Category: News

Framing The Question, by John Ostrander

There’s a lot of buzz on the Internet this last week stemming from new Image partner Robert Kirkman’s video-taped manifesto calling for … well, I’m not exactly certain what he called for. A subsequent article/interview on Newsarama said it was “a call to arms for fellow creators to focus solely on their original stories, instead of the licensed work from the big two comic book companies, Marvel and DC.” Although he is also quoted later in the article as saying, “I want everyone to understand, I’m not saying no one should aspire to write for Marvel and DC characters … I’m just saying that it shouldn’t be the pinnacle of a comic book career.”

The article adds: “While Kirkman sees contemporary creators who try to do both creator owned works, and books for the big two, he believes they’re hurting their opportunity to succeed with their original stories.” It then quotes Kirkman further: “You can’t put your feet on both sides of the fence you have to take that plunge … if I’m doing Invincible and I’m also writing Spider-Man, and I’m giving fans a choice to try my unknown book, or Spider-Man who they know, they’re going to choose Spider-Man.”

OR … maybe some of those fans try Invincible because they really like what the writer is doing on Spider-Man. The savvy ones follow the talent – whether it’s the writer or the artist. The majority, however, are reading Spider-Man because it’s Spider-Man and it doesn’t matter if a hundred monkeys are typing it – unless the monkeys do something really dumb with it like use a Mephisto ex machina to get rid of a pesky marriage or bring out a clone or something. Stoopid monkey!

The point is … more readers get exposed to the writer as a result of his work on Spider-Man. A fair question to ask is – did the sales go up on Kirkman’s own creator owned books after he started writing the webby wallcrawler at Marvel? If not, then he had no benefit from doing it. If they have gone up, however, then at least part of the reason will be his stint at Marvel.           

As I understand it, Kirkman wants to re-energize/save the comics’ industry. If all the established talent left DC and Marvel, he thinks the two companies would have to “re-focus the majority of their titles to the teen audience.” The established creators would then work on creator owned books, revitalizing the industry. (more…)

Star Trek Comics Go ‘Round and ‘Round

According to CBS Consumer Products, the entire Star Trek comic book oeuvre from 1967 through 2002 will be released on a single DVD-ROM disc this September 1st.

The disc, produced by Graphic Imaging Technology, will contain everything published by Gold Key, Marvel, DC, and Malibu. This includes work by Len Wein, Marv Wolfman, Dave Cockrum, Tom Sutton, Mike W. Barr, George Pérez, Tony Isabella, Peter David, Robert Greenberger… pretty close to a Who’s Who of comics creators of the past couple decades.

IDW and ToykoPop are the current Trek comics publishers, but their works are not included on this disc. It will be available at big-box electronics stores and wherever better DVD-ROMs are sold.

 

John McCain Hates Dungeons & Dragons?

A series of posts on the website for Republican presidential candidate John McCain has gamers up in arms, and has earned attention from some high-profile media outlets for the strange decision to target Dungeons & Dragons players, of all things.

In an August 1 post on the official McCain campaign website, spokesperson Michael Goldfarb said of a recent New York Times blog post:

… in their new role as bloggers, the paper’s editors seem to have all the intelligence and reason of the average Daily Kos diarist sitting at home in his mother’s basement and ranting into the ether between games of dungeons and dragons.

While this mention didn’t generate much commotion at the time, it was Goldfarb’s decision to negatively namecheck D&D a second time just a few weeks later — a day after the end of the popular gaming convention Gen Con — that had everyone (including online culture blog BoingBoing) wondering whether the McCain staffer has some longstanding issues with the popular role-playing game and its fans.

It may be typical of the pro-Obama Dungeons & Dragons crowd to disparage a fellow countryman’s memory of war from the comfort of mom’s basement, but most Americans have the humility and gratitude to respect and learn from the memories of men who suffered on behalf of others.

It sounds to me like someone could never find enough friends to form a party… or maybe he was never allowed to be Dungeon Master. Either way, I can’t help but raise an eyebrow at the decision to make an anti-D&D stance a theme in McCain’s presidential campaign.

Origin of Magneto in New Marvel Knights Series

I really enjoyed previous Marvel Knights projects Spider-Man: Reign and Silver Surfer: Requiem, as the pairing of writers, artists and subject matter of each miniseries seemed to really catch lightning in a bottle. I’m not sure that these series fit in with past titles falling under the "Marvel Knights" banner, but I know that they felt like a fresh look at both characters — and that’s saying a lot, given the saturation of Spider-Man and Silver Surfer stories the past few years.

I mention all of this because I can’t help but look forward to next month’s debut of X-Men: Magneto Testament #1, which pairs writer Greg Pak (World War Hulk) with artist Carmine Di Giandomenico, whose work I really enjoyed in Daredevil: Battlin’ Jack Murdock. The five-issue series promises to take a look at the early life of Magneto, and I’m itching to see if the MK crew can capture the same vibe of Reign and Requiem in this one.

Pak told Marvel.com, "Like so many classic Marvel characters, [Magneto] has to grapple with the typical problems of any scrawny outsider: family problems, schoolyard bullies, and first crushes…But every little conflict takes on a terrifying, new dimension as the scope and inexorable advance of the Nazi menace becomes clearer."

The first issue hits shelves September 10, and I’ve posted the Marko Djurdjevic cover to #1 here, with larger versions of the cover and pages posted after the jump. (more…)

“Voltron” Film Moves Forward, “Robotech” in the Works?

Variety reported earlier this week that the big-screen adaptation of the popular anime series Voltron: Defender of the Universe has been moved forward into the "turnaround" phase of production, bringing the project no one really expected to see in theaters closer to fruition. According to Variety, a Fox-based financing and production agency is looking to secure a moderate budget for the film, akin to a film like the recent adaptation of Frank Miler’s graphic novel 300.

The film’s producer, Mark Gordon Co., plans to attach a director within the next week to the script written by Justin Marks — a name which seems to be popping up on a long list of adaptations these days, Marks has also authored scripts for a film based on the DC superhero Green Arrow, as well as adapations of the He-Man cartoon and the Hack/Slash series published by Devil’s Due.

Marks’ take is described as a post-apocalyptic tale set in New York City and Mexico, where five survivors of an alien attack band together and end up piloting the five lion-shaped robots that combine and form the massive sword-wielding Voltron that helps battle Earth’s invaders.

Also of note is a mention at the end of the Variety article that Voltron was one of several "giant robot" stories optioned after the success of Transformers in theaters. Warner Bros. secured the rights to another 1980s anime series with a massive, loyal fanbase in North America, Robotech.

You can read a review of the Voltron: Defender of the Universe script over at The Latino Review, which gave Mark’s adaptation of the series amazingly high marks.

And just in case you’re feeling nostalgic, YouTube has the <a href=”

opening from the 1980s Voltron series.

Tom Cruise Considers “Sleeper” Adaptation

The Hollywood Reporter recently indicated that Tom Cruise has taken a fancy to Ed Brubaker and Sean Phillips’ gritty superhero-noir series Sleeper, and seems inclined to set the adaptation project up at Warner Bros. with Sam Raimi tagged as producer. Cruise has been "loosely" attached to star in the big-screen version of the DC/Wildstorm title, which was one of the more adult-fare comics to come out of the publisher in recent years.

However, with all of the hub-bub surrounding the Warner Bros. adaptation of Watchmen these days, THR reports that the studio is being meticulous with its pursuit of the rights to Sleeper.

Even if Cruise opts not to do "Sleeper," his interest in the project is propelling it forward, despite complicated rights issues that must be sorted out. Raimi and Donen have long been fans of the book, and the project could have found homes at Sony and Regency if those issues hadn’t been so complex.

"Sleeper" takes place in the same publishing universe as other Wildstorm books, and integrally featured characters from the company’s flagship title "WildC.A.T.s" as well as characters from another book, "Gen 13."

Here’s an aspect of the story that’s also of note — apparently, Sleeper isn’t the only Wildstorm title being considered for adaptation:

Both "WildC.A.T.s" and "Gen 13" had been set up at different places around town and some of those deals were made before DC bought the imprint in 1999.

It’s a tangled web for sure, but of all the series being optioned lately, this one seems like an entirely viable story for the big screen. Although one has to wonder whether they’ll tone down the high level of violence and sexual themes in the story… and if so, will it still pack the punch that made it a favorite of so many readers (including myself)?

Har-Asses, by Elayne Riggs

I must confess, I didn’t read a lot of San Diego con reports this year. My SDCC attending days are probably well behind me; in addition to Robin just not being as into comic conventions as my first husband Steve was (maybe it’s because, for many pros, conventions are part of their job, whereas for the rest of us they’re part of a hobby), between hotel and airfare costs the darn thing has just gotten ridiculously expensive, and that’s if you can get a room or a flight or even admittance at all.

Plus, there’s the mobility thing, which has started becoming less of an issue now that my new job has increased my physical activity to a level it hasn’t seen in a number of years and my 50-year-old body is responding accordingly, much to my surprise. Of course, this year’s excuse has also been the job thing; after being out of work over half the year, I wasn’t about to make plans to travel anywhere further than New Jersey during the first few months of my new employment!

But, aside from the always-enjoyable pictorials that many folks uploaded to their blogs, the two posts that piqued my interest the most this year had to do with harassment. Yes, we’re still talking about harassment in this day and age. But, as has been pointed out recently in response to hypocritical and sanctimonious politicians presuming to lecture Russia from their own lack of moral high ground with admonitions like “this doesn’t happen in the 21st century” — well yes, yes it does. Anything that’s happening now is by definition happening in the 21st century. One can certainly argue that we as a civilization ought to have moved beyond sexual harassment by now, but one can argue we should have moved beyond various forms of discrimination and intimidation hundreds of years ago as well. It’s still happening even today, and it still needs to be addressed.

Fortunately in the 21st century we have an amazing communications tool that, to our collective knowledge, has never existed before in the entirety of human history. This electronic paper trail certainly has its flaws, but it also helps hold people accountable when there’s no other recourse. So when Rachel Edidin writes an open letter decrying the behavior of someone at San Diego who sought hugs from unwilling strangers, it gets discussed in an open forum where all sorts of interesting observations are made. One commenter noted it wasn’t "necessarily a male privilege thing," while Rachel herself added "I was generally hella impressed with the general respect for personal space at SDCC. In crowds packed shoulder-to-shoulder, I encountered only a very little bit of pushing, and aside from Creepy Hug Guy, I didn’t have a single encounter that made me uncomfortable." Someone else pointed out that "In Canada pestering a stranger for physical contact is a form of criminal assault even if it’s not intended sexually." (more…)

White Viper: Deep Background

In today’s brand-new episode of White Viper, by Erin Holroyd, Dick Giordano and Frank McLaughlin, we learn the secret origin of Ta Moa, his training in Japan and his first job on his own.  Was he able to fulfill the hopes and dreams of his father?  Was his training successful?  And why doesn’t he live in Japan?  

 

Credits: Erin Holroyd (Writer), Dick Giordano (Penciller), Frank McLaughlin (Inker), Lovern Kindzierski (Colorist), John Workman (Letterer), Mike Gold (Editor)

 

julius-00-7199636

“Julius” Latest Graphic Novel Targeted For Film

julius-00-7199636Variety is reporting that the Oni Press graphic novel Julius, written by Antony Johnston with art by Brett Weldele, is the latest project optioned for feature film treatment. According to the report, Mandalay Pictures has purchased the rights to Julius, with F. Gary Gray (Friday, Be Cool) named as director.

Mandalay prexy Cathy Schulman said that Gray "has a vision for this adaptation that will satirize obsessive consumerism while providing a thrilling ride for audiences."

Eric Gitter of Closed on Mondays Entertainment, the producing arm of Oni Press, will produce; Oni’s Peter Schwerin and Joe Nozemack exec produce. Schulman, David Zelon and Jonathan Krauss will oversee the project for Mandalay.

Confession time, folks: I’ve never even heard of Julius. However, with the rate at which projects are being released and optioned these days (with some projects optioned well before they’re released), this has become a far more frequent occurrence with me. Has anyone else out there read this one and/or feel inclined to comment on it?

Etch-A-Sketch Comic Art

Earlier this year I discovered the blog of the Etch-A-Sketchist. An artist whose medium is incredibly complex and heartbreakingly temporary: the Etch-A-Sketch. The child’s toy that is simple to learn but next to impossible to master. The Etch-A-Sketchist’s topics are heavily pop-culture influenced but breathtaking in their detail.

When I first discovered his site, I wrote him and asked if he ever did any comic book based images. He wrote back that he only had done a black costume Spider-Man, but I should check back at the end of the summer after all the superhero movies were released.

I made a note on my calendar program and, sure enough, there are lots to see now. I’ve posted a few after the jump.

Enjoy…. but don’t shake your screen.

(more…)