Indiana Jones and the Godless Commies, by Dennis O’Neil
Now we know. That Indiana Jones still swings a mean whip.
I liked the new Indy flick better than the critics I read, all of whom said something like, well, okay, it was all right but not up to the earlier entries in the series. Which makes me wonder: what would they have thought if this had been the first Indy flick, instead of the fourth. It’s like those clichés in Hamlet – they weren’t clichés to the greasy-chinned groundlings at the first (or fourteenth, or eighty-third) performance of Shakespeare’s story of a screwed-up kid with severe mama issues. Way back in 1981, Steven Spielberg, George Lucas, and a platoon of talented collaborators took elements from Saturday afternoon serials, silent comedies and maybe a few other sources and combined them in the right proportions to create entertainment that was not only right for the time, but provided a template for a lot of entertainment that followed.
Was the fourth as good as the first (or second, or third?)? That’s me, scratching my head and muttering, I dunno…And, frankly my dear, I don’t give a damn.
Years and years ago, a brilliant science fiction writer told me that Goethe’s criterion for judging art was found in two questions. To wit: What was the artist trying to do and did he succeed in doing it? I’ve never found a good reason to argue with Herr Goethe and by his criteria; Indiana Jones and the Kingdom of the Crystal Skull is a success. We entered the multiplex hoping to be amused, hoping to forget Bush’s ongoing follies and the Democrat’s internecine dogfights and – voila! We were amused and we, temporarily, forgot. Value received. Money well spent.

Today’s episode of 

Carter Hall was an American archaeologist with a particular interest in Egyptian history and relics. He was on a dig in 1940 when he discovered an ancient knife that the priest Hath-Set had used to murder Prince Khufu and his royal consort Chay-ara. Upon touching the knife Hall gained the memories of Khufu, discovering that he was the ancient prince reincarnated. Hall used the rare Nth metal to create a belt that allowed him to fly, and then crafted a winged costume so that he could confront Hath-Set’s reincarnation, Anton Hastor, as Hawkman.

To be filed under "I Don’t Know Where It Came From But I Like It," this image of characters from the popular Dragonball
Comics pro Mark Wheatley is already known for his work on series like Breathtaker, Frankenstein Mobster and his current ongoing series
