Category: News

Gotham’s Most Wanted: Dark Knight Joker Action Figure

It isn’t often that mainstream media picks up on toy collector news, but various news sources couldn’t help notice a mania for Dark Knight action figures based on Heath Ledger’s Joker.

The New York Post reported that people lined up the day they went on sale. Within minutes, the stock was sold out. The craze for the figure isn’t isolated to this side of the pond, either, with similar reports coming in from the U.K.

Collectors are believed to be buying up stock, convinced the figure is a collector’s item, since Ledger passed away before the film was released. The $9.99 toy is ranging from $15-50 on eBay now. As hype builds up for the movie and the buzz builds, it’s anybody’s guess as to how the value of the figure will be affected.

Them Bones, by John Ostrander

Oh, Your toe bone connected to your – FOOT BONE.

Your foot bone connected to your – ANKLE BONE.

Your ankle bone connected to your – LEG BONE.

Now hear the word of the Lord!

Remember that song? Dry Bones – a great African-American spiritual.Some of us remember it from the climatic episodes of The Prisoner, that great TV series starring Patrick McGoohan, the ending of which still befuddles the hell out of me. That’s alright; I like a lot of things that befuddle me – women have befuddled me a lot over the years but, dang, I like ‘em a lot!

What I like about the song is the word “connected.” It suggests we look at things in context. I can understand how, in academia, it’s useful to parse things out for study. Sometimes studying a tree can tell you a lot about a forest. However, I do wonder if we haven’t gotten too specialized in our daily lives. Special Interest Groups (SIGs) seem to have more pull in government than ordinary citizens. Their power comes from their myopia. They are not there to think of the general well-being; they are there to work for the narrow interests of one group, whether or not that benefits the whole, and sometimes despite the fact that it does not benefit the whole.

The same is especially true on the Internet. There is a niche for every conceivable group and sub-group and some groups of which I would never conceive or would want to conceive (child pornography being an example). I worry, however, about a fracturing of our vision. I’m concerned about our ability to see beyond our own narrow scope of vision and interests anymore. (more…)

‘LitGraphic: The World of the Graphic Novel’ Exhibit Report

This weekend I had the pleasure of heading up to Stockbridge, MA, for the Comic Arts Festival and "LitGraphic: The Art of the Graphic Novel" exhibit at the Norman Rockwell Museum.

It was my first trip to the museum, and as I mentioned in my previous tease for the event, I’ve been kicking myself for not making the trip years ago, when I lived a much shorter distance from Stockbridge. The area surrounding the museum is a beautiful, rural landscape that was a breath of fresh air (literally) from the New York City madness.

The "LitGraphic" exhibit consisted of several rooms filled with various pieces of art from both well-known creators and some who I’ll admit I had never heard of prior to seeing their work on display in Stockbridge. On the day we attended, the museum was also playing host to some of the creators whose work was featured in the exhibit, and had scheduled several signings and other events as part of a "Comic Arts Festival."

One of the first pieces of art I encountered was a series of Niko Henrichon’s original, inked pages from Pride of Baghdad, including the impressive two-page "Baghdad Cityscape" spread. My less comics-savvy partner, who accompanied me on the trip, was amazed at the linework on the pages, and on several occasions when I wandered off to view other elements of the exhibit I returned to find her admiring this piece again.

Several pages of Terry Moore’s Strangers in Paradise also found their way into the exhibit, with one piece in particular catching my eye. Titled "The Point Is, She Found Me," the inked two-page spread included a sequence of progressively smaller square frames within a larger scene. The frames directed the reader’s eyes to a figure hidden in the bushes — something that might have been overlooked entirely without the frames zeroing in on the small face in the scenery. It was a nice, unconventional layout that added to the story instead of distracting from it.

In a corner of the exhibit were also some sketchbooks from artist Barron Storey, showcasing his jumbled, mixed-media style of work that appeared in Neil Gaiman’s Sandman: Endless Nights anthology. The display also featured a variety of dog-eared pages from his sketchbooks, including among other things, a set of small, incredibly detailed drawings of Saddam Hussein and Yassir Arafat on opposing pages. The former sketch was captioned with a single sentence: "Hussein, looking a bit like Stalin." (more…)

‘Final Crisis’ Preview Debuts

No matter how many times I hear about DC’s upcoming event-to-end-all-events Final Crisis, I can’t help saying its name to the tune of "<a href=”

Final Countdown." Is there something wrong with me?

Moving on…

DC just sent word that EW.com has posted a five-page preview of… Wait for it…

IT’S THE FIN-AL CRI-SIS…

While that’s all well and good, they’ve also posted a nice little drop-down Grant Morrison script for each of the pages. I dig it immensely — especially since I didn’t realize that a character was actually supposed to be looking over the shoulder of another character (and not at him) until I read it in the script.

I wonder how much stuff like that I miss every week. sigh

New ‘Watchmen’ Set Video – Costumes

Zack Snyder and the Watchmen movie crew recently delivered another video from the set of the film, providing a bigger peek at the "look" of the upcoming adaptation of Alan Moore and Dave Gibbons’ groundbreaking graphic novel.

This time around, costume designer Michael Wilkinson takes you on a tour of the clothing that makes the men — and women — of Watchmen.

UPDATE: Looks like the code JoBlo provided to embed the video wasn’t playing nice with our system here, but I think I’ve wrangled it into shape now. Apologies for the delay. – RM

 

 

 

 

(via Cinematical and JoBlo)

 

EZ Street: Opportunity Knocks

Is there a difference between being supportive and being co-dependent? Can a woman in a relationship with an artist get any respect? These are just a few of the questions raised in today’s brand-new episode of EZ Street, by Mark Wheatley and Robert Tinnell.

Credits: Mark Wheatley (Artist), Mark Wheatley (Colorist), Mark Wheatley (Letterer), Mark Wheatley (Writer), Mike Gold (Editor), Robert Tinnell (Writer)

More: EZ Street

 

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And the MTV Movie Award for Comic Books Goes To…

The annual MTV Movie Awards are pretty much the exact opposite of the Academy Awards. They’re funny and irreverant, the music’s decent and the voters are the public instead of an exclusive club of insiders. The categories change from year to year, and most importantly, comic book films actually manage to win on occasion.

So, when MTV announced the nominees for this year, I scanned the list for our four-color friends and called them out here. Some of the entries, though, were a bit surprising. After reading the nominees, be sure to go to the official site and cast your vote.

BEST FIGHT:

Alien vs Predator (Alien vs Predator: Requiem). Comic fans can claim this one since the two characters first crossed over in comics. I was impressed with Predator’s stirring emotional performance but it felt like Alien was playing it for the Academy.

Tobey Maguire vs James Franco (Spider-Man 3).  I was so rooting for the Peter Parker vs. Mary Jane dance-off getting nominated, but Parker’s fight with Harry Osborn/New Goblin was pretty cool, too.

BEST SUMMER MOVIE SO FAR:

Iron Man. This is an interesting category since most of the entries haven’t come out yet. But if we’re going to be true to the "so far" part, then yes, Iron Man wins. It’s a no-brainer at this point, really.

BEST VILLAIN:

Topher Grace (Spider-Man 3). This just makes me sad that the movie didn’t feature Spider-Man nemesis Venom a bit more instead of forcing him to share the spotlight with Sandman, a bad guy whose big exit involved crying and floating away.

The ‘Iron Man’ Merch: Where’s the Rum Gone?

There’s no denying that the Merry Marvel Marketing Machine went all out for Iron Man — to the tune of $75 million, in fact. From games and toys to Slurpee mugs, in the run-up to last week’s record-breaking release, it was difficult to go anywhere without being exposed to some sort of hype for Ol’ Shellhead.

Nevertheless, I’ll confess feeling a little old-school joy when I see some of the new movie merch making the rounds. Over at Cinematical, the movie blog’s crew posted a detailed look at one of the promotional Iron Man action figures they received a little while back, while EW’s PopWatch blog generated a bit of envy here at ComicMix with their treasure trove of Iron Man swag. Oh, and for the Iron Man completist, IGN posted a fairly comprehensive guide to the licensed Iron Man merchandise you can expect to see on shelves — at least until the collectors get their hands on them, that is.

As is often the case, however, my favorite piece of geekery fell a bit outside the range of mainstream Iron Man swag popping up around the InterWebs. In fact, it was something resembling love at first sight when I came across the Custom "Repulsive Iron Man" Marvel Legends Movie Figure seen here:

It’s a beauty, right? Not only is the figure packaged with a miniature bottle of Bacardi and a set of beer cans, but it also comes with a piece of original artwork by Shortpacked creator David Willis. It’s the perfect combination of comic in-joke and webcomic fun.

Check out the product pitch:

Decked out in sickly green metallics, inebriated shading, and vomitous brown highlights, Iron Man is loaded with disgusting detail. Load him up with the various miniature beer cans or his trusty bottle of Bacardi and he’s ready to battle the bad guys, just as long as you point him in the right direction first!

So, yeah… It’s too bad the auction ended last week. That would have been $152.51 well spent.

What I Can’t Write About, by Elayne Riggs

So last week my column was criticized for not being primarily about comics, the same day that my fellow columnist John Ostrander got over a dozen comments writing about politics, not one of which queried the appropriateness of his subject matter. Obviously people who have written and drawn comics for a living (Denny, Michael, etc.) can get a little more slack than someone who’s only ever written four comic book stories and had them all published. Not that I’m bitter! Oh no, indeedy; I’m actually grateful those critiques have given me fodder for this week’s column!

As I mentioned in my reply to this criticism, I understand some readers’ frustration with me not writing about comics more often. Even my mom asks me why I don’t focus on comics more often, and she doesn’t even read the stuff! But after all, ComicMix is a pop-culture site dominated by people heavily invested in the artform. Heck, that’s what CM 2.0 is all about, giving our readers original comics content. And we haven’t yet introduced a separate tab for our columns to distinguish them from our regular pop-culture news, so it’s probably reasonable to expect that we columnists will focus on comics as much as our news reporters do. And I love reading comics, but… but…

But nowadays, when I talk about my favorite reading material and hobby and community, I can usually only discuss what’s happened recently, not what’s going to happen in the near future or even Right This Very Week. As many of you know, this wasn’t always the case. About 10-15 years ago I did weekly comic book reviews on Usenet and CompuServe under the header "Pen-Elayne For Your Thoughts." I’d get the books on a Wednesday and most of the reviews would be up by Friday. My job at the time allowed me to do this, I was being somewhat under-used (technology and outsourcing would eliminate that position in ’97) and I had plenty of energy when I got home. Then I got a new job which proceeded to harness a lot of that energy, so the reviews had to go, I just couldn’t keep them up any more.

When I married Robin, I stopped buying most DC books the week they hit the stores, because as a regular freelancer for DC he receives a comp box each month of all the "pamphlets" they put out. For a time the comps were usually current to within a couple weeks of what was in the stores, so I could still keep up as plot discussions moved from Usenet to message boards. But by the time blogs became big, the synching had fallen a bit behind. (The new comp box arrived at our house on Monday, and I now have all the Countdown issues up until "04," when of course the current big discussion is about the final issue.

I also now have the first issue of Tangent: Superman’s Reign so I can finally read issue #2 which Robin inked and which came out in stores the Wednesday prior to the NY Comic Con. Just to give you an idea of the lag time here.) Four years ago, when my boss moved the office out to Westchester, my weekly visits to Midtown Comics to view the new books and collect my non-DC haul became an every other (or every third) week mail order. And because I no longer had the new comics when most of the active online discussions took place, I could no longer participate. By the time I acquire and read the book featuring the return of Barry Allen, or the mostly-Spanish issue of Blue Beetle that has this xenophobe’s drawers in a bunch, it will be well into June and everyone will have long since moved on. (more…)

Happy Birthday: David Michelinie

Born in 1948, David Michelinie loved comic books from early on and knew he wanted to write them. So he took a chance, and in the early 1970s he moved to New York to work for DC Comics.

He started out writing backup stories on House of Mystery and House of Secrets, then wrote seven issues of Swamp Thing. In 1978, he switched over to Marvel and immediately began writing The Avengers. From there he moved to Iron Man, Amazing Spider-Man, and Star Wars.

Michelinie was responsible for introducing both Jim Rhodes and Tony Stark’s alcoholism during his run on Iron Man, but he is perhaps best known for the supervillain he created and introduced in Amazing Spider-Man: Venom.

Since then, he has worked on Action Comics, Rai, H.A.R.D. Corps, Captain Fear, The Bozz Chronicles, and many others.

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