Category: News

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RIC MEYERS: Fantastic Up Creature – Rise of the Surf’s Comforts

ff2-8815270There were rumors to the effect that the first Fox Fantastic Four movie was the victim of studio interference that somehow moved a mid-film confrontation to the climax. But given its success, FF2 would be the full, unadulterated vision of director Tim Story. Right?

Well, with the “Power Cosmic 2-Disc Edition” DVD release of Fantastic Four: Rise of the Silver Surfer, it appears those rumors were merely wishful thinking. If you liked #1, you’ll probably be fine with #2, but if, like me, you felt #1 was lacking, you, like me, may find #2 essentially insupportable in terms of comedy, drama, action, and/or romance.

On the one hand, Sue Storm — a.k.a. Invisible Girl a.k.a. Jessica Alba — is given a nice wardrobe, especially her pre-wedding robe. On the other hand, she’s given Cleopatra’s  make-up and has gotten the same disease as Lois Lane in Superman Returns and Mary Jane Watson in Spider-Man 3 – that is, the safety of the world is nothing compared with her bee-otchy, selfish, superficial ego needs.

But what of the special features, which, nominally, this column’s about? If you’ll remember last time, the first film’s DVD was saved by some above average history of comics and the graphic FF. This time just about the only thing that buoys the effort is the  “Sentinel of the Spaceways: Comic Book Origins of the Silver Surfer Documentary.” There’s also some interest inspired by the “Character Design with Spectral Motion Featurette,” but the rest of the many, many extras are self-congratulatory ego-boo fests for a job mediocrely done.

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A day that still lives in infamy…

images-9269317Fifty years ago today, Walter O’Malley announced that the Dodgers were moving from Brooklyn, New York to Los Angeles, California.

Not that we know people who are BITTER about that sort of thing, oh no. But just ask any Brooklyn Dodgers fan this question: You’re in a room with Hitler, Stalin and Walter O’Malley and you have a gun with two bullets: Who do you shoot? And of course the Dodger fans would say, "You shoot O’Malley twice."

DENNIS O’NEIL: Darkness in Four Colors

If I want to be reminded of a very good reason for being where I am for the next six weeks or so, all I need do is look out the window. The foliage is always glorious. I wish I were a poet, or Henry David Thoreau, or James Lee Burke, so I could properly celebrate the changing of the leaves.

But I’m not. What I am is a guy who’s had a lot of reason to think about superheroes and – here comes a stretch – they’re changing, too, just like the leaves.

Well, maybe not just like. Actually, whether you think these überpowered gallants are getting glorious or dreary as dishwater is emphatically a matter of opinion. If you’ve already made up your mind about this … permission to skip to another column granted. If you haven’t … some remarks.

They’re getting darker, these superheroes. Grim, tormented, almost tragic. No doubt about that. Just read a few comics, or, if time and/or budgetary constraints don’t allow for a trek to your nearest pop art dealer, turn on the television.

Because one of the major changes in the superhero saga is that they’re no longer the exclusive property of comics (or low-budget film and video enterprises.) There are the big budget theatrical movies, of course. And television is rife with superheroes, and I’m not referring to the Saturday morning kiddie television ghetto, either; I’m talking prime-time network stuff. It’s about money, as it usually is.

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Steven Massarsky: 1948-2007

Steven J. Massarsky, an attorney and businessman best known for co-founding Valiant Comics with Jim Shooter, died October 5, 2007 at 12:26 p.m. in Manhattan from complications related to cancer.

In 1989, Massarsky co-founded Voyager Communications Inc. (Valiant Comics), which grew into the third largest comic book publisher in the U.S. The company was sold to Acclaim Entertainment, Inc. where Massarsky remained as President and Publisher of the Acclaim Comics division until their bankruptcy. Prior to that, operated an entertainment law practice. His clientele included Nintendo, The Wailers, Cabbage Patch Dolls, the Psychedelic Furs, Collins Management, Aerosmith,

Tom Chapin

and

Willie Mays

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The response to Massarsky’s passing has been mixed. One industry pro said that thanks to a royalty agreement he signed with Massarsky, "I got the biggest damn check I’ve ever seen. Paid off all back debts and made a sizable downpayment on the home I am now in — which would never have happened otherwise. Because of the deal Massarsky made with me." On the other hand, other industry pros said Massarsky never paid them for work performed and that he "was such an asshole he was kicked out of rock ‘n’ roll by Aerosmith while they were still on drugs."

For a detailed, although obviously biased, look at Massarsky’s time with Valiant, see this interview with Jim Shooter.

25 years of Cats

Twenty five years ago today, the musical Cats debuted at the WinterGarden theater on Broadway. Featuring music by Andrew Lloyd-Webber, the show drew its lyrics from T.S. Eliot’s Old Possum’s Book of Practical Cats. The show ran for 7,485 performances over nearly 18 years, breaking the record for longest-running Broadway musical in 1997. The show closed almost seven years ago, and sadly, they still can’t get the cat smell out of the theater.

Phasing in with more to come

Wow, it’s been some week for ComicMix, and we appreciate all the kind words of support and terrific reviews we’ve seen so far!  Please let us know where you’ve seen our comics discussed, we don’t want to miss any feedback!  In the meantime, here’s your weekly wrapup of our regular columns:

As you can see, Mellifluous Mike Raub‘s Big ComicMix Broadcasts are now all accessible right from our front page, so no need to recap them here any more; just scroll down on the right sidebar and there they are!  In fact, it just so happens that all of the above columns can currently be accessed from our section entitled "More Comics News" at the bottom of our front page, mixed in with our news items.  Can a separate column archives be far behind?  Well, that would be telling, wouldn’t it?

BIG BROADCAST’s Stories Behind The Stories

captain_victory_3-9826848Needless to say, it has been a rather eventful week here at ComicMix, but not so much that we can’t take the time out to WELCOME all of you who may have just discovered us via news of our new, weekly and FREE comics. If you missed some of our Big ComicMix Broadcasts this week, here are some things we pointed you toward:

Even if you hate CSI: Miami, you will still enjoy this montage of cheesy David Caruso one-liners <a href=”

, then take a trip here for some ideas on making your own montages and getting CBS to use them!

That preview of the new Wallace and Gromit special can be seen here. Actually it is a short film about the next TV special, Trouble At’ Mill, which will debut on BBC One in fall/holiday 2008. 

If you are lucky enough to own any original Jack Kirby art from Captain Victory, Image Comics needs your help in order to produce the best looking hardcover of this project. Drop them a line here. (more…)

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MICHAEL H. PRICE: Shock! Theatre, 50 years later

camfield-as-gorgon-3959368The 40th anniversary of the Beatles’ arrival in North America occurred in 2004. So what else is new? That occasion could hardly be treated as commonplace nostalgia, so urgent has the influence remained. Witness Julie Taymor’s newly opened film, Across the Universe. Nor can mere nostalgia account for the significance of the 50th anniversary of a similarly intense cultural phenomenon known as Shock! Theater.

The likening of Shock! to the Beatles’ impact, and to rock music as a class, will become more evident, so bear with me.

Depending upon one’s hometown locale, some folks might remember Shock! Theater under some other proxy local-teevee title. My immediate North Texas readership recollects the syndicated-television breakthrough of Shock! Theater under the localized name of Nightmare. That Fort Worth version premiered in September of 1957 over a scrappy and innovative independent channel – a distinctive presentation of a nationwide syndie-teevee blitz.

In reviving a wealth of Depression-into-WWII movie chillers from Universal Pictures Corp., Columbia Pictures’ Screen Gems syndicate left the style of presentation up to the individual stations. A channel typically would assign a local-market announcer to pose as a creepy personality (such as John “the Cool Ghoul” Zacherle, in Philadelphia and New York) who would introduce the various Frankensteins, Draculas and so forth and then intrude at intervals to present blackout gags.

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BIG BROADCAST: Mad’s Main Man Talks!

10092_2_0030-9595782There probably hasn’t been a generation since the late 1950s that, in some way, hasn’t been touched by Mad Magazine. Born out of the Comics Code ravaged EC Comics, it went from four color comic to traditional magazine and broke circulation records that have yet to be topped. Today The Big ComicMix Broadcast begins our talk with Al Feldstein, a mainstay of EC’s glory days and the man who helped Mad on the map. Plus, The Hardy Boys get gamey, Image pulls the Kirby book and we take another step closer to Transformers 2.

Now PRESS THE BUTTON, please!

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MICHAEL DAVIS: The Fanboy Guide to Girls • Part 1

m-davis-9259250Wow, the site looks great! I really like those drawing of the columnists that…oh, they’re not there. Well I’m sure if there was an issue, the artist (who knocked himself out taking time out of his VERY busy schedule to draw them, sorry I mean the award winning artist who wrote the curriculum for the Museum of Modern Art’s art school) would have been told before he looked at the site and saw they were not there.

I’m sure of that.

Sorry. As Peter David would say, I digress. This column is about girls!

Girls, Girls, Girls!

When it comes to girls we comic book, movie, TV, video game and toy fans have been labeled geeks, nerds, losers, and fanboys – to name a choice few. In most popular culture fair we are often portrayed as the hapless idiot who has no idea how to talk to girls.

Sadly, this is true.

We are those geeks, nerds, losers, and fanboys that people think we are. Well, I’m not, I picked up girls like they were lint and I was a dust buster. You know why? Because I’m FUNNY! Look, you may not think I’m funny, but I am funny! How do I know that I’m funny? Because I’m paid to be funny!

I have written funny TV shows, funny comics, and funny columns. So if someone writes YOU a check for being thin even if strangers come up to you on the street and scream “Have you called Jenny yet?” then you are thin.

And even if nobody wrote me a check, I would still be funny!  Not in a Brokeback way, but in a ha ha kind of way.

See? That was funny!

Not as funny as not telling the artist who broke his back working with horrible photos to help develop a new look for a website and not telling him that there was an issue (the same artist who has a building named after him at a magnet school of the arts) no, not, that funny. But it was funny!

A sense of humor is sooo important with chicks! The problem with some of us (read: YOU) is that what you think is funny requires background information for it to be funny.

Consider this, that girl you are talking to (trying to talk to) may not get that Halo 3 joke you just told her. That blank stare you are getting is a good indication that she does not get the joke or get you.  It’s possible that the young lady doesn’t have Halo 3. It’s possible (sit down this may floor you) it’s possible they may have never heard of Halo 3.

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