurewitch. It originated in the Syracuse University newspaper The Daily Orange. The comics are usually three or four panels long, and are generally characterized by the juxtaposition of whimsical childlike imagery or fantasy with extremely morbid, surreal humor. Common themes include irony, religion, sexuality, war, science fiction, suicide, violence, and death.

The comic received its title, taken from the name of a church in Maine, in its Daily Orange incarnation.

Let’s dive in, shall we? (more…)

cosmiccomicsolivepanter-9910089

ComicMix Quick Picks – March 1, 2009

cosmiccomicsolivepanter-9910089Today’s list of quick items:

Anything else? Consider this an open thread.

Watchmen: Now Universal joins in with new clips

So far, Warner Bros., Paramount, and Fox have all had ties with Watchmen. Now, we can add NBC/Universal to the list.

Next week, NBC Networks will be airing never before seen exclusive Watchmen character profiles during the programming of shows on NBC, USA and SCIFI to gear up for the release of Watchmen on March 6th.

Here’s the schedule:

  •  March 1 – Clip montage featuring Dr. Manhattan airs exclusively during "National Treasure" on USA Network.
  •  March 2 – Clip montage featuring Rorschach airs exclusively during "Heroes" on NBC.
  •  March 4 – Clip montage featuring Ozymandias airs exclusively during "Ghost Hunters International" on SCI FI.
  •  March 5 – Clip montage featuring Nite Owl airs exclusively during "Battlestar Galactica" on SCI FI.
  •  March 5 – Clip montage featuring Silk Spectre II airs exclusively during "Burn Notice" on USA Network.
  •  March 5 – Clip montage featuring The Comedian airs exclusively during "30 Rock" on NBC.

Following their network airing, the clips will be available for viewing on nbc.com/watchmen.

Meanwhile, Disney is trying to figure out a way to tie things in. Some Ozymadias/ScroogeMcDuck crossover, I suppose. Or Donald Ducktor Manhattan, he’s already not wearing pants…

The Point – February 27th, 2009

Say Goodbye to February and Hello to March which will give us STAR TREK:TNG on FAMILY GUY, WONDER WOMAN on DVD, more episodes (and maybe a second season of ISSUES) but no SOUTH PARK on the iPhone and maybe no third season of REAPER. It’s a mixed bag for us and oh yeah, Mike Gold misses comic book racks.

PRESS THE BUTTON to Get The Point!

 

And be sure to stay on The Point via badgeitunes61x15dark-8644111RSS, MyPodcast.Com or Podbean

 

 

Marvel ends open submissions policy

We received the following statement from Marvel:

Due to an unprecedented number of unsolicited art and writing submissions, Marvel has altered its open submissions policy effective immediately.  Marvel has remained the only major publisher to continue accepting open submissions, however that practice has been halted as we review our strategies for accepting future submissions.
 
Marvel has a proven track record of attracting new and emerging talent and does not plan on ending those efforts in any way.
 
"If you look at our track record over the last 18 months, I think you’ll find the names of more new writers and artists in Marvel books than ever before.  Maybe more than at any other major comic book publisher, as a matter of fact," says Marvel Talent Liaison C.B. Cebulski. "We pride ourselves on finding new voices and artistic styles to help us shape the Marvel Universe in original and exciting ways. And while the hunt for new artistic resources to help us ever expand the Marvel mythos will continue, we’ll just be going about it in different ways. We’ve examined all our past practices concerning talent recruitment and it quickly became clear that more ‘reactive’ methods such as open submissions were the least effective ways to open the Marvel door for up-and-comers. So instead we’ll be continuing with the more ‘proactive’ methods of artist and writer discovery that we’ve found so successful of late, including some soon-to-be-announced new outlets."
 
While the open submissions policy has ceased, Marvel will continue its active recruitment of artists through its Talent Management department.  Artists are also encouraged to bring portfolios for review to the major conventions at which Marvel will have a presence this year.
 
Talent Coordinator for Marvel, Chris Allo adds, "In regards to finding new artists, we in the Talent Management department will still continue to look at online websites such as Deviant Art, Comic Art Community, as well as comic art blogs, and other related sites.  Online comics are rapidly becoming a source for scouting as well.  And, of course, we will still go to the comic book stores on Wednesdays and see what new artists are out there working for other companies and on independent books."                        
 
With the successful discovery and publishing of writers in the fields of comics as well as TV, film and literature, Marvel will continue to search out new voices in all published fields, as we have for the past number of years.
 
As new media and means of publishing comics on the web as well as small and independent press, we encourage all new creators to continue honing their craft by using all of the tools available during this time.  Marvel will be announcing a new submissions policy in the near future.

Let the speculation begin. Is this because Marvel’s been laying off people one at a time, and one of the folks let go was the guy who went through the slush pile of submissions? Is the market full up right now, and Marvel has enough talent to produce the limited number of books they’ll be doing? Have they finally figured out a way to clone Bendis?

And with this door closing, how many other people are just going to migrate to the web and start there, and not need Marvel at all? Don’t forget, Marvel Digital’s chief exec doesn’t think YouTube is a real entertainment channel… despite what Nielsen says.

Do PDF games show how comics can beat the recession?

Anyone who has shopped online for a tabletop role-playing game in the past few years is probably aware that many games are now available in a PDF format.  In fact, there are some games and supplements which are entirely PDF. This switch in focus has had its share of controversy, with some people preferring a more traditional bound version of games. However, in tough economic times, PDF is a very affordable way to get the newest game supplements without burning a hole in your wallet.

So, what are the pros and cons of PDF games? How are sales holding up in a struggling economy? What does this mean for the future of gaming and, ultimately, for the future of other forms of printed entertainment? I talked with industry experts Gareth-Michael Skarka (Owner and Director of Adamant Entertainment and  Director of Development and New Media for Cubicle 7), and Sean Patrick Fannon (Marketing, Publisher Relations and Communications Manager for the RPG division of OneBookShelf, Inc. –  which includes DriveThruRPG and RPGNow – and Senior Writer/Designer for Talisman Studios). They have over 30 years of professional game industry experience between them.

When asked about the pros and cons of PDF games, both Skarka and Fannon agreed that the major draw for this format is the instant gratification of having the material you are looking to purchase immediately. They also offered further insight as to why PDF has become such a popular format. Fannon mentioned that “PDFs facilitate information searches so perfectly, both through bookmarking and a straight-up search engine built into the readers. You can selectively print out the pages you actually need, rather than having to have the whole book to lug around. You can fit literally hundreds (even thousands) of books on one laptop or in a data storage device).” Additionally, Skarka pointed out that “PDFs can also move further afield from merely being an electronic version of a physical book, by including sound, video, etc. — this isn’t something which has been explored too much in the market just yet.  People are currently more comfortable with the "e-Book" concept, but once they become more widespread, the lines between the various things that can be distributed digitally (music, video, programs, etc.) will become more and more blurred.”

The lack of a more traditional book format seems to be the main downside to PDF games, says Fannon. “PDFs do not fulfill that primarily psychological desire to hold a book in your hands. People do enjoy the tangible experience of flipping pages, and being able to pull a book out at a coffee shop or other ‘comfort places’ to read through is not something easily done with a PDF. Even if you print one out and put it into a binder, that doesn’t represent the same visceral experience of holding and reading and referencing a printed book.”

In today’s difficult economy, may people are seeking inexpensive forms of entertainment and social gatherings. Gaming, appeals to both of these wants, and can provide hours of socially active entertainment at a relatively low cost. Games in PDF offer even more bang for the buck. Something many people might not realize, is that PDF games are also more financially viable for publishers. Noted Mr. Fannon: “PDF products run much less expensive than print products. Fans can get a great many more games and supplements for their hard-earned dollars, and to be completely honest, game companies make so much more from a PDF sale than they can hope to earn on a printed product, which means more money in the pockets of the creators – thus ensuring guys like me can really afford to make even more stuff for the fans.”

  (more…)

‘Suicide Squad’ coming to the silver screen

DC Comics’ Suicide Squad is on its way to the most dangerous mission yet– to Hollywood. Warner Bros. has hired screenwriter Justin Marks to adapt the property for the movies. (Does that make the contract he signed a Suicide pact?)

The current version of the Squad was created by ComicMix contributors John Ostrander and editor Robert Greenberger, introduced in the 1986 Legends miniseries, edited by Mike Gold. The revolutionary concept was to mix super villains and fallen heroes, giving them one last shot at redemption by the government by undertaking missions that will most likely kill them. Spinning off from Legends, the series lasted for 66 issues, and spurred a 12-issue maxiseries in 2000 and Ostrander returned for an eight issue mini-series in 2007. The particular characters involved have yet to be determined, but strong candidates include Amanda Waller, Rick Flag, Bronze Tiger (who just appeared in an episode of Batman: The Brave and the Bold) and Deadshot.

Marks, who is doing a rewrite of 20,000 Leagues Under the Sea for Disney, also wrote the Green Arrow comic-book movie project Supermax, which could conceivably connect with Suicide Squad as they both take place at Belle Reve prison. John Ostrander is currently writing Star Wars: Legacy for Dark Horse and GrimJack and Munden’s Bar for ComicMix.

I just got off the phone with John Ostrander, who had just heard about the project this morning. He’s looking forward to seeing what happens next.

Me, I’m looking forward to DC reconsidering whether or not to put out those Suicide Squad reprint collections now. Hint hint.

Samuel L. Jackson signs as Nick Fury — nine times!

nick-fury-jackson-3247732Feel the Fury of SamJack!

The Hollywood Reporter tells us that Samuel L. Jackson has signed an unprecedented nine-picture deal to play Colonel Nick Fury, director of S.H.I.E.L.D., in a series of Marvel movies that include Iron Man 2, Thor, Captain America, The Avengers and its sequels.

Also on the table is the possibility of toplining a S.H.I.E.L.D. movie, which is in development.

Jackson, the unoffical model for the Marvel Ultimate version of Nick Fury, first appeared at the end of Iron Man and was expected to be part of the Iron Man sequel, but as Marvel negotiated with its cast, deals proved hard to come by. Terrence Howard was replaced by Don Cheadle. Mickey Rourke still doesn’t have a deal for the part of a villain despite almost two months of negotiations.

But now, Jackson has signed for a potential ten films as the same character. For perspective, Sean Connery only played James Bond in eight films, and that’s counting Never Say Never Again and The Rock— oh come on, he was playing James Bond in The Rock, you know it and I know it.