Gattaca Tales, by Ric Meyers
Well, it’s SF week at the ol’ DVD Xtra. Not sci-fi week, but SF week, using the “official” contraction sanctified by the Science Fiction Writers of America, of which I was once a member. Now, if I were considering the likes of I Robot and/or I am Legend – two Will Smith vehicles adapted from far superior books – then maybe it would be sci-fi week. But, no, I’m reviewing two wildly divergent films – one totally out of control and one totally in control – that best exemplify the “genre of ideas.”
As virtually almost always, the studios green-light these projects then never really know what to do with them or how to market them. So, while both these releases should have been (and would have benefited greatly from being) glutted with special features the way Will Smith’s DVDs are, they’re both a tad light in the digital loafers (as it were). The lightest, and the most needy, is Southland Tales, another ready-made cult classic created by writer/director Richard Kelly, who had already given the world Donnie Darko<span style=”font-style:
normal”>.
Anybody involved had to know what they were getting here. It’s not like the whole thing was improvised. In fact, during the thirty minute “making of” doc called “USIDent TV: Surveilling the Southland,” actors professed to not being able to understand the long script but signing on anyway. If any film needed an audio commentary, this one does, but it doesn’t have one. Instead, the half-hour behind-the-scenes featurette skims over a wide range of approaches – from actor interviews to set decoration to stunt detailing. Richard Kelly is much in evidence, however, vainly trying to defend and detail his base-level Dr. Strangelovian funhouse of a film.
Here, again, is where DVDs can improve the viewing experience. In theaters, Kelly’s overstuffed confection would, and did, become fairly intolerable. But taken in DVD chunks (or chapters, if you will), the futuristic action mystery musical dramedy can even be enjoyable … if only to marvel at Kelly’s hubris, and the huge cast who agreed to participate. Even as a game of “spot the cult fave,” the film can be fun. There’s the Rock, Sarah Michelle Gellar, Seann William Scott, Mandy Moore, Justin Timberlake, Christopher Lambert, Miranda Richardson, Wallace Shawn, Kevin Smith, Curtis Armstrong (Booger!), and Janeane Garofalo, as well as a bunch of past and future Saturday Night Livers and Mad–TVers.
Day Two at Wizard World LA and this time around it’s the X-Men Panel, hosted by Marvel Marketing Honcho Jim McCann. Featured on the panel are X-Force co-writers and "life partners" Chris Yost and Craig Kyle, as well as Matt Fraction, Marvel editor Aubrey Sitterson and X-Factor writer Peter David. Young X-Men writer Marc Guggenheim ran a bit late but managed to phone in and confirm, via speakerphone, that he would be arriving shortly.
It was the job everyone admired, but no one wanted to try: following in the footsteps of Will Eisner on The Spirit. For over a year, Darwyn Cooke stepped up to take on the task and in an exclusive ComicMix Radio interview, he talks about the good — and bad — moments, plus:
or 
DC Comics’ Manhunter was originally cancelled with issue #25 in 2006. After an outpouring of protest from fans, DC resurrected the series for five more issues with the promise of more if the five were successful.
Day one at Wizard World LA and we’re in the Mike Wieringo room for the DC Nation Panel featuring DC Comics Executive Editor Dan DiDio, VP of Sales Bob Wayne and writer Adam Beechen.
