Category: News

NYCC 2009: Intellectual Property Primer

One of the concerns for comic book creators is is protecting their rights.  In support of that, New York Comic-Con had a panel on Saturday called "Intellectual Property 101", put on by three lawyers in the entertainment business.  Thomas A. Crowell, Sheafe B. Walker, and Walter-Michael Lee, attorneys specializing in entertainment law and intellectual property, gave an overview and answered questions from the audience.

Several forms of rights are involved.  The first is copyright. Under current copyright law, a work is copyrighted automatically upon creation.  In the United States, copyrights are valid for the life of the creator plus 70 years.  In "work for hire contracts", copyrights may be for 95 or 120 years.

There is no requirement have anything special in the work such as a copyright symbol, or to register it to have a copyright.  However, registration of copyright was strongly recommended.  Copyright registration establishes a formal legal record of a copyright’s existance, dating from when registration was made, and gives you greater ability to collect damages if the copyright is infringed. The "poor man’s copyright" practice of mailing yourself a copy of your work to establish copyright was dismissed as obsolete and not doing anything useful.

Copyright registration can be handled on line by going to http://www.copyright.gov/register, or using paper forms.  The Copyright Office encourages online registration, and charges less for it.  Online registration has a $35 fee, whereas paper forms will cost $45.  You will need to provide contact information for the copyright holder, a copy of the work being copyrighted, and the fee.

In answer to a question, it was stated that you could use one copyright registration to copyright an entire series, as in a continuing comic book. There was no requirment for a sperate filing and fee for each issue. It is also possible, though rare, to get a copyright on a work in progress that is not yet completed.

Partnerships and work-for-hire agreements present special challenges. (more…)

‘No Heroics’ emigrates to US TV

Great, another British comics invasion, only this time it’s on television.

ABC, jazzed from its success transplanting Life On Mars, has okayed a single-camera comedy based on a British series called No Heroics about superheroes with limited powers hanging out in a bar. Jeff Greenstein (Will & Grace) wrote the pilot along with original show creator Drew Pearce. Heidi Macdonald reports:

The UK version is out on DVD for all you all-region peeps, and thanks to Mr. Pearce, we got to sample the show*, which, like many Britcoms, puts its hapless cast into worse and worse social situations where not all their powers can save them. The UK show was quite funny, and featured a zillion in-jokes for anyone who actually reads comics, as well as a dark view of the social pecking order among the long underwear set. Hopefully a Stateside version can retain both elements.

It’s an ABC Studios production. Funny how that works nowadays…

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Torchwood’s John Barrowman on new show on BBC America

johnbarrowman2-5445045Waiting for the new season of Torchwood to start? Jonesing for more Captain Jack Harkness? We have something that might tide you over…

BBC America has just picked up a new musical theater reality series featuring John Barrowman, who plays Captain Jack. Any Dream Will Do, with eleven 90 minute episodes, will chronicle the search for a new male talent to play Joseph in the West End revival of Joseph and the Amazing Technicolor Dreamcoat. Graham Norton hosts the series which also showcases Andrew Lloyd Webber.

Any Dream Will Do makes its U.S. premiere on March 29 at 8 PM– and if that’s not enough for you, it will be followed by a one-hour special The Making of Me: John Barrowman.

All right, you fans of Jack/John… get going.

Wolverine and the X-Men go Manga

At New York Comic Con this weekend, Del Rey Manga announced the latest information on their two new manga-style retellings of Marvel Comics properties, Wolverine and The X-Men.

Both books will be all-new stories with original art — consider them a "radical re-mix" of the well-known comics characters.

Wolverine: Prodigal Son, with story by Antony Johnston and art by Wilson Tortosa, takes a shonen manga approach. It’s an American characater with a Japanese spin, and according to Associate Publisher Dallas Middaugh, to add to the international flavor, the author is British and the artist is Filipino. Due out at the beginning of April, this book will be extremely different from Marvel’s version, and does not require any prior knowlege of the Marvel continuity. 

X-Men: Misfits, with story by Dave Roman and Raina Telgemeier and art by Anzu, is also a complete re-imagining of the X-Men universe and characters, mixing shojo conventions with elements of the classic X-Men story. It focuses on Kitty Pryde as the protagonist, telling the story entirely from her perspective. In this version, Kitty is invited to attend an illustrious academy as the first girl at an all-boys’ school. Release is scheduled for May 26.

Roman’s previous works have included comics Jax Epoch and Agnes Quill, and Telgemeier worked on the Baby Sitters’ Club comics for Scholastic.

According to Roman, the student body is a collection of bishonens who represent different subcultures. Cylclops is depicted as a "emo rocker." Nightcrawler is a goth. Angel is a "preppy pretty boy." Their looks are also inspired by real-life celebrities such as Justin Timberlake (Angel) and Zac Efron (Pyro). You’ll even encounter a Tim-Gunn inspired Magneto. "We had to distance ourselves from the characters as they were," said Roman, and consider "who were these characters to us, and who else they could relate to." (more…)

Would you buy a 30 page comic for $5?

A braintrust question for you, as you rush off to buy your Wednesday fix of comics, and you lament the upcoming price hike from $3 to $4. Please take a second to consider…

The average comic gives you around 22 pages of story and art. And there are a lot of marginal titles out there that probably will be axed. There are also a lot of comics writers and artists without regular assignments and idle time on their hands. Would it be a better deal to bump the price to $5 and raise the page count to 30?

Surely there would be a lot of books this could work for. Spider-Man is already published three times a month, an eight page back up story would be the equivalent of an extra issue a month now.

Or do you think that in this economy, five dollars is just too much for any comic, even one with 30 pages of story and art?

Leave your thoughts on the matter in the comments section, please.

NYCC 2009: New manga releases from Del Rey

Del Rey presented its new manga and manga-related releases at New York Comic Con this weekend.

This fall will be the 20th Anniversary of the superstar shojo manga studio CLAMP. To commemorate the occasion, Del Rey will be releasing the xxxHolic Official Guide, featuring everything you need to know about the manga series xxxHolic, of which Del Rey has released the English translations of the first 12 volumes so far.

The official fan book will include character profiles, an index to the witch Yuko’s wardrobe (did you know one of the members of CLAMP is also a kimono designer?) and a complete key to the crossovers between xxxHolic and CLAMP’s other manga series brought to you by Del Rey, Tsubasa: Reservoir Chronicle. The format of the xxxHolic guide will be similar to that of the previously-released Genshiken guide.

Speaking of Tsubasa, Del Rey will also be releasing an oversized full-color art book this fall, Tsubasa: Album de Reproductions, featuring covers of all the Tsubasa manga, as well as art bever before published in the US and an additional manga feature.

CLAMP in America by Shaenon Garrity is an original project also hitting the stores this fall. Garrity edits manga for Viz Comics, as well as writing original webcomics and manga-related blogs such as All the Comics in the World for comixology.com and the Overloooked Manga Festival. CLAMP in America is a chronicle of the rise in popularity of CLAMP’s work in the US and their role in building the fan base for anime and manga in this country. It includes interviews with editors and creators and will also feature 300 pieces of art. (more…)

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ComicMix Quick Picks – February 10, 2009

spidercakes-5477225A collection of news items that have come in over the last few days while we’ve been recovering from NYCC.

  • KC Carlson is also recovering, but from a mini-stroke instead of con crud. Get well soon, big guy.
  • Brett Ratner directing Youngblood, according to Variety. So if you love what he did with X-Men 3… and Rob Liefeld continues one heck of a lucky streak.
  • Denys Cowan alerted me to the existence of a Rich Johnston for the win:
    Daniel Dae Kim, better known as Jin off of “Lost”, also attending the New York Comic Convention this weekend, in his capacity of being in “Lost,” “24,” “Enterprise,” “Angel,” “Hulk,” “Crusade” and all that. But he also wanted to walk around the show, buy comics, meet creators etc, without getting mobbed. So someone found him a “V For Vendetta” mask, letting Daniel walk around untouched for hours.
    As I start looking through all my photos…
  • And finally, Spider-Man cake wrecks. (Hat tip: Lisa Sullivan.)

Anything else we missed? Consider this an open thread.

Coraline… the Musical?

Not content with having a Newbury Award, the the top-debuting, wide-release, stop-motion film in movie history, and throngs of adoring fans dressed in black, now Neil Gaiman is trying for a Obie Award.

Coraline the musical goes into previews on May 7 at the Lucille Lortel Theater, off-Broadway in Greenwich Village, where it will run through June 20. The book is by David Greenspan and music and lyrics by Stephin Merritt, and directed by Leigh Silverman.

Casting will be– unconventional, to say the least. 9-year-old Coraline will be played by 55-year-old actress Jayne Houdyshell, with the Other Mother played by David Greenspan. (Cross-dressing in Greenwich Village? That never happens…)

ComicMix At Two

Well, today ComicMix turns two years old. It’s a tad bittersweet, as the advertising cutbacks that have decimated other media outlets have had their impact upon this young site as well. So – as you’ve no doubt noticed – we’ve hunkered down for the long haul. We ain’t going to give in to this economy; we’re up for the fight.

I’m glad to report that, lately, we’ve made some truly significant progress. We’ll be making a major announcement soon, with a touch of luck – meaning the lawyers and number crunchers do what they do in a timely fashion. Most of the folks who’s been working with us and hanging in there are aware of the broad strokes, and there’s been some Twittering and blogging and such, but you’ll get the full story right here as soon as it’s finished.

I’m told we’re getting significantly closer to the launch of the long-awaited Phase Three improvements and additions. This, too, is exciting stuff and has taken an enormous amount of energy from our Tech Team. We all want to get it right the first time, to the extent that’s technically possible.

So hang in there. You’ll be seeing the fruits of these labors very soon. As always, we want to thank all the writers and artists and tech folks who have been part of ComicMix, and we thank you, our worldwide audience, for your continued interest and support.